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Lot 121
CLIVE PRYKE. Pair of framed, signed, watercolours on paper, one titled on label verso, 'Dorset Lane' rural village scenes, together with E. H. AKERS. Framed, signed, dated 1969, oil on canvas, still life of flowers, E. ROUTLEDGE. Framed, signed, oil on board, village lane and three framed prints, (7).
Lot 285
Leigh Hunt (British, 20th century), A pair of still-lives with Irises, oil on canvas; An oil still-life with a bouquet of flowers, The Darryl Nantais Gallery label verso; together with two figural studies in pencil, "Girl on the Train II", The Darryl Nantais Gallery label verso, and "Two Sisters", c. 1970, both signed 'Hunt' (5)
Lot 171
MARCELLO NIZZOLI 1887-196 9 Campari l’aperitivo 1926 STAR, Milano. Litografia a colori. Telato, leggermente ingiallito, strappo restaurato nel margine inferiore. Qualità B. 140 x 100 cm Più che un manifesto pubblicitario, Nizzoli firma uno straordinario brano di natura morta, un pezzo magistrale che strizza l’occhio ai bodegones spagnoli, e lo fa con un gusto permeato di valori formali postcubisti e atmosfere che richiamano la metafisica di De Chirico. Raro. Color Lithograph. Backed on linen, slightly yellowed, a restored tear in lower margin. Condition B. 55,12 x 39,37 in. More than an advertising poster, Nizzoli pens a unique still life, a masterly representation reminiscent of the Spanish bodegones, depicted with a taste permeated with Post-Cubist formal values and atmospheres that recall the metaphysical art of De Chirico. Rare. Bibliografia / Literature Catalogo Bolaffi del Manifesto Italiano, Torino, 1995, pp. 160-161. Marsano, XX Secolo Manifesti, Milano, 2003, p. 44. Piazza, Bellenda, Mangiare & bere nella pubblicità italiana 1890-1970, Cinisello Balsamo, 2014, p. 166. Villari, L’arte della pubblicità. Il manifesto italiano e le avanguardie 1920-1940, Cinisello Balsamo, 2008, pp. 162-163. 1000
Lot 66
LUIGI GHIRRI 1943-1992 Modena 1979 Stampa fotografica vintage a colori. Firma dell’autore e data al bordo dell’opera. 30 x 40 Vintage color C-print. Signed and dated on the margin recto. 11,8 x 15,7 in. Bibliografia / Literature Ghirri, Luigi Ghirri Still Life, 2004, Milano, p. 70. Mussini, Luigi Ghirri, Milano, 2001, p. 169. 2500
Lot 87
CAPTAIN FREDERICK MARRYAT, R.N. (1792-1848) JOINED THE NAVY IN 1806 AND, ALTHOUGH HE MISSED ALL THE BIG FLEET ACTIONS, HE ENJOYED A LIVELY NAVAL CAREER SEEMING TO TAKE HIS LEAD FROM HIS FIRST COMMANDER, LORD COCHRANE. BY THE CLOSE OF THE NAPOLEONIC WARS, HE HAD GUARDED NAPOLEON, PARTICIPATED IN SEVERAL SPIRITED FRIGATE ACTIONS, SURVIVED SERIOUS FEVERS, SAVED FIVE LIVES IN ACTION AND HAD BEEN PROMOTED COMMANDER. DESPITE ALL THIS, HE FOUND LASTING FAME INITIALLY FOR HIS SIGNAL CODE, FIRST PUBLISHED IN 1817. THE CODE OF SIGNALS FOR THE MERCHANT SERVICE BECAME AN INTERNATIONAL SUCCESS GOING THROUGH NO LESS THAN NINETEEN EDITIONS (NOT INCLUDING FOREIGN ONES) THROUGH TO 1879 AND WHICH WAS STILL USED BY SOME MERCHANTS UNTIL THE 1890S. WHEN HE RETIRED FROM THE NAVY (OR RATHER HOT-HEADEDLY RESIGNED ON THE NOMINAL GROUNDS OF 'PRIVATE AFFAIRS') IN 1830, HE BECAME A MAN OF LETTERS AND IT WAS IN THIS PART OF HIS CAREER THAT HE BECAME A HIGHLY POPULAR AUTHOR. HE SPAWNED MANY FAMOUS WORKS DRAWN CLOSELY FROM HIS OWN EXPERIENCES: NEWTON FORSTER, PETER SIMPLE, JACOB FAITHFUL, MIDSHIPMAN EASY, AND JAPHET WERE PUBLISHED TO GREAT ACCLAIM. THE LAST EIGHT YEARS OF HIS LIFE WERE DEVOTED TO CHILDREN'S STORIES INCLUDING MASTERMAN READY, OR, THE WRECK OF THE PACIFIC (1841) AND THE STILL-FAMOUS THE CHILDREN OF THE NEW FOREST (1847). HE ALSO COLLUDED WITH GEORGE CRUICKSHANK WHO WITTILY ILLUSTRATED HIS MIDSHIPMAN BEN BLOCKHEAD SERIES AND WHICH ARE OFTEN REPRODUCED IN MODERN REFERENCES. HE WAS APPOINTED A CB IN DECEMBER 1826 FOR DISTINGUISHED CONDUCT IN BURMA. captain frederick marryat's GOLD pocket watch, early 19th century, an 18K gold open face quarter repeating verge pocket watch with calendar, 2in. white enamel dial signed and numbered Courvoisier Frères, 48446, with Arabic numerals, outer minute track, inner calendar ring with corresponding hand, blued steel Breguet hands; matte gilt movement, full plate, verge escapement, three-arm brass balance, flat balance spring, pierced and chased continental cock with polished steel endplate, silvered regulation dial, repeating on gongs activated by depressing the pendant; contained within a three-body, "Empire" case with polished bezels, reeded band, gilt metal counter-signed cuvette hinged to the movement ring engraved "Captn. Fredk. Marryat, RN" -- 2¾in. (7cm.) high; together with a photocopied letter dated 1953 confirming the pedigree and line of descent, and a watch repairer's invoice dated 2010 stating the watch had been comprehensively overhauled at that time.
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