We found 77111 price guide item(s) matching your search
There are 77111 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
77111 item(s)/page
Lot 230
AFTER ZHOU GUAN (16th century) Ladies in a garden depicting Imperial life, titled 'Spring Morning in the Han Palace', with a seal of the artist, ink and colour on silk, 30.5cm, now framed but the original jade-mounted scroll still extant Provenance: Christie's London, 2nd December 1969, part of lot 107; from the Collection of the Hon. Theodore Francis Green.
Lot 69
LARGE DEHUA 'RHINOCEROS HORN' LIBATION CUP, KANGXI PERIOD, the bell-shaped cup supported by an openwork branch bearing prunus and magnolia flowers in relief on the lower body, 12.5cm long Provenance: The Collection of Professor E.T. Hall CBE, Christie's London, 7th June 2004, lot 107. Note: for a similar libation cup see - A Still Life by Leonard Knyff, 1681; see also Marchant London in their 2014 Blanc-de-Chine exhibition, no.131.
Lot 71
BLANC DE CHINE MAGNOLIA BLOSSOM CUP, KANGXI PERIOD the bell-shaped cup supported by an openwork branch stand bearing prunus and magnolia flowers applied to each side in medium relief Provenance: Bought from Christie's 7th June 2004 from the E.T. Hall Collection of Chinese Monochrome Porcelains lot 107. Note: for a comprehensive history see "Blanc de Chine Porcelain from Dehua", the Hickley Collection, no. 122. A similar cup appears in a still life by Leonard Knyff dated 1681. For a rhinoceros cup carved with a similar design see Chapman (1999.166)
Lot 72
BLANC DE CHINE MAGNOLIA BLOSSOM CUP, KANGXI PERIOD the bell-shaped cup supported by an openwork branch stand bearing prunus and magnolia flowers applied to each side in medium relief Provenance: Bought from Christie's 7th June 2004 from the E.T. Hall Collection of Chinese Monochrome Porcelains lot 107. Note: for a comprehensive history see "Blanc de Chine Porcelain from Dehua", the Hickley Collection, no. 122. A similar cup appears in a still life by Leonard Knyff dated 1681. For a rhinoceros cup carved with a similar design see Chapman (1999.166)
Lot 489
Cyrus Afsary (Arizona, b. 1940-41), Still life of flowers, signed 'S Afsary' and inscribed 'Tehran', oil on canvas, 69 x 48cmNote: The painting is an early work and is signed 'S Afsary' because the the artist's name in Persian is 'Sirous'. It became 'Cyrus' when he moved from Tehran to the US.With thanks to Cyrus Afsary for kindly confirming the authenticity of this work.
Lot 562
* PETER GRAHAM ROI (SCOTTISH b 1959), OLD TOWN, ALTEA gouache on paper, signed and dated '89 75cm x 62cm Mounted, framed and under glass. Note: A rare appearance at auction for one of Scotland's and the UK's most successful contemporary artists. Peter Graham was born in Glasgow in 1959. He attended the Glasgow School of Art, graduating in 1980. In 2000 Peter was elected to Full Membership of The Royal Institute of Oil Painters, R.O.I. Peter has earned a reputation as one of Britain’s most gifted and distinctive Modern Colourists. His work is often related to the Modern Scottish School but Peter has a flamboyant style which is unique, – detailed brush work combined with loose fluid strokes creating vibrant contrasts of pure colour, line and tone. In the winter months within his studio he delves deeply into the still life genre, creating some of his most stunning compositions, always with colour the dominant theme but reflecting the heightened sense of atmosphere and passion that comes directly from painting in the beauty of the Mediterranean. Recently, hugely successful exhibitions in London have allowed Peter to take on extra studio space and his work is being enthusiastically exhibited by many of the UK's most prestigious galleries.
Lot 534
* TOM FLANAGAN, STILL LIFE WITH A COFFEE POT oil on board, signed 46cm x 61cm Framed Note: Very little is known about Tom Flanagan, although works by him occasionally surface in salerooms around the UK. He paints accomplished copies of well known paintings often by the Scottish Colourists. He also takes aspects of known paintings by an artist and combines them with elements of other works by that same artist. Flanagan has also copied the work of Sir Alfred Munnings, Sir Alfred Arnesby Brown and Jack Vettriano . Flanagan's paintings are not forgeries as his work is always firmly signed in his own name.
Loading...-
77111 item(s)/page