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Lot 181
Pair of 17th Century style Old Master copy, still life studies of vases of flowers, oils on canvas. 70 x 50cm approx. (2)(B.P. 24% incl. VAT) CONDITION REPORT: One has a very large tear through it. The other has a smaller tear, therefore, loss to paintwork, especially on the one with the larger tear.
Lot 171
A Riann, still life study of vase of roses, watercolours, 37 x 38cm approx, framed and glazed. Together with Thomas Victor, 'Mousehole', a street scene, signed, watercolours, 38 x 27cm approx and Andrew Findlay, a farmhouse in the snow, signed, watercolours, 36 x 50cm approx, framed and glazed. (3)(B.P. 24% incl. VAT)
Lot 8
David de Coninck (Flemish, 1644-1701)A Still Life of Fruit on a Silver Dish with Figure, Rabbits, Parrot, and Monkey Beneath a Broken Capital and an Ornamental UrnOil on canvas48 5/8 x 69 1/8 in. (123.5 x 175.6cm)PROVENANCE:Christie's, London, sale of July 15, 1949, lot 38 (as Frans Snyders, Flemish, 1579-1657).Acquired directly from the above sale.Mallet & Son, London, United Kingdom.Collection of William Randolph Hearst, California.Sotheby's, Los Angeles, sale of November 7, 1977, lot 132 (as Flemish School, late 17th Century).Private Collection.Sotheby's, London, sale of December 12, 1990, lot 70 (as by David de Coninck).Private Collection, Florida.EXHIBITED:Los Angeles County Museum of Art, Los Angeles, California, no. 49.33.2 (on loan from the Collection of William Randolph Hearst).NOTE:The present work was painted during de Coninck’s time in Rome, circa 1671-1694, probably in the 1680s. De Coninck very rarely signed his works, which is why many of his paintings have been wrongly attributed to other artists, such as Joannes Fijt, Frans Snijders, Abraham Brueghel, and his teacher, Peeter Boel.We wish to thank Dr. Fred Meijer of the Rijksbureau voor Kunsthistorische Documentatie, also known as the R.K.D., for confirming the authenticity of the present lot and for his kind assistance in cataloguing it.
Lot 30
Emilie Preyer (German, 1849–1930)Still Life with Peach, Plums, Grapes and Hazelnuts with Fly on a Tablecloth; together with a companion paintingBoth signed 'Emilie Preyer' bottom right, one also illegibly inscribed, dated '1903' and signed on stretcher verso; pair oils, one on paper laid down to canvas, the other directly on canvasLargest: 7 1/8 x 9 3/4 in. (18.1 x 24.8cm)(2)PROVENANCE:David Bendann's, Baltimore, Maryland.Private Collection, Baltimore, Maryland.By descent in the family.Private Collection, South Carolina.NOTE:An important female painter in 19th and early 20th century Germany, Emilie Preyer was an unofficial student of the Düsseldorf Royal Art Academy. She also received training from her father, the well-known still life painter Johann Wilhelm Preyer, a master of the Düsseldorf School of painting. While Emilie's painting is closely tied to her father's work, she is recognized in her own right as a skillfull trompe l'oeil tabletop still life painter. Rendered with great optical fidelity and meticulous detail, Emilie Preyer's still lifes are carefully arranged, typically featuring fruit, sometimes accompanied by champagne, nuts and insects.Each of the present paintings features grapes, peaches, and a fly. Water droplets are also present in each work, and one of the paintings includes plums and hazelnuts. While the fruit is placed atop a marble slab in one of the paintings, and on a tablecloth in the other, the transience of life is apparent in each: in the former painting, the peach in the background is beginning to rot, as noted by the turning color of its skin; in the latter painting, the plum skins have started to split, also indicating that the fruit is past its prime. Preyer's fool-the-eye mastery is clearly on display in each work, not only in terms of the technical proficiency with which the paintings' elements are depicted, but also in terms of her purposeful placement of individual elements over the front edges of the tabletops: a single grape in one painting, and a plum leaf in the other. In so doing, Preyer convincingly breaks the surface of the picture plane, thereby creating a visual foreground which draws the viewer into each finely painted composition.We wish to thank Mr. Hans Paffrath from Galerie Paffrath in Düsseldorf, Germany, for kindly confirming the authenticty of the present works.
Lot 504
George Patterson: Still life with vase and fruits, oil on canvas, signed, dated '95, 40cm by 50cm. CONDITION REPORT: *** George Patterson (1927 - 2017) was a celebrated artist of the North East and founded the famous Jarrow Art Group along with his friend and fellow painter Ken Stewart. Members of this group also included Kenneth Watts and Vince Ray who were both well-known local artists. George Patterson held a successful solo exhibition at The Customs House in South Shields and went on to develop a loyal following amongst the region's art collectors.
Lot 574
PICTURES AND PRINTS ETC, to include limited edition prints by Seery Lester, W.R.Jennings, Arthur Delaney and Charles Bell, watercolour of the Norfolk Broads by D.Graver, Miracle-Gro promotional posters, still life of fruit by E.Moyes, oil on board, Maritime pictures and a faded tapestry etc (19)
Lot 534
FOUR WATERCOLOUR PAINTINGS to include Marie Low, still life of carnations in a wicker basket, signed and dated 1895, framed, Continental landscape with horse and cart, signed Mahner, framed, Continental market scene with artist monogram, framed, watercolour sketch of wild flower, unsigned and a print of children at the beach, largest size approximately 28cm x 43cm (5)
Lot 597
PAINTINGS AND PRINTS ETC, to include a coastal landscape attributed to Ellen Clacy (FL 1878-1916), watercolour of Valle Crucis Abbey attributed to Thomas Girtin (poor condition), watercolour by D.Dawson, oil on canvas still life flower study, indistinctly signed, butterfly specimens collected by Lieut Brook in China, together with various prints etc
Lot 299
Jazz LPs / Box Sets, approximately fifty-five albums and eighteen Box Sets of mainly Jazz with artists including Dexter Gordon, Mal Waldron, Duke Ellington, The Jazz Crusaders, Wes Montgomery, Phineas Newborn and more - fifteen of the Box Sets are from the Time Life Swing Era series and still in (opened) polywrap, others in Various conditions
Lot 441
C20th Russian paintings by LEO KLIN, provenance, friend of vendor with a photo of the artist & signed dedication. Unframed canvas, of clown mask with glass vase & parchment signed & dated lower right 1940 57H x 39W cm, still life with mirror surmounted by cherub signed & dated lower left 1949 68H x 51W cm & still life mask with orange beads, signed & dated lower right 1939 54H x 44W cm framed & glazed
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