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JEAN FLETCHER; oil on board, 'Rose Composition', still life study of roses, initialled, also signed and titled to label verso, 60 x 44cm, framed, together with a 20th century British oil on board, city view with figures rushing from shops and restaurants, indistinctly signed, Liverpool Fine Arts label verso, 49 x 39cm, framed (2).
JAMES REVILLE (Scottish, 1902-2000); watercolour, 'Chincherinchees', still life of flowers in a porcelain jug, signed and titled to label verso, 52 x 32cm, framed and glazed, together with Jane Fyfe (Scottish, 1914-2011); gouache on paper, still life of flowers in a pot on a garden wall, signed, 55 x 43cm, framed and glazed (2).Condition Report: This lot may qualify for Artist Resale Rights. For further information, please visit https://www.dacs.org.uk or https://artistscollectingsociety.org
K B ??? "Study of boats in a harbour", oil on canvas, signed indistinctly lower right, 38 cm x 46 cm, together with MID 20TH CENTURY SCHOOL "Study of a man in green jumper", oil on canvas, indistinctly signed and dated lower left, 56 cm x 36 cm, J CHAFFARD-LUGO "Still life study of roses in a vase", oil on panel, signed and dated 1951 lower right, 46 cm x 33.5 cm, together with various other paintings (7)
Attributed to Martinus Nellius (active 1670 - 1719 The Hague)A still life with a dead bird suspended, a bowl of nuts, pipe and an orange on a table, with butterflies oil on panel28 x 23.3cm (11 x 9 3/16in).Footnotes:Provenance Sale, Sotheby's, London, 13 December 1978, lot 91For further information on this lot please visit Bonhams.com
Simon Pietersz. Verelst (The Hague 1644-1721 London)Still life of roses, poppies, convolvulus and other flowers in a glass vase on a stone ledge bears signature and date 'S.Verelst/ 1670' (lower right) oil on canvas46.6 x 37.3cm (18 3/8 x 14 11/16in).Footnotes:ProvenanceAcquired by the present owners' grandmother in the 1940sWe are grateful to Dr Fred Meijer for confirming the attribution to Verelst upon inspection of photographs.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Sebastiano Ittar (Italian, 1768-1847)A trompe l'oeil still life of a group of prints on a marble-top; and A trompe l'oeil still life of maps of Malta along with drawings of soldiers and costumes of Malta the former inscribed and signed 'Sijno le presenti dedicate al merto imparegnabile Ecc:za il Ven:do Balj Fr. Francesco de Conti Trotti: Generale della Squadra/ delle Galere, dell'Inclitto Sacro Ordine Gerosolimitano: dal suo umilisimo Servo Sebastiano Ittar Architetto' (on the watercolour of a boat, upper right)a pair, pen, ink and watercolour40.3 x 55.2cm (15 7/8 x 21 3/4in). (2)Footnotes:The son of an architect, Stefan Ittar, Sebastiano moved, with his father to Malta, where the pair worked on the Library of Valetta. After his father's death in 1790, Sebastiano then moved to Rome. He is perhaps best known as one of the architects employed by Thomas Bruce, 7th Earl of Elgin in the very early 19th century to take measurements and make drawings of the ancient buildings in Athens.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
French School, early 19th CenturyA still life of shells with books, a bunch of lilac, primulas and a Jay oil on canvas, unlined56.2 x 46.6cm (22 1/8 x 18 3/8in).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Neapolitan School, 17th CenturyFlowers in a glass vase with a potted amaranthus tricolour with fruit on a stone ledge, before a landscape signed with initials 'MDC' (lower right)oil on canvas98.8 x 183.4cm (38 7/8 x 72 3/16in).Footnotes:ProvenanceThe Alvarez de Toledo family, USA, for more than 100 yearsStylistically the present lot comes close to the work of 17th century still life painters such as Giuseppe Recco, and intriguingly two works assigned by R. Causa to Marco de Caro (Galleria Nazionale, Rome, and Accademia di San Luca, Rome), which were widely believed to be by the same hand, and had previously been attributed to Giuseppe Recco. The presence of the monogram 'MDC' in the present work might suggest Marco de Caro as a possible author. In 1680 the artist is recorded as enrolling in the guild of painters in Naples, making him a rough contemporary of Andrea Belvedere. His existence as a painter rests on two still lifes signed 'Marco di Caro', formerly in the Canessa Collection, Rome (see: R. Causa, 'La Natura morta a Napoli nel Sei e Settecento', in Storia di Napoli, 1972, p. 1026, fig. 421; and Luigi Salerno, Still life painting in Italy, 1984, p. 255, fig. 69.1). The Alvarez de Toledo family played a very prominent role in the political life of Spain and her empire with a viceroy of Naples and a Governor of the Netherlands amongst their number. In 1802, Cayetana de Silva y Alvarez de Toledo died without heir and so the dukedom of Alba was inherited by a relative, Carlos Miguel Fitz-James Stuart, but other branches of the family continue to hold other historical titles.This lot is subject to the following lot symbols: * TP* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.TP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
G L Reekie, Still life of fruit and pewter tableware,oil on canvas, signed and dated 1967,43.5x64.5cm.Condition report:There is a slight compression to the canvas almost dead centre, just to the left of the stein spout. There are also a couple of other areas (top left corner and bottom right corner to right of the apple) that at the right angle cates a blemish/ crackling of the paint that appears as though scratched.
JONAS WOOD (AMERICAN 1977-) LARGE SHELF STILL LIFE - 2017 Off-set lithograph, from the edition of unknown size, published for the 'Shio Kusaka Jonas Wood' exhibition at Voorlinden Museum & Gardens, Wassanaar, the Netherlands, 30 September 2017 - 7 January 2018Dimensions:the sheet 58.5cm x 58.5cm (23in x 23in), unframed
Three 20th century paintings and a wooden carving. Comprising a carving featuring a lion, 20.5cm x 18.5cm, an oil on board of a farmhouse scene, 13.5cm x 14.5cm, an oil on canvas depicting a floral still life, signed 'Kay Joyce', 60cm x 65cm, and a signed watercolour landscape, 38cm x 17cm, framed and glazed
Collection of English pottery and porcelain coffee cans and small mugs, circa 1810 and later, including a bat printed example with figures in landscape, another with burnt orange ground, gilt and painted in iron red with leafy tendrils, another with salmon and gilt marbled border, a Minton example with gilt and dark blue ground leafy border and others, a Continental porcelain example similar, painted with a still life and swags and a small Continental porcelain mug painted with a band of flowers Condition ReportLight surface scratches, most with wear to gilt. Two with hairlines and crazing. General wear and tear.
An assortment of 20th century china to include an Aynsley Orchard Gold lidded urn vase with gilded details, a pair of hand painted Henwick still life fruit cabinet plates in the manner of Royal Worcester, a Paragon fine bone china cup and saucer being decorated with gilded scrolled pattern and florals in the Alexandria pattern and a Dresden figurine in the form of a Rococo era society lady with delicate lace skirt. Measures 23cm tall.
Lilian Buchanan (British, b.1914 - d.2004), Still life depicting flowers in a jug, oil on board, signed lower right, gilt framed, signed 'L.R. Buchanan. Art. W. A.' to the reverse, 56cm x 45cm (framed), 49.5cm x 39.5cm (unframed)This work is in good condition overall, with slight marks and scratches to the surface of the paintwork.
Elliot Klein (Contemporary), 'Still life with lemons and strawberries', oil on board, signed 'Elliot Klein' (lower right), 67cm x 84cm (framed), 44cm x 60.5cm (unframed)This work is in good condition overall, with slight signs of wear to thee paintwork, scratches and marks, although minimal are present. The frame has some signs of wear.
Herdis Gelardi (Danish, b.1916-d.1991), 'Still life of flowers and fruits', oil on canvas, signed 'Herdis Gelardi' (lower left), gilt framed, 62cm x 72cm (framed) and 48cm x 57.5cm (unframed)This work is in good condition overall, with minor marks to the paint surface and some slight scuffs to the frame.
Jean Dupays (French), 'Still life with pears and daffodils', oil on canvas, signed 'Dupays 1985' (lower left), gilt framed, 76cm x 57cm (framed) and 60cm x 41cm (unframed)This work is in good condition overall. There is evidence of slight wear to the paint surface with minor marks and scratches.
Jean Dupays (French), 'Still life with flowers', signed '1986 Dupays' (lower left), oil on canvas, 102cm x 71cm (framed), 90cm x 59cm (unframed)This work is in good condition overall, with slight signs of wear to the paint surface and natural hairline cracks to the edges. The frame has slight scuffs.
A French school still life painting, in the manner of Le Fauconnier, still life, oil on board, unframed, 51cm x 60cmThis work is overall in good and sturdy condition, with signs of wear to the paint surface such as minor scratches, cracks to the paintwork and scuffs to the edges due to a lack of frame.
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77111 item(s)/page