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Lot 249

Collection of silver items to include; silver handled button hooks, shoe horns, dressing mirrors, etc

Lot 337

the first, by George Unite for Benzie of Cowes, Birmingham 1882, of rectangular form, with sprung hinged cover activated by a push button to the side and with strike to the base, the front decorated with two crossed flags - the white ensign and the pennant of the Royal Yacht Squadron - in full coloured enamel, signed to the inner lip 'Benzie Cowes'; the second by Robert Chandler, Birmingham 1920, of similar form, the front decorated with the Coat of Arms of the Leys school, Cambridge, below a crest, in full colour enamel, with suspension ring to the side, 2.16ozt gross (Qty: 2)Footnote: Other notes: Benzie of Cowes, known as the yachtsman's jeweller, is famous for producing jewellery and objets using enamelled signal flags and other nautical flags and their products are highly collectable.

Lot 34

the first with a glazed oval panel over a finely wrought silhouette of a young man with pigtailed wig, lace frilled shirt and buttoned frock coat, in black enamel on a plain gold ground to a floral and foliate border with detailing in very fine black enamel, the whole in a gaspipe and polished border, closed back setting, simple pin and hook clasp, length 2.8cm; the other brooch with a circular thick black onyx plaque in the centre of which is a raised button of patterned black enamel around a rose cut diamond highlight, the whole in a broad undulating border with six raised reeded half hoops, bright cut decoration, and ropetwist edges, back with pin and suspensory loop, diameter 3.1cm (Qty: 2)

Lot 340

the first by George Unite for Cooke & Kelvey, Birmingham 1900, of plain rectangular form with sprung hinged cover, strike to the cover top, and with an integral cheroot cutter, activated by push button to the side and with suspension ring; the second by Frederick Edmonds, London 1896, of plain convex rectangular form, strike to the inner of the small hinged cover, the side with integral hinged penknife and with slide activated integral propelling pencil, suspension ring to the base; the third by Thomas Johnson I, London 1887 of plain rectangular form with sprung hinged cover activated by push button to the side, strike to the base, the front decorated with a miniature crown wind mechanical pocket watch with white dial, black Roman numerals, blued spade hands and chemin de fer chapter ring, hand setting button at 11 o'clock, within a horseshoe border, suspension ring to the cover top (Qty: 3)

Lot 359

by B.H. Britton & Sons, Birmingham 1926, of rectangular form decorated all over with engine turned engraving within an engraved chevron border, the cover fashioned as the reverse of an envelope, with a central circular vacant cartouche, the spring loaded piano hinge with push button release, the interior with an elasticated retainer,151g gross (Dimensions: w: 11.50cm d: 8.50cm)(w: 11.50cm d: 8.50cm)

Lot 360

by B.H. Britton & Sons, Birmingham 1927, of rectangular form with chamfered edge, decorated all over with engine turned engraving within a Greek key style engraved border and with a rectangular vacant cartouche top left, the spring loaded piano hinge with push button release, the interior with an elasticated retainer,139g gross (Dimensions: w: 1.50cm d: 8cm)(w: 1.50cm d: 8cm)

Lot 363

by the Goldsmiths' & Silversmiths' Co, London 1921, of rectangular form, decorated all over with engine turned engraving, the spring loaded piano hinge with concealed push button release, the interior with elasticated retainer, presented in a protective cover with the retailer's details embossed in gold to the top left corner, 193.9g gross

Lot 364

by John Henry Wynn, Birmingham 1927, of cushion, slightly convex form, with spring loaded piano hinge and push button release, the interior with two elasticated retainers,105g gross (Dimensions: w: 9cm d: 8cm)(w: 9cm d: 8cm)

Lot 366

circa 1930, with Austrian marks for Vienna and the Horsehead stamp indicating 14ct gold, the rectangular cover beautifully decorated with engine turned engraving around a scroll edged border, the handle similarly decorated, with sliding button to activate the release of the spring loaded and hinged rectangular shaped spectacles, with black cord and tassel attachment fitted with an oval enamelled slider, gross weight 34.5g (Dimensions: h: 8.5cm)(h: 8.5cm)

Lot 380

circa 1793, the outer (and inner) case by James Richards with London hallmarks for Sterling silver, the lid activated via a push button, the open faced pocket watch with unsigned white dial, 41mm diameter, black Roman numerals, silver coloured fleur-de-lys hands and chemin de fer chapter ring, the front loading signed mechanical key wind fusée movement numbered 6690, ornately engraved, with pierced and engraved balance cock, gross weight 117.8g and presented with the winding keyFootnote: Other notes: For nearly four centuries Cuckfield was renowned as a centre for clockmaking and repairs with the earliest records of this profession going back to 1627. From the late 18th Century to the 1930s the Bates family were the predominant clockmakers in Cuckfield. Edward Bates (1767-1845) established his business in 1790 making clocks and banjo-type barometers, with William Bates (1816-1896) continuing the family business. Hubert Bates (1865-1945), grandson of Edward, continued with the family business until the 1930s.

Lot 381

circa 1834, the outer (and inner) case by William Harris with London hallmarks for Sterling silver, the lid activated via a push button, the open faced pocket watch with unsigned white dial, 48mm diameter, black Roman numerals, silver coloured spade hands and chemin de fer chapter ring, the signed front loading mechanical key wind fusée movement under a removeable dust cover ornately engraved and numbered 41262, with pierced and engraved balance cock, gross weight 165.5g and presented with the winding key

Lot 382

circa 1785, the outer case of brass with (probably) tortoiseshell overlay, the lid activated via a push button, the open faced pocket watch with unsigned white dial, 38mm diameter, black Roman numerals, gold coloured spade hands and dot minute track, the front loading signed mechanical key wind fusée movement ornately engraved, with pierced and engraved balance cock, the gilt case with London hallmarks for Sterling silver, with rare incuse duty mark, the outer engraved, 'IH 1790' gross weight 107.6g and presented with the winding key

Lot 383

circa 1807, the outer (and inner) case by James Richards with London hallmarks for Sterling silver, the lid activated via a push button, the open faced pocket watch with unsigned white dial, 48mm diameter, black Roman numerals, gold coloured spade hands and chemin de fer chapter ring, the signed front loading mechanical key wind fusée movement ornately engraved, with pierced and engraved balance cock, gross weight 149.1g and presented with the winding key

Lot 384

circa 1829, the outer (and inner) case by James Heales with Birmingham hallmarks for Sterling silver, the lid activated via a push button, the open faced pocket watch with unsigned white annular dial, 48mm diameter, black Roman numerals, gold coloured spade hands and chemin de fer chapter ring, engraved brass centre floral design and the brass edge to the dial engraved, 'Keep me clean and use me well and I to you the truth will tell', the signed front loading mechanical key wind fusée movement ornately engraved and numbered 1159, with pierced and engraved balance cock, gross weight 167.7g and presented with the winding keyFootnote: Other notes: Samuel Maddock was born around 1780 and was one of the famous Maddock family of clock and watchmakers of Winsford.

Lot 385

circa 1814, the outer (and inner) case by Joseph Glenny with London hallmarks for Sterling silver, the lid activated via a push button, the unsigned open faced pocket watch with unsigned white dial, 47mm diameter, black Roman numerals, gold coloured spade hands and chemin de fer chapter ring, the signed front loading mechanical key wind fusée movement ornately engraved and numbered 5797, with pierced and engraved balance cock, gross weight 142.7g and presented with the winding keyFootnote: Other notes: John Paxton (1756-1832) was an English watch and clockmaker born in 1756 in Higham Ferrers in Northamptonshire. Paxton is recorded as working in St Neots in Huntingdonshire from 1784 until his death in 1832.

Lot 386

circa 1833, the outer (and inner) case by Samuel Strahan with London hallmarks for Sterling silver, the lid activated via a push button, the open faced pocket watch with white dial, 48mm diameter, black Roman numerals, gold coloured spade hands and chemin de fer chapter ring, the front loading mechanical key wind fusée movement ornately engraved and numbered 3036, with pierced and engraved balance cock, gross weight 184.5g and presented with the winding key

Lot 387

circa 1822, the outer (and inner) case by Vale & Rotherham with Birmingham hallmarks for Sterling silver, the lid activated via a push button, the open faced pocket watch with unsigned white dial, 46mm diameter, black Arabic numerals, gold coloured spade hands and chemin de fer chapter ring, the centre painted with a pastoral scene of a gentleman fishing, the signed front loading mechanical key wind fusée movement ornately engraved and numbered 4598, with pierced and engraved balance cock, gross weight 139.3g and presented with the winding key

Lot 388

circa 1805, the outer (and inner) case by William Ryley with Birmingham hallmarks for Sterling silver, the lid activated via a push button, the open faced pocket watch with unsigned white dial, 42mm diameter, black Roman numerals, gold coloured spade hands and chemin de fer chapter ring, the signed front loading mechanical key wind fusée movement ornately engraved and numbered '151', with pierced and engraved balance cock, gross weight 127.3g and presented with the winding keys

Lot 389

the outer (and inner) case with indistinct maker's mark overstruck by Joseph Walton, London 1815, the hinged cover activated by push button, the open faced pocket watch with white enamel dial, 50mm diameter, black Arabic numerals, gold coloured spade hands and dot minute track, front loading mechanical key wind fusée movement, signed 'T Spencer London' number 6570, with engraved balance cock, and presented with the winding key

Lot 390

the silver outer case by William Howard, Birmingham 1813, the lid activated via a push button, the open faced pocket watch with unsigned cream coloured dial, 44mm diameter, black Arabic numerals, gold coloured spade hands and chemin de fer chapter ring, the case, 46mm diameter, the reverse with a scene of an amorous couple in a state of undress, sitting on a stool between draped curtains, the signed front loading mechanical key wind fusée movement ornately engraved and numbered 2022, with pierced and engraved balance cock, gross weight 126.6g and presented with the winding keyProvenance: By repute - Originally owned by Claude de Benales (See the book 'The Magnificent miner'), allegedly the richest man in Australia and thence by descent.Footnote: The earliest erotic pocket watches date back to the 17th century when wealthy clients were offered the option of having a dial or caseback customised with a painting or an engraving. Portraiture was a popular style and it was common to request an image of a spouse or a lover to be painted on the back. Religious authorities in the watchmaking areas of Switzerland formed an alliance to seize and destroy such watches. As a result, watchmakers either decorated the interiors of pair cased watches or found a way to create a separate hinged caseback that concealed the image so that the watch appeared no different from any other. Over time, erotic watches became a social taboo and when timepieces transitioned from the pocket to the wrist watch in the early 20th century, this clandestine tradition was all but forgotten.

Lot 396

circa 1910, the signed white dial with gold coloured floral decoration, 39mm diameter, with gold coloured Arabic numerals each within an individual green guilloché disc and blued spade hands, the outer with gold coloured foliate embellishments and visible balance, the mechanical crown wind 8 day movement with mainspring and barrel across the full width of the movement, pumpkin shaped winder and hand setting button at 11 o'clock, the square gunmetal finished 'Brevet Bridge 33606' hinged case, 50mm x 50mm, with push button catch, case number 383

Lot 399

the signed white dial, 40mm diameter, with black Roman numerals, blued spade hands, subsidiary seconds register and chemin de fer chapter ring, the unsigned mechanical crown wind 8 day movement number 7032 with hand setting button at 1 o'clock and onion shaped winder, the case stamped '935' in addition to Swiss marks of three standing bears for 935/000 standard silver, number 131113, the cuvette similarly marked, gross weight 121.2g

Lot 402

the off-white coloured dial, 65mm diameter, with black Arabic numerals, gold coloured Louis style hands, subsidiary seconds register and chemin de fer chapter ring with outer Arabic minute indicators, the centre decorated in full colour with a foliate ring, the mechanical crown wind movement with onion shaped winder and hand setting button at 1 o'clock, the gun metal case, 80mm diameter, numbered 20741, the cuvette similarly numbered

Lot 403

the off-white coloured dial, 57mm diameter, with black Roman numerals, blued spade hands, dot minute track and four subsidiary dials to record day, date, month and a combined seconds and moonphase, with scrolled decoration to the centre and border, the mechanical crown wind movement with onion shaped winder and hand setting button at 1 o'clock, the base metal case, 68mm diameter, numbered 106169, the cuvette similarly numbered

Lot 404

the white dial, 41mm diameter and marked 'Swiss made', with black Roman numerals, blued cathedral hands, chemin de fer chapter ring and four subsidiary dials to record day, date, month and a combined seconds and moonphase, with gold coloured scrolled and star decoration around the hour markers, the unsigned mechanical crown wind movement with onion shaped winder and hand setting button at 1 o'clock, the case, 48mm diameter, stamped '935' in addition to Swiss marks of three standing bears for 935/000 standard silver, number 66238, the cuvette similarly marked, verso with engine turned decoration around a belted and vacant escutcheon shaped cartouche

Lot 405

circa 1924, the signed white dial, 41mm diameter, with black Roman numerals, blued spade hands and lower centre seconds register, sweep centre 0-60 seconds and upper centre minute register, the unsigned mechanical crown wind movement number 173921 with pumpkin shaped winder and hand setting button at 1 o'clock, the case with sponsor mark of George Stockwell and London import marks for Sterling silver, number 111687, the cuvette similarly numbered, gross weight 92.4g

Lot 407

circa 1911, the front lid with blue enamel Roman numerals between an outer circle and in inner chemin de fer chapter ring, the signed white dial, 43mm, with black Roman numerals, blued spade hands, subsidiary seconds register and chemin de fer chapter ring, the mechanical crown wind Ludgate movement with hand setting button at 4 o'clock numbered A5651, the case, 52mm diameter, by James William Benson, with London hallmarks for Sterling silver, number 651, the cuvette similarly marked, attached to a Victorian silver curb link double Albert chain, terminating in two swivel catches, one of which supports a George V silver vesta with Birmingham hallmarks for 1920, the midpoint of the chain supports the T bar marked for 1898 from which hangs an Edward VII silver medallion with Birmingham hallmarks for 1904, gross weight of the watch 135.3g and of the chain with all the attachments 96g (Qty: 3)

Lot 408

the white dial, unsigned, but marked 'Gibson Ltd Belfast' for the retailer, with black Roman numerals, blued spade hands, subsidiary seconds register and chemin de fer chapter ring, the signed mechanical crown wind movement number 71792 +31457 Peerless with pumpkin shaped winder and hand setting button at 11 o'clock, the gunmetal one piece case by François Borgel, number 442375, stamped 'ACIER', with threaded inner to take the movement housingFootnote: Other notes: François Borgel started making watch cases at the end of the 19th century from his workshops in Geneva and in 1891 he patented the screw down watch case design that bears his name today, the 'Borgel Case'. The Borgel case was first used for pocket watches before being widely used during the First World War for wristwatches. A watch with a Borgel case was significantly more expensive than one in an ordinary case, but it was the best available at the time for life in the trenches and military men rarely economised on kit on which their life depended. The case back and middle part are in one piece, so there is no opening at the back. The front opening of the case is thickened and threaded internally with a fine thread. The movement, complete with dial and hands, is mounted in an externally threaded carrier ring, and the bezel carrying the crystal is mounted onto the end of this carrier ring. The assembly of carrier ring with movement, dial, hands, bezel and crystal is then screwed into the case from the front with the crown and spring loaded stem fully retracted. Borgel cases are now rare and are much sought after by collectors.

Lot 415

the gilt floral dial, 30mm diameter with black Roman numerals, blued hands and gold coloured dot minute track, the crown wind mechanical movement with onion shaped winder and hand setting button at 1 o'clock, the case, 33mm diameter, number 105729, stamped '14K', in addition to the Swiss squirrel standard mark for 14ct gold, the base metal cuvette similarly numbered, the case edge and reverse heavily engraved with floral decoration around a vacant escutcheon shaped cartouche, gold plated pendant bow, gross weight 28.8g

Lot 422

circa 1910, the white dial, 40mm diameter, with black Roman numerals, blued spade hands and subsidiary seconds register, the mechanical crown wind movement, stamped 'LS & Co' between crossed swords, with hand setting button at 11 o'clock and pumpkin shaped winder, the case, 45mm diameter, marked with the Swiss squirrel standard for 14ct gold, number 21064, the unmarked cuvette similarly numbered, attached to an unmarked fancy link Albertina chain, with swivel catch stamped '15' and T-bar terminations, the bar with Birmingham hallmarks for 9ct gold, length 14.5cm and weight 10g with the gross weight of the watch 76.5g (2)

Lot 427

circa 1921, the signed white dial, 43mm diameter, with black Roman numerals, blued spade hands, centre seconds and outer minute track, the signed mechanical crown wind movement with onion shaped winder, number 43959, with hand setting button at 1 o'clock and chronograph slider at 2 o'clock, the case, 50mm diameter, with Birmingham hallmarks for 9ct gold, number 43959, the cuvette similarly marked, gross weight 100g

Lot 439

circa 1909, the front lid with blue enamel Arabic numerals and chemin de fer chapter ring, the signed white dial, 40mm diameter, with black Arabic numerals, blued spade hands, subsidiary seconds register and chemin de fer chapter ring, the signed mechanical crown wind movement additionally marked 'Watchmaker to the Queen', with hand setting button at 4 o'clock and onion shaped winder, the case, 48mm diameter, faintly numbered and with London hallmarks for 18ct gold, the cuvette similarly marked, gross weight 108gFootnote: Other notes: Established in 1814 by Edward J Dent, the company created precision chronometers to navigate the Royal Navy, and guide some of the most intrepid explorers on their voyages. In addition to making the Standard Clock at the royal Observatory, Greenwich, which keeps 'Greenwich Mean Time', Dent also made the clock for the Houses of Parliament, familiarly known as 'Big Ben'.

Lot 442

circa 1880, the front lid with blue enamel Roman numerals around an inner chemin der fer chapter ring, the unsigned white dial 32mm diameter, with black Roman numerals, gold coloured spade hands and chemin de fer chapter ring, the unsigned crown wind mechanical movement with hand setting button at 2 o'clock, the case, 36mm diameter, covered with engine turned engraving, verso with a small circular and vacant cartouche, inner stamped '18K' numbered 15614, the cuvette, similarly numbered and engraved, 'To the Queen, Charles Frodsham, 84 Strand, London' below a crown, gross weight 48gFootnote: Charles Frodsham was a distinguished English horologist founding his business in the 1840s. From 1884 he traded as Charles Frodsham & Co, which remains in existence as the longest continuously trading firm of chronometer manufacturers in the world. At the Great Exhibition in 1851, he was awarded a first-class medal for his timekeepers. The firm won fourteen further medals and honours at the major international exhibitions over the rest of the nineteenth century. In 1997 the company moved to new retail premises at 32 Bury Street, St. James’s, and set up a manufacturing and conservation workshop in East Sussex, where it continues today, specialising in English precision horology.

Lot 443

the front lid with blue enamel Arabic numerals within individual circles between two concentric enamel rings, one dotted, the white dial, 26mm diameter, with black Roman numerals, blued spade hands and chemin de fer chapter ring, the unnumbered crown wind mechanical movement with hand setting button at 4 o'clock and gold coloured pumpkin shaped winder, the case, 34mm diameter, monogrammed to the reverse, the inner numbered 80097 with the Swiss Bear mark for 875/1000 standard silver alongside marks for Geneva, the cuvette and inner lid similarly marked

Lot 446

circa 1900, the front lid with blue enamel Roman numerals and chemin de fer chapter ring over a pink guilloché enamel background, the white dial, 32mm diameter, with black Roman numerals, blued spade hands and chemin de fer chapter ring, the mechanical crown wind movement with hand setting button at 2 o'clock and onion shaped winder, the case, 38mm diameter, double struck with the Swiss Helvetia mark for 18ct gold G for Geneva, number 87792, the cuvette similarly marked, gross weight 46g

Lot 448

circa 1908, the front lid with black enamel Roman numerals outside a black chemin de fer chapter ring, the unsigned white dial, 28mm diameter, with black Roman numerals, gold coloured spade hands and chemin de fer chapter ring, the signed mechanical crown wind movement with hand setting button at 4 o'clock and onion shaped winder, the case, 33mm diameter, by Charles Nicolet with London import hallmarks for 9ct gold, number 221730, the cuvette similarly marked, decorated all over with floral engraving, verso with vacant escutcheon shaped cartouche and presented in the (probably) original fitted caseFootnote: Other notes: Stauffer, Son & Co. was established in Switzerland in 1830 and a London branch, Stauffer & Co, was opened soon after. They became one of the largest importers of Swiss watches in Britain, also importing watches made by Patek Philippe, Jaeger Le Coultre, IWC, Fontainemelon and Eterna. Charles Nicolet, a Swiss horologist, formed a partnership with them between 1874 - 1940.

Lot 449

circa 1881, the signed white dial 33mm diameter, with black Roman numerals, blued spade hands and chemin de fer chapter ring, the signed crown wind mechanical minute repeating movement number 29476, with slider at 5 o'clock and hand setting button at 2 o'clock, the case 42mm diameter, with London hallmarks for 18ct gold, number 29476, beautifully enamelled to the front with a full colour coronet between dark blue scrolls, verso with enamelled monogram, gross weight 80g

Lot 451

the cream coloured dial, 25mm diameter, with black Roman numerals, gold coloured spade hands, subsidiary seconds register and gold coloured dot minute track, the crown wind mechanical movement with onion shaped winder and hand setting button at 11 o'clock, the case, 30mm diameter, with engraved bezel, verso engraved with foliate designs and featuring an enamelled flower with two blooms, stamped inside '14K' in addition to the Swiss squirrel standard mark for 14ct gold and numbered 181911, the base metal cuvette similarly numbered, gross weight 22.8g

Lot 454

the cream coloured dial, 20mm diameter, with blue Arabic numerals, gold coloured scrollwork hands and gold coloured dot minute track, the crown wind mechanical movement with onion shaped winder and hand setting button at 1 o'clock, the case, 30mm diameter, with engraved bezel, verso engraved with foliate designs and featuring a two stems of roses each with a bloom around a central vacant escutcheon shaped cartouche, stamped inside '14K' and numbered 125821, the base metal cuvette similarly numbered, pendant bow removed and with later added fixed lugs to a brown leather strap with pin buckle, gross weight 23.1gFootnote: Until the beginning of the 20th century, watches were generally worn by gentlemen suspended from chains, with the watch housed in the waistcoat or breast pocket - hence the name 'pocket watch' - and watches for ladies were either attached to clothing with a brooch fitting, or suspended from a chain around the neck. However, during the first Word War there was a need by soldiers to be able to see the time quickly and easily without having to rummage in a pocket, not least because they may well have their hands full, and pocket watches began to be worn strapped to the wrist with leather. Later, pocket watches had the pendant bow removed and lugs attached to the side and were fitted with a traditional watch strap, and the 'trench watch' was born. It soon became fashionable to wear the watch on the wrist, so at this time many pocket watches were converted in this way. It was not until later that the dial configuration was changed so that '12' and '6' were positioned at 90 degrees to the wrist as they are today. This was not only because fixing lugs where the winding crown and case hinge were located would be difficult, but also so that the crown rested comfortably on the wrist when worn. The dials were not repositioned as that was 'a watchmaker's job', whereas soldering lugs to the case side was reasonably easy to do 'at home'. In this example, the '12' and '6' are still parallel to the wrist and the pendant bow is missing. It started life as a pocket watch and was subsequently converted to a wristwatch - following the fashion which remains to this day.

Lot 455

the white dial, 22mm diameter, with black Arabic numerals, gold coloured Louis style hands and gold coloured dot minute track bordered by a half pearl set bezel, the reverse a swirl of emerald green guilloché enamel with gold scrolled design overlay and with matching pearl set bezel (one pearl lacking), the unnumbered mechanical crown wind movement with hand setting button at 1 o'clock and pumpkin shaped winder, the unmarked case 28mm diameter, suspended from a similarly enamelled bow shaped ribbon brooch by a swivel catch fitting, and with attached safety chain

Lot 482

circa 1943, type Bo UK1, version 5, the unsigned black dial, 55mm diameter, with cream coloured hands, dot minute track with Arabic numerals at 12, 3 and 9, subsidiary minute register and chronograph centre sweep, rotating bezel with seconds/minute track, the crown wind mechanical movement, calibre J 30 BZ, with crown located at 6 o'clock and brass chronograph stop/start/reset button below, hand setting lever at 5 o'clock, the black case with grey coloured bayonet fitting back cover, stamped on the copper plate to the reverse ‘698217’ and presented with a simple aftermarket wood and metal desk standFootnote: The Bo-Uk-FI 23885 Blindfluguhr (blind-flight or instrumental flight) clock was used in the Messerschmitt ME BF 109 and specifically designed for low visibility flight. Although simple in appearance, it provided the pilot will all the necessary information for flying in more challenging conditions. The flight time was registered at take off by selecting the hour with the rotating bezel. The chronograph or timer had multiple uses, including use for the approach to land with no visibility, calculating airspeed and keeping track on fuel usage. The minute register records up to 15 minutes, the approximate amount of flying time left after the 'low fuel' warning lamp illuminates. This clock was an essential piece of kit for the pilots, who were instructed to remove it if they had time after an emergency landing, before leaving the wreckage. During the time the Me109 was in production, 5 models of this clock were used, some with brass bezels, others with bakelite. Fully wound, the Bo UK 1 has power for 36 hours.

Lot 594

by Rebecca Emes & Edward Barnard I, London 1828, of circular somewhat squat form, with reeded waist, the domed flush fitting hinged cover topped with a button finial, the part marked simple capped handle with ivory insulators, engraved with a crest and Coat of Arms, raised on a simple band foot, 20.4ozt (Dimensions: h: 13cm w: 25cm d: 17cm )(h: 13cm w: 25cm d: 17cm )

Lot 662

by Deakin & Francis, Birmingham 1930, of rectangular slightly convex form, decorated all over with engine turned engraving and with a rectangular vacant cartouche top left, the piano hinge with push button release, the gilded interior with elasticated retainer, engraved to the rim 'RA Miller, Northampton', 11.3ozt gross (Dimensions: h: 15.50cm w: 13cm d: 2cm )(h: 15.50cm w: 13cm d: 2cm )

Lot 286

RE UPHOLSTERED CARVED WALNUT FRAMED VICTORIAN BUTTON BACKED CHAIRS IN BLUE FABRIC

Lot 52

A collection of carved bone items including fish, miniature cricket bat, handled button hook, etc.

Lot 631

ROYAL CROWN DERBY; three animal form paperweights to include pheasant, each with silver base button and with original boxes (3).Additional InformationLight surface wear, but good condition with no chips, cracks or restoration.

Lot 633

ROYAL CROWN DERBY; an animal form paperweight modelled as an elephant with Imari decoration, with silver base button and original box.Additional InformationLight surface wear, but good condition, with no chips, cracks or restoration.

Lot 126

RICHARD DUKE OF LONDON; a full size English violin, branded 'Duke London' below the button, the two-piece back length 35.5cm, with a bow, in a 19th century mahogany case.Additional InformationThis lot does not come with papers however our musical section has been catalogued by Adam himself who is our musical instrument expert and his particular area of interest in violins. He has over 30 years experience with these instruments. There is no label to this instrument but it is stamped Duke London to the back, there is a splice repair near the left hand scroll as you are looking at them, surface scratches throughout, two small splits to the right hand scroll, some replacements to the stringing, areas where the varnish has rubbed away, knocks to the raised parts, quite heavy in parts, please refer to additional photographs. We are unable to pack this lot for shipping, unfortunately. 

Lot 1306

Eleven George V hallmarked silver grapefruit and teaspoons, Sheffield 1931, approx 7.8ozt, also a silver sheath handled steel bladed button hook (12).

Lot 1922

A Victorian button upholstered armchair.

Lot 1925

An early 19th century rosewood bergère chair with green leather button upholstery, carved scrolling frame and turned front legs to brass caps and castors, sold with an oak standard lamp (2).

Lot 1928

Two Victorian armchairs, each upholstered with button back material.

Lot 105

A South Africa 1877-79 Medal, Egypt 1882 Medal and Star group awarded to Rev. J. H. Berry Chaplain, the former 'H.M.S. Active' and the second 'H.M.S. Superb', also a WWI War and Victory Duo awarded to 171460 Gnr. C. H. Berry R.A., a George VI Territorial Efficiency Medal awarded to 1462455 Bdr. J. L. W. Smith R.A. (this possibly renamed), a 'For Loyal Service' badge/button and a George V Coronation Medal.

Lot 120

A 5' Victorian walnut show frame settee with original button back tapestry upholstery, decorative top rail and flanking acanthus spindles, set on studded acanthus front legs - a/f

Lot 265A

A reproduction stained wood framed button back armchair, upholstered in frosted lime tapestry, set on carved cabriole legs

Lot 292

A 6' 20th Century three seater Chesterfield settee upholstered in button back green velour

Lot 304

A 6' 20th Century three seater Chesterfield settee upholstered in button back green velour

Lot 310

A late 20th Century stained wood and green button back leather upholstered office swivel chair with Norwegian mechanism, set on quadruple splayed legs with casters

Lot 374

A Victorian parlour armchair upholstered in button back floral tapestry, set on turned front legs with white porcelain casters

Lot 390

A 20th Century mahogany X-frame stool with studded button back leather upholstery, set on scroll supports and turned stretchers

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