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Lot 28
A FINE INDIAN SWORD (TALWAR), KUTCH, LATE 18TH CENTURY with broad curved German blade double-edged towards the point, formed with two long fullers of differing width, etched with serpents, strapwork panels, a sword clasped by an arm issuant from a cloud and celestial motifs on each face (areas of light pitting), brass hilt cast and chiselled in low relief, comprising a pair of langets with serpent head finials, quillons with terminals chiselled as stylised tiger heads in the round, recurved knuckle-guard with finial en suite with the quillons, large disc-shaped pommel, attenuated button, and solid grip chiselled and engraved with a scaly fish, in its leather-covered wooden scabbard tooled at the throat and with shaped thin leather chape embossed with a criss-cross pattern 83.5 cm; 32 7/8 in blade Kutch (Kachh or Cutch), a town in Gujarat, was famous for the manufacture of weapons and continues to make brass handled pen knives to this day. See Elgood 2004, p. 254. The armoury of the Maharajah of Kutch included a number of swords with blades of this type.
Lot 29
A RARE SOUTH INDIAN MEDIEVAL SWORD, POSSIBLY 12TH/13TH CENTURY in patinated condition, with curved blade double-edged over its upper half, steel hilt extending over the lower portion of the blade, including angular figure-of-eight shaped guard, and wooden cushion-shaped pommel with attenuated moulded button 70.5 cm; 27 3/4 in blade Three related examples, formerly in the collection of Anthony North, were sold in these rooms 30 June 2010, lot 83. See Elgood 2004, pp. 83-5.
Lot 30
**AN INDIAN SWORD (FIRANGI), 18TH CENTURY with European straight blade double-edged towards the point, formed with three long fullers of differing length on each face, iron hilt of characteristic form, comprising a pair of long shaped langets decorated with silver koftgari scrollwork and gold flowerheads (worn), figure-of-eight shaped guard, broad knuckle-guard formed with a medial ridge, shallow cup-shaped pommel, and attenuated button with traces of decoration en suite with the langets 91 cm; 35 3/4 in blade
Lot 101
A 20 BORE CAUCASIAN MIQUELET-LOCK PISTOL, THIRD QUARTER OF THE 19TH CENTURY with tapering European barrel with traces of a gold-lined barrelsmith`s mark at the breech, retained by three nielloed silver bands, the tang applied with a long silver plaque nielloed with scrolling foliage (loose, chipped at the base), iron lock with traces of a mark on the bridle, wooden stock covered with black leather, applied with a large shaped nielloed silver panel about the trigger, and a slender panel on the right of the tang (one plaque missing on the left), spherical pommel fitted with a large nielloed silver washer top and bottom, iron button trigger, and silver fore-end cap extending from the front barrel band 31 cm; 12 ¼ in barrel
Lot 122
AN ITALIAN DAGGER FORMED ENTIRELY OF STEEL, LATE 17TH CENTURY with tapering blade formed in two stages, recessed baluster-shaped ricasso struck with the letter `R` on one face, integral spirally moulded tapering grip, and one moulded quillon with button-shaped terminal (the other missing, pitted) 21.5 cm; 8 1/2 in blade
Lot 147
AN OFFICER`S CLOAK AND OTHER ITEMS OF THE GUIDES CAVALRY with maker`s label of Hawkes, 14 Piccadilly, inscribed to JK Hensley Esq. A fine dark blue cloak with scarlet cloth lining to collar. A double row of plain white metal half-ball buttons to front, scarlet shalloon lining (top button missing); two lightweight khaki Service Dress tunics, one with scarlet piping round the collar (both lacking all badges and buttons); a good Sam Browne belt of Guides pattern, with white metal fittings, complete with sword-frog, brace and whistle but lacking its rectangular regimental waistplate; a brown pigskin pistol-holster and flat leather pouch, both with loops to attach to a Sam Browne; and a leather-covered swagger-stick (7) Frederic King Hensley was commissioned into the 15th Madras Infantry in 1902, transferring to the Guides shortly afterwards. He was promoted Lieutenant in 1903 and Captain in 1910. The 1914 Indian Army List shows him attached to the Assam Military Police. He accompanied the Egyptian Expeditionary Force from June to November 1918, and subsequently transferred to the 12th Frontier Force Regiment. He appears as a Lieutenant Colonel in the 1927 IAL
Lot 189
**A D.B. WHEEL-LOCK TRAP GUN BUILT AROUND 17TH CENTURY PARTS, 19TH CENTURY with tapering sighted barrels, flush-fitting lock on the right fitted with external wheel retained by a bracket and circular cover, the latter engraved with an eagle displayed, sliding pan-cover with button release, and moulded dog, top-mounted set trigger, fruitwood full stock profusely inlaid with engraved staghorn plaques including monsters issuant with foliage, mounted knights jousting, marksmen taking aim and brigands being felled, and the top of the butt pierced for attaching to a base or the ground, and fitted with brass tag numbered 525 30.5 cm; 12 in barrels Provenance James Graham, by 1925 George F. Harding Jr., Chicago, 1925 Transferred to the Art Institute of Chicago, 1982, Acc. No. 1982.2935
Lot 192
**A 120 BORE SILESIAN WHEEL-LOCK BIRDING RIFLE (TSCHINKE), MID-17TH CENTURY, PROBABLY CIESZYN (TESCHEN) with octagonal blued swamped sighted barrel rifled with six slender grooves, punched, engraved and gilt with serpents and flowerheads at the muzzle, over the median and the breech, the latter extending to form an angular tang decorated en suite (the gilding with losses), flat lock fitted with external mechanism, the wheel retained by a characteristic strongly arched bracket, mainspring decorated with delicate filed patterns, engraved sliding pan-cover with button release, engraved dog, and flash-guard, the principal components overlaid with gilt brass sheet engraved with scrolls of foliage, those on the dog involving a celestial mask and a beast playing a horn, fruitwood full stock profusely inlaid with staghorn plaques, tendrils and pellets enriched with engraved mother-of-pearl rondels all within segmental lines over the fore-end, decorated with a pair of cornucopia centering on a rabbit opposite the lock), the butt inlaid with an elaborate near symmetrical pattern of leaves, tendrils and pellets on the left all en suite with the fore-end and fitted with patchbox with sliding cover on the right (the stock with small chips and repairs, inlay with minor restorations, cracked through at the butt and repaired), moulded steel trigger-guard (terminal chipped), engraved staghorn ramrod-pipes, engraved staghorn fore-end cap, staghorn butt-cap, and wooden ramrod with engraved staghorn tip, perhaps the original 98.5 cm; 38 ¾ in barrel Provenance Sumner Healy, New York, by 1924, sold American Art Gallery, New York City, 11-13 December 1924, lot 533, illustrated George F. Harding, Chicago, by 1939 Transferred to the Art Institute of Chicago, 1982, Acc. No. 1982.2271
Lot 198
**VARIOUS OWNERS A COMPOSITE GERMAN AND ITALIAN CAP-A-PIE FIELD ARMOUR IN THE SO-CALLED `MAXIMILIAN FASHION, PARTLY NUREMBERG, EARLY 16TH CENTURY comprising close helmet with rounded one-piece skull rising to a low boldly roped medial comb, fitted at the nape with a broad neck-guard of three lames (the first restored) and at each side by means of common dome-headed pivots with a `bellows` visor and bevor, the visor stepped beneath its centrally-divided vision-slit, pierced with eight horizontal ventilation-slots arranged in two rows and fitted at the right of the chin with a short lifting-peg (replaced), the bevor fitted at the right cheek with a pivoted visor-prop (replaced) and struck at the left of the neck with the quality-control mark of the city of Nuremberg, each secured at the right by a spring-catch with push-button release (the button in each case replaced); `Almain` collar of four lames front and rear, the lowest in each case significantly deeper than the rest (the front one cropped at its lower corners), the two sections connected to one another at the left by an internal hinge, and each side of the whole fitted with a short spaudler of three lames (restored), the last fitted with a turning-pin to attach an arm-defence; breastplate formed of a rounded main plate fitted within each of its arm-openings with a movable gusset boldly roped en suite with its straight upper edge, and within its lower edge with a waist-lame (restored) flanged outwards to receive a fauld of four lames bearing a pair of integral tassets each again of four lames (restored), the latter having wired between them a small skirt of modern butted mail; backplate formed of a main plate with straight upper edge, fitted within its lower edge with a waist-plate (restored) and an associated culet of one lame; spaudlers each of five lames overlapping outwards from the second and connected at its lower end to the one-piece turner of a fully articulated tubular vambrace fitted at the elbow with a couter of three lames (perhaps reworked in part), the central one formed with a medially-puckered oval side-wing; gauntlets (the right restored) formed of short straight-ended cuff (the left patched at its upper edge) with a separate hinged inner plate, five metacarpal-plates (the last of the left patched at its inner end), a knuckle-plate decorated with a transverse ridge, five finger-plates and a hinged thumb-defence of three scales; cuisses (restored) each formed of a gutter-shaped main plate fitted at its convex upper edge with a short extension-plate and at its lower end with a winged poleyn of three lames having riveted within its lower edge a full-length tubular greave terminating in an integral broad-toed sabaton of eight lames embossed at each of its corners with a decorative whorl; all parts of the armour, with the exception of the collar and greaves decorated with panels of predominantly vertical flutes emphasised by pairs of incised lines and accompanied on the insides of the cuffs of the gauntlets by vertical `slashes`, the main edges of the armour largely formed with inward turns, often boldly roped except on the collar where it is elaborately writhen; and the borders of the wings of the couters and of the lower ends of the lower cannons of the Italian vambraces etched in line on a hatched ground with running acanthus foliage and guilloche; all mounted on a wooden stand with a wooden base
Lot 234
**A 28 BORE CAUCASIAN MIQUELET-LOCK HOLSTER PISTOL, CIRCA 1870 with tapering barrel of `hog`s back` form, retained by three engraved white metal bands, inlaid with brass lines over the breech and the muzzle, iron lock of characteristic form, full stock (cracked ahead of the lock) moulded over the fore-end, the butt overlaid with engraved white metal with scalloped borders, bulbous pommel, iron button-trigger, and carved in imitation of a ramrod 27.5 cm; 10 7/8 in barrel
Lot 245
**A COMPOSITE GERMAN MILITARY SABRE, 16TH/17TH CENTURY with curved 17th century blade formed with a hatchet point, struck on one face with a double eye-lash mark and a crowned shield-shaped mark, iron hilt comprising a pair of straight quillons with moulded button-shaped terminals, outer guard formed of a right-angular plate cut with a radiating pattern on the base and with roped border with tightly scrolling terminals, knuckle-guard interrupted by a central writhen knop-shaped moulding, an additional frontal bar formed en suite with the knuckle-guard, trifurcated pommel, and later wooden grip 83.2 cm; 32 3/4 in blade
Lot 249
**A VENETIAN SCHIAVONA, LATE 17TH/EARLY 18TH CENTURY with 18th century fullered blade of regulation type, iron hilt of characteristic form, comprising basket-guard formed of a trellis arrangement of ribbon like bars, straight quillon with button-shaped terminal, the inner guard cut with a brief inscription (one bar detached), brass shield-shaped pommel, and later wooden grip 82 cm; 32 1/4 in blade
Lot 253
**A GERMAN LEFT-HAND DAGGER IN 16TH CENTURY STYLE with tapering blade cut with a long central fuller on each face, rectangular ricasso cut with three grooves, blackened iron hilt comprising a pair of slightly forward-canted spatulate quillons with button-shaped terminals, ring-guard swelling in the centre, pear-shaped pommel moulded at the base, and the grip bound with plaited wire with a shaped collar top and bottom reinforced by slender iron bands 29 cm; 11 1/2 in blade
Lot 257
**AN ENGLISH PLUG BAYONET, LAST QUARTER OF THE 17TH CENTURY with sharply tapering blade double-edged towards the point, struck with a King`s-head mark on each side of the forte, brass hilt comprising a pair of horizontally-recurved quillons with moulded bulbous terminals, cylindrical pommel with moulded button terminal, and turned wooden grip retaining a portion of an inventory label of Fenton & Sons, New Oxford Street, London 29.2 cm; 11 1/2 in blade
Lot 258
**AN ENGLISH PLUG BAYONET, LAST QUARTER OF THE 17TH CENTURY with tapering blade double-edged towards the point (small chips, pitted), struck with a King`s head mark on each side of the forte, brass hilt comprising a pair of quillons with moulded bulbous terminals, cylindrical pommel with moulded button-terminal, and turned wooden grip (perhaps an early replacement) 29.5 cm; 11 5/8 in blade
Lot 317
**A FINE GERMAN BRONZE SALUTING CANNON DATED 1714 with tapering multi-stage barrel formed with raised astragal mouldings, strongly moulded muzzle, cast with bands of elaborate scrollwork behind the muzzle, of the first reinforce and the chase, the latter incorporating the crowned coat-of-arms of the Duchy of Wurttemberg enclosed by foliage and the former with a scrolling panel with the abbreviated inscription and the date `17 E.L.H.Z.W.14` for Eberhard Louis Herzog von Wurttemberg, raised collar-shaped vent, a pair of dolphin lifting handles, a pair of long plain trunnions, and globose cascable moulded en suite, with the muzzle and drawn-out to a pierced button chiselled with acanthus: on a later finely constructed iron-clad field carriage painted in polychrome and fitted with a pair of spoked wheels 67.3 cm; 26 1/2 in barrel 2.5 cm; 1 in bore Eberhard Ludwig, tenth Duke of Württemberg (1676-1733), was the only son of Wilhelm Ludwig of Württemberg (1647-1677) and succeeded to the dukedom when under a year old. During the years of his minority, the duchy was ruled by a regent, his uncle Friedrich Karl. In 1693, when Eberhard Ludwig was sixteen, the Holy Roman Emperor Leopold I proclaimed him duke in order to secure the duchy`s support for the Empire: strategically situated on the right bank of the Rhine, Württemberg represented a significant bastion for the Empire against the aggressive encroachments of Louis XIV`s France. Often popularly represented as a spendthrift and proto-absolutist ruler unduly influenced by his mistress and her family, the duke was typical of many of his peers - the rulers of the German princely states - in seeking to establish and increase the status of his duchy through overt magnificence, military expenditure and diplomatic manoeuvring. His uncle had created a standing army from Württemberg`s militia in the early 1690s and the duke capitalised on that initiative by increasing the size of the army: both men also raised regiments of Württembergers for the specific purpose of hiring them as mercenaries to other states. Although loyally allied to the Empire and the anti-French `Grand Alliance` during the War of the League of Augsburg (1688-97), the duke was ambivalent in his allegiance during the War of the Spanish Succession (1702-14) and periodically flirted with the idea of a French alliance in the hope of increasing his status; his appointment as Imperial Field Marshal in 1712 was made in order to secure his loyalty to the Empire. The ending of the war with France in 1714 left Württemberg in considerable debt and the duke without his desired enhanced political status. In the same year, though, hostilities between Venice and the Ottoman Empire began; Venice had hired Württemberger soldiers during an earlier war with the Turks and so, in October 1714, the Serene Republic approached the duke for a large contingent of men. In the event, the duke was out-manoeuvred by the Viennese court, his personal negotiations with Venice failed and the Württemberger soldiers ended up in Imperial service at far lower rates of pay than the Venetians would have paid. It is possible that this gun was cast in 1714 as part of the duke`s attempts to provide appropriately equipped forces for Venice. A colourful figure with considerable, if poorly focussed, ambition, Eberhard Ludwig failed in his principal aim: the establishment of absolute rule in a duchy with a fully funded army and genuine status within the Holy Roman Empire. The cultural achievements of his reign - the building of Schloss Ludwigsburg, for example - must be regarded as outweighing the military and political ones. See Wilson 1995.
Lot 322
**A 28 BORE NORTH EUROPEAN WHEEL-LOCK HOLSTER PISTOL, MID-17TH CENTURY with associated barrel formed in two stages (pitted over the median), rounded lock retained by three side nails, fitted with external wheel retained by a small basal bracket, dog and sliding pan-cover, full stock rounded beneath the lock, iron mounts comprising trigger-guard, ramrod-pipe, fore-end cap and a band enclosing the base of the butt, and the latter fitted with a turned bone button (later ramrod) 49 cm; 19 1/4 in barrel
Lot 325
**A 32 BORE SCOTTISH FLINTLOCK BELT PISTOL BY I. MURDOCH, CIRCA 1780 with three-stage barrel flaring at the muzzle, engraved with foliage and panels of scrollwork, signed lock engraved with foliage, full stock engraved with panels of wriggle-work, bulbous butt inset with a small silver rondel on the pommel (the engraving refreshed, restorations), engraved steel button trigger, plain belt hook of shaped outline, and associated ramrod 14.8 cm; 15 3/4 in barrel
Lot 326
**A FINE PAIR OF 38 BORE SCOTTISH FLINTLOCK BELT PISTOLS BY I. CHRISTIE, PERTH, CIRCA 1780 with three-stage barrels flaring at the muzzles and reeded over the breeches, the medians engraved with scrolls of thistle foliage, signed border-engraved locks decorated with scrollwork on the tails, full stocks with bulbous butts, engraved over their surface with panels of scrollwork and foliage, the pommels set with small silver rondels, engraved silver button triggers, engraved iron belt-hooks with pierced brackets, and moulded iron ramrods, probably the original 13 cm; 5 1/8 in barrels (2)
Lot 350
**A 22 BORE SILESIAN WHEEL-LOCK BIRDING RIFLE (TSCHINKE), THIRD QUARTER OF THE 17TH CENTURY with octagonal sighted barrel rifled with eight narrow grooves and (later smooth bored at the muzzle), engraved with foliage at the breech and muzzle, scroll-engraved flat lock of characteristic form, fitted with external wheel retained by a bracket, flash-guard, engraved dog, engraved pan-cover with button release, and applied with engraved brass plaques over the wheel bracket, the main spring and the dog spring, fitted at the back with a button for setting the trigger, fruitwood full stock inlaid with engraved staghorn plaques decorated with foliage and geometric flowers, enriched with further staghorn pellets of differing size, angular butt decorated en suite and with more elaborate designs on each side, fitted with patchbox with sliding cover on the right (small losses, some inlay replaced), iron trigger-guard shaped for the fingers, engraved horn butt-cap, engraved staghorn ramrod-pipe, engraved staghorn fore-end cap, and slender ramrod with engraved staghorn tip 81.5 cm; 32 1/8 in barrel
Lot 385
**AN 18 BORE GERMAN WHEEL-LOCK RIFLED SPORTING CARBINE, THE BARREL DATED 1668, WITH LATER DECORATION with octagonal swamped sighted barrel signed `Christian Reich in Osterweick 1668`, the tang incised with the number `112`, flat lock engraved with a hunting scene, fitted with external wheel retained by a pierced bracket, sliding pan-cover with button release, and double set trigger, full stock inlaid in staghorn with hounds, a boarhead, tendrils and pellets, the butt inset with an engraved staghorn plaque decorated with a boar set upon by hounds on the left and with patchbox with sliding cover on the right, iron trigger-guard shaped for the fingers, a pair of moulded iron ramrod-pipes, and horn tipped wooden ramrod 55.5 cm; 21 7/8 in barrel Christian Reich is recorded in Osterwick, Westphalia, circa 1661-80.
Lot 415
THE PROPERTY OF A COLLECTOR A FINE AND RARE 25 BORE SOUTH GERMAN (THURINGIA) WHEEL-LOCK PISTOL, SUHL, CIRCA 1580-90 with swamped barrel chiselled over its surface with a vertical arrangement of allegorical figures within an architectural framework surrounded by scrolling foliage inhabited by exotic birds, curved tang chiselled with scale pattern, flat lock chiselled with tightly scrolling foliage and flowers inhabited by exotic birds and a hare, stamped with the maker`s mark, the letters HB above an animal in a shaped shield (Neue Støckel 2766), fitted with external wheel with cover chiselled en suite with the lock-plate, engraved faceted dog and dog-spring, sliding pan-cover engraved with a grotesque (button-release missing), safety-catch, the sear partly exposed and covered by a low bracket, full stock profusely inlaid with engraved staghorn, including a central pattern of tightly scrolling tendrils and ball flowers inhabited by exotic birds, squirrels, and owls, the fore-end with scrolling demi-mask profiles, all set within an engraved horn strapwork frame enriched with acanthus foliage, near spherical pommel inlaid en suite, iron trigger-guard chiselled with a grotesque mask on the bow, staghorn fore-end cap engraved with a pair of grotesques (the metal parts lightly rubbed, the inlay with minor restorations and repairs, ramrod missing) 30.5 cm; 12 in barrel Provenance S. Sutton Esq., Charlbury, Oxfordshire, 24 June 1965 A pair of pistols with barrels and locks chiselled in the same distinctive manner and stocks inlaid in a similar fashion were formerly in the Saxon Royal Collection, sold Sotheby & Co., London 23 March 1970, lot 66. The decoration of this group has long been associated with Klaus Hirt of Wasungen, based on a single gun signed `Klaus Hirt Büchsenschifter zu Wasungen`, now preserved in the Historisches Museum, Berne. The Berne gun, the Saxon pair of pistols and the present pistol are all marked by the same locksmith. The maker`s mark is also found on firearms preserved in the Musée de l`Armée, Paris, the Germanische Nationalmuseum, Nuremberg, and the Deutsches Historisches Museum, Berlin. See Schaal 1978, p. 19. VARIOUS OWNERS
Lot 77
The rare centre seam Steiff 1907 No53356 `Hot Water Bottle` golden mohair Teddy bear. The bear`s body is fully lined and the front seam left open. The bear can be closed by lacing up hooks on either side of his tummy. The empty tummy held a metal hot water tin. Fully jointed, black boot button eyes, Steiff Button in Ear, 50cm. (Snout damaged, lacks one eye, lacks hot water bottle, lacks one hook, hole to back of left ear, feet pads missing, fur sparse in areas). See Button In Ear by J&M Cieslik page 50, only 90 bears were made. Front Cover Illustration
Lot 101
AN EARLY VICTORIAN FIGURED WALNUT LADY`S TOILET COMPACTUM, mounted with pierced and engraved brasswork, the lid centered by an oval hand painted plaque of Marie Antoinette, the interior fitted with cut and plated topped bottles and jars, with a push-button released basal trinket drawers, with engraved hinges and lock
Lot 868
Ossie Clark for Radley, 1970s. A smock-backed tea dress of violet moss crepe, with deep button décolleté and wrapped belt to the raised waist, size 36. Provenance: From the collection of Suzy Menkes. CONDITION REPORT: Overall good condition, slight fading towards hem. Approx 5cm of horizontal bust seam re-stitched. Labeled Designed by Ossie Clark for Radley. Size 36.
Lot 885
Yves Saint Laurent: A two piece jacket and skirt suite, 1970s, comprising maxi skirt and cropped jacket with frilled peplum and puffed sleeves in a multi-colour stylized floral design, size 40, together with a 1970s tomato red cut velvet trouser suite, the flared trousers with gilt button detail, teamed with a long sleeveless waistcoat with faux front pockets and chain clasp, unlabelled. (2) Provenance: From the collection of Suzy Menkes.
Lot 893
Christian Lacroix: A collection of three jackets, to include a tweed single breasted jacket with vertical front pockets and multi coloured buttons, labelled Christian Lacroix Paris, size 42, a brown, gold and duck egg blue striped blazer with single button and front patch pockets, labelled Christian Lacroix Paris, size 44 and a pink wool jacket with cut away front, full raglan sleeves gathered at the cuffs with gilt buttons, labeled Christian Lacroix Prét a Porter. (3) Provenance: From the collection of Suzy Menkes.
Lot 900
Bruce Oldfield: A midnight blue velvet cocktail dress, the collarless and short sleeved gown with button front and ruched detailing, together with a Bruce Oldfield royal blue silk crepe dress with ruched black velvet neck and gathered and ruched black velvet hem with bow detail. (2) Provenance: From the collection of Suzy Menkes.
Lot 904
Norma Kamali: A black leather fitted jacket, with button tab detail to the lapel and sloping front pockets, size 12, together with a grey wool A-line coat by Philippe Venet, Paris, with mandarin collar, a petrol blue silk coat by Etro, Milan, a red linen duster coat by Marni and a Bill Gibb raincoat with gathered and tie cuffs. (5) Provenance: From the collection of Suzy Menkes.
Lot 911
Yves Saint Laurent: A cerise two piece jacket and skirt suit, 1980s, the fitted jacket with two detachable white ruffs and large contrasting buttons, turn-back cuffs with button detailing, the pencil skirt with two front pockets, size 40, together with an Yves Saint Laurent midnight blue velvet jacket and skirt suit, the fitted jacket with puffed sleeves, two front pockets, black braid edging and gilt buttons, the skirt flaring from the hip, size 42. (2) Provenance: From the collection of Suzy Menkes.
Lot 913
Yves Saint Laurent: A collection of clothing, 1980s, to include a tomato red short fitted jacket with large gilt single button, a multi-colour silk blouse, a black fitted skirt with front pockets, together with a purple cotton collarless fitted jacket with gilt knot buttons, a purple vest top and black cotton velvet fitted skirt, all labelled Yves Saint Laurent. (6) Provenance: From the collection of Suzy Menkes.
Lot 919
Yves Saint Laurent: A black jacket and skirt suit, 1980s, the cropped jacket with wide lapels and single button fastening, together with an Yves Saint Laurent haute couture olive green safari jacket, an Yves Saint Laurent red cotton bolero jacket with red plastic crystal cuff buttons, and an Yves Saint Laurent black skirt, size 42. (4) Provenance: From the collection of Suzy Menkes. CONDITION REPORT: All items in good condition.
Lot 920
Yves Saint Laurent: A cropped jacket of tomato red linen, 1980s, with four patch pockets and mother of pearl buttons, size 42, together with an Yves Saint Laurent gold lurex mock snakeskin skirt, size 42, also a black linen cropped jacket with large gilt disc button detailing, size 42 and a black and gold lurex maxi-skirt, size 42, all labelled Yves Saint Laurent. (4) Provenance: From the collection of Suzy Menkes.
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