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Lot 3111
WW1 U.S Army Remmington bayonet, 1917 issue, 42.5cm sinle edge fullered blade stamped U.S X with proof marks and circled W, twin screw wooden slab grip, L55cm in leather sheath with frog, and a WW2 No.4 lll B7/41 Gas Mask with outfit Anti-Dimming Mk.V, canister a Australian Military Forces button etc in green canvas case marked Vl M&Co.1941, inked F.W.Glanville, with a copy photo. of Mr Glanville with comrade in the Home Guard, qty Condition Report Click here for further images, condition, auction times & delivery costs
Lot 393
1 bt Unknown Bordeaux Rosé Vintage Unknown Marcelle Frères vts, bs/sl cdl/ foil sl damage 1 bt Unknown Red Wine1970 vintage slip 1 bt Vouvray 1961 Marc Bredif ls, sl bs/sl torn 1 bt Ch. Lafaurie-Peyraguey 1er Grand Cru de Sauternes 1970 level with top of button, bs, crusted foil 1 bt Seidenhaus Bereich 1974 Bernkastel Riesling 1974 sl bs 1 bt S. Heller Nachf Liebfraumilch 1983 Rheinpflaz sl bs Above six bottles
Lot 117
An Imperial German M1871 bayonet for the 1871/84 Mauser Rifle, the bayonet with a brass hilt, smooth on one side and grooved panel to the reverse. The hilt has a push button release. The steel cross guard with muzzle ring is Regiment marked 87 .R.7.122 most likely to the 87th Battalion, Weapon Number 122. The single edged fullered blade measures 42 cm. and has stabalised rusting consistent with age
Lot 2450
Good German violin by and labelled Louis Lowendall, fecit Berlin, Anno 1894, also signed on the label, the back of the peg box stamped Lowendall Artist Violin, Made in Germany and also stamped Berlin below the button, the two piece back of medium curl with similar wood to the sides and head, the table of a medium width grain and the varnish of a light reddish-brown colour on a golden ground, 14", 35.60cm
Lot 2451
Good French violin labelled Francois Barzoni, Fecit anno 18**, Manufacture Speciale de la Maison Beare & Fils á Londres, also stamped F B on the button, the two piece back of medium fine curl with similar wood to the sides and head, the table of a fine width grain widening to the flanks and the varnish of a reddish-brown colour on a golden ground, 14 1/8", 35.90cm
Lot 2478
Violin labelled Joseph Hel, Luthier á Lille 1902; also stamped Exposition Universelle Paris 1829 Medaille D'or. to the inner back and stamped J. Hel on the lower ribs above the end button, the one piece back of medium curl with similar wood to the sides and head, the table of a medium width grain narrowing to the flanks and the varnish of a light reddish-brown colour on a golden ground, 14 1/16", 35.70cm
Lot 170
G-Plan - Model 6250 - A mid 20th century circa 1967 G-Plan 6250 swivel chair and ottoman. Often referred to as a Blofeld chair, the swivel armchair raised on a teak wood 4 point base with chrome flashwork having wide upholstered frame with shaped back rest and button backed fabric. Complete with the matching ottoman footstool. Measures 92cm x 75cm
Lot 278
A collection of gentleman's dress setsComprising: an onyx stud, button and cufflink set, stamped '18ct & Pt', in fitted case stamped Heming & Co Ltd; a set of six buttons, stamped '375', in fitted case; and a pair of pearl clips, stamped '14k', in fitted case, pearls untested (3)For further information on this lot please visit Bonhams.com
Lot 281
An open face pocket watch, Victorianwith light cream enamelled dial, black Roman numerals and outer border of Arabic numerals, the case with off-set push-button to one side and engraved vacant cartouche, within a fastened garter, to the reverse, with key-wound movement, approximate diameter 52.70mm, stamped 18ct, British hallmarked, approximate gross weight 113.50 gramsFor further information on this lot please visit Bonhams.com
Lot 290
A 9ct gold cigarette case, early 20th centuryOf hinged and curved rounded-rectangular form, with engine-turned decoration and push-button thumb-piece, measuring approximately 80.0 x 84.4 x 10.4mm, stamped 9ct, British hallmarks, Birmingham, 1924, maker's mark 'S&B', gross weight approximately 91 grams, with original black pochetteFor further information on this lot please visit Bonhams.com
Lot 158
GROUP OF FIVE INTAGLIO ENGRAVED GLASS TASSIE 'GEMS', late 18th or early 19th century, including a circular black button with a Roman head in low relief, 1.3cm diameter; an amber coloured oval example engraved 'M & W', 1.8cm wide; an amber coloured oval example depicting Cupid driving a two-horse chariot, 1cm wide; a green oval example depicting Fortuna holding balance scales, 1.2cm high; an engraved amethyst stone intaglio loosely depicting a horse, probably ancient, 1.8cm wide; a Victorian engraved bloodstone seal disk, with monogram, 1.1cm diameter; three Tassie plaster portrait reliefs; a white ceramic profile relief in Classical style; and two other items Provenance: The Miller-Williams Collection of Tassie Intaglios The avid and erudite Dorset collector Mrs Margaret Miller-Williams, forms her fascinating collection of Tassie glass intaglios, related seals and imprints. The group, assembled over many years of sharp eyed hunting in shops and markets in the UK and abroad, is a small but strongly representative part of William Tassie's (1777 - 1860) huge output. Miller-Williams' original interest in the Tassie Neoclassical phenomenom was originally fired by a close friend who as a great great great great niece of Tassie's had inherited a large collection of the engraver's own intaglios, and who gave Miller-Williams her duplicates, to get the collection started William Tassie himself, nephew of James Tassie (1735 - 1799) who was also a gem engraver, had a famed collection of over 20,000 intaglios. It is thought that between them, the Tassies could reasonably be credited with the reintroduction of the ancient skill of Intaglio gem engraving, and their work meshed perfectly with the newly fashionable Grand Tour and the general and ubiquitous vogue for all things Neoclassical. The sheer quality of their work brought great acclaim, and their intaglios found their way into many great collections, including that of Catherine the Great of Russia -that cumulation now held at the State Hermitage Museums The bracketed numbers in the following lots relate to the full listing 'A CATALOGUE OF THAT PART OF MR WILLIAM TASSIE'S EXTENSIVE COLLECTION OF IMPRESSIONS FROM ENGRAVED GEMS, CONSISTING OF DEVICES AND EMBLEMS...', printed by W.Nicol, London 1830
Lot 966
VICTORIAN CARVED WALNUT AND BUTTON UPHOLSTERED SPOONBACK ARMCHAIR, circa 1865, the arched toprail, arm rest terminals and cabriole front leg knees all with foliate carved detailing; with later foliate weave fabric coverings, 87.5cm high, 71cm wide; and an associated footstool with conforming upholstery
Lot 271
c1820, the unsigned cream coloured dial, 45mm diameter, with black Roman numerals, silver coloured spade hands, chemin de fer chapter ring and winding aperture at 4 o'clock, signed front loading mechanical key wind fuseé movement number 1148 under a removable brass dust cover, with fully engraved top plate, the balance cock engraved with a maiden's bust in profile, case, with very rubbed marks, possibly Birmingham assayed, decorated to the outside with engine turned engraving around a monogrammed circular cartouche, the cover activated by push button, gross weight 134.5g and presented with the winding key; attached to a silver rolled curb double Albert watch chain with swivel catch terminals, one supporting a swivel seal set with banded agate and bloodstone, the midpoint of the chain supporting the T bar and an enamelled brass shield shaped medal, overall length 34cm and gross weight 48.1g (2)
Lot 272
c1889, the gilt floral dial, 35mm diameter, with black Roman numerals, blued spade hands and gold coloured dot minute track, mechanical crown wind movement numbered 33773 with onion shaped winder and hand setting button at 1 o'clock, case, 40mm diameter and possibly by William Neal with Chester hallmarks for 18ct gold, number 33773, the cuvette similarly marked and numbered, verso lavishly decorated with scroll and floral engraving around a vacant escutcheon shaped cartouche, gross weight 58.9g and presented in a contemporary, but probably not the original, case
Lot 332
by S Blanckensee & Son, Chester 1903, with retractable pencil controlled by a side button slider, the end of circular form and double sided, one side stamped 'Trumps' with rotating top plate and circular aperture to reveal an enamel image of heart, club, diamond and spade, the other side, stamped 'Golf regd. 541427' of identical construction and revealing in turn blue enamel numbers 0-9
Lot 224
Victorian Period - Superb Oak Tantalus with Three Cut Glass Decanters, Fitted Games Departments and Press Button Hidden Drawer, The Back of Decanted Section Is Mirrored and the Bottom is Felted, There are Two Top Drawers, which when lifter Reveal a Storage Section for Small Glasses and a Secret Button when Pressed Releases a Hidden Games Drawer Below, The Secret Button Is Found In Front of the Middle Decanter and Is Made of Wood with Key and Lock. The Original Hob-Cut Glass Decanters ( 3 ) And In Excellent Condition with Two Brass Handles for Lifting and Mounts - The WHole Being In Excellent Condition. Sizes 13.5 Inches Wide, 10.25 Inches Depth and 13 Inches High.
Lot 108
A rare Danish Renaissance gilt brass steel-framed table clock Daniel Kersten, Odense, late 16th century The posted movement now with back-wound fusee, flanged spring barrel and verge escapement regulated by sprung three-arm brass balance to the going train, the strike train of single-arbor warnless type with nag's head lifting, gilt foliate scroll band engraved decoration to the standing barrel, steel great wheel, hammer wheel, countwheel and fly pivoted within gilt brass movement plates set between brass top and bottom plates with square section steel uprights, the dial plate with fine stylised foliate scroll engraved centre within applied silvered Roman numeral chapter ring with tied asterisk half hour markers, with floral sprays to upper spandrel areas over conforming scrolling to lower section incorporating blanked winding hole labelled GA WERK over signature DANEL KERSTEN y ODENSE to lower margin, the angles with fluted three-quarter Corinthian columns over plinths applied with grotesque masks and the sides engraved with standing female figures emblematic of Charity and Justice, the rear engraved with hour-strike dial within further scrolling flowering foliage and with one of the winding holes labelled SCHA WERK towards the lower margin, the brass case top plate concealing the balance and mounted with the hour bell beneath rococo scroll band decorated domed cover with leafy knop and attachment lugs over each corner, on spread ogee moulded base engraved with repeating leaf decoration over small disc feet, (strike train lacking overlift and locking wheels, the going train with early conversion to fusee), 21.5cm (8.5ins) high. Daniel Kersten of Odense appears not to be recorded however the form and construction of the current lot appears very closely related to Germanic work. It is perhaps worth noting that Odense is only a relatively short Baltic boat journey from the important Hansiatic Port of Lubeck, which through its strategic importance, had become one of most sophisticated Renaissance cities in Northern Europe during the 14th-16th centuries. This proximity naturally assisted passage of the latest skills and knowledge into the wealthy Danish Kingdom (despite their unrelenting rivalry with their Baltic neighbours). This included the clockmaking trade with makers conversant in the latest technology and designs becoming established in major regional capitals of the Danish provinces as well as Copenhagen itself. Danish table clocks dating from the 16th century are particularly rare although other known examples include a stunning complex astronomical table clock by Steffen Brenner, Copenhagen, dated 1558 is illustrated in Maurice, Klaus and Mayr, Otto THE CLOCKWORK UNIVERSE German Clocks and Automata 1550-1650 on pages 216-17; and a quarter-striking example by Jorgen Eckler (ex. Rothschild collection at Mentmore Towers) which was sold at Sotheby's New York sale of MASTERPIECES FROM THE TIME MUSEUM, PART FOUR, VOLUME I 13th October 2004, lot 510. The combined use of steel and brass in the movement of the present clock would most likely date it to the last quarter of the 16th century as by around 1600 steel was generally as only used for pinions, arbors and detents. The engraved panels depicting Justice and Charity appears are very much in the style of mid 16th century German engravers such as Hans Sebald Beham (c. 1500-50) and Virgil Solis (1514-62) although they do not appear to directly follow designs by any of the better known engravers. The pleasing scrolling foliate decoration to the dial, back panel and strike barrel is notable in that it departs from the more structured strapwork designs seen on most other Germanic examples of the period suggesting that the decoration could be more reflective of the clocks regional Danish origins. Although the clock has seen some relatively early updating work to the mechanism (conversion to fusee drive and sprung balance to the going train) it has never been adapted to pendulum regulation and enough of the original movement survives for accurate restoration to be undertaken if desired. Condition Report: As catalogued the going train has been updated by replacing the original standing barrel with a fusee which is wound from the rear (necessitating an additional hole to be drilled into the backplate). The going train weelwork is contemporary with the fusee conversion as is the present sprung balance. The going train is basically intact and will no doubt run after a gentle clean and once escapement has been adjusted. The original hour wheel and strike lifting are present on the front of the movement (hand is missing). The strike train is missing the second and thrird wheels out of the train however barrel, hour hammer wheel, fly and all detents are present and appear original. The countwheel to the rear of the movement appears to be a replacement. The winding hole to the dial has been plugged with a ring-turned 'button' otherwise dial is in good condition and appears original (with the exception of the gilding which is probably later). The side panels are in good condition and of fairly heavy construction with faults limited to very slight casting cracks visible to the rear of one plate. The rear panel has an additional hole drilled for the fusee winding square and another small hole (probably to allow access for tripping of the hour strike) otherwise is in good condition. The frame of the movement is in good condition with significant traces of original gilding. The top plate shows no signs of the clock ever being converted to pendulum regulation. The base of the clock is intact but all corners have had their tips filed back and the front right hand is a little bent. The screws holding the two plates of the base together are later additions and there is one missing. The top panel of the case is original and in good condition, the domed bell cover is later (probably contemporary with fusee conversion) but is undamaged. Generally the case is lacking some screws and securing pins causing the elements to be a bit loose which no doubt can be easily addressed. Clock has a winding key. Condition Report Disclaimer
Lot 111
A rare Swiss gilt brass photo-electric quartz mantel timepiece Golden EllipsePatek Philippe, Geneva, Ref. 1505 circa 1977-78The movement with motionwork driven by quartz electric mechanism with components and power cell set onto a circular circuit board backed with a Plexiglas panel incorporating STOP, TEST, FREQ. and hand setting adjustments, the top with wires connecting to the photo-electric cell mounted in the top of the case inscribed with PATEK PHILIPPE trademark and number 31 477 to underside, the ovoid deep Royal blue dial applied with simple gilt baton hour numerals, signed PATEK PHILIPPE, GENEVE to centre and with gilt hands set behind fixed glass secured by a raised bezel, the rectangular case with faceted tambour sides fitted with recessed photo-electric panel to top and with hinged door to rear, the interior with plate stamped with serial number 1.802.070 to base, 20.5cm (8ins) high; with operating instructions, specification card and original red silk and velvet lined protective case covered with simulated red leather to exterior.Condition Report: The timepiece mechanism appears complete and in original untouched condition however is currently not running. The movement appears to be powered by a 225 B Ni-Cad button-cell rechargeable battery (approx. 2cm diameter) which has most likely expired. This battery in-turn would have been charged by the solar cell fitted within the top of the case, this cell is present however appears to have degraded/corroded so is almost certainly no longer operational.The electronic circuitry etc. has not been tested however It is probable that the timepiece can be made to work with a replacement battery of the correct output however the battery would not be maintained in charge by the solar cell.The dial is in good original condition. The case has overall general moderate tarnishing to the gilt finish, light edge wear and a few light scratches and other blemishes otherwise is in good original unrestored condition. The original box has some light scuffs and rubbing to exterior otherwise also is in good original condition. Condition Report Disclaimer
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