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Lot 288
A PAIR OF VICTORIAN ROSEWOOD FRAMED PARLOUR CHAIRS with button upholstered backs, serpentine front seat, on cabriole supports with brass casters Condition Report : good quality and generally good condition, fabric a little tired Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
Lot 15
A SILVER-INLAID BRONZE 'PHOENIX' BELT HOOK, ATTRIBUTED TO SHISOU, LATE MING DYNASTYChina, 17th century. Finely cast with a phoenix head terminal and inlaid in silver with ruyi, taotie, and other archaistic designs within shaped and dotted borders, the button to the underside with wire-inlaid scroll.Provenance: From the private collection of a former French colonel based in China before World War II.Condition: Very good condition with minor wear and casting flaws, minuscule nicks, small dents.Weight: 63.0 gDimensions: Length 10.8 cmLittle is known about the historical figure Shisou. The earliest reference in the Zhongguo meishujia renming cidian ('Dictionary of Chinese Artists') comes from the Luochuang xiaodu and is presumably from the same source as published in Zhongguo yishujia zhenglue ('Brief Introduction of Chinese Artists'). Shisou is listed there only as a late Ming dynasty monk without any further biographical information. A number of vessels and sculptures from the seventeenth to the nineteenth century bear his name, sometimes in combination with a hall name, Jinyu tang ('Hall of Prosperity'). Although the present piece is unsigned, the high quality of the casting and fine silver inlays make an attribution to Shisou or a related workshop seem reasonable.石叟風格明末銅錯銀鳳凰紋帶鈎中國，十七世紀。鳳頭帶鈎，錯銀如意、饕餮等仿古紋飾，鈕扣下方有嵌線捲軸。扣鈕上錯銀卷紋。 來源：二戰前駐華法國前上校的私人收藏。 品相：狀況極好，有輕微磨損和鑄造瑕疵，微小的刻痕和小凹痕。 重量：63.0 克 尺寸：長10.8 厘米
Lot 84
NATURAL PEARL NECKLACEThe two rows of 2.5-8.0mm natural pearls on a clasp set with a button pearl of grey tint within a circular-cut ruby surround, length of shortest strand 42.0cmFootnotes:Accompanied by a report from GCS stating that the pearls are Natural Saltwater with no indications of treatment. Report number 5782-457, dated 3 February 2022.Please note that the necklace includes pearls under 3.0mm which may be either natural or cultured.For further information on this lot please visit Bonhams.com
Lot 311
Badges and Insignia of the Territorial Battalions Royal Sussex Regiment and Hampshire Regiment, including various Territorial shoulder titles, cap badges, collar badges and regimental tunic button. All mounted on display board. Hampshire Territorials being 4th and 5th Territorial battalions. (15 items)
Lot 437
Post 1881 Leicestershire Regiment Officers Forage Cap, fine example of the peaked foraged cap in blue cloth with knotted button top, black braid with embroidered oakleaves design and regimental forage cap badge in the form of a gilt brass star with silvered scroll “HINDOOSTAN” royal Tiger, Winged Harp and regimental scroll. Thick gold braid to the peak. Interior with leather sweatband and quilted crimson cloth lining. Remains in generally good condition.
Lot 439
Post 1902 9th (Queens Royal) Lancers Other Ranks Lance Cap, good untouched example of the leather bodied lance cap with other ranks regimental pattern lance cap plate to the front. Lion head side bosses with leather backed linked chin scales. Black ribbed cloth body and plain leather mortar board top. Metal plume socket holder with regimental button fitted. Cap is complete with the correct regimental white over black horsehair plume. Interior retains the original liner and leather sweatband. Some areas of leather loss to the edge of the mortar top and the cap is in uncleaned / untouched condition with good patina.
Lot 443
WW1 British Trench Cap of the Essex Regiment, being a superb example of the early khaki wool pattern soft trench cap with original bi-metal other ranks cap badge of the Essex regiment to the front. Thin brown leather chinstrap with general service side buttons. Interior of the cap has the early wool sweatband and the oilskin lining with the remains of the issue details visible. The lining remains in near perfect condition with hardly any cracking. Pined to the side of the cap is a small circular celluloid button badge with a heart and a cross to the centre and around the edge “ESPOIR ET SALUT DE LA FRANCE”. Overall a very nice example.
Lot 555
WW1 German Private Purchase / Officers Bread Bag, unusual example being constructed from a grey canvas cloth with green fleck, similar to the material you sometimes see Pickelhaube trench covers made from. Complete with belt loops to the top section. Bag with internal leather strap and blackened button. Interior has compartment divider. Shows some wear but generally a good example.
Lot 670
* Third Reich NSDAP / NPEA M-43 Begmutze Field Cap, fine example produced in brown wool with gilt metal NSDAP political cap eagle. Single button front with much of the brown paint remaining. Silver aluminium wire piping to the crown of the cap. Brown cloth lining to the interior with the remains of ink stamp. Very good overall condition. This item has been imported from outside the EU so is subject to a 5% import duty on the hammer price.
Lot 704
WW2 German Artillery Officers Uniform Group, finely tailored four pocket officers combat tunic with bullion embroidered officers tunic breast eagle, Artillery red underlay officers shoulder boards with rank insignia for Hauptmann. Artillery section officers collar patches to the bottle green collar. Russian front medal ribbon pinned to the button hole and award loops to the breast pocket and above the pocket. Tailored without belt hooks and interesting three popper studs in between the two lower buttons. Wilhelm Holster, Berlin tailors label to the collar area and a tailors label with ink name of the original owner to the inside breast pocket. Tunic is accompanied by a pair of heavy grey wool private purchase officers combat breeches and a black leather officers claw belt. The set shows some wear but generally a good complete set.
Lot 753
WW1 British 3rd Devonshire Regiment Privates Personal Kit Roll, a superb example of the personal kit role for a private in the 3rd Devonshire regiment with its full contents, including razor, comb, tooth brush, button cleaner, clasp knife (dated 1915), mirror, sewing kit and even the original bar of soap. The kit roll is stamped to the inside with regimental mark “3 DVN”. The most complete example we have ever seen offered on the market before. Accompanying the roll is a set of boot fittings, not part of the kit but accompanied the lot.
Lot 825
^ Naval Officers Dress Sword c.1820, slender single edge blade cut with a single fuller and etched with martial and floral trophies, ormolu stirrup hilt with lion’s head pommel, crowned fouled anchor to langets, wire bound chequered ivory grip, in its leather scabbard with engraved ormolu mounts, locket signed Salter Sword Cutler & Jeweller to HRH the Duke of Sussex, 35 Strand London. Blade 69cms (reduced) bottom half with some heavy pitting, leather with taped repairs, button replaced on locket. Please note this item contains ivory, not suitable for export outside of the UK. International bidders please make sure the item can be imported into your country of origin, CITES may be required.
Lot 853
British 1868 Pattern Metropolitan Police Short Sword, fine example with all brass ribbed handle, swept bar hilt. Rear of the hilt with press stud release button. Housed in its brass and leather mounted scabbard. Slightly curved blade with fuller, stamped M.P FIELI 1868 to one side and acceptance stamp to the other. Blade 68 ½ cms, overall 82cms. Ex John Ingham collection
Lot 23
A small collection of silver, comprising, a novelty card case in the form of an envelope, Adie & Lovekin Ltd, Birmingham 1913, three folding pocket knives, a silver retractable pencil, three silver handled button hooks, two silver handled shoe horns and a silver handled pair of glove stretchers, together with a plated pencil
Lot 47
A silver and enamel compact, Henry Clifford Davis, Birmingham 1936, of circular form, the cover with white enamel ground with floral motif, together with an engine turned silver cigarette case, Birmingham 1960, a cased three piece silver Christening set and a cased silver handled button hook and shoe horn
Lot 265
Folkard (Charles, 1878-1963). The artist's painting smock coat, early-mid 20th century, long smock coat, handmade in linen, with collar, long sleeves with cuffs, and two patch pockets, machine-stitched seams, yoke, pockets, and sleeves smocked by hand in cream thread, hand-stitched button holes to front opening and cuffs (lacking buttons), some staining and marks, one 6" drip of white paint to right-hand smocked area of yoke, linen hanging loop inside neck broken, length 109 cm (43 ins), sleeve length 59 cm (23 2/8 ins), together with:The artist's lay figure, possibly French, 19th century, hand-carved wooden figurine with articulated head, torso, and limbs, lower part of left leg attached to right knee, lower part of right leg detached (and broken where articulated), 17.5cm x 5cm (6 7/8 x 2ins), plus an autograph letter signed written to the artist's grandson, saying 'Ted [Folkard, the artist's brother] gave me this years ago after "mending" it - you observe the legs are on the wrong way round!', going on to express the hope that he would picture his grandfather using & enjoying it, andTeddy Tail looking into a cave, pen & ink with watercolour wash in tones of blue, showing a mouse wearing a striped tunic and a hat, looking through a crevice at rock formations, signed upper left 'Charles Folkard', 13 x 18.7cm (5 1/8 x 7 3/8ins), mounted, framed and glazed (25.7 x 31.1cm), with pencil inscription on backboard 'Teddy Tail - Rock' Qty: (3)Footnote: Provenance: From the artist and thence by descent.The smocking on the coat is believed by the family to have been stitched by the artist's daughter, Janet (born 1917). The photograph of Charles Folkard wearing the smock and leaning over a garden gate was taken in the 1950s in Winchelsea, Sussex, where he and his son built a cottage on the Ridge near the beach.Charles Folkard is best-known for his imaginative illustrative work for children's books, as well as for creating the influential strip cartoon 'Teddy Tail'. Before becoming an artist, Folkard was a magician and performed Punch and Judy shows, appearing under the pseudonym 'Professor Volkard'. It is thought that he probably wore a velvet jacket and velvet smoking hat when in this guise. He only realised his artistic talents when he began designing programmes for his conjuring shows. Family reminiscences recall that at least one of his small grandsons found Folkard's Punch and Judy shows quite terrifying, whilst later he cut quite a figure in his smock.
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110986 item(s)/page