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A Tiffany & Co 'Fairchild' 14k gold cased LED digital wristwatch, circa 1973, the dial of square form with central digital display, with illumination button, the backplate struck with serial number 15219 and Solid 14 Karat Gold Case, on likely original simulated reptile skin black leather strap.Not believed to be workingThere is no visible digital reading.Wear consistent with age
A Fairchild 14k gold cased digital LED wristwatch, circa 1973, the dial of square form with central digital display, with illumination button, the back plate engraved Fairchild and with serial number 15141, solid 14 karat gold case, with likely original simulated reptile skin black leather strap.No visible digital display, likely battery requires replacing.
Two early 20th Century capes A/F, an early 20th Century ladies black woollen coat (one button missing) and mixed 20th Century underskirts of various sizes and lengths together with an extra long sheer paisley shawl 400cm x 90cm with fringed ends and a Middle Eastern heavy black kaftan with gold embroidery and a black and gold rope agal. Location:Rail
An Edwardian cream lace wedding veil with small hand sewn floral sprays throughout, a panel of Irish lace on a button mesh ground, a pressed flower bridesmaid's head-dress, a quantity of lace remnants and insertions to include Maltese and French examples, mixed handkerchiefs with lace surrounds, a Dresden lace table cloth on a button mesh ground 96x103cm, a late 19th Century cream machine embroidered lace shawl, a quantity of braid and trimmings to include silver lame and other accessories. Location:RAB
Circa early 1900's, a Marshall & Snelgrove of Oxford Street, cream embroidered wedding dress having an applique embroidered and button mesh outer layer over a cream silk underskirt pleated at the bottom, elbow length sleeves, pearl beads to the scooped neckline and sleeves and a cream silk sash waistband together with 3 later dresses to include a wedding dress in a fragile state requiring attention.Condition: The Marshall wedding gown-later alterations made to the back and waistband which requires replacing which can be carefully removed from the embroidered mesh to return to the original size. Parts of the silk underskirt has degraded and requires attention, some pearl beads are missing and there is some staining to the underarm area. Substantial stains to one of the evening gowns on the front of the skirt.-see photos for condition reportLocation: RAF
An early to mid 20th Century large white button mesh veil with single silk thread outline to the hem line, 63" x 100" together with a Victorian fine bead miser's purse A/F, a 1920's flapper head band with paste stone brooch and a sequinned belt with silver coloured buckleLocation: R1.4Condition: Three areas of small holes to the hem-see photos for condition report
Pair: Private A. C. A. Bedard, 2nd Battalion, Canadian Infantry British War and Victory Medals (3055415 Pte. A. C. A. Bedard. 2-Can. Inf.); together with the recipient’s card identity tags, CEF ‘For service at the front’ button badge, British Empire Service League Canadian Legion button badge, and contemporary 1st Cdn. Div. ‘Lest we forget’ button badge, contact marks, nearly very fine Pair: Acting Sergeant J. Cunningham, 2nd Battalion, Canadian Infantry British War and Victory Medals (18628 A. Sjt. J. Cunningham. 2-Can. Inf.) very fine Pair: Private J. Fraser, 18th Battalion, Canadian Infantry British War and Victory Medals (412940 Pte. J. Fraser. 18-Can. Inf.) very fine Pair: Private A. Hardy, 38th Battalion, Canadian Infantry British War and Victory Medals (775630 Pte. A. Hardy. 38-Can. Inf.) very fine (8) £100-£140 --- Sold with copied research.
Pair: Private F. A. Kirby, 5th Canadian Infantry British War and Victory Medals (426538 Pte. F. A. Kirby. 5-Can. Inf.); together with recipient’s Silver War Badge, No. C15145; and a 1st Canadian Division ‘Lest we forget’ button badge, contact marks, very fine Pair: Lance Corporal W. R. Stevenson, 38th Battalion, Canadian Infantry British War and Victory Medals (3055824 L. Cpl. W. R. Stevenson. 38-Can. Inf.) very fine Pair: Private A. Revie, 46th Battalion, Canadian Infantry British War and Victory Medals (436860 Pte. A. Revie. 46-Can. Inf.) very fine Pair: Private F. Reeves, Canadian Forestry Corps British War and Victory Medals (2288579 Pte. F. Reeves. C.F.C.) VM gilded, very fine (8) £100-£140 --- Sold with copied research.
Pair: Private T. Turner, 49th Battalion (Edmonton Regiment), Canadian Infantry British War and Victory Medals (782208 Pte. T. Turner. 49-Can. Inf.) with named Great War Honourable Discharge Certificate, very fine British War 1914-20 (2) (1049043 Pte. C. Empey. C.F.C.; 755160 Pte. J. Tremblay. Can. Labr. Bn.) 1st with two shell cases, a button, lapel ephemera and photograph of recipient in uniform with his wife, suspension claw loose on 2nd; Victory Medal 1914-19 (150092 Pte. J. Gough. 16-Can. Inf.) otherwise very fine (lot) £60-£80 --- Thomas Turner was born in Newcastle-on-Tyne England in March 1879. He emigrated to Canada, and resided at 645 Stadacona East, Moose Jaw, Saskatchewan. Turner served with the 49th Battalion (Edmonton Regiment), Canadian Infantry on the Western Front (entitled to Silver War Badge). Charles Nelson Empey was born in Madoc, Hastings County, Ontario, Canada in June 1868. He served during the Great War with Canadian Forestry Corps in Great Britain. Joseph Tremblay was born in Chicoutimi, Quebec, Canada in January 1877. He was serving with the 52nd Battalion, Canadian Infantry when he died of an accident, 30 October 1918. Private Tremblay is buried in the Etaples Military Cemetery, Pas de Calais, France.
Including a Dresden 'Copy of Nichlaus Amati, Fecit Dresdae fil Anno' violin with two piece back (58.5cms long, 35.5cms to base of button), in a case and with a bow. Also with another vintage Violin, with a label inside 'Jacobe Steiner, Maker Anno' and with a two piece back (59cms long, back 35cms to base of button), also with a bow. Also with a violin neck with carved scroll. ** Some damages and repairs needed for all the items.
A FINE QUEEN ANNE EBONISED LONGCASE CLOCK BY JOHN KNIBB, OXFORD, EARLY 18TH CENTURY the brass eight day fully latched movement with five turned and finned pillars and inside countwheel, the anchor escapement striking on a bell, with a separate shaped cock for the pallet arbor and a cut-out on the backplate for the pallets, with a long crutch, the brass 11 3/4inch dial with a silvered chapter ring with Roman and Arabic numerals and fleur-de-lis half hour markers, the matted centre with subsidiary seconds dial and date aperture, with blued steel hands, signed 'John Knibb Oxon' with gilt brass crown and boys spandrels, the hood with a Knibb type button capped giltwood centre finial flanked by conforming brass finials to the domed caddy top above a blind fret friezes, with integral columns with gilt brass caps and plinths, the trunk with a concave moulding and a lenticle to the door, on a plinth base, with two brass cased weights, pendulum and case key 239cm high Catalogue Note John Knibb was born in 1650 and was apprenticed to his older brother, Joseph, in around 1664. When Joseph moved to London in 1670 to set up business (presumably in the workshop inherited from his uncle, Samuel) John, his younger brother, took-on the Oxford workshop gaining the Freedom of the city on payment of a fine in 1673. Throughout the latter three decades of the 17th century John and Joseph worked in parallel, however when the products from both workshops are examined, it is evident that they had a close working relationship. Joseph Knibb retired in 1697 selling-up most of his workshop before moving to Hanslop, Buckinghamshire where he made a few clocks prior to his death in 1711. John Knibb continued in business until his death in 1722. The movement of the current lot is fully latched and has the feature of separate cock for the pallet arbor (and cut-out for the pallets in the backplate) normally found on earlier clocks by Joseph with butterfly-nut pendulum regulation, however the casting for the pendulum hanging cock differs from those found on earlier clocks and the use of internal countwheel for striking the hours certainly dates it towards the end of the century. From these observations one could speculate that the movement of the current lot may well have been acquired by John from Joseph's stock when he retired in 1697 or even on his death in 1711 before finishing and fitting with a dial. The fine proportions of the case closely echoes London work of the period. Despite being provincially made (probably Oxford) the case does exhibit features such as the distinctive spherical finials with button-shaped caps (which are often seen on other longcase clocks by the Knibb family) which set it aside from other provincial examples of the period.
A GEORGE IV MAHOGANY DAVENPORT ATTRIBUTED TO GILLOWS, C.1825 with nulled and reeded mouldings, the hinged slope inset with gilt tooled leather, revealing two drawers and a pull- button mechanism for the pop-out hinged pen and ink compartment, with a pair of slides, the right side with a panelled door enclosing four cedar lined drawers, on ribbed feet and sunken brass castors 86.5cm high, 51.6cm wide, 56.5cm deep
A VICTORIAN BURR WALNUT DAVENPORT C.1860-70 inlaid with stringing and burr banding, with a stationery compartment with a push button mechanism, above a sloping hinged front revealing a bird's eye maple interior with two drawers, the right side with a panelled door enclosing four drawers, on castors 88.4cm high, 56cm wide, 56.5cm deep
A GEORGE IV MAHOGANY AND BRASS BOUND CAMPAIGN STYLE WRITING SLOPE C.1820-30 with Greek key style decoration and sunken brass military style handles, with a shaped escutcheon and plaque, the fitted interior with a locking slope, a lift-out inner compartment, pen tray and two covered compartments, one enclosing a pair of candle sconces, a button in the side releasing a panel to reveal a pair of secret drawers and three cylindrical bone sovereign pots and covers 18cm high, 50.5cm wide, 27.7cm deep
Four boxed Lilliput Lanes, Nest Egg, Button Down, Thimble Cottage and Kiln Cottage, with deeds, largest 70 x 60 mm, no cracks or chips and four boxed Lilliput Lane, Swaledale Teas 11 x 8 cm, Tea Caddy Cottage 80 x 80 mm, Finders Keepers 60 x 40 mm (chimney damaged), all with deeds, and Dovetails (chimney damaged), no deeds, 12 x 10 cm. (8) Not available for in-house P&P
A COLLECTION OF SILVER AND SILVER PLATED COLLECTABLES (13)Comprising; a silver and mother-of-pearl folding fruit knife and fork, Sheffield 1904, four silver bladed mother-of-pearl folding fruit knives, a steel bladed mother-of-pearl pen knife, a silver and mother-of-pearl bonbon fork, a silver fronted book of Common Prayer, London 1904, a silver handled button hook and shoe horn, cased, a plated thimble with a box, a plated vesta case and a European shaped square cachou box
A GOLD AND CITRINE SINGLE STONE RING AND THREE FURTHER ITEMS (4)Comprising; the citrine ring detailed 9C, ring size V, gross weight 3.3 gms, a gold and amethyst single stone bar brooch, detailed 9 CT, a varicoloured agate baton shaped link bracelet, with a banded agate heart shaped pendant and a silver handled glove button hook
A STERLING SILVER AND ENAMEL BUTTON SET, A SILVER PENDANT LOCKET AND CHAIN AND TWELVE FURTHER ITEMS (15)The blue/green enamelled set comprising; three square fronted buttons and a lace pin, detailed Sterling Silver, with a case, a Victorian silver oval pendant locket, with a ropetwist link neckchain, two silver bangles, five brooches, two silver badges and three further items
A late 19th/early 20th century Swedish nobleman's hunting knife with single-edged blade with clipped-back point, blade length 16cm, S-shaped silver guard with dog head finials and carved sandalwood grip with all-over deep foliate decoration and shield with trophies of arms, surmounted by a Norse-type warrior's head and carved lion pommel, with trigger-button-release silver-mounted sandalwood scabbard, hallmarked 'M.A.L. 830 S', with all-over deep foliate carved decoration.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A WILLIAM IV MAHOGANY OPEN ARMCHAIR AND A SIMILAR EARLY VICTORIAN OPEN ARMCHAIRSECOND QUARTER 19TH CENTURYEach with a button back, upholstered armrests, scroll carved show frames and castors approximately 98cm high, 64cm wide, 76cm deep Condition Report: To the left hand chair as viewed one arm is loose, and has historic breaks and signs of previous repairPlease note this is not a complete condition report, one is available upon requestCondition Report Disclaimer
A LEATHER BUTTON BACK CHESTERFIELD TYPE SOFAIN VICTORIAN STYLE, 20TH CENTURY76cm high, 216cm wide, 95cm deepCondition Report: Marks, knocks, scratches, abrasions consistent with age and useThe leather with cracks and splits revealing underlying stuffing in placesCracks and creasing to the leather also, wear and 'lived in' appearance The underside is open and the rails are visible, this would appear to date from the second half of the 20th century. Please refer to additional images for visual reference to condition Condition Report Disclaimer
A WHITE PAINTED AND PARCEL GILT CENTRE STOOLLATE 20TH CENTURYThe blue button upholstery above the Greek-key border41cm high, 170cm wide, 170cm deepCondition Report: Overall the condition reflects its lack of significant age or use in a domestic setting, it has a fire label to the underside, some minor knocks and wear to the white and gilt surface - not excessivePlease see additional images for visual reference to conditionCondition Report Disclaimer
A Regency mahogany and canework library bergere, circa 1815; the frame with old black linear paint overall to simulate rosewood; the curved backrest with outscrolled toprail; the arms with scrolling lappet carved terminals and supports; the turned front and splayed back legs with brass caps and castors; with button upholstered seat;; 92cm high, 57cm wide

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110986 item(s)/page