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Lot 568

A button-down shirt for Robert Duvall as "Earl Pilcher Jr." in the comedy/drama A Family Thing (United Artists, 1996). The long-sleeved, orange, green, and brown flannel button down features two breast pocket. No size or label present.A Family Thing follows Earl Pitcher Jr., who, when his mother gives a deathbed confession that his biological mother died while giving birth to him, must travel and make peace with his other family.This lot comes from the collection of Reel Clothes and Props, a Hollywood consignment shop that obtains movie and TV wardrobe directly from the major studios.PROVENANCE From the Collection of Reel Clothes and Props

Lot 569

A suit as seen worn by Robert Duvall as "Earl Pilcher Jr." in the comedy/drama A Family Thing (United Artists, 1996). The ensemble includes a white, cotton-blend button-down shirt, labeled "Sears Roebuck And Co.," size 15 - 32/33; a grey striped suit jacket with matching pants, labeled "Haggar Gentleman's Fit Imperial," size 40, which matching trousers, size 32 x 32; and a black genuine leather belt, size 34. A Family Thing follows Earl Pitcher Jr., who, when his mother gives a deathbed confession that his biological mother died while giving birth to him, must travel and make peace with his other family. Duvall as Earl wears the ensemble at the funeral of who he believed to be his real mother.This lot comes from the collection of Reel Clothes and Props, a Hollywood consignment shop that obtains movie and TV wardrobe directly from the major studios.PROVENANCE From the Collection of Reel Clothes and Props

Lot 572

A collection of costumes as seen worn by Kristin Scott Thomas as Mary Panton in Up at the Villa (October Films, 2000).This lot includes a front button knit sweater with side slip pockets and a detachable waist tie, no label or size present; red and beige striped trousers with a front zipper and hook-and-eye closure; a beige crepe-satin dress with a plunging neckline, crossover back straps, and back velcro closure (please note there is heavy makeup staining throughout); two matching linen dresses with floral contrast trim, breast patch pockets, skirt pleating, a partial button front, and detachable waist belt (please note one of the dresses is missing front buttons), no label is present; two organdy and iridescent satin halterneck dresses with an open back, back snap button closure, faux front button closure, asymmetrical tiered skirt and one matching embroidered satin jacket (includes an alternative halter top with velcro back); and a button front linen skirt set with a sleeveless collared blouse with wooden rabbit buttons, a matching dickey, and an open front cropped jacket with faux pockets and contrast trim labeled "Jane Law," no other labels or sizes present. Up at the Villa is a romantic drama based on a novel of the same name. The film follows an English widow on her vacation in Italy and the unexpected obstacles she must overcome.

Lot 574

An ensemble as seen worn by Billy Campbell as "Mitch Hiller" in the crime/thriller Enough (Columbia Pictures, 2002). Together with costume tags. The ensemble includes a white, cotton-blend button-down shirt with a single breast pocket, labeled "John W. Nordstrom,' size 16.5-37; a pair of sand, linen trousers, labeled "Mondo di Marco," size 36; a mahogany leather belt, labeled " Polo Ralph Lauren," size 38; and a grey, 100% wool suit jacket with shoulder pads, front and interior pockets, labeled, "Canali Proposta" as well as "Mel Fox Clothiers - Encino, Calif.," size L. Enough follows Slim (Jennifer Lopez), who, after discovering her husband's abusive side, takes her daughter and attempts to escape — a plan that forces Slim to take matters into her own hands when his determination to find her persists. Campbell as Mitch wears the ensemble as he speaks to the owner of a house he wants to buy with his wife. This lot comes from the collection of Reel Clothes and Props, a Hollywood consignment shop that obtains movie and TV wardrobe directly from the major studios.PROVENANCE From the Collection of Reel Clothes and Props

Lot 575

An ensemble as seen worn by Billy Campbell as "Mitch Hiller" in the crime/thriller Enough (Columbia Pictures, 2002). Together with a costume tag. The ensemble includes two matching polyester-blend, charcoal grey button-downs, with single breast pockets, both labeled "Ermenegildo Zegna," both size L; and a grey tweed, wool/cashmere-blend suit jacket with shoulder pads, front and interior pockets, labeled, "Canali" as well as "Mr. Sid," size L. Enough follows Slim (Jennifer Lopez), who, after discovering her husband's abusive side, takes her daughter and attempts to escape — a plan that forces Slim to take matters into her own hands when his determination to find her persists. Campbell as Mitch wears the tops at home when Slim finds out he has been cheating on her.This lot comes from the collection of Reel Clothes and Props, a Hollywood consignment shop that obtains movie and TV wardrobe directly from the major studios.PROVENANCE From the Collection of Reel Clothes and Props

Lot 577

A short-sleeved polo shirt as seen worn by Billy Campbell as "Mitch Hiller" in the crime/thriller Enough (Columbia Pictures, 2002). Together with a costume tag. The moss green, 100% cotton polo features a three-button closure. Labeled 'Barney's New York." Size XL. Enough follows Slim (Jennifer Lopez), who, after discovering her husband's abusive side, takes her daughter and attempts to escape — a plan that forces Slim to take matters into her own hands when his determination to find her persists. Campbell as Mitch wears the polo while in the police station, tracking down a phone call from his wife to find her location. This lot comes from the collection of Reel Clothes and Props, a Hollywood consignment shop that obtains movie and TV wardrobe directly from the major studios.PROVENANCE From the Collection of Reel Clothes and Props

Lot 580

An ensemble as seen worn by Dan Futterman as "Joe" in the crime/thriller Enough (Columbia Pictures, 2002). Together with a costume tag. The ensemble includes a forest green, 100% cotton button-down with a single breast pocket, labeled, "Orlando for Barneys New York," size reads IV; and a pair of navy blue, 100% cotton pants, labeled "Mason's Sportswear," size 48. Enough follows Slim (Jennifer Lopez), who, after discovering her husband's abusive side, takes her daughter and attempts to escape — a plan that forces Slim to take matters into her own hands when his determination to find her persists. Futterman as Joe wears the ensemble with ex-girlfriend, Slim, and her daughter, Gracie, on a Seattle pier.This lot comes from the collection of Reel Clothes and Props, a Hollywood consignment shop that obtains movie and TV wardrobe directly from the major studios.PROVENANCE From the Collection of Reel Clothes and Props

Lot 582

An ensemble as seen worn by Meryl Streep as "Susan Orlean" in the comedy/drama Adaptation (Columbia Pictures, 2003).The ensemble includes a faded blue, vertical striped button-down shirt with a single breast pocket, size L; a pair of dark wash, straight leg denim jeans, labeled "Earl Jeans," with "Waistband Altered - Orlean - Wash & Dry for Perfect Fit - New Hero," handwritten on an interior tag, no size present; and a pair of tan, wool socks, labeled "Smart Wool."Adaptation follows anxious screenwriter Charlie Kaufman (Nicolas Cage) as he attempts to adapt The Orchid Thief by Susan Orlean to the screen, and, in the process, gets entangled in her personal life, endangering himself and his twin brother. Streep as Susan wears the ensemble while chasing Charlie and his brother into the swamp towards the end of the film. This lot comes from the collection of Reel Clothes and Props, a Hollywood consignment shop that obtains movie and TV wardrobe directly from the major studios.PROVENANCE From the Collection of Reel Clothes and Props

Lot 583

An ensemble for Meryl Streep as "Susan Orlean" in the comedy/drama Adaptation (Columbia Pictures, 2003). Together with a costume tag detailing the ensemble. The ensemble includes a cream, blue, and green striped v-neck shirt with three-quarter length sleeves, dirtied from production, no size or label present; a tan cotton button-down safari-style shirt with front pockets, dirtied from production, labeled, "Zanella," size USA 10; a pair of dark wash, straight leg jeans, dirtied from production, labeled "Earl Jeans," size 31; a pair of cream wool socks, no size or label present; and a pair of brown leather combat boots, labeled "Frye," no size present.Adaptation follows anxious screenwriter Charlie Kaufman (Nicolas Cage) as he attempts to adapt The Orchid Thief by Susan Orlean to the screen, and, in the process, gets entangled in her personal life, endangering himself and his twin brother.This lot comes from the collection of Reel Clothes and Props, a Hollywood consignment shop that obtains movie and TV wardrobe directly from the major studios.PROVENANCE From the Collection of Reel Clothes and Props

Lot 585

A top as seen worn by Meryl Streep as "Susan Orlean" in the comedy/drama Adaptation (Columbia Pictures, 2003).The tan cotton button-down safari-style shirt features two breast pockets. Labeled, "Zanella." No size present.Adaptation follows anxious screenwriter Charlie Kaufman (Nicolas Cage) as he attempts to adapt The Orchid Thicdcef by Susan Orlean to the screen, and, in the process, gets entangled in her personal life, endangering himself and his twin brother.Includes a photo of Streep wearing the top. This lot comes from the collection of Reel Clothes and Props, a Hollywood consignment shop that obtains movie and TV wardrobe directly from the major studios.PROVENANCE From the Collection of Reel Clothes and Props

Lot 586

A top for Meryl Streep as "Susan Orlean" in the comedy/drama Adaptation (Columbia Pictures, 2003).The ensemble includes a white button-down with a band collar. Labeled "Veronique Brandquinho." no size present; and a tan, purple, and fuschia straw woven shoulder bag with a magnetic closure, no size or label present. Adaptation follows anxious screenwriter Charlie Kaufman (Nicolas Cage) as he attempts to adapt The Orchid Thief by Susan Orlean to the screen, and, in the process, gets entangled in her personal life, endangering himself and his twin brother.Includes two original photographs of Streep wearing the top.This lot comes from the collection of Reel Clothes and Props, a Hollywood consignment shop that obtains movie and TV wardrobe directly from the major studios.PROVENANCE From the Collection of Reel Clothes and Props

Lot 588

A top for Meryl Streep as "Susan Orlean" in the comedy/drama Adaptation (Columbia Pictures, 2003). Together with a costume tag.The mauve, rayon button-down blouse is labeled, "DKNY." No size present. Adaptation follows anxious screenwriter Charlie Kaufman (Nicolas Cage) as he attempts to adapt The Orchid Thicdcef by Susan Orlean to the screen, and, in the process, gets entangled in her personal life, endangering himself and his twin brother. This lot comes from the collection of Reel Clothes and Props, a Hollywood consignment shop that obtains movie and TV wardrobe directly from the major studios.PROVENANCE From the Collection of Reel Clothes and Props

Lot 591

An ensemble as seen worn by Chris Cooper as "John Laroche" in the comedy/drama Adaptation (Columbia Pictures, 2003). Together with three costume tags. The ensemble includes a scarlet, cotton, long-sleeved button-down with a single breast pocket, heavily torn and bloodied from production, labeled "G-Star," no size present; a pair of faded Levi's 501 denim jeans, heavily torn and bloodied from production, size 32; and a pair of grey Reebok sneakers dirtied from production, size 10. Adaptation follows anxious screenwriter Charlie Kaufman (Nicolas Cage) as he attempts to adapt The Orchid Thief by Susan Orlean to the screen, and, in the process, gets entangled in her personal life, endangering himself and his twin brother. Cooper as John Laroche wears the ensemble while chasing the Kaufman brothers in the swamp. This lot comes from the collection of Reel Clothes and Props, a Hollywood consignment shop that obtains movie and TV wardrobe directly from the major studios.PROVENANCE From the Collection of Reel Clothes and Props

Lot 594

An ensemble as seen worn by Nicolas Cage as "Donald Kaufman" in the comedy/drama Adaptation (Columbia Pictures, 2003). Together with costume tags.  The ensemble includes a gray, 100% cotton, long-sleeved button-down with a single breast pocket, labeled "Banana Republic" with "DPD" handwritten in black marker on the label, size XL; a pair of dark wash jeans, labeled "GAP," size 38 x 32; and a black leather belt with a silver-tone buckle, labeled "GAP" with "Don #1" handwritten in black marker, size 38 M.Adaptation follows anxious screenwriter Charlie Kaufman (Nicolas Cage) as he attempts to adapt The Orchid Thief by Susan Orlean to the screen, and, in the process, gets entangled in her personal life, endangering himself and his twin brother. Cage as Donald wears the ensemble attending a lecture given by Robert McKee (Brian Cox), as well as in other variations throughout the film.This lot comes from the collection of Reel Clothes and Props, a Hollywood consignment shop that obtains movie and TV wardrobe directly from the major studios.PROVENANCE From the Collection of Reel Clothes and Props

Lot 595

An ensemble as seen worn by Nicolas Cage as "Donald Kaufman" in the comedy/drama Adaptation (Columbia Pictures, 2003). Together with costume tags. The gray, waffle knit, 100% cotton long-sleeved shirt features a three-button closure down the neckline and side slits, labeled "Lucky Brand," size L; and a pair of blue and white plaid, 100% cotton boxers, labeled "Club Room by Charter Club," size L.Adaptation follows anxious screenwriter Charlie Kaufman (Nicolas Cage) as he attempts to adapt The Orchid Thief by Susan Orlean to the screen, and, in the process, gets entangled in her personal life, endangering himself and his twin brother. Cage as Donald wears the ensemble in the morning while at the house of his twin brother, Charlie.This lot comes from the collection of Reel Clothes and Props, a Hollywood consignment shop that obtains movie and TV wardrobe directly from the major studios.PROVENANCE From the Collection of Reel Clothes and Props

Lot 598

A custom-made Anto button-up shirt as seen worn by Al Pacino as Walter in Two for the Money (Morgan Creek Productions, 2005). The shirt is white with black pin stripes. Pacino's initials, "AP," are printed on its inner-label, which is dated Aug. 2004. In the film, inspired by a true story, Matthew McConaughey plays Brandon, a former college football star who goes to work for Walter (Pacino), who runs a very successful gambling hotline. The hot-tempered Walter becomes a father figure to Brandon, until he discovers that his mentor might be running a con.  Pacino wears this style of shirt in the scene in which Walter fires longtime employee Jerry (Jeremy Piven), and on the film's U.S. one sheet poster. Accompanied by a Certificate of Authenticity from StarWares on Main.No size tags.

Lot 608

A screen-matched ensemble worn by Helen Mirren in Woman in Gold (BBC Films, 2015), together with a costume tag from the production. The ensemble includes an Anna Cardian grey, cotton long sleeve button front cardigan sweater, House of Hackner blue with white print cap sleeve blouse, and beige Brooks Brothers skirt. In the fact-based film, Mirren plays Maria Altmann, an elderly Jewish refugee living in California who fights a lengthy legal battle against the Austrian government to take back a priceless painting which the Nazis stole from her family. Mirren wears the ensemble in the scene where lawyer Randy Schoenberg (Ryan Reynolds) visits her at the boutique she runs to express interest in taking her case.Size 8 (skirt)

Lot 638

An ensemble as seen worn by Cloris Leachman as "Nurse Charlotte Diesel" in High Anxiety (Crossbow Productions, 1977). The ensemble includes a cream, cropped button-down jacket with an accentuated bullet bra silhouette; and a cream cotton, button-down pencil skirt with front pockets. Both pieces have  American Costume Co. labels present that read "Mo# Young Frankenstein / Name - Cloris Leachman / Size #1." High Anxiety, Mel Brooks's satirical tribute to legendary director Alfred Hitchcock, follows themes present in various Hitchcock films such as Vertigo, The Birds, Psycho, and Spellbound. Accompanied by a Certificate of Authenticity from Stare Wares on Main, a lobby card, and a postcard. 

Lot 645

A pale yellow "tropical fish" button-down shirt, personally owned by comedian/actor John Belushi. The polyester, short-sleeved button-down features an orange, burgundy, blush, and green tropical fish design on the front and back. Labeled "Catalina of California Creator." Size L. Please note: the single breast pocket contains a folded paper towel. After Belushi's tragic, untimely death at the age of 33, Belushi's personal belongings were auctioned off on June 9, 1990, at the Leslie Hundman Auction House in Chicago, Illinois. Included is an original John Belushi Memorial Auction catalog, signed in green marker by Belushi's widow, Judith Jacklin Belushi. The inscription reads, "To Andy, Best, Always, Judith Jacklin Belushi." Accompanied by a Letter of Authenticity from Jacklin Belushi, written to the original winning bidder, that reads, "Andy, you now own one of John's favorite Hawaiian shirts! Wear it in good health. Best, Judith Jacklin Belushi."PROVENANCE Lot 80, "The John Belushi Memorial Auction," Leslie Hindman Auctioneers, June 9, 1990

Lot 679

Two pairs of custom-made boxer shorts from the wardrobe of Sean Penn as Glendon Wasey in Shanghai Surprise (HandMade Films, 1986). The film starred then newlyweds Madonna and Penn.The shorts have button to the front. One pair is white and one pair has stripes. No labels present. Together with a costume bag that reads “Wasey: 2 pair of shorts not worn in film.” Costume design by Judy Moorcroft. The shorts were not seen in the final cut of the film.The Proceeds From This Lot Benefits The Material World Foundation.  PROVENANCE Donated to the Foundation by the George Harrison Estate

Lot 715

An outfit as seen worn by Alicia Silverstone as "Emily Hope" in the crime/comedy Excess Baggage (Columbia Pictures, 1997). The outfit includes a nylon, cream, long-sleeve t-shirt with a lipstick graphic on the front and red trim, as well as a large stain from production, labeled "Joe's," size 3; and a pair of black suede, lace-up pants with silver-tone button details down each leg, and a large panel of the right leg missing, no label present, size L (handwritten note on tag that says pants were altered to size 8).Silverstone as Emily wears variations of this ensemble throughout the entirety of the film but is seen in the stained shirt while sitting with her kidnapper Vincent Roche (Benicio del Toro) by a lake.This lot comes from the collection of Reel Clothes and Props, a Hollywood consignment shop that obtains movie and TV wardrobes directly from the major studios.PROVENANCE From the Collection of Reel Clothes and Props

Lot 720

An ensemble as seen worn by Adam Sandler as Longfellow Deeds in Mr. Deeds (Columbia Pictures, 2002).The outfit includes a Lucky Brand light gray button-up shirt with "DEEDS" stamped on the inner collar, Diesel Industry brand olive green trousers, and tan and brown socks. Sandler wears this style of ensemble in the sequence in which he slides down the staircase railing of his uncle's mansion. Originally purchased from Reel Clothes and Props in January 2005.Size XL (shirt); 38 (pants)

Lot 721

A cheer-style mini skirt as seen worn by Natasha Lyonne as "Megan Bloomfield" in the comedy/drama But I'm a Cheerleader (Cheerleader LLC, 1999).The rust-colored pleated skirt features a side zipper and single button closure, with "F" stitched into the interior waistband. No size or label is present.But I'm a Cheerleader follows high school cheerleader Megan (Natasha Lyonne), who is sent off to conversion therapy after her friends and family begin to suspect she is a lesbian. Lyonne, as Megan, wears the skirt as she is dismissed from the program. This lot comes from the collection of Reel Clothes and Props, a Hollywood consignment shop that obtains movie and TV wardrobes directly from the major studios.PROVENANCE From the Collection of Reel Clothes and Props

Lot 728

A custom-made Anto blue button-up shirt as seen worn by Eddie Murphy as Charlie Hinton in Daddy Day Care (Revolution Studios, 2003).The shirt's Anto label bears Murphy's printed initials (EM) and the date July 2002 (the film was shot in the summer of 2002). Murphy plays Charlie, who starts a daycare center with his friend after losing his job. He wears this style of shirt in a sequence in which he and his wife are looking for a good daycare center for their daughter. They drive up to a house that seems promising, seconds before police cars with sirens blazing drive up and surround it.Accompanied by a Certificate of Authenticity from Revolution Studios.No size tags.

Lot 735

A blouse for Paz Vega as "Flor" in the romantic comedy Spanglish (Columbia Pictures, 2004).The sheer button-down blouse features a pink and black medallion print. No size or label is present.Spanglish follows Flor and her daughter Christina, who migrate to the U.S. for better opportunities. When Flor finds a job as a housekeeper for the Claskys, a dysfunctional family that adores her daughter Christina, the two agree to move in with the family to their Malibu vacation home for the summer, even though Flor does not know English.This lot comes from the collection of Reel Clothes and Props, a Hollywood consignment shop that obtains movie and TV wardrobes directly from the major studios.Link to image of Vega wearing the blouse available upon request. PROVENANCE From the Collection of Reel Clothes and Props

Lot 739

An ensemble for Paz Vega as "Flor" in the romantic comedy Spanglish (Columbia Pictures, 2004).The ensemble includes a sheer pink button-down blouse with a white, red, grey, and black floral pattern and pleated details, no size or label is present; a purple cotton-blend pareo skirt with a red, purple, green, and black floral pattern, no size or label is present; and a pair of navy blue suede sneakers with steel blue stripes down each side and rubber soles, size US 8.5. Spanglish follows Flor and her daughter Christina, who migrate to the U.S. for better opportunities. When Flor finds a job as a housekeeper for the Claskys, a dysfunctional family that adores her daughter, Christina, the two agree to move in with the family to their Malibu vacation home for the summer, even though Flor does not know English.This lot comes from the collection of Reel Clothes and Props, a Hollywood consignment shop that obtains movie and TV wardrobes directly from the major studios.PROVENANCE From the Collection of Reel Clothes and Props

Lot 743

An ensemble as seen worn by Paz Vega as "Flor" in the romantic comedy Spanglish (Columbia Pictures, 2004).The ensemble includes a pink cotton-blend, short-sleeved, button-down blouse with embroidered dots throughout and pleats down the front, no size or label present (tag has been cut); and two identical cotton gauze knee-length skirts, each featuring a coral, red, and cream striped pattern, with side zippers (one with a tan interior lining), no sizes or labels present.Spanglish follows Flor and her daughter Christina, who migrate to the U.S. for better opportunities. When Flor finds a job as a housekeeper for the Claskys, a dysfunctional family that adores her daughter Christina, the two agree to move in with the family to their Malibu vacation home for the summer, even though Flor does not know English. Flor wears the ensemble while ordering "Ingles sin Barreras," a DVD box set to help her learn English. This lot comes from the collection of Reel Clothes and Props, a Hollywood consignment shop that obtains movie and TV wardrobes directly from the major studios.PROVENANCE From the Collection of Reel Clothes and Props

Lot 744

A nightgown for Paz Vega as "Flor" in the romantic comedy Spanglish (Columbia Pictures, 2004).The white, 100% cotton midi nightgown features a pink, blue, and green floral print with a six-button closure neckline and short sleeves. Labeled "Aria."Spanglish follows Flor and her daughter Christina, who migrate to the U.S. for better opportunities. When Flor finds a job as a housekeeper for the Claskys, a dysfunctional family that adores her daughter Christina, the two agree to move in with the family to their Malibu vacation home for the summer, even though Flor does not know English. The nightgown was featured in the film's trailer. This lot comes from the collection of Reel Clothes and Props, a Hollywood consignment shop that obtains movie and TV wardrobes directly from the major studios.Size SmallPROVENANCE From the Collection of Reel Clothes and Props

Lot 752

A colorful bathing suit and Perry Ellis Portfolio yellow button-up shirt as seen worn by Shawn Wayans as Kevin Copeland in disguise as Brittany in White Chicks (Revolution Studios, 2004).In the film, Marlon Wayans and Shawn Wayans play macho black FBI agents forced to go undercover as Brittany and Tiffany, white women socialites in the Hamptons. Wayans wears this style of ensemble when, as Brittany, he knocks out a patronizing guy on the beach with an expert football throw. Accompanied by a Certificate of Authenticity from Revolution Studios. Size 15 1/2 / 32/33 (shirt)

Lot 755

A khaki cotton Ashworth golf jacket (with polyester lining), blue cotton John W. Nordstrom button-up shirt, and green wool baseball cap from the production Fun with Dick and Jane (Columbia Pictures, 2005) with costume tags bearing the name Alec Baldwin, who plays Jack McCallister in the film. The cap and jacket are customized with patches bearing the logo of Globodyne, the corporation owned by Jack McCallister. In the film, Jim Carrey plays Dick, the Vice President of Communications at Globodyne who discovers that, because of McCallister's fraudulent practices, the company has gone bankrupt and all of its employees have lost their jobs. McAllister wears a jacket and cap of this style in a scene in which Dick tries to confront him as he takes off in the company helicopter (the cap and patches shown on-screen are different colors). This lot comes from the Reel Clothes and Props collection, a Hollywood consignment shop that obtains movie and TV wardrobes directly from the major studios.XL (jacket); 17.5-35 (shirt)PROVENANCE From the Collection of Reel Clothes and Props

Lot 760

A costume as seen worn by Bradley Cooper as Sack Lodge in Wedding Crashers (New Line Cinema, 2005). Items include a Brooks Brothers brand yellow sweater and powder blue pants, and a Men's Express brand yellow, white, and blue striped button-up shirt. Wilson and Vince Vaughn play John and Jeremy, mediators who crash weddings for fun, and to seduce women. The guys get in over their heads when they crash the wedding of the U.S. Secretary of Treasury's daughter, and John falls in love with his other daughter Claire. Bradley Cooper plays Claire's lousy boyfriend. He wears this style of outfit during the scene in which Jeremy (Vince Vaughn) is chased out of the Cleary family home by gun-toting "Grandma" Mary Cleary when they discover that he and John are frauds. Sack punches John. Accompanied by a Letter of Authenticity from New Line Cinema.Size L (sweater and shirt); W34/L32 (pants)

Lot 763

A brown, beige, and red plaid button-up shirt as seen worn by Christopher Walken in Click (Columbia Pictures, 2006). Walken plays Morty, an angel type who gives Michael Newman (Adam Sandler) a "universal remote" which allows him to rewind and fast forward through his life. Walken wears this style of shirt when he visits Michael in the hospital.Accompanied by a Certificate of Authenticity from Columbia Pictures and Revolution Studios. No size tag.

Lot 764

A multi-colored Faconnable button-up shirt and black Levi's Boot Cut jeans as seen worn by Will Ferrell as Ricky Bobby in Talladega Nights: The Ballad of Ricky Bobby (Columbia Pictures, 2006). The shirt and jeans have labels with "RICKY 3" handwritten in black marker ink. Ferrell plays a legendary racer whose position as a top driver on his team is threatened by openly gay Formula One newcomer Jean Girard (Sacha Baron Cohen). Ferrell wears this style of outfit in the bar scene where Jean breaks Ricky's arm for refusing to say he loves crepes.Accompanied by a Certificate of Authenticity from Columbia Pictures. Size L (shirt); 38 x 34 (jeans)

Lot 768

A Royal Robbins khaki button-up outdoor shirt and a Columbia Sportswear Company army green t-shirt as seen worn by Robin Williams as Bob Munro in RV (Columbia Pictures, 2006).In the film, Bob and his family go on a road trip in a giant RV that goes hilariously wrong. Williams wears this style of shirt at the beginning of the trip, and in the scene where he empties the RV at a sewage station.Accompanied by a Certificate of Authenticity from Columbia Pictures.Size L (both shirts)

Lot 769

An ensemble as seen worn by Sean Penn in the comedy/drama What Just Happened (Linson Entertainment, 2008), starring Robert De Niro, Bruce Willis, Robin Wright, and Stanley Tucci. The ensemble includes a white, cotton button-down, with splattered fake blood and tears from production, labeled "Joseph & Feiss," size 16 32/33; a gray, single-breasted, silk/wool-blend suit jacket, with two front pockets, a single breast pocket, and two interior pockets, with matching pants, both labeled "Dolce and Gabanna," custom sizing, both with splattered fake blood from production.In the self-referential satire about the Hollywood film industry, Penn stars as himself.

Lot 771

An ensemble as seen worn by Bill Murray as "Vincent Mackenna" in the comedy/drama St. Vincent (Goldenlight Films, 2014). Together with a costume tag. The ensemble includes a black ribbed tank top, labeled "Fruit of the Loom," size XL; a daffodil yellow, textured, short-sleeved button-down shirt, with a single breast pocket and "blood" stains on the back from production, labeled "Wieboldts Super Vino," no size present; a pair of maroon, cotton-blend sweatpants, labeled "S (star symbol)," size L; a navy blue and white patterned bandana; and a pair of rust-colored, plastic shield glasses, no size or label present.St. Vincent follows a young boy who, when thrown into the mess of his parent's recent divorce, befriends his irritable, alcoholic, war-veteran next-door neighbor, Vincent (Murray). Includes a DVD of the film.

Lot 772

A Club Monaco black and white plaid cotton button-down shirt as seen worn by Paul Rudd as Joel in the romantic comedy spoof They Came Together, together with a costume tag from the production. Rudd plays an employee for a gigantic candy company threatening to shut down Molly's (Amy Poehler) charming sweet shop--unfortunately, they're in love. Joel wears this style of shirt when he encounters Molly wearing Groucho Marx glasses at a restaurant.Size: M

Lot 774

An ensemble as seen worn by Nicki Minaj as "Draya" in Barbershop: The Next Cut (MGM, 2016).The look is styled with multiple garments and accessories: two lace bralettes, a pair of distressed-cotton-stretch-jeans, a pair of gold-tone-bamboo-hoops, a set of gold-tone-metal-stretch-bangles, and a Cuban-link-chain-necklace. Both guipure lace bralettes are padded with adjustable-black-elastic-racer-straps and a hook-and-eye clasp closure- at the back, one bralette is neon yellow, and the other is a bright citrus watermelon, both have underwire support and have pointed scallop trim making them daintier and more feminine. The high-rise-stretch-denim leggings are body-hugging with distressed frayed holes going up the front of the leg; the label on the interior waistband reads "Vibrant M.I.U," marked size 5, along with garment content and manufacture tags. There is a zip-fly and button closure inscribed with the "Vibrant M.I.U," two hip pockets, and two back pockets; the light-wash denim contrasts with the distinct gold threading. Then to finish the look, the gold bamboo hoops have two-word plates; one earring reads "BOSS," and the other reads "QUEEN." A set of two spiral-spring-gold-tone-stretch bangles and a Cuban heavy-link-chain necklace with a word plate reading "SEXY" and bezel set rhinestones.Danielle Hollowell was the costume designer for the film; she gained recognition for her work with Dave Chappelle and his sketch comedy show; in 2019, she was quoted in an interview with Vanity Fair, explaining her design process, "It can be from something I see at a flea market, or when I'm driving around, and I see people selling things, or from a magazine clipping, or from various parties that I might be at, or going into costume houses, or my friends." Hollowell has continued to work on studio and network projects and has used her platform to shine a spotlight on African American designers like Romeo Hunt, Virgil Abloh, and Agnes Baddoo.Minaj, as Draya, can be seen wearing the ensemble when Rashad (Common) offers to take her home after work, causing suspicion around the barbershop.Includes a DVD of the film. 

Lot 775

An ensemble as seen worn by Keanu Reeves as "Theodore 'Ted' Logan" in the adventure/comedy Bill and Ted Face the Music (Hammerstone Studios, 2020). Together with two costume tags. The ensemble includes a crimson cotton button-down featuring an abstract print, with a single breast pocket, no size or label present; a gray, double vent suit jacket with three front pockets, two interior pockets, and gray plastic buttons, no size or label present; a pair of matching gray suit pants, no size or label present; a pair of navy blue socks with a yellow smiley face pattern, no size or label present; and a pair of slate gray Converse Chuck Taylor high-top sneakers, with "Hero 2" handwritten on the interior of each sneaker, size US 10. Bill and Ted Face the Music, the third film in the series, follows aging musicians Bill and Ted, who must write the ultimate song to unite the human race before the space-time continuum is destroyed. 

Lot 789

A production costume for Fran Drescher as Fran Fine from the The Nanny (CBS, 1993-1999), Season 6 Episode 19, "Maggie's Wedding."David Hayes silk pink and black digital-hounds-tooth-print-shift-dress, with a lapped seam at the center front, crew-neck line, light-padded-shoulders, with bracelet length sleeves, concealed zipper at the back with a loop-button fastening at the nape of the neck. The dress is lined in bubble-gum pink silk, the designer label on the neckline reads, "DAVID HAYES," marked a size 8, fabric content tag lists the fabric as 100% silk. The dress, although not used in filming, was a part of an ensemble, the jacket of the ensemble was worn in the episode but with a Christian Lacroix dress. Fran wears the pastel pink silk jacket with digital-houndstooth-print accents at the cuffs, front pockets, and lapel. Fran is helping her step-daughter Maggie shop for a wedding dress. Fran comforts Maggie about her upcoming wedding and how to relay her happiness to her father, in a comedic, heart-warming episode in the final season.Davis Hayes was an actor-turned-designer, starring in musical productions abroad, he lived in Paris for three years, and during his time in the city he developed an interest in fashion and upon returning to Los Angeles enrolled at UCLA and earned a degree in Fashion Design. He worked for the clothing manufacturer DeGraff of California as lead designer for seven years and then started his label. Hayes designed well-tailored garments and separates, which became a staple for many actresses like Audrey Hepburn, Joan Collins, and the Gabor sisters, sold in luxury department stores like Neiman Marcus and Saks Fifth Avenue.Size 8PROVENANCE From the Collection of Reel Clothes and Props

Lot 790

A Christian Lacroix two-piece ensemble as seen worn by Fran Drescher in The Nanny (CBS, 1993-1999) Season 5 Epsiode 21, "The Best Man."A two-piece Bazar de Christian Lacroix ensemble, cropped jacket and matching high-waisted-mini-skirt with multi-color geometric square print. The jacket and skirt are made of an acetate-cotton blend, a mix of soft and dark colors: pinks, reds, orange, and brown. The jacket is fitted and cut at the waist, features a dramatic peak lapel, structured/padded shoulders, and asymmetric two-button closure, the buttons are two-tone, gold with red enamel. The interior is lined with a script pattern in orange, pink, and red. The skirt is A-line with 18 welt seams to keep the interior fan pleats secure. There is a hidden seven- and half-inch zip closure at the back with a hook-and-eye fastener. The label reads, "Bazar de Christian Lacroix," marked a size 40.The ensemble appears in season five, episode twenty-one, "The Best Man." Fran finds herself in a hot water, her fiancé Maxwell Sheffield's brother is in town for their wedding, who she hasn't seen since they almost eloped in season four. Even when Fran is in a tight spot, she always serves stylish looks that are as vibrant as her character.Christian Lacroix started his brand in 1987 and his diffusion line in 1994. Lacroix's designs had elevated craftmanship along with bold colors and patterns, until the label closed in 2008; his designs are still highly sought after for their opulence and extreme editorial design, his fall/winter 1988 collection featured a  Byzantine cross-embelished-jacket, his design was on the cover of American Vogue, the piece was paired with blue jeans, this was Anna Wintor's editorial debut for the magazine, November 1988.This lot comes with a DVD season five box set. PROVENANCE From the Collection of Reel Clothes and Props

Lot 798

A hero button-down shirt and list screen-worn by Jason Lee as "Earl Hickey" in the comedy television series My Name Is Earl (20th Century Fox Television, 2005-2009). The brown, blue, and cream plaid, 100% cotton button-down features two breast pockets and pearlescent buttons, labeled "Lucky Brand," size X-Large. The list (a photocopy), features a handwritten list on yellow legal paper, titled "99 - Beat Up Joy's Nitpicking Internet Friends," featuring 48 numbers with lines such as "Stole ten dollars from a guy at the Camden Market" and "Drunk Dad's booze and would replace with water." My Name is Earl follows small-time crook Earl Hickey who, after winning the lottery, sets out to right all his past wrongs.Accompanied by a Certificate of Authenticity from 20th Century Fox.  List, 8.5 x 11 inches

Lot 801

Two 1980s Berek novelty sweaters and a Peacock pattern t-shirt as seen worn by Wendi McLendon-Covey as Beverly Goldberg in various episodes of the series The Goldbergs (Sony Pictures Television, 2013-23).A grouping of three women’s garments. The first sweater is a black pullover that features double-stitch embroidery with “Cinderella” fairy-tale motifs. Wendi McLendon-Covey wears this particular design in Season 3, Episode 20 “Dungeons And Dragons Anyone?” The second cotton knit pullover has a two-button placket and polo collar with double-stitch floral embroidery, size medium. Wendi McLendon-Covey is seen wearing this piece in “Daddy Daughter Day,” Season 1 Episode 2. The black cotton t-shirt with peacock feathers done in puff paint with glitter features a crew neck, short sleeves, and a box-cut shape. Wendi McLendon-Covey is seen wearing this t-shirt in “The Opportunity of a Lifetime,” Season 5 Episode 20.In season five episode 11 “The Goldberg Girls” the real Beverly Goldberg and her girlfriends guest star in the show opposite their fictional counterparts. During the show’s end credits, Beverly interviews her friends who guest-star in the episode, all the women were dressed in statement sweaters. Both sweaters come with handwritten index cards from Beverly Goldberg, identifying who wore the sweaters in the episode “The Goldberg Girls,” Season 5 Episode 11.This lot comes with a photo-copy of a page from The Goldberg Cookbook of Wendi wearing the floral sweater. PROVENANCE From The Collection of Beverly Goldberg

Lot 832

An ensemble as seen worn by Julia Sweeney as "Mrs. Keeper" in Stuart Little (Columbia Pictures, 1999).The ensemble includes a polyester-blend, lemon yellow button-down shirt with a Peter Pan collar and yellow buttons, no size or label present; a blue, polyester-blend button-down blazer with an allover bug print as well as teal buttons, two front pockets, and a nylon interior lining, with a matching pencil skirt, no sizes or labels present.In the film, Sweeney as Mrs. Keeper can be seen in the ensemble when the Little family comes back to visit the orphanage they found Stuart in. After Stuart decides to live with the people he believes are his "biological parents," the family learns from Mrs. Keeper that his real parents were killed years back, and the people who took Stuart are dangerous kidnappers.This lot comes from the collection of Reel Clothes and Props, a Hollywood consignment shop that obtains movie and TV wardrobes directly from the major studios.PROVENANCE From the Collection of Reel Clothes and Props

Lot 881

An original monogrammed tote bag filled with items that were gifted to guests at the wedding of Prince Harry and Meghan Markle. The tan and teal canvas bag is monogrammed on one side with  "HM 19 May 2018 St. George's Chapel Windsor Castle." Inside the bag is an order of service booklet for the wedding, a large gold chocolate coin embossed with Meghan and Harry's initials, a tube of commemorative shortbread, a refrigerator magnet, a bottle of water with a Windsor Castle label, a Windsor Castle Spectator button, and a voucher for 20 percent off the Middle Ward gift shop in Windsor.8.5 x 11.5 x 6 inches

Lot 906

A two-piece Edwardian ensemble as seen worn by Barbara Stanwyck as Julia Sturges in Titanic (20th Century Fox 1953). An Edwardian-style wool mushroom-colored two-piece skirt suit, the jacket features a wide lapel (crochet-covered double button closure) with a corresponding full-length skirt with a gathered hem at the back of the skirt, both garments each have 20th Century Fox labels sewn inside; the skirt has an additional bias tape label reading,1"-69-6-1190 Barbara Stanwyck A691-08."The film is a fictionalized story set against the historical tragedy of the Titanic, the ship that struck an iceberg in the North Atlantic and sank in 1912, totaling 1,500 deaths and only 700 survivors. Stanwyck plays aristocrate Julia Sturges who wears this ensemble at the beginning of the film when she boards the ill-fated Titanic. The costumes for the film were designed by Academy Award-winning costume designer Dorothy Jenkins.PROVENANCE Lot 208 Auction 1854, Christie's May 30, 2007.

Lot 909

A dark green wool suit jacket and matching skirt as seen worn by Bette Davis in the film Where Love Has Gone co-starring Susan Hayward (Paramount, 1964).A well-tailored three-piece ensemble designed by legendary costume designer Edith Head for Bette Davis as Mrs. Gerald Hayden. The ensemble features a single-breasted two-button wool-tweed jacket with a shawl lapel and round neckline paired with a matching high-waisted skirt that hits below the knee. The ensemble comes with a blouse made of cotton tulle with a wool tweed applique sewn at the decolletage, which fills the jacket's neckline. The smart look resembles something a high-society woman would wear, clean lines and fabric cut on the grain. There are Paramount studio labels in each garment and scribbed in pen on each is "Bette Davis" written in cursive. The film is based on Harold Robbins' book Where Love Has Gone printed in 1962 about a divorced couple's daughter, Danielle Miller, who stands trial for killing her mother Valerie Miller's lover. The story many believe to be based on the murder of Stompanato, Lana Turner's lover who was stabbed by her daughter Cheryl Crane. Bette Davis plays the matriarch "Mrs. Gerald Hayden" who is seen wearing this ensemble when she shows the then newly-wed Millers, an apartment she purchased for them in San Francisco.PROVENANCE Originally from The Collection of Debbie Reynolds

Lot 926

A prairie-style dress as seen worn by Anita Louise as "Nell McLaughlin" in the Western television series My Friend Flicka (20th Century Fox Television, 1955-1960).The wool blend maroon maxi dress features a cream cotton pleated yoke, ruffled trim detailing, snap button closures down the front, and a matching, detachable belt with handwriting in black ink that reads "Anita Louise 'Flicka' T.V." and a pinned sheet of paper that reads "W2103." A 20th Century Fox label is present and reads in black ink, "Anita Louise 'T.V.'" A Western Costume Co. barcode sticker is also present on the interior of the dress and belt. No size present. The series, set in 1900s Wyoming on the fictional Goose Bar Ranch, primarily follows young Ken McLaughlin and the many adventures with his horse, Flicka. Includes a DVD of the complete series.

Lot 934

A white cotton eyelet blouse as seen worn by Rita Hayward who plays the title character in the film Miss Sadie Thompson (Columbia 1953).A white cotton blouse with English lace, embroidered eyelet, with scallop edgigng trims the collar, and button placket with a nipped-in waistline. There is an internal grosgrain waistband to fasten at the front, bringing in the waistline. There are four Lucite buttons, the fifth is a flat pearlized button. There is no label or size indicated, there is a white paper tag stapled inside at the left side seam with the Columbia studio abbreviation “COL.”Miss Sadie Thompson is a musical drama centered around the title character who is marooned on a South Pacific Island marine base while she waits for a ship, which is quarantined. Her presence draws the attention of Jose Ferrer who remembers Sadie from San Franciso, where she worked as a call girl. Ferrer turns Sadie to the authorities to have her deported to the U.S. where the police are waiting to arrest her for her association with a murder. Sadie falls in love with an officer on the island and the two plan to leave and start a life in Australia but Sadie's past and the corrupt Jose Ferrer stand in the way of her happiness. A white blouse is seen worn by Hayworth at the beginning of Miss Sadie Thompson when she arrives on 'American Samoa', an Island in the South Pacific, where she causes a stir and is welcomed by very excited marines. This lot is accompanied by a letter of congratulations for a contest winner who won the item from a movie periodical write-in contest, Picture Show and Film Pictorial. The letter is on company stationary reading "My very sincere congratulation on your postcard entry which wins this unique prize of Rita Hayworth's blouse [...]from 'Miss Sadie Thompson.'" Also included is a copy of Picture Show with an illustrated front cover of Rita Hayworth and Aldo Ray in Miss Sadie Thompson (Issue 26th June 1954, vol.62). The magazine includes the advertisement and guidelines for the write-in competition, which was to make up a sentence about the star using one letter from her name in each word of the sentence. PROVENANCE Lot 57 Auction 5238, Christie's December 19, 2007

Lot 937

A deep tan military button-up shirt from the production Here Come the Waves (Warner Bros., 1944) with an original Warner Bros. Pictures costume label which reads "DATE 12/4/4/43 PROD. 5018 / NAME: Marjorie Henshaw / GAR. NO. 13-31 / SIZE 32." The actress Anabel Shaw played Isabel in the film, as Marjorie Henshaw. This lot comes from the Reel Clothes and Props collection, a Hollywood consignment shop that obtains movie and TV wardrobes directly from the major studios.Size: 32PROVENANCE From the Collection of Reel Clothes and Props

Lot 942

An original costume design by Edith Head for Doris Day in Alfred Hitchcock's film The Man Who Knew Too Much (Paramount 1956). A mixed-medium costume design by Edith Head for Doris Day, illustration likely by sketch artist Grace Sprague. The sketch features a full-length female figure in a pale ice-blue day dress. The sleeveless dress has a fitted bodice (button-up closure at the front) with gathering above the hips for the skirt to blossom like a flower and hit below the knee. Accessories for the look include white gloves, white pointed-toe pumps, a top-handle purse, as well as a necklace, and earrings. There is no signature present.Edith Head and Alfred Hitchcock worked on a total of 11 films together. Head once said "You can have anything in life if you dress for it," a motto she practiced with her designs as her stars wanted to look beautiful and glamourous, which Head did for them, creating iconic and timeless looks that continue to create new generations of fans. DIMENSIONS:SKETCH 13.75 X 16.75 INCHESMOUNT 18.5 X 25.5 INCHES

Lot 964

A lavender organdy cocktail dress worn by Grace Kelly in her Golden Globe-winning and Oscar-nominated role as the prim "Linda Nordley" in Mogambo (MGM, 1953).The custom-made garment, by legendary costume designer Helen Rose, has a fitted boned bodice with a sweetheart neckline, decorative fabric-covered buttons, and three-quarter sleeves with a full multi-layer skirt. The dress is cut on the bias, and the outer shell is a lovely lilac seersucker-silk-organza that references Dior's 1947 "New Look." A beautiful basque waistline emphasizes the volume of the four-layered skirt. The dress has two tiered-ruffled petticoats, with outer layers of dupioni silk and organza. The fitted under-bodice complements the draped neckline and sheer blouson outer layer. The dress has a zip closure and a button placket with blind snaps and hook-and-eyes to conceal the closure. Rose's design encapsulates elegance, femininity, and sophisticated glamour, which Grace Kelly was known for in Hollywood. A bias label typed “Grace Kelly P-777-2636” is present.Kelly as Linda Nordley wears the dress while at an uneasy dinner at the African base camp alongside her husband, Donald (Donald Sinden). At the dinner, Linda must navigate Eloise "Honey Bear" Kelly's verbal digs aimed at the secretive relationship forming between Linda and the group's leader, Victor Marswell (Clark Gable), whom Honey Bear still has feelings for.As the film is set on an African safari, this is the most elaborate costume worn by Kelly. Costume design by Helen Rose, who also designed Kelly’s wedding gown for the church ceremony at Monaco's Saint Nicholas Cathedral when she wed Prince Rainier III. The dress had professional conservation work performed by Museo de la Moda in Santiago, Chile.Includes a DVD of the film. PROVENANCE Lot 48, "TCM Presents... There's No Place Like Hollywood" Bonham's, New York, November 24, 2014

Lot 970

A three-piece costume ensemble as seen worn by Debbie Reynolds as Adele in the film production What’s The Matter With Helen? (Filmways Inc. 1971). A 1930s style navy and white three-piece dress ensemble for Debbie Reynolds as Adele, a mid-westerner starting her life anew as a children's dance instructor in Hollywood, California. The outfit features a wool challis navy and white diagonal check A-line dress, jacket, and a white knit hat with a bi-color patterned wool brim. The dress is composed of wool and a double-knit ribbed yoke with pique trim and three non-functioning buttons at the bust. The dress has a zip closure at the back with hook-and-eyes to conceal the zipper. The jacket is cropped with an a-symmetric check-pattern peak-lapel with button closure, along with a cotton pique bow at the left shoulder and barrel cuffs with pique trim and two-tone textured black and white plastic buttons.Debbie Reynolds stars alongside Shelley Winters in this grime film about two women who move to California from the mid-west after their sons are charged with a gruesome murder. Even with their new life in Hollywood Helen (Winters) and Adele (Reynalds) can't escape what they tried to leave behind. Adele wears this outfit upon returning from a date with Lincoln Palmer. Morton Haack received an Academy Award nomination for Best Costume Design for the film's thirties-style costumes.PROVENANCE Originally from The Collection of Debbie Reynolds

Lot 974

A late 19th-century fitted bodice-style blouse with peplum as seen worn by Elizabeth Taylor as Mary Skinner in the film Life with Father (Warner Brothers 1947). A silk-faille Victorian style fitted bodice/blouse designed for Elizabeth Taylor as Mary Skinner. The blouse in the film is a pale pastel blue, the material has turned a soft pink. The color discoloration is likely due to cleaning and storage at the film studio post-production. The original pale blue can be confirmed by the pale blue thread color that hasn’t changed and the silk-wool lining at the underside of the bustle (also pale blue). The blouse’s princess seams allow for a nice fit typical for that period’s style. The dropped Basque waist with exaggerated peplum was a key design element of the period, as well as a dramatic bustle at the back, pleated with inverted godets and a handkerchief hem. The blouse is trimmed with tulle, bobbin lace, silk ribbon (the ribbon has begun to disintegrate), and pale blue silk velvet. Hook-and-eye closures are at the front with a non-functioning button placket of cream grosgrain silk, which runs from the neck to above the hips. A label at the front closure reads, “Warner Brother’s Pictures Inc.” and handwritten in pen is “A 981-662.” Plus, handwritten at the interior neckline are studio initials WBS and a blue paper tag stapled at the right seam stamped with “WB” with a handwritten serial number “16619 SC.” Academy Award-winning costume designer Marjorie Best designed the costumes for the film, she also worked with Elizabeth Taylor on Giant. Victorian blouses featured numerous embellishments and trim as women’s fashions were a walking advertisement of a man’s wealth and status, ensembles consisting of silk, velvet, and lace showcased vogue fashions but also affluence.

Lot 975

A deep blue wool crepe single-breasted blazer with a simulated tortoiseshell button, owned by Elizabeth Taylor. An Anne Taylor label is present, marked size 10.PROVENANCE From the Collection of Jorjett Strumme, Elizabeth Taylor's personal assistant

Lot 378

VINTAGE BROWN LEATHER BUTTON BACK LEATHER ARMCHAIR, DISTRESSED, APPROX 77cm WIDE AND 106cm HIGH

Lot 51

18ct GOLD POCKET WATCH, LONDON 1919, WITH A REPEATING SLIDING BUTTON, STAMPED 1439, TOTAL WEIGHT APPROX 122.39g IN WORKING ORDER

Lot 1626

Circa 14th-15th century A.D. With a hatched double-headed eagle to one face and barred capital letter 'A' to the other; pierced in two places, perhaps for use as a button 1.11 grams, 18 mm (3/4 in.). Found Billingsgate spoil from the Thames foreshore, London, UK. [No Reserve]

Lot 1841

17th century A.D. A button link with crowned hearts on a textured field. 0.96 grams, 15 mm (1/2 in.). Acquired on the UK art market. Property of a Somerset collector, UK, since at least the early 2000s. Cufflinks and other dress fittings such as buttons featuring crowned hearts design were originally conceived to commemorate the marriage of king Charles II of England to Catherine of Braganza in 1662, although the design continued as a general symbol of love and/or marriage. [No Reserve]

Lot 1941

17th-20th century A.D. Comprising: a gilt base-metal finger ring with quatrefoil; similar with inset cameo; white metal ring with two amethyst cabochons, stamped '925'; button with enamelled 'S' motif; back glass intaglio with profile bust of Alexander the Great. 18 grams total, 14-23 mm (5/8 - 7/8 in.). Acquired on the UK art market. Ex private Merseyside, UK, collection. [5, No Reserve]

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