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Lot 256
A CULPEPER-TYPE MICROSCOPE, LONDON, CIRCA 1820unsigned, constructed in lacquered brass with rack and pinion focussing, five nose pieces, circular stage with accessories including stage bulls-eye, fish plate, Lieberkuhn, funnel stop, brass box with slide glasses, forceps and small quantity of bone specimen slides with some content, contained in a pyramidal box with acorn finial, -- 18in. (46cm.) highDr. Mill notes:This is very typical of a type of microscope widely sold between about 1770 and 1830. Culpepper invented his three legged microscope in the 1720s. Made of wood, leather and card it provided greater stability than older forms but at the cost of accessibility. Once brass tubing became available it was rapidly employed to make these microscopes; they were widely sold bearing a variety of signatures, or as in this case none. These various stands were so similar that it is believed that there were a series of factories in London supplying the components for opticians to assemble.It has a wooden base fitted with an accessory drawer and fits into a mahogany case of typical pyramid shape. The small bun feet and wooden knob are unusual. There are a set of 5 button lenses and a single fixed eyepiece. There is a round stage with a plug-in Bonnanni stage. accessories appear complete with a stage bullseye, stage forceps/cork, Lieberkuhn, fish plate, funnel stop, brass box, compressorium, talc box, forceps and bone sliders.ref: Turner "Great Age of the Microscope"(1988) p36-46; "Billings Collection" (1974) p182 CONDITION REPORT The glue joins for the tray stand have dried out so the sides and back are now detached. Otherwise overall good condition.
Lot 257
AN IMPROVED COMPOUND MICROSCOPE OF PHILIP CARPENTER, CIRCA 1820Constructed in lacquered brass and signed and inscribed on the 6in. tube as per title, contained in a fitted box of issue, with removable velvet lining containing original users pamphlet by Carpenter, with owner's name inscribed A.W. Giles, and reversible card eye shade, with accessories including six nose pieces, Lieberkuhn reflector, candle holder, and six bone and wood specimen sliders, --15½in. (39.5cm.) wideDr. Mill notes: Philip Carpenter is best known for his "Microcosm" a theatre in Regents Street where he gave public performances of a large solar microscope from 1826; he also supplied a range of scientific instruments. This microscope is his 'Improved Compound Microscope'. The tripod feet swivel together and fold flat for packing into the case. This is particularly attractive - of polished mahogany and brass lined with blue velvet. The velvet pad in the lid lifts out to reveal a cardboard eye shade. A complete set of 6 button lenses is present and there is a single fixed eyepiece. A lift-out tray holds the lenses, a Lieberkuhn, a brass box of mica discs and clips, a further box for gum, a specimen tube, a clip for making slides. Below the tray are six bone specimen sliders, two wood sliders, six wooden opaque sliders. Interestingly there is a 'mystery object' - a candle holder.A small brochure gives detailed instructions -"much easier to manage than any other compound Microscope in use." In the back of the brochure are hand written lists of the specimens supplied. The proud owner has signed the cover neatly 'A. W. Giles'ref: Turner "Great Age of the Microscope" (1988) p 72-3. Fine overall condition. Some components are missings.
Lot 258
A 'MOST IMPROVED' MICROSCOPE BY GEORGE ADAMS JUNIOR, LONDON, CIRCA 1795constructed in lacquered brass and signed on the foot Adams London, 6in tube with six button objectives, sprung stage with Lieberkuhn, plano-convex mirror, contained in fitted wooden box with some accessories and sliding drawer containing approximately 40 annotated slides covered in blue paper -- assembled height 18in. (46cm.); box 13½in. (34cm.) wideDr. Mill notes:The family firm of Adams was one of the most illustrious makers of instruments in the 18th century. George Adams Snr 1709-1772 was the celebrated supplier of scientific instruments to George III and on his death he was succeeded by George Adams Jnr (1750-1810) The firm made an enormous range of instruments including fine microscopes. These included a culpepper type and two types of Adams' own devising- the Improved and the Most improved of which this is an example. On George's death at 45 a struggle developed between his mother Ann, supported by his brother Dudley, and George Jnr’s wife Hannah and the business was split. After a short period Hannah abandoned her part of the business selling much of it to J & S Jones. Dudley continued under the Adams name. W & S Jones continued to develop and make instruments of this type with such publicity that they are commonly referred to as “ Jones (Most) Improved”.The early illustrations of the Adams type differ from the later Johns version notably in the shape of the tube and the carrying of the objectives in a rotating wheel on the Jones type.This example falls between the two. The tube has the form shown in the Johns illustration but the lenses are of the Adams form.The signature Adams London is normally considered the form used by Dudley Adams after 1795. The Adams business ended in bankruptcy in 1817.The microscope is accompanied by 6 button objectives and accessories such as a frog plate and Lieberkuhn.Ref: Millburn J.R., 2000, “Adams of Fleet Street”Generally good condition. Some minor wear to lacquer on foot. Case lid with chipped veneer and owner's plate missing. Various components missing.
Lot 1757
A Scottish Sporran with brown leather and silver mounts and sprung button fastening, retailed by R & H. B Kirkwood, 66-68 Thistle St Edinr dated 1888, with chain and strap belt. 6 inches across (silver band width) belt 44 inches in total (when placed flat) 9 inches from top to bottom, approx
Lot 129
A SILVER CIGARETTE CASE, TWO VESTA CASES AND A POCKET WATCH, the rectangular engine turned pattern cigarette case with vacant cartouche, push button clasp, opens to reveal a gilt interior fitted with two blue elasticated straps, hallmarked 'W J Myatt & Co' Birmingham 1923, approximate length 83.3mm x width 61.7mm, an ivy leaf detailed vesta case with vacant cartouche, striker to the base, fitted with a jump ring for suspension, hallmarked 'Joseph Gloster Ltd' Birmingham 1909, the second vesta with foliage pattern and vacant cartouche, striker to the base, fitted with a jump ring for suspension, hallmarked 'H Samuel Ltd' Birmingham 1909, suspended from a white metal albert chain, to the base metal, open face, manual wind pocket watch, signed 'Lonville', approximate gross weight of silver 97.3 grams (condition report: pocket watch working at time of cataloguing, although time keeping is untested, silver has tarnishing to most pieces, would benefit from a gentle clean and polish)
Lot 414
TWO UNBOXED MODERN STEIFF TEDDY BEARS, 'Winter Bear' No.654459, cream plush mohair wearing tartan scarf and tam o'shanter, height approx 34cm and 'Sailor' from the 'MS Margarete', No.028519, golden plush mohair wearing sailors uniform and cap, height approx. 36cm, both complete and in very good condition, with working growler, button and tag to left ear and swing tags,
Lot 415
THREE SMALL MODERN STEIFF TEDDY BEARS, 'Petsy' No.012051, height approx. 28cm, replica 1926 Teddy No.029271, height approx. 16cm and replica 1953 'Jackie' No.029929, height approx. 16cm, all with button and tag to left ear and swing tags, with a modern Gund classic 'Winnie the Pooh' bear, height approx. 33cm, all appear complete and in good condition (4)
Lot 476
A box of Military and similar Badges and Medals also Pocket Watch with military mark, compass, Masonic Hospital Jewell, German WWII period Medals with ribbons and a WWI German 1914-18 Medal, Belt Buckle, boot Polisher, WWII Medals, PTI Badge, Burma Signals, Cumerland Fox Hunt Button, Sawia Man Guards Jaipur Button etc
Lot 195
A quantity of silver and other flatware Comprising a large ladle, Sheffield, 1931, a pair of Georgian silver serving spoons, a Georgian coin punch ladle, a silver Reynold's cherub pattern button hook and shoe horn, a set of three modern silver handled cake slices and a matching cake knife, a plated cake knife, and an A.E Williams pewter Medieval style spoon and an oak cased 12 place setting of plated mother of pearl handled fruit knives and forks, lacking one fork. (qty)
Lot 117
Part of Endangered Species group. Clear cut body with smooth tail. Black button eyes on mother and baby. This item has its original box: 3"L x 3"W x 6"H. Artist: Gabriele StameyIssued: c.1994Dimensions: 1"L x 2.25"W x 2"HManufacturer: SwarovskiCountry of Origin: AustriaCondition: Age related wear.
Lot 358
Original vintage work safety poster issued by the Royal Society for the Prevention of Accidents ROSPA - Stop It First - featuring an image of a hand holding a spanner reaching down to push a red stop button set against a blue background. Printed by Loxley Bros Ltd. Fair condition, creasing on edges, paper skimmed on image, minor markings on image, repaired tear. Country of issue: UK , designer: Blake, size (cm): 74.5x49, year of printing: 1950s.
Lot 193
Is there a cooler classic car? Understated, Highland Green, Fastback silhouette; this is a superb example that drives as well as it looks. The original Mustang was exactly the right car at the right time and consequently, this 'sports car for the masses' sold 1,000,000 in less than two years. The secret of the Mustang's success was a broad appeal that extended beyond the target market thanks to a great value-for-money package, combining sporty looks, decent economy and brisk performance. Available as a Notchback Coupe, Convertible or, from 1965, as Fastback Coupe and the array of trim and engine options meant that there was a 'Stang' to satisfy everyone. The fastback Coupe is an effortlessly cool shape and is the Mustang profile that people default to in their mind's eye. Mustangs could be ordered in specifications ranging from six-cylinder economy to V8-powered luxury, whilst customers could choose from an extensive range of factory options with the result that seldom are two Mustangs identical. Already an outstanding success, the Mustang was turned into a legend overnight following its appearance in the Steve McQueen film, Bullitt in 1968. In one of the most spectacular car chases ever seen in a motion picture, McQueen's maverick cop, Frank Bullitt, wowed audiences as he was pursued by two hitmen driving a Dodge Charger 440 'Magnum' in a high-speed chase through the streets of San Francisco. Bullitt essentially did for movie car chases what Star Wars did for science fiction films. That's because, unlike other movies at the time, the stunt driving was all real; there were no cheap rear-screen projections used for the close-up shots of the actors, and none of the scenes were sped up in post-production to heighten the sense of speed. They didn't need to be, because those cars really were barrelling through the streets of San Francisco at over 110mph! There was a real sense of danger, unlike any movie chase before it, as the two muscle cars weaved through traffic and jumped over the hills of San Francisco, while the camera literally put you in the driving seat. The soundtrack is glorious too, and we don't mean the music soundtrack. Not a word of dialogue is spoken during the 11-minute long sequence. Apart from the scene-setting jazz score that does a great job of building tension before the chase erupts in a cloud of tire smoke, there's no music either, allowing you to appreciate the sound of two thunderous V8 muscle cars and their screaming tortured tyres battling it out. It promptly became an unforgettable part of cinematic history and confirmed the Mustang as one of the all-time classics.The car presented here is a 1968 Ford Mustang, Steve McQueen 'Bullitt-style' Fastback with subtle upgrades to get it to the level of accuracy we see today. It’s supplied with a Marti Report (see image attached) which shows that it was an original Highland Green Fastback built at Ford’s Dearborn plant and sold by the Rebsamen Motor Company in Little Rock, Arkansas. Before leaving the USA, it was registered and used in California and a copy of the California Title is present. The car arrived in the UK in 2015 and is registered correctly with all import taxes paid.The paintwork is very good throughout, dressed in movie-correct, Highland Green, and the exterior has front and rear bumper guards, screen sun-visor, correct inset sidelights, front and rear inset reflectors, original-style chrome mirrors and twin 2-inch exhaust pipes. The car sits on period-correct Torq-Thrust wheels with 225/55/16 Bridgestone Sport tyres. The private McQueen movie number plate 'JJZ' is also supplied with the car.The interior has been fully restored with movie-correct, black deluxe seats, woodgrain dash panel and door cards, and new carpets and headlining. The correct, 4-speed, top-loader, manual gearbox has the Hurst GT shifter with a white ball GT gear knob and was refurbished recently (an invoice refers). 3-point front seat belts and rear lap belts are installed. The 302ci V8 starts on the button and sounds great with its nickel-plated, 'shorty' performance headers and full X-pipe custom large dual Magnaflow exhausts. Steering is power-assisted, and disc brakes are fitted on the front. The indicated mileage is 4,642, the MOT is valid until 8th August 2024 and there is a small service file with some bills. Our vendor has spent £12,000 in further improving this car’s driveability, with recent work to the gearbox and suspension, plus some other minor touches (see invoices attached), to make this a really spot-on classic muscle car, with the sure-fire cool-factor of its Bullitt-style demeanour.We welcome any inspection of this iconic piece of American automotive history. Here is your opportunity to purchase an accurate homage to the world's most famous Mustang - unleash your inner McQueen!Specification Make: FORD MUSTANG Model: 289 FASTBACK Year: 1967 Chassis Number: 8F02C114635 Registration Number: JJZ 454 Transmission: Manual Engine Number: C60E-942S-K Drive Side: Left-hand Drive Odometer Reading: 5005 Miles Make: LHDClick here for more details and images
Lot 245
A very smart example of the legendary Defender 90 in the popular XS specification and fitted with a galvanised chassis. An icon for over 68 years, production of Land Rover's Defender ceased in January 2016 with more than 2,000,000 models built since the original Series I arrived in 1948. Never has there been a car that has so captured the imagination of the world. Land Rovers have saved lives, won wars, delivered aid and hope, conveyed Kings and Queens and numerous Popes, ferried injured animals from the lowliest sheep to the proudest lion to safety. The Land Rover has conquered ravines, deserts and snow, broken records and along the way won the hearts of millions.For 2007, the Defender benefitted from a serious revamp with a new common-rail diesel EU4-compliant engine from the Ford Transit, a new 6-speed gearbox, new fascia, new seats and a heating and ventilation system that actually works. The XS specification from 2007 included electric windows to the front, half-leather seating and a fancier dashboard than standard. Land Rover had acknowledged that perhaps not all Defenders were destined for muddy tracks, rivers and moorland, and those drivers that did have a Labrador as a front-seat companion might find it convenient to open the passenger window at the touch of a button. The Defender 90 in XS specification offered perhaps the best affordable combination of drivability, passenger comfort for four and rear load capacity when required due to the foldable seats. The Defender 90 is also far easier to park than its longer wheelbase sibling, the 110, and the Defender is as popular in town as it is in the country.Supplied new to the first of just three former keepers on 28th September 2007, this Defender 90 XS was used on a large private estate for the first ten years or so before being dry stored until the time came for the next custodian in June 2021. Intended for country pursuits, the next owner swiftly concluded that the Land Rover was 'too good' for his intentions and presented the car to auction but not before a fresh fluid service was completed and five brand new tyres on SVX anniversary dual-tone alloy wheels were fitted. Greater illumination is provided via the LED headlight kit, which is a welcome bonus compared to the original headlights.Whilst there are fancier, and substantially more expensive, examples on the market, this unassuming Defender 90 XS offers a multitude of uses on either turf or tarmac at a sensible estimate. Freshly serviced and presented with an MOT, which was issued without advisories, the overall condition is superb, due no doubt to the galvanised chassis and overall care and attention that it has received over the years.Specification Make: LAND ROVER Model: DEFENDER 90 XS SW Year: 2007 Chassis Number: SALLDVBS77A743193 Registration Number: DY57 WXK Transmission: Manual Engine Number: 070708125629244DT Drive Side: Right-hand Drive Odometer Reading: 64190 Miles Make: RHD Interior Colour: Black Half HideClick here for more details and images
Lot 339
A Victorian style green leather(?) button back swivel captain's/desk chair. With turned column open back, raised on a five-point swivel base on casters. H81cm Condition Report: just short of perfect, nothing to report in the way of woodworm, rips, tears or repairs. it rotates and does not rock.
Lot 316
Sixteen banded carnelian and moss agate items including paper knives, button hook, penknives, and nail filesCONDITION REPORTS & PAYMENT DETAILSIMPORTANT * Descriptions do not include condition reports. Please contact us to if you require further information or images. * Please consider shipping costs before bidding as this may affect your decision to bid * Please familiarise yourself with our payment methods. Our preferred method of payment is by bank transfer. We do not take cash or card payments.
Lot 318
Fourteen banded agate items comprised of paperknives, a manicure set, bookmarks, button hook and a dip penCONDITION REPORTS & PAYMENT DETAILSIMPORTANT * Descriptions do not include condition reports. Please contact us to if you require further information or images. * Please consider shipping costs before bidding as this may affect your decision to bid * Please familiarise yourself with our payment methods. Our preferred method of payment is by bank transfer. We do not take cash or card payments.
Lot 175
A French Gilt Metal Mounted Shagreen Etui, late 18th century, of rounded rectangular form set with two oval ivory miniature depicting a young lady seated before the Altar of Love and Cupid beside the Altar of Love and with panels inscribed NECESSAIRE and D'AMITIE, containing a small mirror, a white-metal-topped glass bottle, a gilt metal pencil holder and a pin 10.5cmWith Non-Transferable Standard Ivory Exemption Declaration Number K2ETD88F Provenance: The Earls of Lonsdale, sold at the 1947 dispersal of the contents of Lowther Castle, lot 1205 Lowther Castle lot number stuck to the shagreen. Chip to the shagreen on the cover next to the button. Some patches of discolouration but free from notable losses and cracks. Claso functioning. Hinge functioning but very loose on the base. Miniatures free from splits. Two vacant compartments inside. Originality of the tools unknown. Mirror tarnished with loosening and disolouration to gilt trim. Scent bottle with a dent to the cover.
Lot 185
A Brass and Steel Cavalier Detector Lock, by John Wilkes of Birmingham, circa 1680, of rectangular form with bas-relief soldier pointing a staff, his spring-loaded "kick" leg concealing the keyhole, his hat locking the knobs, within an engraved chevron border 15.5cm long, with foliate cast knobs and brass receiver The numbered dial on the lock turns each time the door is unlocked, the pointer showing the number of times this has happened since the mechanism was reset. Once the pointer has reached 100 the mechanism can be reset by pressing a button on the soldier's breast and turning the key.A similar example in the Victoria & Albert Museum, accession number M109-1926, is inscribed:If I had ye gift of tongue I would declare & do no wrong Who ye are ye come by stealth To impair my master's wealthJohannes Wilkes Birmingham fecit.Another plainer example is in the Rijksmuseum in Amsterdam, accession number BK-NM-886. For another example signed and with verse see Sotheby's New Bond Street, 12 May 2015, lot 206 and a further example with verse but not signed see Toovey's, 17 June 2008, lot 3100 There is no key. The lock barrel has been changed, presumably in the 19th century. Brass with some surface marks and general wear / scratches. No majot dents or gouges. The steel sections with some notable pitting. The lock is not signed.
Lot 344
A Victorian Walnut and Marquetry-Inlaid Three-Seater Conversation Sofa, 3rd quarter 19th century, covered in button green velvet, with turned and fluted tapering spindle supports above overstuffed seats and back supports, the moulded seat rails on turned tapering legs with castors maximum diameter 120cm, 85cm high
Lot 2067
A Danish Silver Dressing-Table Set, by Georg Jensen, Copenhagen, 1933-1944, Designed by Harald Nielsen, With English Import Marks for London, 1936 and 1937 model number 172A, each piece decorated with foliage, comprising a hand-mirror; a hair-brush; a clothes-brush; a button-hook and the back to a combthe mirror 22.3cm long (5)Each piece is marked as expected and with further English import marks. There is some overall surface scratching and wear, consistent with age and use. The bristles to the two brushes with some discolouration and minor losses. The mirror plate with severe loss. The teeth of the comb are lacking.
Lot 2076
A Three-Piece Victorian Silver Travelling Communion-Set, by George John Richards and Edward Charles Brown, London, 1863 each piece engraved with foliage and the ‘IHS’ Christogram within sunburst, comprising a communion-cup, with gilt interior; a paten and a vase-shaped wine-bottle, with baluster stopper, the stopper 1862, in gilt tooled burgundy leather-covered oblong casethe case 12.5cm wide, weight of silver 7oz 2dwt, 220gr (3)Fully marked under spout of bottle, on stopper; near rim of communion-cup and under paten. There is some minor wear to the some marks but each is still legible. There is some overall surface scratching and wear, consistent with age and use. There is some scuffing to the case. The push button is lacking and the leather is worn off in that area.
Lot 2100
A George V Gold and Tortoiseshell-Mounted Dressing-Table-Service, by Asprey and Co. Ltd., London, 1919, 18ct each piece plain and engraved or applied with initials, comprising two glass scent-bottles with screw-covers; two differing cylindrical glass jars with pull-off covers; three differing cylindrical jars with screw-covers; an oval jar with pull-off cover; a pair of tortoiseshell hair-brushes; a pair of tortoiseshell clothes-brushes; a tortoiseshell hand-mirror; a tortoiseshell shoe-horn; a tortoiseshell button-hook; an oblong tortoiseshell box; a pair of tortoiseshell glove stretchers; three differing crocodile-mounted boxes; a crocodile-mounted blotter and various tortoiseshell implements; Together With a gold pen-holder, by Arthur Downing Ltd., Birmingham, 1912, retailed by Asprey, all contained in a crocodile covered box and with outer canvas coverthe case 50cm wide, weighable gold 6oz 6dwt, 197gr (qty)The initials are those of Diana Mary Lambton (1901-1924), first wife of John Frederick Lambton, later 5th Earl of Durham. The couple married on 12 November 1919 so presumably the present service was a wedding gift.The pieces are marked as expected. The applied initials on the tortoiseshell items are apparently unmarked. The pieces in general are in good condition with only some minor wear and scratching. There overall some scuffs and marks to the case and crocodile pieces. The weight of gold listed in the catalogue includes the covers from the two differing cylindrical jars; the cover from one of the circular jars with screw-cover; the oval jar with pull-off cover and the pen holder. The other items have fitted cork inside. The gross weight of the four other covers, including the cork is 201gr. The three circular bottles with screw-caps have hallmarked 18ct gold threads on the bottles. There are nine tortoiseshell pieces with applied initials, one of these has been tested and comes up as approximately 18ct. The button hook with hallmarked 9ct gold ferrule. The tortoiseshell box with hallmarked 9ct gold hinges.
Lot 2139
A Pair of Zimbabwean Silver Models of Bull Elephants, by Patrick Mavros, Harare, Circa 1990 realistically modelled and with resin tusks, mounted together on blackwood basethe base 16.5cm wide, 10.5cm high, total gross weight of models 30oz 6dwt, 943gr (2)Marked under one and on inside leg of the other with maker’s mark and Zimbabwean silver mark. The base further applied with silver button with maker’s mark and Zimbabwean silver mark. There is some minor surface scratching and wear, consistent with age and use. The tusks have been reglued
Lot 2140
A Zimbabwean Silver Model of a Cheetah, by Patrick Mavros, Harare, Circa 1990 realistically modelled with one paw raisedthe base 13.2cm wide, 8.5cm high, weight of model 13oz 4dwt, 411grMarked under the base with maker’s mark and Zimbabwean silver mark. The base further applied with silver button with maker’s mark and Zimbabwean silver mark. There is some minor surface scratching and wear, consistent with age and use.
Lot 2141
A Zimbabwean Silver Model of a Bull Elephant Reaching, by Patrick Mavros, Harare, Circa 1993 realistically modelled and with resin tusks, on blackwood base the base 14.5cm wide, 18.3cm high, gross weight of model 21oz 1dwt, 655gr Marked on chest with maker’s mark, Zimbabwean silver mark and date letter ‘T’, The base further applied with silver button with maker’s mark and Zimbabwean silver mark. There is some minor surface scratching and wear, consistent with age and use.
Lot 2142
A Pair of Zimbabwean Silver Models of Giraffe, by Patrick Mavros, Harare, Circa 1990 realistically modelled, one standing and on sitting, mounted together on blackwood basethe base 13cm wide, 13cm high, total weight of models 8oz 6dwt, 259gr (2)Marked under the base of the standing giraffe and side of sitting figure with maker’s mark and Zimbabwean silver mark. The base further applied with silver button with maker’s mark and Zimbabwean silver mark. There is some minor surface scratching and wear, consistent with age and use.
Lot 2143
A Zimbabwean Silver Model of a Buffalo Bull, by Patrick Mavros, Harare, Circa 1994 realistically modelled, on blackwood base the base 14.5cm wide, 11cm high, the model 32oz 17dwt, 1,022grMarked underneath with maker’s mark, Zimbabwean silver mark and date letter ‘U’, The base further applied with silver button with maker’s mark and Zimbabwean silver mark. There is some minor surface scratching and wear, consistent with age and use.
Lot 2160
Omega: A Stainless Steel Michael Schumacher Racing Special Edition Chronograph Automatic Wristwatch, signed Omega, model: Michael Schumacher Speedmaster Racing, ref: 38101240, 1999, (calibre 3220) lever movement, yellow dial with luminous baton markers, three dials for seconds, 30 minute and 12 hour registers, outer fifth of seconds track, case with buttons in the band to operate the chronograph, black tachymeter bezel, snap-on back with Speedmaster Sea Horse logo and numbered 56942858, Omega strap and Omega steel buckle, with Omega boxes, International warranty card, booklets and swing tag39mm wideCase with small surface scratches, strap in good condition, plexi glass with small scratches visible under an eyeglass, dial is clean, hand setting correctly, top chronograph button is slightly sticking when pushed and slowly slides out before you can push the button again to stop the chronograph, chronograph bottom flyback button is working correctly, movement in going order.
Lot 2199
Chopard: A Lady's 18 Carat Gold Diamond Set Wristwatch, signed Chopard, model: Happy Diamonds, ref: 4097/1, circa 1995, quartz battery movement, champagne coloured dial, diamond set bezel, glazed outer aperture with five floating diamond collets, bow shaped lugs set with baguette diamonds, back cover with hand setting pusher button and numbered 4097/1 474173, Chopard 18 carat gold bracelet, bracelet clasp set with one small diamond, with Chopard boxes and three spare gold bracelet links24mm wideCase and bracelet with surface scratches, diamonds look all complete, glass is clean, hand setting correctly when pushing the case back button, movement in going. Total watch weight 51.9g. Three spare bracelet links weight 3.4g. Bracelet length including the watch case is 16.5cm long approximately.
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