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Four boxed 1/18 scale Formula 1 racing car models from Paul's Model Art/Minichamps, all McLaren Mercedes MP4 to include 530 121803 Vodafone MP4-27 J. Button 2012 (model excellent/near mint, box excellent), 530 111803 MP4-26 L. Hamilton 2011 (model mint in good but dusty box), 530 111804 MP4-26 J. Button 2011 (model near mint but slightly dusty condition, box excellent) and 530 971810 MP4/12D (model in good but dirty condition, some discoloration of clear decal carrier film in areas, box very good)
PAIR OF TWO-HANDLED FLUTED AGATE CUPS AND COVERS 20TH CENTURY 二十世紀 瑪瑙雙龍柄百條紋杯及蓋 後嵌西式百寶金屬音樂盒及時鐘 帶木座each with a fluted body tapering down supported on a short ring foot, flanked by a pair of sinuous dragons as handles, the cover similarly decorated with a button finial, both mounted later with British/European style gold-coloured metals further inlaid with coloured beads, one as a music box and the other a clock, unmarked, with wooden stands (2) 8.8cm wide each across handles The Estate of Sir John and Lady Clare Keswick at Portrack House, Dumfriesshire.Sir John Henry Keswick, KCMG (1906–1982) was an influential Scottish businessman in China and Hong Kong. He was the tai-pan of Jardine, Matheson & Co., the leading British trading firm in the Far East, and had established friendships with many Chinese politicians, including Zhou Enlai, Premier of the People's Republic of China, and Madame Soong Ching-ling, wife of Sun Yat-sen during his stay in China. He was also a representative of the Special Operations Executive, a British intelligence service during the Second World War. Sir John spoke fluent Chinese. He was a Chinese art collector, particularly contemporary paintings.He married Clare Mary Alice Cynthia Catherine Celia Elwes (1905–1998) in 1940 and had a child Margaret Keswick (1941–1995) who founded Maggie's Centres for those suffering from cancer.
A Chinese brocade-weave dragon robe, late Qing dynasty, woven with eight gold five-clawed dragons chasing flaming pearls amongst clouds, cranes, shou roundels, Eight Buddhist Emblems and other precious objects, above spuming waves centred by the terrestrial diagram and lishui stripe at the sleeves and hem, with black silk bordering the neckline and to the sleeve extensions, the gold-striped sleeve extensions ending in matching black horse-hoof cuffs, with a similarly patterned collar band, edged with brocaded borders,188cm across the arms140cm long 清晚期 蓝地缎织彩云金龙纹吉服袍Condition ReportVery minor loose threads. Creasing marks.Small tears to edges. Stains to liner.One button missing, hooks worn.
This piece features a gently hammered sterling silver frame with an inlaid button of gorgeous and vibrant green malachite. The picture plate ensures your photographs are protected while being held in place. The reverse features a fabric back and a discreet sliding lock to change the image. Marked 925 with Italian Hallmark to rim. Dimensions: 10.25"L x 1"W x 12.75"HCondition: Age related wear.
Galanteriedegen, Frankreich, um 1730 Dreikantige, hohlgeschliffene Stichklinge, am Ansatz leicht floral und ornamental geätzt. Fein geschnittenes Bügelgefäß mit leicht asymmetrischem Stichblatt, das ganze Gefäß mit reichem, hochfeinem Dekor von Figuren aus der griechischen Mythologie, in Eisen geschnitten, auf punziertem Goldgrund. Originale Hilze mit vergoldeter Drahtwicklung und Türkenbünden, annähernd kugeliger, en suite geschnittener und vergoldeter Knauf mit Vernietknauf. Schwarze Lederscheide mit ebenfalls geschnittenen und vergoldeten Beschlägen (nicht zugehörig?). Vergoldung der Griffwicklung etwas berieben, Scheide mit Reparatur im Bereich des Ortbleches. Länge 93 cm. Eine elegante Waffe mit Eisenschnitt in höchster Vollendung. A French small sword, circa 1730 A French small sword, circa 1730Hollow-ground thrusting blade of triangular section, the forte lightly etched with a floral design and ornaments. Finely chiselled knuckle-bow hilt with asymmetrical shell guards, the hilt profusely decorated with figures of Greek mythology, chiselled iron, on stippled gold base. Original gilt-wire-bound grip with Turk's heads, nearly globular, en suite chiselled gilt pommel with tang button. Black leather scabbard with chiselled gilt mounts (unassociated?). The gold-plating of the grip wire somewhat rubbed, the scabbard repaired at the chape. Length 93 cm. An elegant weapon with exquisite iron chiselling.Condition: II
Degen der Münchner Stadtwache, um 1600 Kräftige, spitz zulaufende, gegratete Klinge. Gratung, gekehlte Fehlschärfe mit beidseitig geschlagener Lilienmarke (wohl Wolfgang Ständler, vgl. Zeitschrift für Historische Waffenkunde, Band 8, S. 202, Marke 46). Kräftiges, geschwärztes Bügelgefäß, spiralförmig gekehlte Hilze mit aufwendiger Wicklung aus Messing- und Eisendraht mit zwei Türkenbünden. Abgeflachter Walzenknauf mit kleinem Vernietknauf. Länge 101 cm.Typischer Degen der Münchner Stadtwache. Zahlreiche ähnliche Exemplare befinden sich im Münchner Zeughaus und im Bayerischen Armeemuseum in Ingolstadt. A rapier of the Munich City Guard, circa 1600 A rapier of the Munich City Guard, circa 1600Robust tapering blade of diamond section. Recessed oblong ricasso framed by incised lines and struck on either side with a fleur-de-lys mark (probably Wolfgang Ständler, cf. Zeitschrift für Historische Waffenkunde, volume 8, p. 202, mark 46). Robust, blackened swept hilt, spirally turned grip elaborately bound with brass and iron wire, and two Turk's heads. Flattened barrel-shaped pommel with small tang button. Length 101 cm. Typical rapier of the Munich City Guard. Several similar rapiers are housed in the Munich Zeughaus and the Bayerische Armeemuseum in Ingolstadt.Condition: II -
A CARTIER RONDE 18CT GOLD CIRCULAR GENTLEMAN'S WRISTWATCHThe jewelled lever movement detailed Jaeger-leCoultre, numbered 1828311 and detailed Fab Suisse Swiss, the snap-off caseback London 1968 and numbered 8584, maker's mark J C, fitted to a leather strap, with a deployment buckle, numbered 8584, case diameter 3cm, cabochon sapphire winding button, gross weight 34.6 gramsCondition ReportThere is no box or papers, movement working when wound, one screw at edge near winding button lacking, screw on the opposing side to this is also lacking. Dial and hands in good condition, a few scuff marks to the front of the case between 12 and 2 o'clock, otherwise a few minor surface marks and hairline scratches. The leather strap is rather worn as a result of use.The movement is of Swiss manufacture and as it is not an import mark, we would assume the watch was retailed in London
A STEEL CASED LEMANIA MILITARY CHRONOGRAPH WRISTWATCHThe dial signed Lemania, with circled T and military arrow, with Arabic hour markers and two subsidiary dials and luminous hands, the 37mm case signed 0552/924-3305 HS↑9 5993 to the reverse, with a grey fabric strapCondition ReportCentre seconds stop, start and return button working, manual winding button working, the watch looks to be refurbished with a replacement grey/green textile strap with a buckle and fittings. We would suggest that these are not original to the watch. Slight loss and rusting to the blueing of the hands, replacement dial cover. The 30 minute recording dial is functioning correctly. Both main and recording dials are returning to start correctly. There are no other engravings apart from the numbers mentioned in the description. The watch is currently working, but we would not guarantee reliability of time-keepingWe have now been able to get into the caseback. There are four screws missing from the movement, the movement is working,
A Small Collection of "925" Clasped Jewellery, to include Honora multi-hue pearl bead bracelet, Honora pearl drop earrings, with floral decoration, gilt coloured Gemporia button pearl pendant, rubover set to centre, suspended on a gilt coloured "925" chain etc, together with a large stone set pendant necklace, mosaic bangles etc :- Two Trays
A GROUP OF FOUR ARCHAIC BELT HOOKSEastern Zhou/Han DynastyComprising a large iron belt hook, inlaid in gold and silver with geometric patterns, 25.3cm (10in) long; a bronze belt hook inlaid in silver with archaic and abstract patterns, 13.4cm (5 1/4in) long; a bronze belt hook inlaid with turquoise, silver and gold forming a pattern of ovoid lozenges, 19cm (7 1/2in) long; a bronze belt hook decorated with turquoise stones and traces of gilt, 18.8cm (7 3/8in) long; each cast with a beast-head finial and a raised button on the reverse of the arched body. (4).Footnotes:東周/漢 錯金銀鐵帶鉤 錯銀銅帶鉤 鎏金嵌綠松石帶鉤 及錯金銀嵌綠松石銅帶鉤 一組四件Originally used by the Northern grassland ethnic groups, belt hooks entered the Central Plains during the Spring and Autumn period. They soon became popular among the elites, evolving into a symbol of social status by the Warring States period. Compare the bronze belt hook inlaid in silver with a similar one, Warring States, illustrated in The Complete Collection of Bronzes Unearthed in China: Henan II, vol.10, Beijing, 2009, p.463, pl.505. See four related belt-hooks, Zhou dynasty, illustrated by P.K.M. Kwok, Dialogue with the Ancients: 100 Bronzes of the Shang, Zhou, and Han Dynasties, Hong Kong, 2018, pp.346-352.See also a related silver-inlaid bronze belt hook, Warring States Period, which was sold at Bonhams London, 9 May 2022, lot 265.For further information on this lot please visit Bonhams.com
A small collection of silver and plated items to include; a matching Elizabeth II silver cruet set consisting of mustard pot with liner, and salt and pepper pots, all with Celtic designed banded design, hallmarked by Adie Bros, Birmingham, 1961, a cased pair of small Elizabeth II silver butter knives, hallmarked by Francis Howard, Sheffield, 1957, a Birmingham silver handled shoe horn, two Birmingham silver handled button hook, one with foliage design, a white metal mounted horn spoon with shield to stem, along with a selection of plated flatwares to include; ladles, tea strainer, teaspoons etc. (1 bag) Weight: approx. 126.2 grams (4ozt) Further details: tarnishing, scratches, wear, nibbles and wear to horn, finial slightly misshapen on salt pot.
A collection of jackets to include: an Annette Gortz ribbed jersey three-quarter length jacket with metal frog fastenings, two pockets, fully lined, size 12; a short wool 1960s open-weave beige jacket in a flared design with Peter Pan collar, by Almost Famous of London, fully lined, 3 large decorative buttons, wool/acrylic mix, size 10, 1960s but could be later; a black lightweight jacket by Minuet in a black and white check fabric (wool/cotton/acrylic mix), size 16, lined collar, covered button fastening; an H.E. lightweight grey herringbone tweed designed fabric, fully lined, decorative motif of black and paste stones, cuffs and hemline edged in coffee-coloured material, medium size. (4)
A classic Armani navy wool jacket, size 42 (Euro), low cowl collar with reveres, fully lined, 3 buttons and two flap pockets. Together with a short Armani jacket of a wool material featuring a spotted fleck on a black background, lined in black grosgrain, slight peplum design and stitched half belt, black strips of fabric decorating the front, four button fastening and two concealed pockets. A grey suede jacket with knitted arms and fur lining. (3).
A mixed collection of silver dressing table items to include; a Birmingham silver hand mirror with elaborate Reynolds Angel's design, a Chester silver clothes brush with Angel design by James & William Deakin, a Birmingham silver hand brush by Henry Matthews with repousse foliage design, two silver button hooks, both Birmingham hallmarked. Along with two ebonised wooden clothes brushes and an early 20th century dressing table set case. Further details: holes, dents, wear to mirror, some dents, scratches and wear/tarnishing to others, case is broken, has lots of wear and loss, some damage to ebonised wooden brushes.
A mixed collection of silver flatware to include; a George V silver bread fork, hallmarked by C.T. Burrows, Birmingham, 1914, an Edwardian silver caddy spoon hallmarked by Stokes & Ireland Ltd, Chester, 1906, a George III silver mustard spoon by John Thropp, Birmingham, 1818, a George IV fiddle pattern silver teaspoon, a Cooper Bros Golf related spoon initialled "GGC", other Georgian or later silver spoons, various makers and dates including; Peter & William Bateman. Along with a 19th century silver topped vanity jar, silver handled cake slice, button hooks x2, a Continental silver pair of sugar nips, a Mylius of Norway 830S silver pickle fork, a Birmingham silver napkin ring and a white metal Eastern napkin ring with figural design. Weighable silver: approx. 214.4 grams (6.9ozt) Further details: all tarnished, some with more wear than others, few with dents, misshapen areas, some surface scratching, overall general wear commensurate to age/usage. Signs of usage slightly to prongs of bread fork, caddy spoon generally okay (wear).
A collection of hats to include: a Lapin hat in greys and fawn with a large ginger fur bobble and velvet lining; a velvet hat in the style of a beret with ribbed brim; a navy velvet pillbox with netting (1970s); a 100% cotton velvet floppy hat (1970); a grey georgette/tulle beret style hat with a grey braided pattern, late 1950s; a chocolate brown artist's style beret, late 1950s/early 1960s; a navy/royal blue velvet floppy hat, 1970s; a sage green 'crunchie' headdress with a large aubergine button detail; a faux fur black knotted scarf (new); a 1940s/50s cravat style moleskin collar; and a 1930s/40s/50s black felt hat. (Q)
A pair of Victorian silver sugar tongs, hallmarked by HJ Lias & Sons, London, 1877, a similar pair of William IV silver sugar tongs, hallmarked by Charles Shipway, London, 1833, along with a silver plated 'Safe Riding Award, 2 Years' tie clip and a Gilbert of New York steel button hook. Weight: approx. 86 grams (2.7ozt) Further details: tarnishing, scratching, wear.
Two 1970s vintage dresses, to include a deep green jersey with balloon sleeves, vertical panel of covered buttons to the bodice and pointed collar, retains Buvyer label, a similar maxi dress in blue jersey with balloon sleeves, button detail and long flared skirt, retains belt, bears Carnegie of London, also a 1970s sleeveless jumpsuit in red jersey, a red maxi dress with thin straps and maxi long flared skirt and a 1960s mini dress with diagonal silver thread over off-white sparkle lurex, bears Frank Usher label, approximate sizes 8-10. (5)
A Victorian lady's two piece dress, the jacket with blue ruffle trim over grey and silver stripe fabric and full length pleated skirt in the matching fabric with black waist band, also a panel of sample fabric also in the matching pattern, together with a Victorian lady's jacket in lilac silk with black lace trim to the collar, bodice and cuff, with a black velvet panel to the bodice and button fastening. (2)
Three 1960s vintage dresses, comprising sleeveless yellow shift mini dress with off centre button detail and patch pocket, together with a blue cotton midi dress with central button fastening and tie waist belt and a Wanda for Leshgold evening dress with an alternating silver sparkle and grey knit bodice, with pleated and flared sleeves and flared A line skirt, all approximately size 8. (3)

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110990 item(s)/page