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Lot 277
Charles Dickens interest. A Ridgway & Robey figure of Ralph Nickleby, 1839, on gilt base, 21.5cm h, impressed title and, to the reverse, Published June 15 1839 by Ridgway & Robey Hanley Staffordshire Potteries Comparative Literature: Pugh (P D Gordon) - Staffordshire Portrait Figures, revised edition 1987, p E385 plt 39 and for an example of 1840 in smear glazed buff stoneware by Ridgway, Son & Co, see S Beddoe - Henry Willett's Ceramic Chronicle of Britain 2015, p211, fig 995 Flaking of black enamel and light wear to gilding, not cracked or chipped, no restoration
Lot 28
A pair of late Regency mahogany bergere side chairs,with overscrolled top rails to the cane filled 'Grecian' backs, loose squabs to the cane seats on reeded legs with ceramic castors, formerly from Agatha Christie’s home, Greenway House, Devonone with legs reduced, some restorationPLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Lot 335
A Victorian parcel gilt carved mahogany and pietra dura centre table,with raised octagonal specimen hardstone top, on a turned and fluted stem with ball frieze and lions paw feet, fitted ceramic castorsW.69cm H.72cmHardstone top has some small losses with infill just off the centre along with some fine cracks running through some of the marble sections, table overall is a little bit wobbly at the joints, some of the giltwork looks to have been repainted in gold paint, minor scuffing and wear to the feet.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. W.69cm H.72cm
Lot 31
Chinese Art A Celadon dish with short brim China, Yuan dynasty (1279-1368) . . Cm 7,00 x 27,50. Plate made of heavy-bodied ceramic covered with an elegant pale green glaze in imitation of jade produced in the Longquan kilns. The plate, characterized by a short, smooth and unadorned rim, has the wall of the bowl decorated with an engraved leaf motif. Objects of this type, known in the West by the generic name of Celadon porcelain, were made of stoneware coated with a layer of translucent green or blue-green enamel, produced with iron oxide in a reducing atmosphere. The Celadon family, also cataloged with the Anglo-Saxon term of green-ware, is wide and includes various artifacts made in the most disparate locations in Central Asia (China, Japan and Korea) and South East Asia (Thailand and Vietnam). Under the Song rulers, around the 12th century, the grandiose Longquan kilns were inaugurated in China and this event gave rise to a large-scale production meant for trade routes throughout the East. For their extraordinary solidity, pleasantness to the touch and beauty, the Longquan celadon were highly appreciated both in China and in the Middle East, where they were successfully exported.
Lot 32
Chinese Art A pottery jar Cambodia, Khmer dynasty (802-1431), 13th century . . Cm 21,00 x 25,00. Ovoid-shaped container covered by a worn brown-greenish monochrome glaze. The elongated body has four suspension loops close to the neck. This type of artifact is attributable to the Cambodian pottery production of the XII-XIII century characterized by the smooth leather-colored cover that leaves part of the ceramic body uncovered.
Lot 36
Chinese Art A blue and white porcelain dish China, Transitional Period (1620-1683). . Cm 30,00 x 7,00. A blue underglaze painted thin porcelain dish. The white cavetto, framed by the brim decorated with birds and sprays desily interweaved, circumscribes the central circle on which five large flowered corollas arranged in quincunxes stand out. Manufacture mark at the base. This type of pottery, inspired to the Yuan and Ming, was mainly intended for export to Europe and to the Middle East. Its main feature is the cursive style of the decoration on a ceramic body not always matching high quality standards, being it subject to cracking and often affected by cooking defects. Nonetheless, the final product always strikes for its expressiveness, personality and high decorative value, which is exactly why these products have been very popular in the West for centuries.
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