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Lot 687
Two Goebel ceramic table lamps modelled as tree stumps with perching birds, one with blue tits, the other with wrens, each with original shade, 44cm high and 46cm high (2) Lighting lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items.
Lot 2097
Silver and silver mounted wares, comprising; a hinge lidded square glass inkstand, having a drop-in ceramic inkwell, Birmingham 1935, a silver handled ivory bladed page turner, Birmingham probably 1908, a French page turner and a quatrefoil shaped dish, with an insect motif, detailed Chopard Golden Diamonds 26.09.2002 4912/5000 925, (4).
![British National Doll composite Boy doll with sleeping eyes, open mouth, jointed arms and legs, approximately 60 cm tall [AF]](https://cdn.globalauctionplatform.com/907d876e-9c29-41d4-a661-aac600bb0455/ffc83166-dacb-44a9-8b62-aad900d26e9e/468x382.jpg)
Lot 148
British National Doll composite Boy doll with sleeping eyes, open mouth, jointed arms and legs, approximately 60 cm tall [AF] together with a ceramic boy ornament, dressed in knitted cloths, approximately 25 cm tall, also included in the lot is a quantity of dolls fabric and knitted closing, Est £20 - £30.
Lot 1807
PORTMEIRION CERAMIC REPLICA OF THE F.A. CUP, scale replica of the Football Association Challenge Cup, modelled by Fred Hackney of Brunswick Ceramics Services, Stoke-on-Trent, body inscribed 'THE FOOTBALL ASSOCATION CHALLENGE CUP', overall height 68.5c, with paper marking this as 'Number 18 of a limited edition of 500 to commemorate the 1980... Final between West Ham United and Arsenal.' Note: After lengthy contract negotiations, Portmeirion were given permission by F.A. secretary Ted Croker to produce these replicas in 1979. The modeller, Fred Hackney, inspected the trophy at Highbury, Arsenal, them being the holders at the time. He made a series of detailed measurements to replicate it faithfully. Unfortunately the production costs of such an impressive piece, including the use of a platinum glaze, proved prohibitive ro the manufacturer and the replica never went into full commercial production. It is estimated that less than 200 were produced before the project was abandoned in 1980.
Lot 1389
19TH CENTURY ORMOLU MANTEL CLOCK, two train eight day movement by AD Mougin, the ceramic dial with Arabic numerals, painted with a counting scene and marked W.T. Story, the pillared architectural case mounted with three urn finials, above a block base engraved with dedication, on an associated plinth, 46cm high, contained in a glass dome case
Lot 296
Collection of Japanese Imari porcelain, Chinese famille rose porcelain bowl, blue and white pottery ginger jars etc and a collection of mainly 19th century English ceramic dessert service items; teawares etc (four boxes). The pieces are in good condition. Gross weight 6.9 grams. CR made 15th August 2019
Lot 234
Paul Franciose Louchet, French (1854-1936) Art Nouveau Ceramic and Gilt Bronze Pedestal Base with Putti Figure. Signed on obverse side and base. Measures 6" H x 5" W. Condition: Overall good condition with minor original glaze pops in ceramic. Estimate: $50.00 - $150.00 Domestic Shipping: $58.00
Lot 1132
EGYPTIAN AMUN-HOTEP PAINTED SHABTI, ceramic shabti in a gritty grey green fabric, with detailed headdress and foldd arms, eyes and details in black paint, short hieroglyphic text to the lower body, the reverse a painted seed bag, 10.5cm long, contained in a wooden box carved with flowers, the box 15cm long, with accompanying certificate of authenticity issued by Timeline
Lot 176
A late 20th century silver statue together with a mid 20th century spoon, the statue, double sponsor marked (skeleton mark 'ODeW', and monogram 'JB' within an octagon), with London hallmarks for Britannia silver, 1988, composed of a nude male, down on one knee, right hand resting on the other, head bowed, solid casting and roughly finished, 15cm high and 22.7ozt in weight, together with a short handled ladle style spoon, the plain oval and deep bowl, with London hallmarks for Sterling silver, 1975, the handle of variegated olive green ridged ceramic, with silver terminal, overall length 14cm (2)
Lot 82
§ Salvatore Meli (Italian, 1929-2011), a monumental earthenware charger, painted with three stylised figures in black and blue to a white ground, signed 'Meli - Roma' 56.50cm (22in) Other Notes: Born in 1929 in Ragussa, Sicily, Meli was a significant figure in post-war Italian Design. One of his major influnces was Salvatore Fiume, a sculptor and painter who strongly impacted his style of dynamic and assymetric forms. Most of Meli's works are plates or jugs but his technique of constructing as opposed to throwing his pottery allowed him to create much larger scale items, such as the glazed earthenware table. Meli participated in international exhibitions across Europe, Asia and North America throughout his career, most notably the Milan Triennale and the Venice Bienale. He was named the "enfant terrible of Italian Ceramic art"
Lot 85
§ Dora Holzhandler (British, 1928-2015), a collection of five ceramic chargers, comprising; Lovers, signed and dated 1999, 36cm (14in), Lovers, signed and dated 2001, 40cm (15.75in), Mother & Child in Winter, signed and dated 2001, 39cm (15.25in), Mother & child in spring, signed and dated 2004, 41cm (16in) and The Flower Seller, signed and dated 2004, 41cm (16in) (5) Other Notes: Born in Paris to Jewish-Polish parents, Dora Holzhandler moved to Britain with her family at the age of six. Influenced by her belief in both Jewish and Buddhist religions, Holzhandler often portrayed intimate scenes, such as embracing lovers or mother and child, and imbued them with mystical and religious symbolism. Her work possesses a naivety and innate innocence, contrasting with her own early personal experiences. Her first exhibition was hosted by the gallerist, Helen Lessore in 1954.
Lot 80
Helen König Scavini (1886-1974) & Mario Sturani (1906-1978) for Lenci, a rare 'Nudo Sul Mondo' earthenware figure, modelled as a young female nude seated beside a small dog on top of a globe, signed to the underside 'Lenci, Torino, 9-1936-XIV, Made in Italy' 50cm (20in) Literature: Similar example illustrated: Lenci, Archivi di Arti Decorative, Torino, 1992, p. 204, fig. 607 Other Notes: A similar example was sold at Christie's Design Sale, London, 3 November 2015, Lot 148, sold for £20,000 The Italian brand Lenci was founded in 1919 in Turin by Enrico Scavini and his wife, Helen Konig - originally making beautifully crafted felt dolls. After successfully exhibiting the dolls across Europe in the early 1920's, an increase in competition from cheaper manufacturers soon saw sales decline. The company then diversified into ceramics, unveiling their stylish figures at the International exhibition in Turin, 1928 to favourable reviews. The studio then began to collaborate with notable artists and sculptors, including Sandro Vecchietti, Giovanni Grande and Mario Sturani. Lenci ceramic figurines embody the Art Deco style of the time; many were designed by Helen Konig herself, effortlessly capturing the sensuality of the female form while evoking the fashions published in Vogue magazine. Nudity was extremely popular during the 1920's & 1930's and Konig's nude creations were especially successful. Lenci studio designers began incorporating the nudes into their designs in an array of different poses, but all retaining the slender, feminine physique typical of Konig's figurines and of the era. In very good condition.
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