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Lot 32
Pair of Wedgwood candlesticks, tapered, in red, black and white with gold highlights, marked to base (one repaired), 32.5cm high and a 19th c ceramic drainer decorated in Chinese style, no.3159 to base, 34cm wide (3) Condition ReportPlease see extra images of the repaired candlestick and marks. The repaired candlestick has the hole in the base, the other has a metal 'screw'. The colours are bright, the gilt not too worn. Perhaps ring 01285642420 for further details if required
Lot 304
PIETRA DURA ETC. A Pietra Dura pendant drop, length 3.7cm. Also, a 19th century mourning brooch (centre glass chipped) & a ceramic portrait brooch. Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING. The absence of a condition report does not imply the lot is perfect.WE CAN SHIP THIS LOT, but NOT if part of a large, multiple lots purchase.
Lot 352
SILVER PENDANTS ETC. A ceramic bead necklace with silver spiral drop, a silver mounted blue labradorite pendant drop, a silver & bead necklace & a polished moss agate in silver coloured metal mount. Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING. The absence of a condition report does not imply the lot is perfect.WE CAN SHIP THIS LOT, but NOT if part of a large, multiple lots purchase.
Lot 188
HALCYON DAYS ETC. Four Halcyon Days enamelled boxes: a Thank You box; a Never Economise on Luxuries box & a Winnie The Pooh small box. Also, two metal mounted ceramic boxes. Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING. The absence of a condition report does not imply the lot is perfect.WE CAN SHIP THIS LOT, but NOT if part of a large, multiple lots purchase.
Lot 215
A Chinese Ding ware moulded stem bowl, Song-Jin dynasty or later, the interior relief moulded with flowering and fruiting branches, gilt metal mounted rim and foot, 10.4cm diameterCONDITION: The ceramic body is in good condition with occasional minor scratches, the gilt metal mounted rims are corroded.
Lot 1984
James Shoolbred, late 19th / early 20th Century mahogany Aesthetic movement desk having simulated leather inset top above an arrangement of nine drawers with brass drop handles, on square supports with brass and ceramic casters, 30.5ins high x 54ins wide x 24ins deep, having stamp to central drawer
Lot 535
Wedgwood blue Jasperware jardiniere, 7ins highNo chips or cracks, but there are some slight scratches and rubbing marks to the areas of dark blue. Some surface scratches and firing cracks.Unfortunately we are unable to ship inhouse any items of ceramic, china or glass. Please contact us and we can provide you with an alternative packer.
Lot 642
Hu-förmige 'Hundred Deer'-Vase aus Porzellan von Huang Yunpeng CHINA, geb. 1942, am Boden signiert H. 48 cm Provenienz: Aus einer europäischen Privatsammlung, vor 2007 erworben - Gut erhalten A FINE HUNDRED DEER HU-SHAPED VASE BY HUANG YUNPENG, China, b. 1942, signed for appreciation by: Huang Yunpeng. He is a Master of Chinese ancient ceramic arts and crafts, national civil engineering researcher, ancient porcelain appraiser. Many important porcelain imitations such in the Palace Museum and the Shanghai Museum have been successfully completed by his hand. In 1997, a master's work was auctioned as a real thing in Japan, and it was a sensation. Later, it was collected by the former Prime Minister of Japan at a high price. Xu Taosheng: Member of China Cultural Relics Society, director of China Cultural Relics Restoration Committee, member of China Ancient Ceramics Research Association. He is currently the deputy director of the Jingdezhen Ceramics Museum. He has carefully studied the ceramic raw materials, shapes, crafts and decorations of Jingdezhen for many years. He is a prestigious ceramic expert in the collection industry. Ye Peilan: Executive director of the Chinese Cultural Relics Society, researcher of the Palace Museum, former ceramics team leader, worked in the Palace Museum from 1956. She recognised countless rare porcelains in the past 40 years and is a famous expert in ceramic identification in the collection industry - Provenance: European private collection, acquired prior to 2007 - Good condition
Lot 1774
Sieben Bücher über chinesisches Kunsthandwerk, u. a. 'Chinese Textile Designs' 7 Bd. SEVEN BOOKS ON CHINESE WORKS OF ART, e.g. Gao Hanyu: 'Chinese Textile Designs', 'Chinese Ceramic Tea Vessels', Annette L. Juliano: 'Bronze, Clay and Stone', Dexel: 'Die Formen chinesischer Keramik', 'Heavens' Embroidered Cloths - One Thousand Years of Chinese Textiles', Jörg & can Campen: 'Chinese Ceramics in the Collection of the Rijksmuseum, Amsterdam'
Lot 1214a
Feiner und seltener Mörser aus Elfenbein mit Drachen-Phönix-Dekor und Hasen CHINA, vermutlich Macao, 17.Jh. H. 11,7 cm Provenienz: Aus der Tibet- und Asien-Sammlung der Gebrüder Kienzle, Schwaben, zwischen 1965 und 1986 gesammelt - Vgl. Sir Victor Sassoon Chinese Ivories Trust Collection, T43, publ.'Chinese Ivories From The Shang To The Tang', Oriental Ceramic Society, 1984, S. 161, ill. 202 - Kurze Altersrisse A RARE CARVED IVORY MORTAR, the waisted vessel is carved to the exterior of its upper section with two writhing dragons on a ground of fire and cloud scrolls, a raised central band encircles the waist. The lower section is embellished with two phoenix and rabbits on a foliate ground - Property from the Asian and Himalayan art collection of the brothers Kienzle, Swabia, assembled between 1965 and 1986 - A comparable carved ivory mortar in the Sir Victor Sassoon Chinese Ivories Trust Collection, T43, is illustrated in Chinese Ivories From The Shang To The Tang, Oriental Ceramic Society, 1984, p. 161, ill.202 - A comparable mortar with pestle sold at Christie's London, 14 June 2001, lot 10 - Few short age cracks
Lot 206
A RARE JAPANESE KO-KUTANI BOWL EDO PERIOD, C.1660 Decorated in purple, yellow, green and blue enamels and overglaze iron-red with four large butterflies fluttering across the well, with smaller red insects flying around them, the underside painted with three further butterflies and red insects, with circular rings encircling a fuku mark to the centre of the base, 15cm dia. Cf. The Complete Catalogue of the Shibata Collection, The Kyushu Ceramic Museum, p.69 no.0490 for a ko-kutani dish decorated with a central butterfly in an ochre ring. Butterflies are rare as a central motif on ko-Kutani dishes. The design originated in the Heian period (794-1185) and was the symbol of the Taira clan.
Lot 211
A RARE JAPANESE KAKIEMON MODEL OF A 'FLAMING TORTOISE', MINOGAME EDO PERIOD, C.1660-80 The mythical creature decorated in turquoise, cerulean, iron-red, yellow and black, its carapace with a moulded honeycomb pattern and a trailing veil of seaweeds underneath the rim, with five-toed feet and baring its fangs, 18.5cm. Cf. G Lang, The Wrestling Boys, An exhibition of Chinese and Japanese ceramics from the 16th to the 18th century in the collection at Burghley House, p.36 no.93 for a related model of a minogame and Immortal. Also,J Ayers, & O Impey, Porcelain for Palaces: The Fashion for Japan in Europe 1650-1750, p.177, no.158 for a discussion on the example at Burghley House. See Christie's London, 11th May 2011, lot 104 for another related model, formerly in the collection of The Earls of Lauderdale. Also, Christie's London, Courtly Display: the Somlyo Collection of Japanese ceramics, London exhibition 12th-19th December 2015, pp.22-23 no.1, for a discussion on the same piece. Only four other similar models are known: the collection at Burghley House, Lincolnshire, includes one; another can be found in the Kassel Collection in Germany; a third is in a private collection in Japan, and the fourth was formerly owned by The Earls of Lauderdale. The Gardiner Museum in Toronto, Canada, has another example of an early Kakiemon turtle with a slightly different design; the colour scheme is different, and the beast has a shorter neck. A mould used for the hexagonal carapace was excavated in Arita and is now at the Arita Ceramic Museum. The archives of the VOC (Vereenigde Oostindische Compagnie) Dutch East India Company mention "295 small statuettes on tortoises" imported in 1665 on board the Nieuwenhoven. Minogame are a symbol of immortality and the long weeds trailing under their carapaces also convey this idea of longevity. They were misinterpretated as flames when they first arrived in the West however, hence the name 'flaming tortoise'. The immortal turtle became a popular design used on European Kakiemon-style pieces in the 18th century.
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163691 item(s)/page