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Lot 332
SIX BOXES OF GLASS, CERAMICS AND SUNDRY ITEMS, etc to include six Midwinter 'Cannes' soup bowls and saucers, Wedgwood 'Pastel' coffee pot, English Ironstone 'Willow' pattern saucers, miniature Japanese vases, decorative plates, German Bay ceramic vase, African Bida brass tray, glass chess set, etc
Lot 353
A VICTORIAN TUNSTALL CERAMIC JASPERWARE JUG, height 17cm, together with a Wedgwood black basalt covered cylindrical pot with gilt detailing, height 11.5cm, a large Holland Utricht pottery jug, Art Nouveau style stylised flowers decoration on brown ground, black backstamp and J M monogram, impressed 184 to base, height 37cm (chipped base) and a tin glazed earthenware blue and white vase (chips to rim and base), height 18cm (4) (CONDITION: the Holland jug has a chip to the foot rim)
Lot 828
A pair of early 20th century French walnut bedside cupboards, with white marble tops, W.40cm D.39cm H.82cm Condition: Light surface scuffing to the marble tops, original ceramic knob handles to the drawers, some light denting and scuffing to the underframes but overall good condition, one top is not fixed in place
Lot 180
A group of Chinese and Sawankhalok blue and white ceramic bowls and dishes (10) Condition:- 25cm saucer dish discoloured and crazed in the glaze, light scuffing to glaze- 16.5cm bowl discoloured patches to the inside along with firing pit marks throughout, otherwise good- 16.75cm bowl with minor firing flaws otherwise good- 13.5cm bowl potted slightly out of shape, firing flaws otherwise good- 16cm bowl with green decoration - firing flaws otherwise good- 14.75cm bowl with brown decoration - firing flaws- 15.5cm plate with some small firing flaws- 12cm bowl with firing flaws- 12cm bowl discoloured in the glaze and firing flaws- 12cm bowl with firing flaws
Lot 31
A group of three mid 20th century ceramic vases, comprising a Susie Cooper vase, with blue glaze and incised decoration of flowers, incided marks to base, 11 by 17.5cm high, an Empire ware vase of spherical form on three feet, speckled green, blue and yellow glaze, printed and impressed marks, 14 by 13.5cm high, and a squat ovoid vase, a/f missing cover, decorated by 'P. Green 1966' with green over cream glaze, 20 by 10cm high. (3)
Lot 37
A Copeland late Spode ceramic garden seat, circa 1880, of barrel form with pierced handle and sides, decorated in Chinese style with flowers and branches, gilt highlights, factory mark to base, 35 by 47cm high.Condition: there is surface wear throughout and a small chip to the top rim, with some firing cracks internally.
Lot 258
Genuine Rado diastar wristwatch Quartz ceramic coated bracelet in original box with original guarantee dated 11/07/1997 & 3 Spare Links Face - 2.6cm x 3cm Strap - 2cm x 16.5cm In previously owned condition Signs of use & wear See photographs Watch is not working, might need repair or new battery
Lot 73
Farhad Moshiri (Iran, born 1963)Gold Leaf Bowl with Green Hue acrylic and oil on canvas signed 'Farhad Moshiri' and dated '2005' in Farsi and English on the verso, executed in 2005150 x 150cm (59 1/16 x 59 1/16in).Footnotes:'Thus spake I to a potter on a day,Bidding his careless wheel a moment stay--'Be pitiful, O potter, nor forgetPotters and pots alike are made of clay'-Omar Khayyam Provenance:Property from a private collection, LebanonAcquired directly from the Third Line, Dubai, 2006Bonhams are privileged to offer a fine and monumental example from Farhad Moshiri's inimitable jar series.The 13th century Persian poet and polymath Omar Khayyam proclaimed clay as a 'mysterious mother substance', and exalted what he described as a 'wizard dust, wherein all shapes of birth, — soft flowers, great beasts, and huge pathetic kings, fill a needled girth'. The analogy of the substance of life, as mere clay at the behest of an unseen potter which shapes, forms, breaks and remoulds at its whim, is a powerful and lasting motif in classical Persian literature, and serves to highlight the indifference of the universe to the relentless cycle of extinction and decay which characterises existence. It is this symbolic, poetic clay which forms the substance of Moshiri's jars, and it is in the context of this symbolism where their true meaning is brought to light. In their form, Moshiri's jars are inspired by the artistic heritage of Persian antiquity, which was home to one of the foremost centres of ceramic production in the ancient world. Ceramics which survive, as Moshiri depicts them, in a state of beautiful decay; fractured, discoloured and petrified beneath the earth, they live on as mere vestiges of a bygone age, their brilliance reminding us of the illustrious civilisation that gave rise to them, their decay ruing its inevitable downfall. For Moshiri, the flattening of these jars onto canvas harks their extinction as objects of use, whilst ruing the expiration of the cultural landscape they once inhabited. A consummate draftsman with a deft touch, Moshiri's Jars show an astounding level of technical skill, seldom has melancholy been channeled in such an aesthetically brilliant and visually vibrant form. Poignant, striking and refined, the present work is an example of Moshiri in his artistic prime.This lot is subject to the following lot symbols: * P* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.P This lot is owned by a private individual. The right of return enjoyed by EU customers is not applicable.For further information on this lot please visit Bonhams.com
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