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Lot 154
A Victorian wrought iron, ebonised wood and upholstered metamorphic campaign bed/chair, second half 19th century, the folding back with arched toprail above latticework, the conforming seat unfolding as a bed, with turned wood front legs, on ceramic castors, 94cm high (as a chair), 79cm wide
Lot 170
Two boxes of decorative ceramics and other items to include a Swarovski cut glass teddy bear, Beatrix Potter soap dish, a caved wooden figure of a horse, an Oriental ceramic figure of a seated gentleman, a collection of Aynsley "Little Sweetheart" pattern vases, etc, a Portmeirion "The Botanic Garden" pattern storage jar, various ornaments, a hip flask inscribed "RAF", etc
Lot 92
A George III circular inkwell by John Wakelin & William Taylor (maker’s mark only, struck four times), circa 1790, with a plain hinged cover to the central tapered well, a moulded ring handle to the plain gallery with moulded rims, engraved with a crest beneath a coronet, 10cm (4in) diameter, 211g (6.8 oz). This maker’s mark was used from 1787 until Wakelin went into partnership with Robert Garrard I on 20th October 1792. The crest and coronet of George William, 6th Earl of Coventry (1750-1809), Recorder of Coventry, Lord Lieutenant and Custos Rotulorum of co. Worcester. See Butler, Robin ‘The Albert Collection: Five Hundred Years of British and European Silver’, p. 293 for a similar example by Robert Garrard I, London 1809 with three quill holders and recorded in the Garrard & Co. ledgers. It was made for HRH the Duke of Cumberland and Teviotdale, later Ernst Augustus I, King of Hanover, and notes ‘A round gilt inkstand from a Wedg’d with sponge 13 oz 4d £11/12’. The form borrowed from a ceramic example by Josiah Wedgwood.
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