Various silver items, comprising: a small silver cased clock with watch movement, Birmingham 1913, 14.5cm high, a small circular inkwell, with inset green ceramic cabouchon, a cased set of 6 teaspoons and tongs and further tongsCondition report: Clock - various dents, worn hallmarks, cracks to dial, one foot bent, no guarantee as to working order and timekeepinginkwell - rubbed hallmarks, slight dent to base, no hallmark on lidcased teaspoons - case has small loos at back,
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A group of four 18th century and late miniature portraits, comprising a brass framed painting on ivory, possibly George I, initialled 'M.D.', 7.5 cm diameter, together with two portraits on porcelain, one in a ceramic frame, an early 20th century portrait of a beauty in profile (American) and afurther framed 19th century allegorical work, pencil and watercolour on paper, unsigned.Qty: 5
Garden Statues: An Austin and Seeley composition stone greyhound, 2nd half 19th century, 57cm high by 100cm long Felix Austin went into business in 1828 having bought moulds from a firm that had gone out of business. He established works in New Road, London, describing himself variously as an architect, statuary mason and sculptor as well as artificial stone maker. His material was not the same as the ceramic body used by Mrs Coade but made from Portland cement, broken stone, pounded marble and coarse sand (The Builder 1868). However, like Mrs Coade, he encouraged leading architects and designers to work for him. Around 1840 he entered into partnership with John Seeley. Seeley had trained at the Royal Academy Schools and also made an artificial stone which he called artificial limestone, before entering into partnership with Austin. In 1841 they published their first catalogue, Pleasure Grounds etc. from their address in New Road. The preface begins “Austin’s Artificial Stone is of a light tint, requires no painting or colouring, will not sustain injury from the severest winter, and, being impervious to wet, is particularly applicable to all kinds of water works. Its superiority is now so thoroughly established, that the most eminent architects and scientific gentlemen have expressed, in their highest terms, their approbation of its durability, and close resemblance to the real stone”. The Cotswold Collection. See lot 1 for further information.
SHEAFFER - Vintage (1970s) Burgundy with Gold Plated cap with fine lined pattern Sheaffer Imperial VIII fountain pen (cartridge/converter) with gold trim and 14ct gold long diamond inlaid nib. In a Sheaffer box and Vintage (1970s-80s) Sheaffer special limited edition desk set, commissioned from Royal Doulton. Ceramic desk set is No 1085 of a worldwide edition limited to 5000. Matching Ivory lacquer White Dot Imperial desk fountain pen with insert 14ct gold nib marked "585 Sheaffer USA" and fitted with original Sheaffer converter

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