There are 163696 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribeA quantity of mixed plate, comprising; a campana shaped wine cooler with gadrooned borders and two leaf chased handles, a pair of round basket-work biscuit boxes with integral stands and crested covers, now with ceramic liners as jam/marmalade pots, and two flared round and gadrooned dishes on integral stands
A copper coated cast metal telescopic standard lamp, late 19th/early 20th century, with foliate pierced revolving bookrack mounted with female mask corners raised on three scroll work legs joined by a triangular platform stretcher on ceramic castors, Reg No 342144 46" high (excluding extension)
Ceramic ewer modelled as a figure astride a bird with flaring tail and raised beak, the cream body decorated with an ochre/brown glaze, falling short of the foot, glaze degraded. The figure having its hands clasped in prayer and wearing armbands, the hair with curled headdress, possibly Balinese, 26cm.
A Victorian figured walnut and inlaid Davenport, circa 1880, the top with gilt brass spindle gallery above two inset anthemion centred doors enclosing pigeon holes and two short drawers over an inlaid top and drawer with fitted writing slope, above a panel cupboard door centred by an anthemeum motif and enclosing three leather lined shelves for music scores marked "Dance, Songs and General Music" between fluted brackets raised on bar feet and ceramic castors, 24 in (60.96 cm) wide, 18 in (45.72 cm) deep, 42.5 in (107.95 cm) high
Kobayashi (Taiichiro) Observations on Chinese Ceramics, 1951; Valenstein (Suzanne G), Ming Porcelains; Gillingham (Michael) Chinese Painted Enamels; LLoyd Hyde (J A) Chinese Painted Enamels; Woidt (Hannah) Chinese Handicrafts; The Asia Society including Asian Art; Hetherington (A L) Chinese Ceramic Glazes; Bluett and Sons Ltd 1974, Chinese Decorative Arts; The British Museum 1972, Chinese Art from the Collection of King Gustaf VI Adolf of Sweden; Hawley Stone (Louise), The Chair in China; Tregear (Mary) Guide to Chinese Ceramics; Medley (Margaret) Metalwork and Chinese ceramics; H D'Ardenne de Tizac, La Sculpture Chinoise; Moss (Sydney L) Chinese Monochrome; Aston (Leigh) & Gray (Basil) Chinese Art; OCS, Iron in the Fire; Combaz' Les Palais Imperiaux de la Chine; Joseph (Adrian M) Ming Porcelains; The School of Oriental & African studies, Colloquies on Art and Archaelogy in Asia
Moss (Hugh) By Imperial Command, Hong Kong 1976 number 645/1000, slip case; Hobson, Rackam & King, Chinese Ceramics in Private Collections; The Arts Council, The Seligman Collection of Oriental Art; Bluett & Sons Ltd, Early Chinese Ceramics from the Postan Collection; The Foreign Languages Press, Historical Relics Unearthed in New China; Zenshu (Sekai Toji), Ceramic Art of the World; Howard (David) & Ayers (John) Masterpieces of Chinese Export Porcelain; Hughes-Stanton & Kerr (Rose) Kiln Sites of Ancient China; Prodan (Mario) La Poterie T'ang; Mayuyama (Junkichi) Chinese Ceramics in the West - A Compendium of Chinese Ceramic Masterpieces in European and American collection; and one other book in Japanese
Kim (Chewon, Dr) and Gompertz (G St G M), The Ceramic Art of Korea, London 1961 (dw); The Government of the Republic of Korea, Masterpieces of Korean Art; Fitzwilliam Museum, Cambridge, Korean and Chinese ceramics; The Arts Council 1961, The National Art Treasures of Korea; Silla, Koryo, Yi, The Art of the Korean Potter; Henderson (Gregory), Korean Ceramics; Forman (W), The Art of Ancient Korea, and another book on Korean Art
Van der Pijl-Ketel (C L), (editor) The Ceramic Load of the 'Witte Leeuw'; Spink, Exhibition of Art from India and Thailand; South-East Asian Ceramic Society, Khmer Ceramics - 9th century to 14th century; Roland, Browse and Delbanco, Khmer and Thai Sculpture; Fransche (Dean F), South East Asian Ceramics; Spink, Exhibition: Indian Influence on Art in South-East Asia; Siam Ph.D (Charles Nelson), Ceramic Wares of Siam, also Siamese Pottery in Indonesia; Howitz (Pensak C), Ceramics from the Sea; Te-K'un (Cheng), The study of Ceramic Wares in South East Asia; Bluett & Sons Ltd, The Legacy of Phra Ruang; South-East Asian Ceramic Society, Ceramic Art of South East Asia; William Sorsby Ltd, South East Asian and early Chinese export Ceramics; An exhibition catalogue for Legacy and Reality - Early Ceramics from South East Asia, a book on the Arts of Thailand and another book on Thailand
Koyama (Fujio) editor, Japanese Ceramics, Oakland, California 1961 (dw); Miller (Roy Andrew), Japanese Ceramics; Mitsuoka (Tadanari), Ceramic Art of Japan; Yoshino (Tomio), Japanese Lacquer ware; Muraoka (Kageo) & Okamura (Kichiemon), Folk Arts and Crafts of Japan; Hayashi (Ryoichi), The Silk Road and the Shoso-in; Okamoto (Yoshitomo), The Namban Art of Japan; Bowie (H P), On the Laws of Japan Painting; Abbute (F), Japanese Art; Komatsu (Isao), The Japanese People; Blacker (J F), The ABC of Japanese Art; Gonse (Louis), L'Art Japonais and a Book of Namban Art
A late Victorian rosewood inlaid seven piece parlour suite, circa 1890, each piece inlaid with boxwood classical urn motifs and stringing, comprising a three seater settee with open arms raised on ring turned front legs and ceramic castors, two matching elbow chairs, two nursing chairs with padded top rails and two parlour chairs (7)
A mahogany dressing table, early 20th century, in Louis-Quinz style, the shaped bevelled rectangular top above two shallow drawers over a foliate carved apron and raised on slender tapering cabriole legs and ceramic castors, adapted, 48 in (121.92 cm) wide, 22 in (55.88 cm) deep, 30 in (76.2 cm) high
A LATE VICTORIAN MAH0GANY AND INLAID D-END EXTENDING DINING TABLE, circa 1900, the bevelled top raised on a boxwood strung frieze inlaid with oval husk motifs and raised on collared tapering square legs, spade feet and ceramic casters, with six extra leaves (three replacements), (leg repaired), 180 in (457.2 cm) length extended, 53.5 in (135.89 cm) wide, 31 in (78.74 cm) high
Oak smoker's cabinet, circa 1925-30, the case with egg and dart moulded border, inscribed to a presentation plaque 'William Edward Jones on his retirement with W T Davies & Sons, Branch of the Imperial Tobacco Co. Ltd 6th March 1931', two glazed doors opening to reveal pipe rack, two tobacco drawers, ceramic tobacco jar, centred with a cut glass scotch flask (chipped) and two shot glasses, 16.25 in (41.28 cm) wide, 11.5 in (29.21 cm) high
A VICTORIAN FIGURED WALNUT CARD TABLE, circa 1860, the half-round bevelled fold-over top enclosing a baize lined playing surface and raised on a lobed baluster column and four foliate carved downcurved legs, scroll feet and ceramic casters, 36 in (91.44 cm) wide, 18 in (45.72 cm) deep, 29.5 in (74.93 cm) high
A VICTORIAN WALNUT AND BOXWOOD STRUNG LIBRARY TABLE, circa 1860, the bevelled rectangular top with rounded corners and Morocco leather insert above three frieze drawers opposed by three false drawers raised on foliate carved double end standards spaced by foliate carved turned finials and on foliate carved downcurved scroll legs and ceramic casters joined by a mirrored baluster stretcher, (losses), 54 in (137.16 cm) wide, 29 in (73.66 cm) deep, 28 in (71.12 cm) high
Loading...
