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Lot 120
Panos Valsamakis, Greek artist - 'Women and girls', a ceramic image consisting of enamel painted tiles, signed, glaze defect on the right side (photographed). Dimensions: 41X50 cm, Frame dimensions: 63x73 cm. (*screenshots from other stores of similar items are attached for illustration only). Period: 20th century
Lot 204
A collection of bird figures from various locations. Includes a porcelain white and blue swan from Japan, a porcelain white sparrow with a yellow beak, and a hand painted ceramic mallard duck. Swan: 3"L x 0.75"W x 1"H. Sparrow: 3.5"L x 2.25"W x 4.5"H. Duck: 5.25"L x 2.5"W x 4.5"H. Dimensions: See DescriptionCondition: Age related wear.
Lot 130
3 bottles Whisky, Rum and Brandy including 1 Litre Decanter Pussers Rum 3 bottles Whisky, Rum and Brandy including 1 Litre Decanter Pussers Rum comprising: 1 Litre Ceramic Decanter Pussers Rum 109°proof (54.5% ABV) ‘Nelson’s Ship’s Decanter (in Original Presentation Carton with perfect stopper and ‘information booklet’), together with 1 Boxed Ceramic Bottle Bells Whisky, 1 bottle Romate ‘Cardenal Mendoza’ Brandy of Jerez Gran Reserva.
![19th/20th Century A collection of ceramic, porcelain and glass items To include: [a] Eleven teapots [b] Two creamers, one wit](https://cdn.globalauctionplatform.com/d0c411fe-456b-4114-85d2-b1da011c2cf3/f52d53d7-c095-48d2-b2b6-b1db00eedcc5/468x382.jpg)
Lot 684
19th/20th Century A collection of ceramic, porcelain and glass items To include: [a] Eleven teapots [b] Two creamers, one with matching toast rack [c] One midcentury sauceboat [d] Three small Korean teacups [e] Four vases, two Italian hand painted [f] Three large jugs, one Italian hand painted To be sold without reserve
Lot 1253
A collectors lot of various items to include a Prinknash Coffee Set including a Coffee pot Sugar & Cream with 6 coffee cups and saucers together with 8 trinket dishes and a small bowl by Royal Crown Derby in the Posie's pattern , 6 Wedgwood 'Country Days' collector plates (1AF), Coalport items to include commemorative dish, 2 cottages , 2 floral baskets (1AF), other misc ceramic items including 2 poppy fields plates, oval plate with village scene, a Royal Worcester Cows mug in presentation box, 2 Polish decorative wall plates, Small Wedgwood china vase, Royal Albert Salt & pepper, a floral ceramic bowl, 5 Ornamental delft type miniature clogs (1AF),A blue cut glass vase & oval bowl, a glass cockerel (AF) , 2 small boxes of assorted coins, 1 box of 6 spoons, a small wooden box with hinged lid, a Wooden Boomerang , small coat of arms shield.
Lot 132a
David Shrigley (British 1968-), 'I Must Rest My Rampage Is Over', 2022, limited edition ceramic multiple, numbered from an edition of 75 to the underside of the figure, accompanied by the original wooden box and signed and numbered certificate of authenticity, published by AllRightsReserved; sculpture: 21.5 x 16.5 x 20.2cmARR sculpture: 21.5 x 16.5 x 20.2cm In very good/artists condition No knocks, chips or cracks to the sculpture Potential minor markings to the figure's feet, visible upon close inspection This work has been stored inside its original wooden box which accompanies the work Minor markings to the outer box.
Lot 405
Warren MacKenzie (American, 1924-2018). Studio pottery fluted ceramic bowl. Stoneware in an amber celadon or ame glaze. Stamped along the footrim.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Height: 3 1/2 in x diameter: 5 in.Condition: No visible cracks, chips, or losses. There is minute wear to the footrim, as expected from age and use. There is crazing throughout. There are no signs of restoration under UV light.
Lot 402
Robert Maxwell (American, b. 1929) for Earthgender, United States. Large hand-thrown and mid-century modern studio pottery ceramic planter vase or cachepot, 1960s to 1970s. With ribbed texture throughout along an unglazed, earthenware surface. Incised "R Maxwell" along the underside.Height: 11 in x diameter: 12 1/2 in.Condition: There are no major breaks, losses, or restorations. Watermarks and some discoloration along the interior. Due to the nature of the material, it is difficult to discern whether the irregularities in the texture along the exterior are original to the artistic process; however, the minute divets are consistent throughout and are not necessarily chips. Light debris gathered along the interior.
Lot 411
Warren MacKenzie (American, 1924-2018). Studio pottery altered ceramic bowl. Shino glazed stoneware. Stamped along the footrim.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Height: 4 3/4 in x diameter: 10 in.Condition: Overall there are no visible chips, cracks, losses, or restorations. There is a glazing flaw along the top rim measuring approx. 1/2 inch in length, visible in the lot listing. Light wear throughout.
Lot 403
Warren MacKenzie (American, 1924-2018). Large studio ceramic double-rim platter. With a shine glaze and drip decoration. Marked along the footrim.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Diameter: 13 in.Condition: No cracks, chips, losses, or repairs. Light debris gathered between the two rims. Light wear to the footrim
Lot 412
Florence Aguilar Naranjo (San Ildefonso Pueblo, 1921-2018) and Teresita Naranjo (Santa Clara Pueblo, 1919-1999). Set of six blackware ceramic pottery bowls and vase vessels. With a band of geometric motifs along the sides of each vessel. Carved signature reading "Florence Naranjo" and incised inscription reading "San Ildefonso Pueblo" along the underside of the smallest vessel. Carved signature reading "Teresita Naranjo" and incised inscription reading "Sto-Clar Pueblo" along the underside of one of the larger vases.Height ranges from 2 1/2 in to 6 1/2 in; diameter ranges from 5 in to 7 1/4 in.Condition: There is light wear to all, more so to the smaller pots. All pots with felt tabs affixed to the underside. No major cracks, losses, or repairs to any.
Lot 399
Group of three redware slip decorated stoneware ceramic pottery chargers. The two round chargers each with an incised signature along the underside by Christopher Woods (American, 20th c.), dated 1996, and titled "Hello good day." The larger rectangular charger with an incised signature along the underside by Greg Shooner (American, 20th c.), dated 1999, impressed "Shooner American Redware Oregonia, OH" and "Mary Spellmire-Shooner."Circular plates, each; diameter: 10 in. Square; height: 11 1/4 in x width: 14 in.Condition: All three pieces are in good condition; no major chips, cracks, or losses. They have crazing and firing flaws throughout. Wear throughout, most visible along their underside, consistent with their age and use. One of the smaller pieces with three symbols, captured lower right, has chips and losses throughout the rim; there are scuffs along the underside. The other smaller piece, captured upper right, has multiple cracks throughout the rim; along the underside, there is a loss that measures 1 1/2 inches; there are three other areas with cracks and losses along the underside of the rim; there is an area, measuring 6 inches, with adhesive residue; there are cracks and losses throughout its rim. The bigger plate, captured left, has noticeable losses in the center; there is wear and scratches throughout; there are chips and losses along the rim; along the underside, there are some losses to the rim; there is a white accretion in the center. When inspected under UV light, none of them show a sign of restoration.
Lot 425
Large Chinese ceramic vase or storage jar, Ming dynasty. With a beige glaze and four applied handles along the high shoulders of the vessel. Possibly once part of a museum collection.Height: 12 1/2 in x diameter: 12 1/2 in.Condition: No major cracks or restorations. There is a large chip to the upper rim. Dust/debris gathered along the interior. Wear throughout consistent with age and use.
Lot 406
Warren MacKenzie (American, 1924-2018). Studio pottery ceramic double-lipped bowl. Shino glazed stoneware. Stamped along the footrim.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Height: 4 in x diameter: 7 1/2 in.Condition: No visible cracks, chips, or losses. There is minute wear to the footrim, as expected from age and use. There are no signs of restoration under UV light.
Lot 410
Warren MacKenzie (American, 1924-2018). Studio ceramic pottery bowl. Stoneware with a matte white oatmeal glaze. Stamped along the footrim.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Height: 3 in x diameter: 4 in.Condition: There is one small chip to the upper rim. There are no major cracks or losses. There is minute wear to the footrim, as expected from age and use. There are no signs of restoration under UV light.
Lot 409
Warren MacKenzie (American, 1924-2018). Studio pottery ceramic vase vessel with recessed rim. Stoneware with a shino glaze. Stamped along the footrim.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Height: 9 in x diameter: 4 1/4 in.Condition: There are no chips, cracks, losses, or signs of restoration when viewed under UV light. Faint crazing throughout. Light wear to the footrim, consistent with age and use.
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163696 item(s)/page