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Lot 697
A GILT METAL FIGURAL MANTLE CLOCK AND GARNITURES, the cast figural surmount over the painted ceramic dial with Arabic hours and winding aperture, on a scrolling pierced base with inset ceramic plaque, resting on a shaped platform under a glass dome with ebonised base, the flanking garnitures with pierced scroll top and handles over an ovoid ceramic section painted with rural buildings, on a short knopped stem and ornate scroll pierced base, in turn resting on shaped platforms, one being under a glass dome. 31cm(h) & 28cm(h)
Lot 777
A VICTORIAN MAHOGANY EXTENDING DINING TABLE by Spillman & Company, St Martins Lane, London, of moulded circular form extending on a winding mechanism to incorporate three additional leaves, raised on well turned and reeded legs finishing in ceramic castors. 75cm(h) x 239cm(L extended) x 121cm(d)
Lot 13
(304260391) RADO – a stainless steel and hi-tech ceramic ladies automatic Jubilé wrist watch, fitted with a signed ETA calibre 2671. Striped white and silver dial with quarter hourly markers, silver coloured hour and minute hands and white centre seconds hand. The tonneau style case is fitted to a stainless steel Rado link bracelet with deployment clasp. Case number 557.0697.3. Case width 29.6mm.Movement is currently functioning, the case and bracelet show light signs of tarnishing and some scratches but otherwise look to be in a generally pleasing condition, bracelet is slightly stretched, dial, glass and hands all appear to be in in excellent condition. Fellows & Sons do not guarantee the working order or accuracy of any watches sold.
Lot 55
WILLIAM DE MORGAN, TWO CERAMIC TILES, CIRCA 1890, one painted with five flower stems, in aubergine and green on a white ground impressed mark, minor rim chips, impressed Merton Abbey marks, 15.5cm square; the other with panels of flowers in aubergine and blue, impressed post 1882 mark `W de Morgan`, 15cm square (2)
Lot 239
A Victorian burr walnut Davenport, circa 1870, the hinged retractable superstructure enclosing divisions, the fall opening to a ratchet adjustable sliding writing surface, and two drawers, the pedestal with four drawers, four opposing false drawers on a plinth base and ceramic castors, 94cm high, 48cm wide, 57cm deep Condition Report:** Marks, scratches and abrasions consistent with age and use. Some old closed splits. Some fading to the colour overall. Split down the centre of the false drawer, some bubbling to veneer
Lot 243
A Victorian walnut chaise longue, circa 1870, the button upholstered serpentine back and scroll arm terminals, the serpentine seat on cabriole legs and ceramic castors, 170cm wide overall Condition Report:** Marks, scratches and abrasions consistent with age and use. Some old closed splits and minor chips. No obvious significant damage. Upholstery worn and frayed throughout.
Lot 245
A Victorian mahogany extending dining table, circa 1860, the rectangular top incorporating three leaves on reeded baluster legs, brass caps and ceramic castors, 78cm high, the top 148cm x 285cm overall Condition Report:** Marks, scratches and abrasions consistent with age and use. Some old closed splits, minor chips. Lacking one turned bun shaped part to upper section of one leg. Generally fair condition tidy overall
Lot 468
A Talavera or Puente del Arzobispo barber`s bowl, painted with a central bird within a broad green, ochre and umber border, a smaller dish decorated with three tall trees and a small low-footed tazza, painted with a dog chasing a rabbit, 18th and 19th centuries, some damages,, 30cm max. (3) From the collection of Anthony Ray (1926-2009), ceramic historian.
Lot 469
A large Talavera or Puente del Arzobispo bowl, the well painted in shades of green, yellow and brown with a galloping deer-like creature underneath leafy trees, between a border of concentric horizontal stripes, the exterior decorated with short trees, 18th century, broken in half and restored, 31.8cm. From the collection of Anthony Ray (1926-2009), ceramic historian.
Lot 471
A Spanish pottery plate, painted in shades of blue, ochre and umber with a central roundel of a bird pecking at a branch, within concentric bands of flowers and stylized foliage, 17th / 18th century, chips to the rim, 31.5cm. From the collection of Anthony Ray (1926-2009), ceramic historian.
Lot 472
A Talavera or Puente del Arzobispo dish, painted in shades of ochre and blue with a gentleman in a plumed hat or chambergo, holding a stick and reaching for his sword, mid 17th century, the rim reduced, 28.5cm. Cf. Anthony Ray, Spanish Pottery, p.175, no.329 for a similar example. From the collection of Anthony Ray (1926-2009), ceramic historian.
Lot 474
A German salt-glazed stoneware jardinière, the heavily rococo moulded body painted in blue with the Rhineland-Palatinate lion and a blurred diaper ground, the interior with a broad stylized foliate design, raised on four scroll feet, perhaps 18th century, damages and restoration, 40cm. From the collection of Anthony Ray (1926-2009), ceramic historian.
Lot 476
An unusual tin-glazed teapot and cover, painted with a peacock and other exotic birds and butterflies amidst Oriental-style flowers, a Worcester teapot and cover printed with the Milkmaids pattern, and two European-decorated Chinese teapots and covers, most 2nd half 18th century, some damages, 23cm max. (8) From the collection of Anthony Ray (1926-2009), ceramic historian.
Lot 477
A Bow white-glazed cup, applied with prunus blossom, three Lowestoft cups, two identically decorated with polychrome flowers, the third with Oriental figures, and a Worcester cup painted in puce and gilt with tall floral sprays, 2nd half 18th century, minor faults, 7.5cm max. (5) From the collection of Anthony Ray (1926-2009), ceramic historian.
Lot 478
Four tin-glazed cups, two Spanish painted in yellow, ochre, blue and green, one Islamic decorated with flower motifs on an aubergine ground, a tin-glazed sponge-decorated jug, a Castelli saucer painted with figures before a bridge, and a trembleuse saucer, most 18th century, some damages, 13.8cm max. (7) From the collection of Anthony Ray (1926-2009), ceramic historian.
Lot 479
A Fulda coffee pot, a Doccia chocolate pot, a Continental coffee pot and a London-decorated Chinese teapot, all with covers, variously painted with flowers, exotic birds and figures in a landscape, 2nd half 18th century, some damages and restoration, 18.5cm max. (8) From the collection of Anthony Ray (1926-2009), ceramic historian.
Lot 480
A Berlin two-handled chocolate cup and cover, painted with vignettes of figures and boats, a Copenhagen cup and saucer decorated with figures in landscaped gardens, a Nymphenburg plate, a Wallendorf coffee can, a German porcelain cup and saucer, a Chinese teabowl and saucer of a ship sailing the Swedish flag, and a Chinese cup painted with a bird, 18th and 19th centuries, some damages. (11) From the collection of Anthony Ray (1926-2009), ceramic historian. The Chinese teabowl and saucer in this lot is believed to have been part of a service shipped by the Swedish East India Company.
Lot 481
Thirteen delftware plates, three with bianco-sopra-bianco borders, variously decorated in blue and polychrome enamels with flowers, birds, figures and landscapes, and two Chinese blue and white plates showing the decoration copied by delftware painters, mostly 18th century, damages, 22.5cm max. (15) From the collection of Anthony Ray (1926-2009), ceramic historian.
Lot 482
An English porcelain theatrical figure of a sailor, traditionally dressed in wide flannel trousers, striped jersey, and sporting a broad brimmed hat, raised on a flat rectangular base, 1st half 19th century, a chip to the end of his ponytail, 23cm. From the collection of Anthony Ray (1926-2009), ceramic historian. Cf. P D Gordon Pugh, Staffordshire Portrait Figures, pl.86, fig.258 for the same figure in earthenware.
Lot 483
A set of six Spode pearlware plates, printed with lilac flower sprays within gilt rims, an unusual Davenport creamware plate brightly painted in polychrome with two Chinese musicians, two pearlware plates and a similar shaped dish, probably Davenport, painted in sepia with farm buildings and village landscapes, two Wedgwood oval basketweave dishes and a Wedgwood creamware plate painted with a large rose, late 18th / early 19th century, minor damages, 28cm max. (13) From the collection of Anthony Ray (1926-2009), ceramic historian. The pair to the Davenport creamware plate was presented to the V&A in 1975.
Lot 484
Four creamware plates, French and English, variously printed with Sadler`s birds, Classical figures and a fisherman in a landscape, and a pearlware soup plate, probably Welsh, decorated with a three masted ship firing a broadside, late 18th and early 19th centuries, some damages, 25.5cm max. (5) From the collection of Anthony Ray (1926-2009), ceramic historian.
Lot 485
A Doccia cup, well painted, possibly by Johann Carl Wendelin Anreiter von Zirnfeld, with a bold allover floral design amidst scattered insects, and a similar Nove porcelain saucer decorated with flowers issuing from rockwork, mid 18th century, hairline crack to the saucer, 11.3cm max. (2) From the collection of Anthony Ray (1926-2009), ceramic historian.
Lot 486
An early Doccia teapot and cover, each side painted with a central orange flower within an arrangement of green foliage and smaller flower sprays, the spout modelled as a mythical serpent, c.1740-45, cracked, 20cm. (2) From the collection of Anthony Ray (1926-2009), ceramic historian and by repute formerly in the collection of Arthur Lane (1909-1963). Cf. Arthur Lane, Italian Porcelain, pl.45A for a teapot of similar form in the V&A museum..
Lot 488
Two large faïence plates, one decorated in green and orange with fantastic mythical creatures between flowers, a hexagonal lobed stand, a faïence cruet stand painted in polychrome enamels, and a Delft polychrome bowl, decorated with flowers between blue diaper borders, 18th and 19th centuries, some damages, 30.5cm max. (5) From the collection of Anthony Ray (1926-2009), ceramic historian.
Lot 489
Two Islamic pottery bowls, one slip decorated with a quatrefoil motif beneath a green glaze, the other painted with black geometric motifs, and a pottery bowl painted with a large stylized tulip, some damages, 28.7cm max. (3) From the collection of Anthony Ray (1926-2009), ceramic historian.
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163696 item(s)/page