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Lot 42
NG FOO CHEONG (Malaysian, b.1965), acrylic on canvas & ceramic - Straits Chinese Porcelain, signd and titled verso, 30 x 76cmAuctioneer's Note:Ng Foo Cheong’s art acts as a metaphor for the persistent cultural significance of ancient civilizations throughout the ages, and continuing in the contemporary world. Over centuries of both destruction and development, war and political transformations great civilizations spread power throughout the world, leaving a complex and fascinating legacy of not only military and social advances, but cultural evolution. It is through this window – that of art and architecture, music and literature – that Cheong’s art examines the past, and engenders a unique dialogue between the art of past and present cultures. Born in Kuala Lumpur, Malaysia, Cheong received his degree in Fine Arts, and has participated in numerous exhibitions throughout Malaysia. His art has also been displayed in shows in London, Stockholm, Brussels, New York, West Indies, Korea, Japan, Thailand, Indonesia, Singapore & Australia.
Lot 263
ERIC ASTOUL (born 1954); a wood fired porcelain vessel encrusted with ash and pierced with three holes, incised mark, height 15.5cm.Provenance: Purchased from the artist, 1995.JB - One of the most successful French ceramic artists with a Europe wide reputation for his Terre Brute pieces.Additional InformationAppears good with no obvious signs of faults, damage or restoration.
Lot 310
PIERRE DUTERTRE (born 1956); a stoneware charger/wall hanging covered in white glaze and decorated in black glaze with five figures, painted signature dated 2003, diameter 47.5cm. (D)JB - Not far from the Cote d'Azur, Pierre, together with his wife Claude, runs a picturesque workshop full of convivial friendship and a congenial working atmosphere shared with the two or three students who always become part of the family. His home plays open house to friends and visiting potters from the entire world. Pierre works in stoneware. But the really special thing about his work is the painting. And his chosen motifs are unusual: Pierre paints flowers because, as he says, he loves flowers. His ceramic forms are classical, often functional, enlivened by the freedom of the painterly decoration derived from the source of his inspiration, the flowers, foliage and gardens of the Mediterranean region of France where he was born.Additional InformationGlaze flake to rim, otherwise appears good with no further signs of faults, damage or restorations.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
Lot 327
YOSHIMI FUTAMURA (born 1959); a small stoneware chawan with textured exterior covered in white glaze and oatmeal interior, incised signature, diameter 9.5cm.JB - Born in Japan, Yoshimi moved to France in 1986 where she has established a studio in Paris. The aesthetic she works in remains profoundly Japanese. The clay, rich in its mineral content, remains the basis of her practice which produces pieces of rugged material presence. In recent years Yoshimi has shown pieces at the ceramic market in Paris, which are the product of a different sensibility, including beautifully delicate, small teabowls, vases and platters.Additional InformationAppears good with no obvious signs of faults, damage or restoration.
Lot 359
HAGUIKO (FUKUYAMA) (born 1948); a raku bowl with stepped rim, copper green and wax resist decoration, impressed mark, diameter 11cm.JB - Born in Japan, Haguiko moved to France in 1972 and has designed and built a modernist inter-relating house/studio with her partner Jean-Pierre Viot on the outskirts of Paris. Politically committed to cross-culturalism, Haguiko has organised a series of French-Japanese ceramic exchanges and exhibitions.Additional InformationAppears good with no obvious signs of faults, damage or restoration.
Lot 402
JEAN-PIERRE VIOT (born 1936); a large raku chawan covered in grey glaze with wax resist and gold lustre decoration imitating kintsugi repair, impressed JPV mark, diameter 16cm. (D)JB - Originally trained in architecture, Jean-Pierre has worked on major building projects creating ceramic walls, fountains and architectural features. More often sculpting on a 'domestic' scale he is continually exploring the idea of the Japanese teabowl, with an ever-changing investment in the potential of the form and of the raku firing process. For many years, as curator of the Chateauroux Biennale, Jean-Pierre has travelled the world selecting work for what is one of the most important international ceramic events in Europe. Additional InformationAppears good with no obvious signs of faults, damage or restoration.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
Lot 438
Obori-Soma ware from the Meigetsu kiln, Namie, Fukushima Perfecture, Japan; 'The Fukushima Teapot', a small pierced double skinned stoneware teapot covered in green crackle and iron glaze decorated with a sacred running horse, painted mark, height 10cm, and a matching cup (2).Provenance: Purchased in Bandol, 2012.JB - I am installing the international ceramic exhibition of Le Printemps de Potiers at Bandol a matter of a few weeks after the horrendous Fukushima nuclear disaster. There is a rumour of a guest visitor - a traditional potter from that devastated region. The man's home, studio and livelihood are all destroyed. The elderly, renowned potter and his young assistant arrive with a selection of work and we contrive a space in the entrance hall which makes an adequate display area. The work is not essentially my taste, but it is undeniably masterly. I red spot a small teapot and appropriately tiny teabowl. I cannot recall the potter's name. I have no record of it.Additional InformationPiercing to outer skin of cup broken in one place and chip to footring, otherwise appears good with no further signs of faults, damage or restorations.
Lot 275
A Copeland Late Spode ceramic garden seat of barrel or drum form, in the Chinese style, decorated with flowers, approximately 44 cm (h)Condition Report: Hairline crack to the rim of the base approximately 15 cm (l) with some chipping around the crack, extensive surface scratching, predominantly to the top of the seat, some chipping to the pierced section at the top.
Lot 304
A Chinese ceramic model depicting Budai in reclining pose clutching a string of gilt beads, his robe decorated with auspicious objects, impressed four character mark to the base, approximately 18 cm (h) and a Chinese 'Batavia' ware bowl and cover decorated with floral panels and peaches, the bowl is restored with an old staple repair, unmarked to the base, approximately 23 cm (h). [2]Condition Report: Figure of Budai is approximately 18 cm (h), has no signs of significant damage, no chips, cracks, hairlines or restoration
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