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A Victorian walnut upholstered tub chairThe padded back and out swept arms supported on four fluted baluster spindles above a circular padded seat, raised on fluted baluster legs and ceramic castors, height of chair 70cm CONDITION REPORT: Lot 607Some minor wear on padded arm terminalsSome play in the armsOne rear leg slightly more angled than the other causing the chair to rock.
A Victorian burr walnut and inlaid, quarter veneered oval side tableThe oval top inlaid with a hexagonal pendant and link design, the top supported on ring turned and leaf carved baluster shaped supports with a ring turned cross stretcher and four leaf carved downswept supports, ceramic castors, 108x74x63cms CONDITION REPORT: Lot 656 Minor repairs to table top.Including pendant link inlay.Minor scratches and wear to table top.Two roundels missing on downswept supports.One of this downswept support has been repaired where it joins shaft. Possible restrictions on a second support.
A mid 19th Century Achille Brocot and Delettrez ormolu boulle green tortoise shell mantel clock, the green tortoise shell body having ornate brass inlaid decoration with ormolu edges and feet with seated figure finial to top, the gilt finish face having ceramic hourly marker sections with blue Roman numerals, back plate marked A. Brocot & Delettrez, Paris and numbered 9351, together with base bearing white metal presentation plaque dated 1855.
§ Nick Mackman (British, 20th Century), Giraffe, raku fired ceramic, modelled lying down 38 x 33cm (15 x 13in) Other Notes: Nick Mackman is an award winning sculptor of ceramic and bronze animal sculptures. She has been widely exhibited and in 2015 she won the David Shepherd Wildlife Foundation (DSWF) Wildlife Artist of the Year competition. Drawing on her experience as a rhino keeper and on safari, she creates one-off sculptures, aiming to give each their own personality and to convey what they may be thinking and feeling at the time. She uses a fortified porcelain to which she adds paper pulp for strength. She raku fires her work to give it a natural crackled glaze incorporating bristles, wire and wood. The eyes are modelled before firing and she takes care to create the right expression, "it's the eyes which bring a piece to life, so it's vital to get them right. Herbivores, for example, have softer, more vulnerable eyes than a predator." Her sculptures are have been collected by, amongst others, Chris Packham, David Shephard and Dame Judi Dench. She has been commission by British Airways and the BBC Wildlife Photographer of the Year competition.
Two Poole Pottery Stoneware Barbara Linley Adams Mini Plates Wren & Rabbits, a milk jug, a small ceramic bowl of white ground with green leafs and bird, a japanese wooden box, two enamel vase of grey ground with flowers and birds, two glass reservoir oil lamps and a mushroome shap vwhite vase decorated with two roses
A small selection of retro plates from various makers such as Royal Crown Derby bone china plate, with Imari style painted and gilded decoration, pattern no. 1128, diameter 27cm, Grindley Adam's, Royal Mayfair, Royal Doulton amongst others, two milk jugs, one vegetable tureen dish 21 cm diameter together with a large ceramic bowl of blue ground with white flora 30cm diameter 12cm H and 2 Jugs 20cm and 18 cm H (20 pieces)
*Ravilious (Eric, 1903-1942). A pair of Garden Implements curtains, [1957], two fine cotton chintz curtains, printed by Edinburgh Weavers with Garden Implements design in pink by Eric Ravilious (EW monogram visible on turn-in), machine-stitched and with rufflette heading tape, lined, some minor marks and discolouration, and one very small hole, each curtain drop 98cm (38.5ins), width 105.5cm (41.5ins) Shortly before his death Eric Ravilious designed a number of ceramic patterns for Wedgwood. Several motifs from his Garden Implements series, originally created for a lemonade set in 1939, were later used on this roller-printed fabric produced by Edinburgh Weavers under the name 'Harvest'. This fabric, featuring minutely detailed vignettes of garden paraphernalia, including a beehive, sunflowers, a wheelbarrow, a cloche, rhubarb, and a barrel of garden tools, is extremely rare; even small samples and offcuts seldom appear on the market. The V&A has a single curtain in its collections, with the same design printed in black. (Alastair Morton & The Edinburgh Weavers, The Scottish National Gallery of Modern Art, 1978) (2)

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163691 item(s)/page