20th century | height: 25 cm | region: Liguria | country: Italy | provenance: private pharmacy museum | Albarello faience pottery | This albarello from the 20th century is made of earthenware and was used to store medicinal preparations or dried herbs. The inscription "Mt. Tamarind" on the surface refers to the tamarind, a fruit used in traditional medicine for its laxative and refreshing effects. The decoration of the jar is in a style inspired by traditional Italian motifs, typical of ceramics from Liguria, with blue floral patterns on a white background. The decoration is made with fine strokes and has a simple yet elegant design that reflects the aesthetic trends of the 20th century. Although it is a jar from a more modern period, its shape and decorative elements refer to the traditional ceramic production that was typical of earlier centuries. Albarello is not only a functional object, but also an interesting example of the connection of historical ceramic styles with modern design. | Bidders are requested to inquire about the condition of the lot prior to the auction. Any complaints will be disregarded.
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18th century | height: 14 cm | region: Liguria | country: Italy | provenance: private pharmacy museum | Albarello faience pottery | This albarello, originating from Liguria and dating to the 18th century, is made of earthenware and was intended for storing pharmaceutical preparations. The inscription on the jar "Syr. Diap.†refers to diapen syrup, which was a medicinal syrup often prepared from the root of the peony (Paeonia). This syrup was used in traditional medicine to treat spasms, nervous problems or to relieve pain. This style of decoration was typical of ceramics produced in northern Italy during the Baroque period and reflects both the aesthetic sense of detail and the high artistic level of the ceramic workshops of the time. the work of the 18th century. | Bidders are requested to inquire about the condition of the lot prior to the auction. Any complaints will be disregarded.
1715 | height: 21 cm | region: Liguria | country: Italy | provenance: private pharmacy museum | Albarello faience potteryLot descriptionKnown as "Versatoio", this unique apothecary syrup jar comes from Liguria, Italy and dates back to 1715. It is made of earthenware, a traditional type of ceramic material characterized by its fineness and light glaze. The surface of the vessel is decorated with typical blue floral motifs and geometric ornaments that refer to the Baroque decorative style popular in northern Italy in the 18th century. Fine drawing and markings on the surface show the high level of craftsmanship of the regional workshops. A striking detail is the initials "TF" which probably indicate the manufacturer or owner of the container. The container was not only used to store medicinal syrups, but was also a representative element of pharmacy decoration. This artefact is proof of the then emphasis on aesthetics even in objects of daily consumption, and at the same time a reference to the rich ceramic tradition of Liguria.condition report:https://drive.google.com/drive/folders/1KZeP-PvtoHZpxoIb49wlm8n0wl4CGUsl?usp=sharing
18th century | height: 20 cm | region: Liguria | country: Italy | provenance: private pharmacy museum | Albarello faience pottery | This 18th century albarello, from Liguria, Italy, is made of earthenware, a traditional ceramic material, and was used to store ointments or herbal preparations. On the front is the inscription “Ung. Dialthea", which refers to the contents of the jar - an ointment from the scurvy (Unguentum Dialthea), often used to treat skin inflammations. The decorations include blue plant and floral motifs on a white background, which is typical for Italian ceramics of this period. Carefully crafted patterns and high-quality glaze reflect the high level of Ligurian ceramic production in the Baroque period. Albarello not only fulfilled its practical function in pharmacies, but also represents an example of the rich artistic tradition of northern Italy. | Bidders are requested to inquire about the condition of the lot prior to the auction. Any complaints will be disregarded.condition report:https://drive.google.com/drive/folders/1BEe_gCOrrRccDvp78OE9MNIl6ul9gAnF?usp=sharing
1726 | height: 26 cm | region: Naples | country: Italy | provenance: private pharmacy museum | Albarello faience pottery | Albarello from 1726 is a typical example of Italian faience from the early 18th century. This slender apothecary jar was used to store medicines and was decorated with a blue underglaze decoration depicting a rural landscape with houses and trees. Such a scene evokes the Italian countryside and is characteristic of the production of ceramic workshops of the time, especially in the Naples area. On the back of the albarello is the inscription "1726", which refers to the year of manufacture. The hand-painted blue decor is executed with the finesse and precision that was typical of Italian ceramic masters of the time. Albarello not only fulfilled its functional role in pharmacies, but was also a highly valued decorative element, reflecting the combination of practical use with fine art. | Bidders are requested to inquire about the condition of the lot prior to the auction. Any complaints will be disregarded.
20th century | height: 25 cm | region: Central Italy | provenance: private pharmacy museum | Albarello faience pottery | This ceramic object represents the historical apothecary albarello, traditionally used in medieval and renaissance pharmacies to store medicinal substances. The jar depicts a woman in medieval dress, symbolizing a possibly allegorical or iconographic figure associated with the contents of the jar. The inscription "Ung di papaveri" refers to poppy seed ointment, which was used for its healing and soothing effects. The characteristic shape of the jar, made of earthenware, together with the hand-painted decoration typical of Italian Renaissance workshops, testify to a high aesthetic and craftsmanship level. | Bidders are requested to inquire about the condition of the lot prior to the auction. Any complaints will be disregarded.
18th century | height: 19 cm | region: Liguria | country: Italy | provenance: private pharmacy museum | Albarello faience pottery | This apothecary jar known as "Versatoio" comes from Liguria, Italy and dates to the 18th century. It is made of earthenware, which is a ceramic with a lead glaze that gives the objects a characteristic smooth and shiny surface. The inscription "OL. DI MENTA" on the front indicates the contents of the jar, which was probably mint oil (oleum menthae), commonly used in pharmacy practice as a medicinal or aromatic agent. The jar is decorated with blue floral motifs, which is very characteristic of Italian faience of this period. In addition to the decorative function, the design has been designed with practical features such as a spout and a single handle for easy handling when pouring liquids. This artefact not only reflects a functional use in medicine, but also illustrates the aesthetic and craft traditions of the Ligurian ceramic workshops, which had a significant influence on European ceramics in the 18th century. | condition: top edge damaged | Bidders are requested to inquire about the condition of the lot prior to the auction. Any complaints will be disregarded.
18th century | height: 25 cm | region: Delft | country: Holland | provenance: private pharmacy museum | Albarello faience pottery | This pair of decorative jars comes from the 18th century workshops in Delft, when ceramic production there excelled in the production of faience, imitating Chinese porcelain, which was in great demand in Europe at the time. Known for its delicate painting and use of rich colors, Delft pottery combines European and Oriental motifs, which is also evident in these vases. The vases are richly decorated with floral designs that include the typical baroque motifs of flowers and birds, while the lids of the jars are topped with figures of dragons or mythological animals, adding an exotic touch to the overall design. A color scheme that includes shades of blue, red, green and yellow is characteristic of this style. Delft faience was very popular due to its aesthetics and quality workmanship, which mimicked oriental porcelain but offered a more affordable option for European customers. These jars probably served as decorative objects in the interiors of noble houses and are today highly prized collector's items for their artistic and historical value. | Bidders are requested to inquire about the condition of the lot prior to the auction. Any complaints will be disregarded.
19th century | height: 24 cm | region: Montelupo | country: Italy | provenance: private pharmacy museum | Albarello faience pottery | This albarello, originating from the Italian town of Montelupo, dates back to the 17th century. Montelupo was an important center of ceramic production, the faience represented by this jar being one of the main products of the local workshops. The albarello served as a pharmacy jar, probably for storing medicinal mixtures or herbs. It is decorated with typical blue flower and leaf motifs, which are characteristic of Montelupo faience. Blue motifs on a white background create a harmonious design that is typical of Italian ceramics of this period. This jar is a representative example of Montelupe ceramic production, which was renowned throughout Europe for its aesthetic and craftsmanship quality. | condition: restored | Bidders are requested to inquire about the condition of the lot prior to the auction. Any complaints will be disregarded.condition report:https://drive.google.com/drive/folders/1e9PCaCuLi_whsqHaYM5DWKYmgnURdkBQ?usp=sharing
20th century | height: 21 cm | region: Central Italy | provenance: private pharmacy museum | Albarello faience pottery | This is a 20th century ceramic jar that was made in the Renaissance style, which is evident both in its shape and in its decorative elements. This type of jar, known as an albarello, is inspired by Renaissance pharmaceutical jars that were used to store herbs and medicines. The inscription "CICORIA" refers to chicory, which was often used in traditional medicine. The jar's decoration includes blue ornamental motifs and a coat of arms, evoking the aesthetics of Italian majolica, which was very popular during the Renaissance. The jar is a valuable example of artistic revivalism of the 20th century, when the creators drew inspiration from historical styles and techniques. | Bidders are requested to inquire about the condition of the lot prior to the auction. Any complaints will be disregarded.
end of the 17th century | height: 23 cm | region: Naples | country: Italy | provenance: private pharmacy museum | Albarello faience pottery | This 17th century albarello, from a Neapolitan workshop, is decorated with rich polychrome decoration with heraldic motifs and a prominent gold royal crest. A lamb symbol and the inscription "IHS" are visible on the front, which refers to Christian symbolism, often associated with the Jesuits. This apothecary jar, in addition to its practical use, also fulfilled a decorative function thanks to the detailed painted ornament. The combination of religious and heraldic symbols gives this albarello an extraordinary aesthetic and historical value that is prized among ceramic collectors. | condition: chip on top edge | Bidders are requested to inquire about the condition of the lot prior to the auction. Any complaints will be disregarded.
18th century | height: 13 cm | region: Delft | country: Holland | provenance: private pharmacy museum | Albarello faience pottery | This 18th century jar comes from faience pottery workshops, probably in Delft, and is intended for holding milk thistle syrup (S. CARD:MAR). Milk thistle has been valued for centuries for its medicinal properties, especially for supporting liver health. The jar is decorated with blue-white decor, a style popular in European ceramic production at the time. The decoration includes floral motifs, two stylized birds, and a small angel on the lower part of the cartouche, which are elements typical of the Baroque and Rococo periods. The inscription indicating the contents of the jar is located in the central cartouche, which increases the legibility and functionality of the jar. These jars were used in pharmacies to store medicines, but also served as decorative elements of the interior. The preserved condition and quality workmanship make this artifact a valuable example of 18th century pharmaceutical ceramics. | Bidders are requested to inquire about the condition of the lot prior to the auction. Any complaints will be disregarded.
18th century | height: 22 cm | region: Central Italy | provenance: private pharmacy museum | Albarello faience pottery | This is an albarello, i.e. a type of ceramic apothecary jar characteristic of European medieval and early modern apothecaries. This particular artifact, dating from the 18th century (dated 1742), bears typical majolica features, with a glazed surface decorated with rich, colorful paintings. The obverse shows a coat of arms crowned with a royal crown, suggesting possible affiliation to a prestigious apothecary or noble family. Two figures on the sides of the shield and decorative motifs in the style of rococo ornamentation give this jar a rich aesthetic character. Albarella of this type were used to store medicines, often in the form of dried herbs or powders, and are prized collectibles for their artistic and historical value. | Bidders are requested to inquire about the condition of the lot prior to the auction. Any complaints will be disregarded.condition report:https://drive.google.com/drive/folders/1AZrIwOfuMmOZxMMKn7bJoG3tkbc46jLT?usp=sharing
turn of the 19th/20th century | height: 61 cm | region: Naples | country: Italy | provenance: private pharmacy museum | Albarello faience pottery | This large 18th century albarello comes from a Neapolitan ceramic workshop and is decorated with rich polychrome decoration. The front is dominated by a heraldic coat of arms with the initials "A.G.P." and is surrounded by angelic figures, symbolizing protection and spiritual significance. The beautiful color combination of yellow, blue and green underlines the significance of the jar, which was used in pharmacies to store medicines. The detailed workmanship and spectacular decoration rank this artifact among the significant examples of Neapolitan faience ceramics, which are highly valued among collectors. | condition: good | Bidders are requested to inquire about the condition of the lot prior to the auction. Any complaints will be disregarded.condition report:https://drive.google.com/drive/folders/1-hdhFMR5DlfNi1UwU9zfy9xM1wYI8p0L?usp=sharing
1740 | height: 26 cm | region: Savona | country: Italy | provenance: private pharmacy museum | Albarello faience pottery | Dating from Savona in 1740, this albarello is a typical example of 18th century Italian faience pottery. The front of the jar is decorated with a coat of arms with the inscription "Charitas" and a landscape with architectural motifs, which refers to the moral value of charity and love. This type of decor was often used on apothecary jars, which were intended to serve not only as functional objects, but also as aesthetic artefacts in pharmacies. The back of the jar bears the date "1740", confirming its origin in the first half of the 18th century. This piece is not only historically valuable, but also an excellent example of the savoir-faire of Savon ceramic masters, who were famous for their blue-decorated products. | Bidders are requested to inquire about the condition of the lot prior to the auction. Any complaints will be disregarded.condition report:https://drive.google.com/drive/folders/1RguPUzCIJ0xX9xh1w-3Q68rWUhzbo6_7?usp=sharing
20th century | height: 43 cm | region: Central Italy | provenance: private pharmacy museum | Albarello faience pottery | The pair of painted majolica jugs probably come from the Italian region of Urbino, where this type of ceramic production was particularly developed during the High Renaissance. Works of this type are characterized by detailed figural rendering, richly decorated ornaments and mythological or biblical scenes, which are executed in the colorful colors typical of majolica. The sophistication of the shape stands out on these jugs, where the upper part is decorated with plastic figures of sea creatures, symbolizing the connection between man and nature. The body of the jugs is spherical and is covered with paintings that depict pastoral and hunting scenes, which corresponds to the artefact of the period for decoration inspired by everyday life and natural scenes. The sturdy and tall legs of the jugs are decorated with rich gold and blue motifs that emphasize the luxurious character of these artifacts. | condition: restored | Bidders are requested to inquire about the condition of the lot prior to the auction. Any complaints will be disregarded.
1775 | height: 26 cm | region: Naples, Nicola Petrone | country: Italy | provenance: private pharmacy museum | Albarello faience pottery | This 1775 albarello, signed “D. N. Petrone", is a wonderful example of Neapolitan faience ceramics from the end of the 18th century. On one side of the jar is a hand-painted inscription with the date and name of the creator, which in this case is Dr. Nicola Petrone, a well-known ceramic maker in Naples. The other side of the jar is decorated with a landscape painting in the typical blue underglaze color, which represents a rural scene with buildings and trees, set in a decorative frame. This style of painting is characteristic of Italian ceramics of the time, where aesthetic elements were combined with practical use in a pharmacy environment. The albarello was used to store medicines and its artistic processing makes it a sought-after collector's item. | Bidders are requested to inquire about the condition of the lot prior to the auction. Any complaints will be disregarded.
1702 | height: 21 cm | region: Central Italy | provenance: private pharmacy museum | Albarello faience pottery | This majolica apothecary jug, dated 1702, is a wonderful example of early 18th century Italian ceramic production. The jug is decorated with delicate blue ornamental motifs on a white background, typical of workshops in the Faenza area or other centers of Italian majolica. The inscription "SIR PAPAVERI SEM" refers to the syrup prepared from poppy seeds (Papaver somniferum), which was traditionally used in pharmacy as a means to relieve pain or induce sleep. The jug has a prominent handle and a funnel, which is a characteristic feature of this type of jar, intended for storing and pouring medicines. | Bidders are requested to inquire about the condition of the lot prior to the auction. Any complaints will be disregarded.condition report:https://drive.google.com/drive/folders/198Zk4qntX3jwIQkKnrsxoShNjpDww2rh?usp=sharing
Original hand-painted ceramic tiles set on a wood board featuring a flight of ducks created by American artist Pati Mills, known for her 200 ceramic tile murals at Publix grocery stores in Florida. The wooden board is set for wall hanging. Artist: Pati Mills (American 20th-21st century)Issued: c. 1990Dimensions: 17.75"L x 2.25"W x 17.75"HCountry of Origin: United StatesCondition: Age related wear. Lower right edge of tile has a minor crack and has been painted over.
Lovely collection of products used to shave that includes: a ceramic shaving mug decorated with a bird on a flag, a JB Williams Talc canister, a Colgate shaving stick container, and a shaving brush. Largest item measures 6.75"L x 3.25"W x 4"H. Dimensions: See DescriptionCondition: Age related wear.
Gorgeous set of shaving tools including: a Barbershop Old Fashioned Luxury ceramic soap holder, ceramic shaving mug, razor blade with its handle, a shave brush, and a ceramic holder. Additionally included is a USA made shave brush and a Colgate shaving stick container. Largest item measures 5"L x 3"W x 5.75"H. Dimensions: See DescriptionCondition: Age related wear.
NICOLA TASSIE (BRITISH 1960-) WEB, 2015 each impressed artist's seal, 26 pieces, Limoges porcelain with black iron oxide the tallest 21.5cm high (8 ½in high) Wills Lane Gallery, St. Ives, Collect 2015;Property of a Private Aficionado. Web is a collection of twenty-six vessels precisely arranged on a table top, with taller jugs and jars occupying the centre and smaller mugs and bowls placed round the edges, the whole group resembling a cityscape. Black inlaid lines cut across the whole block, gradually intensifying in darkness towards the upper edge of the group to create a horizontal black strip that stretches across the pots, obliterating edges, rims, handles, styles, and looking like a band of cloud or rain hanging over a built environment. The vision of the group changes and mutates as it is viewed from different sides and angles. Individually the lines on the pots can simply be seen as decoration, with each pot having a functional value, but if used as an individual vessel, its removal would destroy the effect of the whole group or ceramic ‘landscape’. As such it can be seen as a meditation on the relation between function and form.
WALES & WALES (BRITISH 1950- & 1952-) WALL SHELF, 2007 maker's disc (to the reverse), Indian Rosewood with inlaid stainless steel dot decoration, ripple sycamore and with gilded panel 142cm long, 43cm high (56in long, 16 7/8in high) Acquired directly from the maker's in 2007;Property of a Private Aficionado. The shelf was commissioned with the intention to display silver and ceramic works of art.The Indian rosewood panel lifts to reveal an extra compartment, and small storage unit.
ETTORE SOTTSASS (ITALIAN 1917-2007) 'CLAIR DE LUNE' TOTEM, DESIGNED 1988 wood, metal and glazed ceramic, outside the edition of 29 190cm high (74 ¾in high) including wooden base, 175cm high (68 7/8in high) excluding wooden base P. Brillet Esq, from whom acquired by the current vendor;Private Collection, London. ‘When I was young, all we ever heard about was functionalism, functionalism, functionalism. It’s not enough. Design should also be sensual and exciting.’Ettore Sottsass.Ettore Sottsass was a renowned Austrian-born Italian architect and designer whose work is instantly recognisable for the manner in which it disrupted tradition and expectation with bold colours and innovative forms. Born in 1917, he followed in his father’s footsteps by studying architecture, graduating from the Politecnico di Torino in Turin in1939. Following on from the Second World War, he set up his own architectural and industrial design studio experimenting and exploring with a wide range of materials: from ceramics to furniture and from jewellery to architecture. In 1958, Sottsass became a design consultant with the manufacturer Olivetti, and it was during this period that he started developing his use of bold colours, that began blurring the boundaries between pop culture and industrial design. Amongst the designs concepts that he created for Olivetti, was the Valentine typewriter in 1969, that ‘subverted the status quo’ of typewriter design, and it remains a milestone in the fiel, capturing the ethos of the counter-culture emerging in the late 1960s. Throughout this decade and the 1970s, Sottsass travelled widely, absorbing what he experienced and reproducing it in his larger, sometimes abstract work. Following his time at Olivetti, Sottsass formed the influential and groundbreaking Memphis Group, or Memphis Milano, in 1980. Active until 1987, its postmodern furniture, lighting, fabrics and objects were characterised by colourful and abstract decoration, asymmetrical forms, and references to earlier and exotic designs and styles. One of their great breaks from the immediate past was the idea that form and function should stand in equal partnership – the Memphis artists believed in an uninhibited creative freedom. As a result, the Memphis Group changed the course of design history, creating an aesthetic that represented a distinct moment in time immediately recognisable as a 1980s look. Its legacy is significant in allowing a new generation of designers to break all the rules.This autumn we are delighted to offer four works that convey Sottsass’ diverse and bold practice throughout his career. The Ultragragola mirror, produced for Poltronova, was designed by Sottsass in 1970 as part of the Mobili Grigi - the only piece from the collection to proceed beyond the prototype phase, and possibly one of the most iconic of his early designs. Compared to the Park Lane coffee table, produced for Memphis Milano in 1983, and the eye-catching large Claire de Lune Totem, designed around 1988 for Mirabili, it conveys his ability to master a range of materials and styles and to produce strikingly confident forms instantly recognisable in the history of twentieth-century design.
STERLING RUBY (AMERICAN 1972-) FLOWER (7640), 2022 glazed ceramic 76.5cm x 54.5cm (30 1/8in x 21 ½in) “The medium of clay for me is universal. It holds all sorts of shared principles with reference to desire, immediacy, sexuality and repression. The malleability of the clay becomes truncated via the kiln, which is also a kind of a monumental allegory for where we are as a generation." Sterling Ruby
Rado Diastar Jubilé ladies ceramic diamond set quartz wristwatch, Ref. 153.0339.3, diamond dot quarter hour markers and bezel, on integral ceramic braceletCondition Report:Movement not functioning - new batteries required - not guaranteed, one ceramic link chipped to edge - not detrimental, clasp good, wear to plating on either side of watch, case diameter = 18.5mm (excluding crown, inner circumference = 17cm, no box or papers
A 20th century Chinese Famille Rose four section stacking bowls / boxes, twith two blue ground sections and two yellow ground sections, height 21cm.Condition Report: Minor chipping to the undersides of the rims, minor glaze faults, chipping to the losses to the ceramic handle supports, one yellow example is missing a metal handle.
A large and impressive Japanese bronze effect ceramic vase and cover, the cover with applied geisha above relief decorated symbols and warriors in panels, height 112cm.Condition Report: The base has surface wear, scratches throughout, chipping to the rim and footrim. Furthermore the lid has chips to the underside, deep scratches to the body of the figure, losses to the paint and decoration.
ROYAL COPENHAGEN; a collection of ceramics and ceramic figures including a calf, length 16cm, a seal, a polar bear, also a Royal Copenhagen decanter, vase and two pin dishes, and a Royal Worcester model of a cat (14).Condition Report: Mouse with restoration with ear, pin dishes with tiny nibbles to edges, otherwise each good.
ROYAL BONN; a late Victorian ceramic mantel clock with transfer printed floral decoration, the dial set with Roman numerals, height 39cm. Condition Report: Crazing and rubbing to the paint throughout, scratching to the glass, there is a section that has been broken off and glued back on, the clock is untested.
Collection of Eddie Stobart related diecast & collectibles featuring Corgi, Atlas Editions, Hongwell Cararama, Lledo, etc to include Corgi (Wheelz, Classics, Hauliers Of Renown, etc), Lledo (Vanguards, Days Gone, etc), Atlas Edition The World Of Stobart coasters, Wade ceramic truck, Red Hot Lemon Keepsake Tin, A405 ltd edn Photo frame (127/1200), Eddie Stobart Trucks & Trailers Complete Series 4 DVD, 2 x Corgi Truck Set & Playmat sets, etc gd to vg overall (4 boxes)
Star Wars - Collection of Star Wars vehicles, figures & collectibles to include 1 x unmarked X-Wing (approx. dimensions L77cm W68cm H15cm), 1 x Hasbro Electronic Millennium Falcon (Approx. dimensions L79cm W60cm H20), 7 x Applause figures (Darth Vader, Tusken Raider, Darth Sidious, Boba Fett, Wedge Antilles & Obi-Wan Kenobi), 12 x ready to make card backs for kenner original figures), 2 x ceramic money boxes (Darth Maul & Darth Vader), 1 x Hasbro Bluetooth R2-D2 & various figures and vehicles, play worn throughout (2 boxes, 2 large vehicles)
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163691 item(s)/page