We found 163696 price guide item(s) matching your search
There are 163696 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
163696 item(s)/page
Lot 28
This lovely set features a large pitcher and bowl crafted from white ceramic, adorned with an enchanting old European city scene in blue transfer print on both sides. Marked Victoria Ware on underside. Pitcher: 9.5"L x 9"W x 13.25"H. Bowl: 4.5"H x 15" dia. Issued: 20th centuryManufacturer: Victoria WareCountry of Origin: EnglandAge related wear.
Lot 10
A TRINITY RING, BY CARTIER, CIRCA 2015 Designed as three interlocking bands, two polished white gold hoops and one in black ceramic, mounted in 18K white gold, numbered, Swiss assay mark, European convention mark, with certificate of authenticity from Cartier, dated 2015, ring size O½ (56) The Cartier Trinity collection is shrouded in numerous myths and tales rich with symbolism. However, the true story begins in the 1920s, amid its roaring Art Deco era, almost 80 years after Cartier was established and famed for its colourful and exotic creations in geometric forms, high-contrast colour combinations, and carved precious gemstones. Louis Cartier, the son of the namesake founder, designed an intertwined ring. This revolutionary creation would become a distinctive code of Cartier style. Louis dared to go back to the basics of pure design with no embellishments, a stark contrast to the trend then. With boldness, he created the renowned Cartier three-ring Trinity in 1924. The intertwining ring debuted at the 1925 Paris Exposition, when Cartier displayed the ring and bracelet alongside other more colourful, opulent jewellery. That year they were photographed by Edward Steichen for American Vogue and worn by the American interior designer and tastemaker Elsie de Wolfe. The design quickly gained a cult following with luminaries such as Cocteau and the Duke of Windsor, who famously adorned two rings on his pinkie. After its introduction, Cartier introduced the three-band ring in various colours and materials. Both ring and bracelet achieved resounding success, symbolizing elegance. With its flawless blend of clean lines, ideal proportions, and precise shapes, they emerged as a hallmark of design excellence achievable only by Cartier artisan jewellers. The ring's triumph owes much to its flawless design as well as its profound symbolism. Its interconnected nature invites myriad interpretations, from a symbol of family devotion passed down through generations to an emblem of enduring friendship or everlasting love. Objects imbued with such poetic significance effortlessly become cherished parts of our lives, resonating with memories and emotions. In 1997, following a decade of evolution, the three-band ring was officially christened Trinity. As part of the les must de Cartier line, the jewellery house crafted a version of the ring featuring an engraving of the slogan on the rose gold band. However, the brand later discontinued the slogan, and subsequent models of the ring did not include the engraving. As time passed, the style of the Trinity collection underwent various adaptations. Some iterations incorporated jewels into the design, while others saw shifts in shape and style to align with contemporary trends. In the 1990s, the ring was resized to larger proportions to reflect the prevailing preference for heavier jewellery. Over time, the Trinity collection evolved into a signature choice for a diverse array of personalities, from icons like Cary Grant and Grace Kelly to contemporary figures like Nicole Kidman, Paul Mescal, and Catherine, Princess of Wales. A century since its creation, both men and women still adorn themselves with the Trinity ring, necklace, earrings, and bracelet. This year, marking the Trinity's 100th anniversary, the Maison, reaffirming the enduring appeal of its innovative design. The charm of the Trinity collection remains as potent as ever.
Lot 445A
Royal Staffordshire: Four limited edition ceramic figures 'Loves me, Loves me not' 26/950, 'Hannah 25th Anniversary Figurine' 164/2500, 'The Magic of Old Vienna' Special Edition 5683/7500 and 'Sarah' 329/2500. Good condition, with no obvious signs of damage, repair or restoration. WE TAKE GREAT CARE in the accuracy of our condition reports and may record damage and restoration if obvious. The information is provided in good faith along with detailed photographs where requested and is for guidance only. However, this does not imply that there may not be further condition issues associated with the lot and we DO NOT provide any guarantee to the buyer.WE STRONGLY ADVISE BIDDERS TO EXAMINE PERSONALLY ANY LOT THEY ARE BEFORE THE AUCTION.INTERESTED IN
Lot 444A
Royal Worcester: four limited edition ceramic figures 'Be Mine' 1760/7500, 'Ruby' 1445/7500, 'Claudia' 144/2950 and 'Diamonds & Tiaras' 11/2950 Dirty but good condition, with no obvious signs of damage, repair or restorationWE TAKE GREAT CARE in the accuracy of our condition reports and may record damage and restoration if obvious. The information is provided in good faith along with detailed photographs where requested and is for guidance only. However, this does not imply that there may not be further condition issues associated with the lot and we DO NOT provide any guarantee to the buyer.WE STRONGLY ADVISE BIDDERS TO EXAMINE PERSONALLY ANY LOT THEY ARE BEFORE THE AUCTION.INTERESTED IN
Lot 450B
Four Royal Worcester ceramic figurines, 'With all my Heart' limited 8177/12500 with box and certificate, 'Faye Figure of the Year 2010' with box and certificate, 'Ella' limited 501/7500 with box and 'Les Petites Emily' boxed Good condition, with no obvious signs of damage, repair or restoration. WE TAKE GREAT CARE in the accuracy of our condition reports and may record damage and restoration if obvious. The information is provided in good faith along with detailed photographs where requested and is for guidance only. However, this does not imply that there may not be further condition issues associated with the lot and we DO NOT provide any guarantee to the buyer.WE STRONGLY ADVISE BIDDERS TO EXAMINE PERSONALLY ANY LOT THEY ARE BEFORE THE AUCTION.INTERESTED IN
Lot 440
Five ceramic Royal figures, Royal Worcester Queen Elizabeth II 2007 Wedding Anniversary figure, Coalport Queen Elizabeth II 2012 Diamond Jubilee figure, Royal Worcester limited edition Catherine Duchess figure, Coalport Dianna 'The Jewel in the Crown' limited edition figure and Royal Doulton limited edition Diana Princess of Wales figure
Lot 450F
Coalport: three boxed ceramic figures with certificates, 'Perfect Moment' 4103/7500, 'Kathrine' Limited 2007, 'Emma' 3671/7500 Good condition, with no obvious signs of damage, repair or restoration. WE TAKE GREAT CARE in the accuracy of our condition reports and may record damage and restoration if obvious. The information is provided in good faith along with detailed photographs where requested and is for guidance only. However, this does not imply that there may not be further condition issues associated with the lot and we DO NOT provide any guarantee to the buyer.WE STRONGLY ADVISE BIDDERS TO EXAMINE PERSONALLY ANY LOT THEY ARE BEFORE THE AUCTION.INTERESTED IN
Lot 445
Royal Worcester: seven ceramic figuers, 'Magical Encounter' Special Edition 4418/950, Birthstone Gemini and Airies, 'Sweet Rose' limited edition 145/9500, 'Les Petites Catherine', 'Diana' and 'Les Petites Christina'.Good condition, with no obvious signs of damage, repair or restoration. WE TAKE GREAT CARE in the accuracy of our condition reports and may record damage and restoration if obvious. The information is provided in good faith along with detailed photographs where requested and is for guidance only. However, this does not imply that there may not be further condition issues associated with the lot and we DO NOT provide any guarantee to the buyer.WE STRONGLY ADVISE BIDDERS TO EXAMINE PERSONALLY ANY LOT THEY ARE BEFORE THE AUCTION.INTERESTED IN
Lot 448
Royal Worcester: Three limited edition ceramic figurines, 'High Society' 338/7500, 'Crystal Princess' 65/4950 and 'Moonlight & Roses' 1029/7500. Good condition, with no obvious signs of damage, repair or restoration. WE TAKE GREAT CARE in the accuracy of our condition reports and may record damage and restoration if obvious. The information is provided in good faith along with detailed photographs where requested and is for guidance only. However, this does not imply that there may not be further condition issues associated with the lot and we DO NOT provide any guarantee to the buyer.WE STRONGLY ADVISE BIDDERS TO EXAMINE PERSONALLY ANY LOT THEY ARE BEFORE THE AUCTION.INTERESTED IN
Lot 449
A collection of five boxed Royal ceramic figurines, Coalport 'Diana Forever in our Hearts' 3885/9500 with cert, Two Royal Worcester Queen Elizabeth and a Diana and a Royal Doulton Diana Good condition, with no obvious signs of damage, repair or restoration. WE TAKE GREAT CARE in the accuracy of our condition reports and may record damage and restoration if obvious. The information is provided in good faith along with detailed photographs where requested and is for guidance only. However, this does not imply that there may not be further condition issues associated with the lot and we DO NOT provide any guarantee to the buyer.WE STRONGLY ADVISE BIDDERS TO EXAMINE PERSONALLY ANY LOT THEY ARE BEFORE THE AUCTION.INTERESTED IN
Lot 450G
Coalport: Three boxed ceramic figures with certificates 'Erin' 98/1950, 'Perfect Moment' 2346/7500 and 'Midnight Debut' 433/2950 Good condition, with no obvious signs of damage, repair or restoration. WE TAKE GREAT CARE in the accuracy of our condition reports and may record damage and restoration if obvious. The information is provided in good faith along with detailed photographs where requested and is for guidance only. However, this does not imply that there may not be further condition issues associated with the lot and we DO NOT provide any guarantee to the buyer.WE STRONGLY ADVISE BIDDERS TO EXAMINE PERSONALLY ANY LOT THEY ARE BEFORE THE AUCTION.INTERESTED IN
Lot 444
Coalport: Five ceramic figures, 'Lois Figurine of the year 2010', 'Lilly Figurine of the year', 'Sentiments Just for You', 'Dearest Rose' limited edition, 'Classic Elegance Birthday Celebration' .Dirty, but in overall good condition, perhaps a small chip to one bouquet. WE TAKE GREAT CARE in the accuracy of our condition reports and may record damage and restoration if obvious. The information is provided in good faith along with detailed photographs where requested and is for guidance only. However, this does not imply that there may not be further condition issues associated with the lot and we DO NOT provide any guarantee to the buyer. WE STRONGLY ADVISE BIDDERS TO EXAMINE PERSONALLY ANY LOT THEY ARE BEFORE THE AUCTION.INTERESTED IN
Lot 244
A RARE PAIR OF GEORGE III COADE STONE FIGURAL CANDELABRA BY ELEANOR COADE, LAMBETH, LATE 18TH CENTURY The design attributed to John Bacon, one modelled as a Vestal the other as a Sibyl, each holding a candle branch socket, on circular plinth, both stamped 'COADE LAMBETH" to plinths, stamped Coade to the undersides, monogrammed with an 'R' inside the torsos approximately 140cm high to top of lights, bases 43.5cm diameter Eleanor Coade (d.1821) opened her Lambeth Manufactory for ceramic artificial stone in 1769 and appointed the sculptor John Bacon as its manager two years later. With proven durability of her product (other makers work was seen to disintegrate within a few frosts) she was soon employed by a large number of the leading late 18th century architects. From about 1777 she began her engraved designs, which were published in 1784 in a catalogue of over 700 items entitled "A Descriptive Catalogue of Coade's Artificial Stone Manufactory". The design for this rare pair of figures feature twice- firstly as numbers 4 and 5- a Vestal and "Sybil" and subsequently and with the addition of candle branches as "Statues to hold Light" and depicted in the 1784 catalogue as numbers 34 and 35, £16.6.0 each. By the time of the 1799 publication "Coade's Gallery, or, Exhibition in artificial stone" the descriptions were expanded to reflect the growing taste for Neoclassicism. Where possible the sculptor's names were indicated and the Sybil is referred to as being inspired or derived from the one "in the Barbarini collection" (Mrs Coade's spelling). These two figures were among the successful designs of the Lambeth artificial stone manufacture and similar pairs of figures (with and without candle branches) adorn both interiors and exterior settings such as the main gate posts of Malvern Hall, Solihull. Condition Report: As is not uncommon with these type of Coade figures these have both been restored- predominately to bases- one to neck, toes and raised details, urn etc - with scattered other spot fills and repairs. The repairs are largely skilled professional with tinted wash to accord with colourway and obscure repairs. Under UV the wash hides most of the remedial work- some signs of a prior painted surface visible to crevices and recesses. There are also indications of other perhaps less skilled repairs- notably to reverse of one figure's gown area. The branches are later, chips and losses to base edges. Figure with left arm up has crack to crook of arm. Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection.Condition Report Disclaimer
Lot 158
Three Royal Pharmaceutical Society ceramic Pharmacists Apothecary Jars and Covers, comprising Tamarinds, Leeches, and Honey, all with different shaped covers, with cream ground, with blue decoration, heightened in gilt, unnamed to base (3)light surface scratches to all, otherwise, generally good condition, no obvious signs of significant damage or repair
Lot 127
Three Royal Pharmaceutical Society ceramic Pharmacists Apothecary Jars and Covers, comprising Tamarinds, Leeches, and Honey, all with different shaped covers, with cream ground, with blue decoration, heightened in gilt, unnamed to base (3)all in good condition, some light surface scratches and some minor gilt loss, otherwise, generally good condition, no obvious signs of significant damage or repair
Loading...-
163696 item(s)/page