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A 19th century mahogany pedestal occasional table with oval top raised on four turned pillars with scroll feet and ceramic castors.Condition: a couple of cracks to veneer between legs, top appears to have been either replaced or re-finished, no other signs of major damage or repairs, other general age related surface wear throughout.
A 19th century burr walnut veneered pedestal folding games table with four turned pillar supports, carved splayed legs and scroll feet with ceramic castors. Width 90cm, ht. 75cm, depth 45cm. Some veneer lifting to the centre of the top and two splits to the veneer inside. Replaced hinge. Base in good condition
A Victorian pottery oil lamp, the cylindrical body and fount printed in underglaze blue with sunflowers and other leafage on a sand textured ground, formal floral borders, black ceramic spreading circular fluted base, Hinks and Sons No. 2 Duplex burner, together with chimney and later acid etched globe shade Generally good. Hinks No.2 duplex burner terminal cracked, replaced globe, otherwise dirty but wear generally consistent with age
A two piece mahogany bedroom suite, 1920's, the chest of drawers with shallow upstand, three long graduated drawers on fluted turned tapered legs fitted ceramic castors, the matching dressing table fitted two short and two deep drawers on conforming legs, chest of drawers 85cm w, dressing table 106cm w and a mahogany stained chest of drawers (3) Chest of drawers with minor abrasions and scratches consistent with age. Dressing table similar but top faded and stained
An Edwardian walnut Sutherland table, c1905, conventional form with pair of drop flaps, cantered, on ring turned tapered supports joined by a conforming stretcher and swept platform legs, fitted ceramic castors, 60cm h x 61cm w; together with a reproduction mahogany display table, the rectangular glazed top above velvet lined drawer, shaped apron and square tapered legs, 50cm h; 30 x 63cm Sutherland table with water stains, chips to hinge areas, scratches, abrasions, wear to stretcher with faults to ring turnings. Display case with abrasions, scratches and wear to polish, velvet lining at fault, other wear consistent with age
A Victorian walnut octagonal topped two tier occasional table, c1890, the figured top with moulded lip above shallow frieze, turned legs and spindles to he square lower tier, ceramic castors, 73cm h x 75cm w; together with an Edwardian mahogany two tier occasional table, the shaped square top above angular cabriole legs joined by an incurved square undertier, top 55cm square, 73cm h Walnut table with stains, scratches and wear to top and moulded lip, under frame generally good, lower tier possibly lacking gallery, other wear consistent with age. Mahogany table with scuffs abrasions and scratches, minor chips to lip but wear consistent with age
Tray of Coalport ceramic cottages and other buildings to include; 'Park Lodge', 'The Old Curiosity Shop', 'Village Church', 'Blue House', 'Pagoda House', 'Little Grey Rabbits house', 'The Summer House' and 'The Christmas Cottage'. Together with a ceramic Coalport floral ornament. (B.P. 21% + VAT)
Tray of various ceramic bird items to include; set of three graduated flying wall ducks with printed marks to the bottom Keele street pottery England, a seagull figure marked New Quay and a Franklin porcelain 'The Mountain Bluebird by Colin Newman' 825P limited edition plaque. (B.P. 21% + VAT)
19th Century flame mahogany two stage press cupboard, the moulded and dental cornice above two blind panelled doors, the interior revealing five pull out linen drawers, the projecting base with an arrangement of two short and two long drawers with fluted ceramic knob handles, standing on a projected base with bracket feet. 111 x 57 x 210cm approx.(B.P. 21% + VAT)
A 1930s motor car travelling picnic set for 4 people, by G W Scott & Sons for Coracle, with original chrome plated fittings, including cutlery, wicker-covered bottles, cups and saucers, enamelled dishes, white ceramic preserve jar and food container, sandwich tin, tea kettle etc, in original fall-front box, W61cm, H32cm, D22cm (lacking 1 jar)
Sarah Villeneau, "Torso 1", ceramic and metal sculpture, 2018, 28 x 29 x 21cm, 3.6kg. Working intuitively with the clay Villeneau creates objects that appear alive, as if they might suddenly move, scuttle off. This is achieved through through guiding without completely controlling the clay, allowing unexpected quirks and folds to be captured. Informed by the physiology of the body, this piece permits a glimpse of the vulnerable fleshy interior whilst wrapping itself in a protective ceramic cloak. A quiet piece, the colours and textures are highly organic, whilst the added metal bolts ground it, giving it a sense of determination and strength. Created in response to the centenary of Women’s Suffrage, the piece references the voice box and celebrates the determination of women to be heard. Decorated with oxides, volcanic engobe and multiple glazes, the piece is fired to stoneware in an electric kiln and the bolts added post-firing. Located in Sheffield, UK delivery £40.
Sarah Villeneau, "Torso 3", ceramic and metal sculpture, 2018, 31 x 35 x 18cm, 4.6kg. Working intuitively with the clay Villeneau creates objects that appear alive, as if they might suddenly move, scuttle off, although this piece also looks determined to stand its ground. This is achieved through guiding without completely controlling the clay, allowing unexpected quirks and folds to be captured. Informed by the physiology of the body, this piece flaunts its vulnerable interior, standing defiant on a nut and two bolts. Full of texture and earthy colours, the piece is connected to the earth as well as the body, stating its place in the world. The metal tacks fired into the ceramic testify to a life lived, a body that changes over time. Created in response to the centenary of Women’s Suffrage, the piece references the voice box and celebrates the determination of women to be heard. Decorated with oxides, volcanic engobe and multiple glazes, this piece is fired to stoneware in an electric kiln and the nut and bolts added post-firing. Located in Sheffield, UK delivery £40.
Sarah Villeneau, "Sculpture with strings", ceramic and nylon thread sculpture, 2019, 18 x 16 x 11cm, 850gr. A highly organic form suggestive of visceral and vulnerable interiors, with a delicate, almost lace like pattern on the outer ‘skin’, the piece appears held together by the strings, creating both a tension across the piece and a protective barrier. A small and light piece, it is easily explored in the hand, with amusement to be had from plucking the strings. Decorated with a variety of glazes and fired to stoneware in an electric kiln. Located in Sheffield, UK delivery £30.

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163696 item(s)/page