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Lot 185
Clarecraft. Terry Pratchett's Discworld Characters. Collection of five figurines: Librarian with Tankard (DW03A), ceramic with base sticker, 70mm, original box and tent description card; The Luggage (DW04), ceramic with base sticker, 65mm, original box and tent description card; Death holding scythe upright (DW05), ceramic with base sticker, 170mm, tent description card; Granny Weatherwax (DW06), ceramic with base sticker, 150mm, original box and tent description card; Nanny Ogg (DW07), ceramic with base sticker, 100mm, original box with tent description card (5)
Lot 186
Clarecraft. Terry Pratchett's Discworld Characters. Collection of five figurines: Death of Rats (DW33), ceramic with base sticker, 80mm, original box; Errol (DW36), ceramic with base sticker, 85mm, original box and tent description card; Rincewind Running (DW86), ceramic with base sticker, 120mm, original box and tent description card; Tabletop Bonsai Mountain (DW87), ceramic with base sticker, 90mm, original box and tent description card; Quoth and the Eyeballs (DW91), ceramic with base sticker, 77mm, original box with tent description card (5)
Lot 187
Clarecraft. Terry Pratchett's Discworld Characters. Collection of five figurines: You Bastard (DW101), ceramic with base sticker, 115mm, original box and tent description card; Scraps (DW103), ceramic with base sticker, 62mm, original box and tent description card; Nac Mac Feegle with outstretched arms (DW161E), pewter, 40mm, sealed display packet; Greebo - Bloody Furious (DW125), ceramic, 43mm, original box and tent description card; Death of Rats Riding, rare version with pink tail (DW127), ceramic with base sticker, 58mm, original box with tent description card (5)
Lot 248
A GEORGE IV SIMULATED ROSEWOOD CORNER COMMODE CHAIRCIRCA 1825With a tub shaped back and turned legs73cm high, 58cm wide, 59cm deepCondition Report: Marks, knocks, scratches, and abrasions commensurate with age and use. Upholstery in generally good order overall with wear and some minor discolourations to the seat cushion. Joins are opening slightly and the frame has movement within it. Evidence of old worm to timber elements (see images). The chair has been converted from a commode and the ceramic bowl is now lacking. Please refer to additional images for visual reference to condition. Condition Report Disclaimer
Lot 409
A GEORGE III MAHOGANY BEDSIDE COMMODELATE 18TH CENTURYWith a tambour door and a pull-out base revealing a lidded ceramic liner79cm high, 50cm wide, 43cm deepCondition Report: Marks, knocks, scratches and abrasions commensurate with age and use. Old chips and splits. Tambour door operates smoothly. Some old but later hessian tape applied to the back of the tambour slide. Some larger splits, including to one rear corner of the top and to the interior of the tambour section (see images). Please refer to additional images for visual reference to condition. Condition Report Disclaimer
Lot 117
A 20th century Japanese ceramic figure of a deity holding a scroll, with a dog's head protruding from his headwear, 39cm high, a pair of Oriental turquoise-glazed ceramic vases in the form of sacks with applied figures, 24cm high and a pair of Oriental bamboo-shaped cylindrical turquoise-glazed vases, 24cm high, (damages).
Lot 347
Edwardian mahogany and inlaid parlour sofa with serpentine cushioned back, down swept arms, on square tapering legs terminating in ceramic castors, 132cm wide, 88cm high and 66cm deep.CONDITION REPORT: The upholstery is marked and worn in areas. The braiding is coming off. The arms and legs are scuffed and scraped, and have water marks and colour fading. There is a small amount of movement to the left arm. Has period ceramic castors.
Lot 348
Victorian chesterfield sofa with buttoned back and seat, on tapering ring turned legs and ceramic castors, 170cm wide, 73cm high and 80cm deep.CONDITION REPORT: The upholstery is marked, faded and worn. The frame has slight movement on the left arm. The springs are soft. The legs have general scuffs and scrapes. This requires re-upholstering.
Lot 361
Victorian button-back armchair with cushioned arms, sprung seat, on tapering baluster legs terminating in ceramic castors, 66cm wide, 80cm high and 82cm deep.CONDITION REPORT: The upholstery is worn, discoloured and dirty. The braiding is falling off. The frame is tight and the springs are ok. The legs have general scuffs and scrapes.
Lot 613
An album of vintage BDV cigarette football silks - circa 1914, together with an album of vintage silks of ceramic art and moths, etc. CONDITION REPORT92 silks in total.27 of which feature footballers.Our team of trusted experts are on hand to help and always endeavour to provide an accurate judgement. The ultimate responsibility lies with the buyer however, and we recommend that you make every effort to inspect the lot yourself.To that end, we have provided a number of additional images for your attention.
Lot 132
A BURLWOOD CARVING OF LIU HAI, LATE MING TO EARLY QINGChina, 17th-18th century. Carved in a standing position, using the natural shape of the gnarled wood to depict the robe. Supporting a mythical three-legged toad on his right shoulder.Condition: Fine golden-brown patina. Some wear, minor losses, intrinsic age cracks. Scattered tiny wormholes. A superb naturally grown patina with a soft, unctuous finish.Provenance: The Oriental Art Collector. Quek Kiok Lee (1921-2018), acquired from the above on 15 December 1980. Singaporean businessman, banker and investor Quek Kiok Lee was the founder of the Southeast Asian Ceramic Society (SEACS) and Acquisitions Advisor on Chinese Antiquities for the National University of Singapore. Weight: 1,149 g Dimensions: Height 23.7 cmThe story of Liu Hai is frequently told as "Liu Hai playing with the Golden Toad". However, there is a hidden meaning here: The Chinese word for "toad" is chanchu. Sometimes, Chinese will only pronounce the first character chan. In some Chinese dialects, the character chan has a pronunciation very similar to qian which means "coin". Therefore, a storyteller reciting "Liu Hai playing with the Golden Toad" could also be heard by listeners as "Liu Hai playing with the gold coins". Later fitted stand. (2)Auction result comparison: Compare with a related burlwood carving of a luohan sold in these rooms in Fine Chinese Art, Buddhism and Hinduism on 27 September 2019, lot 101, for €2,000.癭木雕劉海金蟾擺件，明末清初中國，十七至十八世紀。立像，利用癭木自然紋理雕刻衣袍，一隻三足蟾蜍立於他的右肩処。品相：金棕色包漿，一些磨損，輕微缺損，内在年代裂紋。散佈著微小的蟲洞，極好的自然包漿濃厚潤澤。來源：東方藝術收藏家。郭克禮 (1921-2018)先生于1980年12月15日購於上述收藏。郭克禮先生是新加坡商人，銀行家和投資家。他曾是東南亞陶瓷協會創立人，並擔任新加坡國立大學中國古玩收藏顧問。重量：1,149 克尺寸：高23.7 厘米拍賣結果比較：一件相似癭木雕劉海于2019年9月27日售于本藝廊，拍號101，成交價€2,000。
Lot 277
TWO TL-TESTED CHINESE CERAMIC WALL TILES, TANG DYNASTYChina, Tang dynasty (618-907). These two Chinese ceramic wall tiles both show floral decorations. This lot comes with a TL-Test that confirms the dating.Condition: Good condition commensurate with age.Provenance: Austrian private collection.Dimensions: Height 30 & 31.2 cm, Length 18.2 & 26.4 cm
Lot 278
A LARGE PAIR OF QINGBAI GLAZED BURIAL VASES WITH DAOIST DECORATIONChina, Song dynasty (969-1279). The tall vases consisting of an egg-shaped belly, a long cylindrical neck decorated in the applique technique with twelve standing figures and various animals representing the zodiac, a flying dragon, the sun and the moon. The bell-shaped cover crowned by a phoenix, of which one is looking up and the other looking down. Overall covered with a greenish-blue glaze, except for the flat base, revealing the sand-colored buff.Condition: Good age-related condition with some wear and firring flaws. One vase with a hairline to mouth rim and the other with chips to base rim. Provenance: Edward Pranger Oriental Arts (PAN Amsterdam 2000). Dr. Koos de Jong, acquired from the above. Dr. de Jong is a Dutch art historian and has been privately collecting Chinese art over decades. He has authored hundreds of articles and several books on Dutch fine and decorative arts spanning from the Middle Ages to the modern era. In 2013, he published an extensive study of Chinese riding gear in "Dragon & Horse, Saddle Rugs and Other Horse Tack from China and Beyond". Between 1976 and 2009 he worked for numerous museums across the Netherlands and was the director of the European Ceramic Work Center in Den Bosch.Weight: 8.8 and 19.6 kg Dimensions: Height c. 84 cm without cover and 101 cm with cover eachLiterature comparison: Compare to similar vases in He Li, Chinese Ceramic, The New Standard Guide From the Asian Art Museum of San Francisco, London 1996, no. 370 and in Wu Hung, The Art of the Yellow Springs, Honolulu 2010, p. 160.
Lot 282
A HENAN BLACK-GLAZED CERAMIC AMPHORA VASE, SONG DYNASTYChina, Song dynasty (960-1279). Thickly potted, the baluster body rising from the flat base to a short waisted neck and everted lip, the rounded shoulder applied with four evenly spaced lug handles, the vase covered in a lustrous black glaze stopping unevenly above the foot, revealing the buff ware.Condition: Overall good condition with some wear and old repairs to the neck and mouth.Provenance: Private collection, France.Weight: 2,119 g Dimensions: Height 29.6 cm
Lot 283
A GREEN-GLAZED CIZHOU 'PEONY' PILLOW, SONG TO JIN DYNASTYChina, 960-1234. Covered with a bright green glaze over a white-slipped ground. The top with a sgraffiato decoration of a large peony cut-out in a darker-washed ground. The sides with molded decorations of two mandarin ducks swimming in a pond, peonies and other flowers.Provenance: By repute Xian Provincial Museum, 14 October 2004, invoice not available. Dr. Koos de Jong, acquired from the above. Dr. de Jong is a Dutch art historian and has been privately collecting Chinese art over decades. He has authored hundreds of articles and several books on Dutch fine and decorative arts spanning from the Middle Ages to the modern era. In 2013, he published an extensive study of Chinese riding gear in "Dragon & Horse, Saddle Rugs and Other Horse Tack from China and Beyond". Between 1976 and 2009 he worked for numerous museums across the Netherlands and was the director of the European Ceramic Work Center in Den Bosch.Condition: Extensive wear and firing flaws, including glaze flakes and recesses, minor losses, touchup to glaze loss (ca. 3 x 1 cm), and one small old fill to one of the flanges.Weight: 1,617 gDimensions: Length 27.3 cmThe pair of mandarin ducks to the front symbolize a harmonious marriage, indicating this pillow was likely once a wedding gift.Literature comparison: Chinese Ceramic Pillows. The Mr. & Mrs. Yeung Wing Tak Gift, Museum of the Western Han Tomb of the Nanyue King, Guangzhou 1993, no. 151. R. Krahl, Chinese Ceramics from the Meiyintang Collection, Vol. I, Londen 1994, p. 266-7, no. 489.Auction result comparison: Compare with a related Cizhou peony pillow, but with an amber glaze additional to the green glaze, at Sotheby's Hong Kong in Chinese Art on 30-31 May 2019, lot 404, sold for HKD 50,000.宋至金時期綠釉磁州窯牡丹紋枕中國，960-1234年。枕面刻牡丹牡丹紋，兩側刻蓮池鴨戯圖，牡丹和其他花卉紋，白地上覆蓋綠釉。來源：據說來自西安博物院，2004年10月14日。 Dr. Koos de Jong收藏，購於上述收藏（發票遺失）。Dr. de Jong是一位荷蘭藝術史學家， 幾十年來他一直私人收藏中國藝術品。他撰寫了數百篇文章和幾本書，內容涉及從中世紀到現代的荷蘭美術和裝飾藝術。2013年，他在《Dragon & Horse：Saddle Rugs and Other Horse Tack from China and Beyond》中發表了有關中國騎馬裝備的詳盡研究。1976年至2009年間，他曾在荷蘭的許多博物館工作，並曾擔任登博世歐洲陶瓷工作中心的主任。圖片：Dr. Koos de Jong 與Ingeborg de Roode (照片來自於Stedelijk Museum Amsterdam)品相：廣汎磨損和燒制缺陷，包括釉料剝落和凹陷，輕微缺損失，釉料小修（約3 x 1厘米），以及一個小的舊填料填充到其中一個凸緣上。重量：1,617 克尺寸：長 27.3 厘米拍賣結果比較：一件相似刻牡丹紋綠釉枕見香港蘇富比Chinese Art 拍場2019年5月30-31 日lot 404, 售價HKD 50,000.
Lot 285
AN INTERESTING CERAMIC AMPHORA FILLED WITH COINSChina, Song Dynasty (960 - 1279). Of cylindrical form rising from a flat base and applied with six tiny handles. The interior filled with antique coins, which are firmly merged with the soil inside the vessel and show a fine malachite patina.Condition: Fair condition with significant old wear, signs of weathering and erosion, all consistent with age. With one handle missing and a chip to rim. Provenance: The collection of The Zelnik Istvan Southeast Asian Gold Museum. Institutional art collection in Belgium, acquired from the above. Dr. Istvan Zelnik, President of the Hungarian South and Southeast Asian Research Institute, is a former high-ranking Hungarian diplomat who spent several decades in Southeast Asia, building the largest known private collection of Asian art in Europe.Weight: 8069 g Dimensions: Height 23.5 cm
Lot 29
A LARGE 'GHAU' PRAYER BOX WITH A TSA-TSATibet, 19th century. The circular brass box is engraved and embossed in high relief around the central opening with auspicious Buddhist symbols and scrolling foliage, the sides with two handles for suspension, showcasing a beaded rim and further incised foliage. Through the opening, behind the glass, the large colored ceramic tsa-tsa is visible and the inside is filled with Buddhist flags. Together with a brocade cover and carrying belt.Condition: Good condition with expected wear and minor nicks here and there. Provenance: The collection of The Zelnik Istvan Southeast Asian Gold Museum. Institutional art collection in Belgium, acquired from the above. Dr. Istvan Zelnik, President of the Hungarian South and Southeast Asian Research Institute, is a former high-ranking Hungarian diplomat who spent several decades in Southeast Asia, building the largest known private collection of Asian art in Europe.Weight: 1693 g Dimensions: 24.5 cm
Lot 290
A LONGQUAN CELADON-GLAZED BOWLChina, Song - Yuan dynasty, 13th- 14th century. Potted with rounded sides and raised on a short ring foot, covered with a bright green and mushroom glaze suffused with a network of brown crackles and thickening at the base, the foot rim left unglazed revealing the dark grey buff.Condition: Good condition with minor wear and firing irregularities, occasional light surface scratches, fritting, and one chip to the rim with an associated hairline. Provenance: Jelske Wagenaar, Terpstra Oude Aziatische Kunst, Amsterdam, 1998. Dr. de Jong is a Dutch art historian and has been privately collecting Chinese art over decades. He has authored hundreds of articles and several books on Dutch fine and decorative arts spanning from the Middle Ages to the modern era. In 2013, he published an extensive study of Chinese riding gear in "Dragon & Horse, Saddle Rugs and Other Horse Tack from China and Beyond". Between 1976 and 2009 he worked for numerous museums across the Netherlands and was the director of the European Ceramic Work Center in Den Bosch.Weight: 229 g Dimensions: Diameter 12 cm
Lot 293
AN OCTAGONAL QINGBAI PORCELAIN VASE, YUANChina, Yuan dynasty (1271-1368). The body potted with eight facets rising from a circular waisted foot and surmounted by a tall tapering neck, the facets molded with flower-heads and decorative bands below a band of chrysanthemum petals at the shoulder. Covered in a pale bluish-grey glaze, the underside left unglazed. These kinds of vases were used as funerary gifts (mingqi).Condition: Good condition with old wear and firing flaws such as pitting and spotting, very minor fritting here and there as well and notches to the underside rim. Provenance: Fong's Gallery, Hong Kong, 1999. Dr. de Jong is a Dutch art historian and has been privately collecting Chinese art over decades. He has authored hundreds of articles and several books on Dutch fine and decorative arts spanning from the Middle Ages to the modern era. In 2013, he published an extensive study of Chinese riding gear in "Dragon & Horse, Saddle Rugs and Other Horse Tack from China and Beyond". Between 1976 and 2009 he worked for numerous museums across the Netherlands and was the director of the European Ceramic Work Center in Den Bosch.Weight: 403 g Dimensions: Height 22.3 cmLiterature comparison: Compare to similar vases in M. Tregear, La Ceramique Song, Fribourg 1982, pp. 164, fig. 226 and He Li, Chinese Ceramics, London 1996, p. 179, ill. 373 [C.34 doc. a].
Lot 294
A MOLDED QINGBAI DISHChina, Yuan Dynasty (13th - 14th century). The rounded sides of the small dish with molded radiating grooves and an everted rim washed brown, the partly unglazed base with a mark painted in black.Condition: With hairlines to the interior, minor chips to rims and firing irregularities. Provenance: Pou Fok Antique Arts, Macao, 1998. Dr. de Jong is a Dutch art historian and has been privately collecting Chinese art over decades. He has authored hundreds of articles and several books on Dutch fine and decorative arts spanning from the Middle Ages to the modern era. In 2013, he published an extensive study of Chinese riding gear in "Dragon & Horse, Saddle Rugs and Other Horse Tack from China and Beyond". Between 1976 and 2009 he worked for numerous museums across the Netherlands and was the director of the European Ceramic Work Center in Den Bosch.Weight: 58 g Dimensions: Diameter 11 cm
Lot 296
TWO MELTED TOGETHER CERAMIC SHIPWRECK BOWLSChina, Han to Ming Dynasty (206 BC - 1644). Of simplistic design, the bowl underneath unglazed and rising from a short ring foot, the bowl above partly covered in a dark brown glaze. Both melted together.Condition: Good condition with expected surface wear and sea life incrustations. With one chip to foot rim. Provenance: The collection of The Zelnik Istvan Southeast Asian Gold Museum. Institutional art collection in Belgium, acquired from the above. Dr. Istvan Zelnik, President of the Hungarian South and Southeast Asian Research Institute, is a former high-ranking Hungarian diplomat who spent several decades in Southeast Asia, building the largest known private collection of Asian art in Europe.Weight: 852 g Dimensions: Height 9 cm, diameter 16.5 cm
Lot 299
A LONGQUAN CELADON GLAZED CERAMIC GU VASE, MING DYNASTYChina, Ming dynasty (1368-1644). The central bulbous section decorated with a diapered band, rising from a tall, splayed foot to a trumpet neck in barbed sections, covered overall in a finely crackled sea-green glaze, the foot ring left unglazed.Condition: Several chips to the rim and foot with hairlines, touchups, and material fillings visible.Provenance: From an old family collection in Pressburg, Austrian Empire, Slovakia, and thence by descent to the present owner.Weight: 1,028 g Dimensions: Height 23.6 cm
Lot 322
A LARGE BLUE AND WHITE 'PRUNUS AND LINGBI' LOBED DISH, KANGXI MARK AND PERIODChina, 1662-1722. The shallow sides rising from a short tapering foot to a wide everted lobed rim, the base with a six-character mark da Qing Kangxi nianzhi within a double circle.Provenance: Holzapfel collection, Geneva, Switzerland. The greater part of the Holzapfel Oriental Ceramics collection was formed in England and Ireland in the late 1950s and 1960s. After the death of Mr. Holzapfel, most of his pieces went to his children, ten in all. Two of Mr. Holzapfel's eldest sons then started their own collections in the early 1970s, both by adding significantly to their shares of the inheritance. Collecting was eventually continued by one of Mr. Holzapfel's grandsons, who lives in Switzerland and is a member of the Oriental Ceramic Society. This lot was acquired within the Holzapfel family after 2005.Condition: Good condition with old wear and firing flaws, including kiln grit, small firing cracks, glaze recesses, and dark spots, small frits to the mouth and foot rim, one small chip to the rim with an old fill and associated hairline, one short glaze line to exterior rim.Weight: 1,584 gDimensions: Diameter 36.7 cmThe interior painted with a central roundel enclosing prunus blossoms and a large lingbi stone, the rim with a band of flowers on leafy vines framed by circumferential double lines, the exterior with prunus blossoms on thin branches.Auction result comparison: Compare with a related dish, dated to the Kangxi period and with a lozenge symbol within a double circle to base, at Christie's New York on 6 February 2013, lot 265, sold for USD 4,750.13% VAT will be added to the hammer price additional to the buyer's premium - only for buyers within the EU.康熙款與年代大型青花桃花靈璧石花口盤中國，1662-1722年。淺邊，短足，邊緣外翻，底足有青花雙圈六字"大清康熙年制"。來源：瑞士日內瓦Holzapfel收藏。 Holzapfel 東方陶瓷收藏的大部分藏品是在1950年至1960年代在英國和愛爾蘭成立的。Holzapfel老先生去世後，他的大部分藏品都交給了他的十個孩子。Holzapfel先生年長的兩個孩子隨後於1970年代初開始了自己的收藏，都擴大了從遺產得到的收藏。Holzapfel先生的孫子之一他目前居住在瑞士，是東方陶瓷協會的成員，他最終延續了收藏工作。此拍品是Holzapfel家族2005年后收藏的。圖片: Holzapfel老先生的一個兒子, 抱著當時還是孩子的現任藏家 品相：狀況良好，有舊磨損和燒制缺陷，包括窯渣、燒制細小裂紋，釉料凹痕和黑斑，邊沿有小熔塊和磕損，有舊修和相關的髮絲線裂紋。重量：1,584 克尺寸：直徑36.7 厘米 拍賣結果比較：一件康熙相近、盤底有吉祥結款的盤見紐約佳士得2013年2月6日 lot 265, 售價USD 4,750.
Lot 323
A NEAR-PAIR OF BLUE AND WHITE 'LOTUS BOY' DISHES, KANGXI PERIODChina, 1662-1722. Each with shallow sides rising from a flat foot to an everted rim, painted to the interior with a boy wearing only a floral-patterned cloth wrapped around the lower body in the center, holding large lotus stems rising to full bloom to the sides and standing on two lotus leaves, surrounded by scrolling vines, all against a blue ice-crack ground. (2)Provenance: Holzapfel collection, Geneva, Switzerland. The greater part of the Holzapfel Oriental Ceramics collection was formed in England and Ireland in the late 1950s and 1960s. After the death of Mr. Holzapfel, most of his pieces went to his children, ten in all. Two of Mr. Holzapfel's eldest sons then started their own collections in the early 1970s, both by adding significantly to their shares of the inheritance. Collecting was eventually continued by one of Mr. Holzapfel's grandsons, who lives in Switzerland and is a member of the Oriental Ceramic Society. This lot was acquired by second generation members of the Holzapfel family circa between 1970 and 2005 and has remained in the family ever since.Condition: Excellent condition with minor wear and firing flaws, such as pitting and glaze irregularities, some surface scratches to exterior.Weight: 160.4 g and 171.9 gDimensions: Diameter 14 cm (each)One bowl with an apocryphal six-character mark da Ming Chenghua nianzhi to the recessed base.Literature comparison: A similar dish, from the collection of P.J. Donnelly, was included in the Oriental Ceramic Society exhibition The Arts of Ch'ing Dynasty, London, 1964, cat. no. 98. See also a bowl with a related design exhibited in The Bertil J. Hogstrom Collection, Kangxi Blue and White Porcelain (1662-1722), Marchant, London, 2011, cat. no. 9.Auction result comparison: Compare with a related dish, but with a Kangxi mark to the base, at Sotheby's Hong Kong in Marchant - Fifty Qing Imperial Porcelains on 11 July 2020, lot 3107, sold for HKD 400,000.13% VAT will be added to the hammer price additional to the buyer's premium - only for buyers within the EU.康熙一對青花戯荷童子盤中國，1662-1722年。淺盤，邊緣外翻，盤内纏枝如意紋地童子戯蓮圖，一個男孩手持大荷花，荷花向側面綻放，兩片荷葉。來源：瑞士日內瓦Holzapfel收藏。 Holzapfel 東方陶瓷收藏的大部分藏品是在1950年至1960年代在英國和愛爾蘭成立的。Holzapfel老先生去世後，他的大部分藏品都交給了他的十個孩子。Holzapfel先生年長的兩個孩子隨後於1970年代初開始了自己的收藏，都擴大了從遺產得到的收藏。Holzapfel先生的孫子之一他目前居住在瑞士，是東方陶瓷協會的成員，他最終延續了收藏工作。此拍品是Holzapfel家族第二代1970 年至 2005年間收藏的，在家族相傳至今。圖片: Holzapfel老先生的一個兒子, 抱著當時還是孩子的現任藏家品相：狀況極佳，有輕微的磨損和燒制缺陷，例如點蝕和釉面不規則，外壁表面有一些划痕。重量：分別160.4 克與171.9 克 尺寸：直徑各14 厘米 一個盤底足上有"大明成化年制"款。拍賣結果比較：一個相似的但底足上有康熙款的盤見香港蘇富比Marchant - Fifty Qing Imperial Porcelains 拍場2020年7月11日 lot 3106, 售價HKD 400,000.
Lot 352
A MASSIVE OXBLOOD GLAZED CERAMIC BOWL, QING DYNASTYChina, 18th - 19th century. The outside with three raised knobs and a convex unglazed base, the inside with the oxblood glaze flowing down in several elongated, irregular streams.Condition: Excellent condition with only minor wear and surface scratches, a few flaws to glaze along the foot rim.Provenance: German private collection. Acquired during the 1980s.Dimensions: Diameter 21 cm
Lot 435
A YIXING CERAMIC TEAPOT AND COVERChina, 20th century. The hexagonal baluster teapot with a handle in form of a stylized dragon. The body incised with six reserves, two comprising an inscription and two a landscape, with a four-character seal mark to the base which reads "Shao You Ting Zhi".Condition: Excellent condition. Provenance: Dutch private collection.Weight: 280.9 g Dimensions: Height 12 cm
Lot 436
A YIXING CERAMIC TEAPOT AND COVERChina, 18th century. A small model of a Tibetan ewer, duomuhu, the cylindrical body potted with a raised lobed ´crown´, simplistic handle and spout. Molded with auspicious symbols and peony stalks, the lid shaped as a chrysanthemum.Condition: Very good condition, the cover with a small, hardly recognizable restoration. Provenance: Dutch private collection.Weight: 213 g Dimensions: Height 13 cmAuction comparison: Compare a nearly identical teapot at Wolley & Wallis, Asian Art, 22 May 2013, lot 268 (sold for 1,200 GBP).
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163696 item(s)/page