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Lot 500
A 19TH CENTURY LOUIS XVI ORMOLU AND PORCELAIN MANTEL CLOCK, the rectangular section surmounted by a classical inspired covered urn, draped sides to a break front plinth base, a grisaille ceramic panel painted with a pastorale scene and scroll work, eight day movement striking a bell, stamped to reverse AB., 37cms height x 24cms width. See illustration
Lot 550
A VICTORIAN BURR WALNUT WORK AND WRITING TABLE inlaid with panels of amboyna and box stringing, rectangular with canted corners, the fold-out top having an incised leather writing surface and stationery well, above a frieze drawer fitted with open and lidded compartments, with pull-out well beneath, on lobed and turned slender tapered legs joined by a bifurcated stretcher, on ceramic castors, 61.5cms wide x 41cms deep x 73cms high. See illustration
Lot 327
Agatha Walker, a figure of Elizabeth Barrett Moulton-Browning, modelled in wax over plaster, titled, dated 1931 and monogrammed, 27cm high, in a glass case. This figurine is one of several wax figurines executed by Agatha Walker in the 20s and 30s, mostly of actors and actresses in character in successful London productions. The 19th century saw a craze for ceramic figurines of performers and Walker attempted to revive this tradition with her limited edition sculptures, modelled from life in plaster and coated with a fine wax layer which was then coloured. In 1931 her wax figures were exhibited at the Fine Art Society and a model of Queen Mary, commissioned by the queen, was exhibited in 1938.
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