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Lot 597
AN 'OF THE ANTIQUE' NECKLACE turquoise glazed baton beads with white metal flower spacers, with a selection of beads in ceramic, glass and carved stone, to include three examples of the Egyptian Eye of Horus, Bast the cat god and other animal forms etc, largest Eye of Horus approx 17mm x 14mm, length approx 52cm Condition Report: All quite dirty , one ear of Bast is missing, please see photos for details of all the beads.
Lot 986
A Plymouth porcelain oval dish with rococo scroll and shell moulded border, painted with floral sprays and butterflies, various printed labels to base 'Peter Stephens Collection Plymouth, No. 50', 'English Ceramic Circle 1948, No. 508', F.S. Mackenna Collection Plymouth, No.70', 'Albert Amor Ltd Exhibition of the Peter Stephens Collection 1978' and 'Illustrated on Fig.2 'Cookworthy's Plymouth and Bristol Porcelain, F.Severne Mackenna, M.A. F.S.A.Scot'. Condition report: Extensive repairs with conservator's glue.
Lot 961
A set of three Nic Harrison green-glaze ceramic pouring bowls, height 12cm, diameter 22cm and smaller, together with a St.Agnes studio pottery jug, height 17cm. From the estate of Ashley Barker OBE who was born in Hertfordshire in 1927.Being unusually bright, he found it difficult to make friends and found solace in architecture and buildings, particularly the simple pastime of walking around buildings on his own. Indeed, his favourite treat as a child was to be taken to St Paul's Cathedral, where he would wander for hours.In 1944 he entered the Architectural Association and qualified at a time of rapid post-war reconstruction, when the lack of building materials forced architects to use industrialised prefabrication techniques and poor design, (in Barker's opinion) prevailed. Frustrated, he drifted into working for MGM, creating film sets. He finally found his niche at the Historic Buildings Division of what was then the London County Council (LCC). After years of working with modernists it was a relief to Barker to find an office where his "young fogeyism" was welcome. He enjoyed working under WA Eden, the Surveyor of Historic Buildings, who was dedicated completing the work of the architect and reformer CR Ashbee, who had listed all the buildings that should be preserved within 20 miles of the Aldgate Pump. This idea became the 'Survey of London' and Barker took over when Eden retired in 1970. The LCC became the GLC and Barker became the head of the Historic Building Commission, working on an advisory committee with notables such as Sir John Betjeman, Sir John Summerson, Sir Osbert Lancaster and Sir Hugh Casson.In 1986, he was appointed head of the London Division of English Heritage. He retired in 1988.
Lot 962
A hand-painted green and brown ceramic glazed bowl by Nic Harrison, height 7cm, diameter 18cm.From the estate of Ashley Barker OBE who was born in Hertfordshire in 1927.Being unusually bright, he found it difficult to make friends and found solace in architecture and buildings, particularly the simple pastime of walking around buildings on his own. Indeed, his favourite treat as a child was to be taken to St Paul's Cathedral, where he would wander for hours.In 1944 he entered the Architectural Association and qualified at a time of rapid post-war reconstruction, when the lack of building materials forced architects to use industrialised prefabrication techniques and poor design, (in Barker's opinion) prevailed. Frustrated, he drifted into working for MGM, creating film sets. He finally found his niche at the Historic Buildings Division of what was then the London County Council (LCC). After years of working with modernists it was a relief to Barker to find an office where his "young fogeyism" was welcome. He enjoyed working under WA Eden, the Surveyor of Historic Buildings, who was dedicated completing the work of the architect and reformer CR Ashbee, who had listed all the buildings that should be preserved within 20 miles of the Aldgate Pump. This idea became the 'Survey of London' and Barker took over when Eden retired in 1970. The LCC became the GLC and Barker became the head of the Historic Building Commission, working on an advisory committee with notables such as Sir John Betjeman, Sir John Summerson, Sir Osbert Lancaster and Sir Hugh Casson.In 1986, he was appointed head of the London Division of English Heritage. He retired in 1988.
Lot 814
A 19th century hand painted ceramic bowl of circular form, painted with floral sprays and gilt motifs and three masted naval ship in sea scape scene entitled 'City of Poonah', also with presentation inscription 'Presented by William Jones to his friend Captain James Wilson 1839', raised on carved wooden plinth, height 14cm, diameter 34.5cm.Additional InformationLight ware to gilt, large area of staining to centre of bowl, large crack to interior of bowl, further hairline cracks, oval piece broken out and glued back in two sections, stand also damaged.
Lot 894
A 19th century Continental ceramic wall clock, the circular face hand painted with battle scene inside Roman numerals and gilt metal surround, unmarked, height 63cm, diameter 36cm.Additional InformationWear to gilding, clock fingers missing, chip to centre of face where clock fingers should be, wear and scratches to paint work, further chip to glaze, otherwise good.
Lot 869
DRESDEN; a small group of ceramic items to include a hand painted and gilt heightened dressing table dish, a pierced floral twin handled bowl, to four outswept supports, a set of six lidded cups and tray (9).Additional InformationThe lidded cups and the tray are in good condition with just minor rubbing to the gilding.
Lot 819
A collection of 19th century and later ceramic figures to include a Wedgwood creamware plate with a central roundel depicting a horse and chariot, a 19th century hand painted Derby plate depicting a view of Gloucestershire, Chamberlain's Worcester Imari plate, a Granger's Worcester saucer decorated with bat, Aynsley cup and saucer with floral design, Royal Doulton figurine HN1413 'Marjorie', etc.
Lot 772
A mixed group of ceramic figures including Beswick 'Parsley the Lion' and 'Sage the Owl', Royal Albert large size Jemima Puddleduck and smaller figures including 'Rebecca Puddle-Duck' and 'Mr Drake Puddle-Duck with further Beatrix Potter and other figures (numerous items af)Additional InformationApart from the large size Jemima Puddleduck and three of the regular sized Puddleduck family, all Beatrix Potter figures are broken in various ways.
Lot 771
Eight ceramic figures including two Royal Doulton examples, 'Evelyn' and 'My Love' with further Coalport, also two Royal Crown Derby coffee cans and saucers (one piece af).Additional InformationThe Minton Sea Breezes figure has small chip to the billowing cloak, the Derby Imari coffee can is cracked.
Lot 778
ROYAL CROWN DERBY; nine ceramic paperweights to include two Imari patterned elephants, a carp, a swan, a duck, a robin, a cat and a snail (9).Additional InformationNoah's Ark lacking stopper, the remainder of the stoppers to appear gold although as is often the case with Derby paperweights, some have a silvery look, light general wear throughout.
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