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Click here to subscribeDavid Leach / Denby - A collection of 20th Century studio pottery art ceramic stoneware items to include David Leach pottery dish with St Ives marking to base, a Ben Holgate ceramic bird figure sculpture of two doves upon a tree, and a David Yorath for Denby vase. Also to include large studio vase by Robert Tarling with impressed stamp measuring approximately 27.5cm.
Warren MacKenzie (American, 1924-2018). Studio ceramic vase. Stoneware with a matte white oatmeal glaze and finger mark decoration. Stamped along the base.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Height: 10 in x diameter: 6 1/2 in.Condition:No chips, cracks, losses, or restorations. Very light wear to the footrim.
Warren MacKenzie (American, 1924-2018). Studio ceramic pottery vase with applied handles. Stoneware with a shino glaze and with a natural wood ash decoration along the shoulder. Possibly fired in Randy Johnston's kiln. Stamped along the footrim.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Height: 11 in x diameter: 8 in.Condition:There are no chips, losses, or cracks. There is wear to the footrim, consistent with age and use. No signs of restoration under UV light.
Warren MacKenzie (American, 1924-2018). Tall studio ceramic pot or vase. Stoneware with a dark Tenmoku glaze. Double stamped along the footrim.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Height: 14 in x diameter 6 in.Condition:There are no chips, cracks, losses, or restorations. A few white accretions that are easily removed throughout the body. Very light wear to the underside.
Warren MacKenzie (American, 1924-2018). Studio ceramic pottery vase. Stoneware with a dolomite glaze and matte gray. Not marked.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Height: 13 1/2 in x diameter: 7 1/2 in.Condition:No visible cracks, chips, or losses. There is minute wear to the footrim, as expected from age and use. There are no signs of restoration under UV light.
Warren MacKenzie (American, 1924-2018). Studio ceramic pottery plate. Stoneware with a matte white oatmeal glaze. Two sides of the plate with a thicker, brushed on glaze, providing a two-toned effect. With barbed wire decoration along the center. Not marked.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Height: 2 1/4 in x diameter: 15 in.Condition:No chips, cracks, losses, or restorations. Light wear to the footrim.
Warren MacKenzie (American, 1924-2018). Studio ceramic pottery covered bowl. Stoneware with a shino glaze. Lid with an applied handle. Not marked.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Height: 4 in x diameter: 3 3/4 in.Condition:No visible cracks, chips, or losses. There is minute wear to the footrim, as expected from age and use. No signs of restoration under UV light.
Warren MacKenzie (American, 1924-2018). Studio ceramic pot or vase with a recessed lid. Stoneware with a thin titanium matte glaze. Stamped along the footrim.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Height: 8 1/4 in x diameter: 7 in.Condition:There are no major chips, cracks, losses, or restorations. There are some white paint accretions along the surface of the pot. Light wear along the rim where the lid and body meet. Light wear to the underside.
Warren MacKenzie (American, 1924-2018). Studio ceramic pottery plate. Stoneware with a matte white oatmeal glaze and splatter decoration along the interior. Stamped along the footrim.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Height: 3 1/2 in x diameter: 13 in.Condition:There are no visible losses, cracks, or restorations. There is some crazing to the glaze throughout. Light wear to the footrim including two small chips.
Warren MacKenzie (American, 1924-2018). Group of four pieces of studio ceramic pottery including one small hourglass-shaped vase with two applied handles and three triangular bowls or dishes. Stoneware with a shino glaze. Marked along the footrims.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Height ranges from 1 in to 4 1/2 in; diameter ranges from 2 3/4 in to 4 1/4 in.Condition:There are no chips, cracks, losses, or restorations. Light wear to the footrims.
Maren Kloppmann (German, b. 1962). Square studio ceramic porcelain platter. Woodfired flashing slip with wad marks. Stamped along the underside.Kloppmann is a Minnesota-based artist who is known for her architectonic wall sculptures and geometric pottery forms.Height: 1 1/2 in x width: 10 1/2 in x depth: 10 1/2 in.Condition:There are no chips, losses, with a small (1mm in length) crack on one corner likely made during the pre-firing process. There is wear to the underside, consistent with age and use. There is a black-colored firing mark along the underside.
Warren MacKenzie (American, 1924-2018). Pair of two plates and two studio pottery ceramic cups. Stoneware in a shino and oil-spotting glaze. Each stamped along the footrim along the underside.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.(Cups, each) Height: 3 1/4 in x diameter: 2 1/2 in. (Plates, each) Height: 1 in x diameter: 7 in.Condition:The cups have numerous small chips along the upper rim. There are no other breaks, losses, or repairs. Light wear to the footrim.There are no chips, cracks, losses, or repairs to the plates. Light wear along the underside. Some crazing to the glaze throughout.
Jan Mckeachie Johnston (American, 20th/21st c). Studio ceramic pottery vase. Wheel-thrown vase with lug handles. Glazed with kaolin flashing slip and celadon glaze on the interior. Stamped along the vase.Height: 8 1/2 in x diameter: 7 in.Condition:Crazing to the glaze along the interior. Cracks formed along the handles, possibly original to firing. Light wear to the underside.
Warren MacKenzie (American, 1924-2018). A studio pottery decorated ceramic pouring bowl. A glazed stoneware vessel with a dolomatic matte glaze, decorated with cobalt and titanium. It is marked along the footrim.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Height: 4 1/4 in x width: 5 3/4 in x depth: 5 in.Condition:There are no visible cracks, chips, or losses. There is very faint, scattered crazing along the exterior. There is light wear to the footrim, as expected from age and use. There are no visible signs of restoration under UV light.
Warren MacKenzie (American, 1924-2018). Set of three studio ceramic tea bowls. Stoneware with a thin dolomitic matte glaze with Tenmoku and blue ash glaze decorations. Unmarked.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Height ranges from 3 1/2 in to 4 in; diameter ranges from 3 in to 3 1/2 in.Condition:There are no chips, cracks, losses, or restorations. Light wear to the footrims.
Warren MacKenzie (American, 1924-2018). Large studio ceramic teapot with a bamboo handle. Stoneware with a thin titanium matte glaze. Stamped near the upper rim.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.(Without Handle) Height: 6 1/4 in x diameter: 7 1/2 in.Condition:There is one small chip along the upper rim. Some very light wear where the lid meets the body of the pot. Light wear to the footrim. No cracks or restorations.
Warren MacKenzie (American, 1924-2018). Studio ceramic square-form vase with two applied handles. High-fired stoneware with copper green oribe style glaze. Stamped along the base.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Height: 9 1/4 in x width: 4 1/4 in x depth: 4 1/4 in.Condition:Crazing to the glaze. No chips, cracks, or losses. No restorations
Warren MacKenzie (American, 1924-2018). Studio ceramic pottery vase. Stoneware with a matte white oatmeal glaze. Stamped along the footrim.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Height: 9 1/4 in x diameter: 6 1/2 in.Condition:There are no visible chips, cracks, or losses. There is minute wear to the footrim, as expected from age and use. There are no signs of restoration under UV light.
Randy Johnston (American, 20th/21st c). Studio ceramic pottery tall vase. Stoneware woodfired with a shino glaze decorated with iron oxide and fly ash decoration. Marked along the underside.Height: 14 3/4 in x diameter: 5 1/2 in.Condition:There are no chips, cracks, losses, or restorations. Light wear to the footrim.
Warren MacKenzie (American, 1924-2018). Studio pottery ceramic cup. Stoneware with a matte white oatmeal glaze and raking designs along the side. Stamped along the footrim.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Height: 3 1/4 in x diameter: 3 in.Condition:No chips, cracks, losses, or restorations. Light wear to the footrim.
An Iznik pottery tile Turkey, circa 1575of square form, decorated in raised-red, cobalt blue, turquoise and green with black outline on a white ground with two scrolling tendrils terminating in roses and overlaid with partial floral medallions, the interstices with cloudbands 25.4 x 25.6 cm.Footnotes:ProvenanceHôtel Drouot, Paris, November 2010, lot 251.Private Belgian collection acquired at Mansour Gallery, London on the 7th of April 2001, and thence by descent.Similar treatment of roses can be seen on Iznik tiles in the Cinili Kiosk Museum at the Topkapi Saray, Istanbul (Gonul Oney and Banri Namikawa, Turkish Ceramic Tile Art, 1975, nos. 69, 70 and 74).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
A Chinese Langyao red monochrome bowl, Qing Dynasty, Kangxi, with finely veined glaze pooling to white at the rim, the foot interior glazed in white with brown veining, 15.4cm diameterProvenance:By descent to the present ownerCollection of Lieutenant Colonel Kenneth Dingwall DSO (1869-1946)Born in Caterham, England, Kenneth Dingwall was a highly-decorated officer and collector of East-Asian ceramics. He was made a Lieutenant in the Gordon Highlanders in 1894 before serving in the North West Frontier from 1895 to 1898. Sent to South Africa in 1899 he was in action throughout the Boer War, for which he received the DSO in 1901. After a short retirement from the army in 1904, he re-joined in 1914 and was frequently employed as a Deputy Judge-Advocate during the Great War. An active collector of Chinese ceramics, Dingwall was one of the founding members of the Oriental Ceramic Society which formed in 1921. He belonged to the National Art Collections Fund and was the single largest donor to the Victoria and Albert Museum between 1910 and 1937, leaving a further bequest in 1948, and donating four items to the British Museum. Part of his collection was sold at Sotheby's London on 10th March 1933, consisting of 90 lots of mostly Tang to Ming ceramics. 清康熙 郎紅釉盌 拍品來源：英國東方陶瓷創始人之一及英國傑出服務勛章持有人Kenneth Dingwall 中校（1869-1946）收藏，其在1910-1937年間為維多利亞和阿爾伯特博物館最大的捐贈人。 Condition Report: filled exterior rim chip approximately 1.2cm long x 6mm hightwo small hair cracks to rim approximately 1cm long and 5mm longCondition Report Disclaimer
PICTURE ASSORTMENT to include Japanese prints, large leaded glass panel of a small boy "Hello Daddy, Guess What I've Got", 121 (h) cms, ERIC BLACKBURN oil on board - mountainscape, 23 x 36cms, quantity of prints and a wall ceramic designed and handmade by BOWEN WILLIAMS titled "Le Lac Des Cygnes", 52 x 119cmsProvenance: Private collection Conwy
Danish mid-century ceramic sculpture. 'Mother and baby', inscribed 'HK', impressed mark 'Made in Denmark'. H35cm Condition Report: Appears to be restoration (a reddy brown residue) were her feet are attached to the base. Several small chips to the base. Generally a little dirty, specially her hose and fingers. There is a firing crack inside the plinth and an air hole at the nap of her neck.
A white gold diamond and black ceramic bead bracelet, by Jarretiere, with round brilliant cut diamonds, all spitch set to white illusion spacer beads, alternating to three rows of black ceramic oval beads, strung plain to expandable steel springs, 13mm wide, approximately 51mm inner diameter, 24.39g, with a Jarretiere boxCondition ReportSettings a little dirty.No visible gaps between beads when not in use.Springs appear to be in good condition.
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