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Lot 56
CHINESE PORCELAIN GREY CRACKLE WARE VASE QIANLONG PERIOD with flared neck above cylindrical body and twin lion-ring moulded handles, with dual `iron wire` and `golden thread` craquelure 24cm high Note: the glazed base bears Sidney L Moss label. Literature: illustrated in `Chinese Ceramic Glazes` by AL Hetherington, published by the Commonwealth Press, Inc, Los Angeles, 1948, plate XIV, and to be sold with a copy of the book.
Lot 134
A VICTORIAN INLAID ROSEWOOD LADIES WRITING DESK IN THE FRENCH TASTE, having gilt brass gallery over superstructure with two short drawers to each side, inlaid leather writing surface on breakfront with moulded edge and two box drawers flanking centre drawer standing on square tapering legs with ceramic castors. Overall decorated with foliate scrolled inlays and strung outlines. C1875. 36" Wide x 21" Deep x 38" High.
Lot 217
A HARLEQUIN SUITE OF VICTORIAN MAHOGANY SHOW FRAME PARLOUR FURNITURE, to include button backed scroll armed chaise longue with serpentine seat and cabriole legs on ceramic castors, two similar spoon backed scroll armed gentleman`s fireside chairs and three oval button backed side chairs with serpentine seats and cabriole legs. C1890 (6).
Lot 219
A VICTORIAN MAHOGANY HALF TESTER BED, the short moulded canopy with baluster drop finials, and having arch moulded and panelled foot with spirally turned uprights and bulbous finial`s, on baluster turned legs with ceramic castors. Complete with a full arrangement of drapes and covers. C1895. 6ft x 4ft 6" x 90" High. Divan mattress.
Lot 229
A 19TH CENTURY FRENCH MARBLE AND BRONZED SPELTER FIGURE MOUNTED CLOCK GARNITURE, the clock surmounted by a large figure of a fairy, and being of stepped green veined marble with circular ceramic face painted with flowers and having Arabic numerals and French brass drum movement striking on one bell, standing on gilt metal scroll feet. Together with two figural bronzed spelter mounts of a boy with bird and girl with butterfly, on circular green vein marble bases with gilt metal scrolled feet. 22" High. (3).
Lot 233
A LATE 19TH CENTURY BRASS ROCOCO STYLE MANTEL CLOCK, the case surmounted by two handled urn and having "C" scroll loop handles to each side, overall decorated applied foliate designs and standing on scroll feet. Ceramic face with Arabic numerals, two train French brass drum movement striking on one bell. C1900. 15" High.
Lot 241
A 19TH CENTURY FRENCH ORMOLU AND GILT SPELTER SPHERE CLOCK, the blue ceramic case surmounted by gilt metal pediment with pineapple finial, and having applied entwined bell flower mounts, the enamel face with Roman numerals supported on a pedestal base with scrolled griffin and lion mounts on four foliate feet. French brass two train drum movement striking on one bell. C1890. 20" High.
Lot 243
A LATE 19TH CENTURY GREEN MARBLE CLOCK GARNITURE, comprising rectangular shaped clock with urn finial overall decorated with gilt metal foliate mounts and having gilt metal face with ceramic Arabic numerals, standing on scroll feet. French brass drum movement striking on one bell. Together with a pair of matching gilt metal and green marble four branch foliate candelabra standing on similar scroll feet. C1890. 24" High.(3).
Lot 249
A VICTORIAN TORTOISESHELL SILVER MOUNTED BOUDOIR CLOCK, having swing handle and pierced foliate mounts to the rectangular case, circular ceramic face painted flowers and having Arabic numerals, standing on beaded ball feet. Brass rectangular plate movement. London 1900 hallmark. 4.5" High x 3" Wide x 2.5" Deep.
Lot 47
A Parian Porcelain Figure of Musidora, after William Theed, Copeland 1867, for the Ceramic and Crystal Palace Art Union 1866, impressed marks and title, 44cm high This is the companion figure to Malempré`s shepherd boy, and is based on the marble statue executed in 1866 for the Prince of Wales, exhibited at the 1866 RA, and placed in Marlborough House, London. Musidora is a water nymph featured in James Thompson`s The Seasons (1730) who was loved by Damon, a young swane. From a copse he sees her bathing and writes the following lines in sand on the river bank: Bathe on, my fair, - yet unbeheld save by the second I, of a fateful love; I go to guard thy haunt, to keep from thy recess each vagrant foot and each licentious eye For a similar figure see The Parian Phenomenon, edited by Paul Atterbury, published by Richard Dennis, page 153, illus 518
Lot 56
The Bride, after Raffaelle Monti, for the Ceramic and Crystal Palace Art Union of London, circa 1861, a pedestal bust, of a veiled bride wearing a tiara of flowers, on a concave sided circular base impressed Crystal Palace Art Union, the bust with incised signature R Monti and 1861, also impressed Copeland, 38cm high
Lot 62
The Mother, after Raffaele Monti, for the Ceramic and Crystal Palace Art Union, 1874, pedestal bust, as a veiled mother cuddling her child beneath a diaphanous veil, on a concave sided circular plinth impressed Crystal Palace Art Union, the bust with incised R Monti signature and 1871, stamped Ceramic and Crystal Palace Art Union, Copeland 074, 38cm high This pedestal bust is illustrated in Copeland (Robert) Parian Copeland`s Statuary Porcelain, page 218, entry and photo B.52. This bust is companion to The Bride.
Lot 965
Resplendent Quetzal (Pharomachrus mocinno), circa 1880, a pair of males, full mount, one perched on a branch, another perched on a faux rock amongst ferns and grasses, beneath a large glass dome on a carved and giltwood inner base and ogee sided walnut plinth with ceramic feet, 84cm high overall, 28cm deep
Lot 1189
A Liberty & Co English Pewter Cigarette Box, of rectangular form, the hinged lid set with green oval cabochon, stamped marks, shape No.0124, 17cm by 10cm, 8cm high; and Two Pewter Photograph Frames, of rectangular design, one mounted with a blue ceramic cabochon the other with initial "M", both unmarked, 34.5cm by 24cm (internal measurements 24cm by 16cm) 28cm by 20cm (internal 17.5cm by 13cm) (3)
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163696 item(s)/page