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- This set was an exclusive gift for Collecting Track Associates at Star Wars Celebration V which took place in Orlando in 2010. Includes metal lunchbox with colour artwork, a ceramic bowl, a glass milk bottle and spoon, each featuring custom printing. Good - Scratches to back of box and slight dent. Dimensions: 27 cm x 22 cm x 8 cm (10.38'' x 8.46'' x 3.08"). . VAT STATUS: M
1st-2nd century AD. A ceramic footed bowl with rounded rim, incised line to the equator, cursive inscription which is a simple recipe, mentioning bread and fish to be mixed or dressed with oil and wine, and to be used or served every Tuesday; the bowl was presumably intended and used for the preparation of this recipe, and the mentioning of ingredients makes sense as a reminder or as instruction to domestic staff not entirely familiar with the preparation: 'PANEM SARDINAS OLEI VINI (vacat) VNO(m) VAS AQ(u)ALE(?) / DIE MARTIS' which translates to: 'Bread, sardines, one water(?) bowl of oil (and) wine / on (every?) Tuesday’, or alternatively: 'Bread, sardines, of oil (and) wine; one water(?) bowl on (every?) Tuesday'. For reference to letter forms of Roman cursive in the 1st-2nd century refer to the standard handbook of E. Maunde Thompson, An Introduction to Greek and Latin Palaeography, 1912, tables and samples on p.315-21. 559 grams, 17.5cm (6 3/4"). Property of a Middlesex gentleman; acquired in the 1980s. The M being left out in VNO(m) is a common spelling variant for VNVM and is common in graffiti e.g. from Pompeii, as the final M was already not pronounced anyway at this time, as in modern French and Italian. The reading seems certain but for AQ(u)ALE: the presumed Q looks like no other letter, but is not close to a normal cursive Q either, one must therefore presume that it was mis-written; there is no other Q in the inscription with which to compare it; also, if a Q, one must presume that the next letter V/U was left out (plausible enough, as Q was never used without V/U anyway on the other hand"). On the other hand, I cannot make sense of any other possible reading here. The shape of letter R is very different in SARDINAS compared to MARTIS, yet both readings must count as certain. Latin sarda or (as here) sardina was a small fish pickled or salted, possibly our sardine, but cut probably be used for any small fish thus prepared or conserved. Fine condition, repaired. Extremely rare.
2nd-4th century AD. A ceramic redware bowl with decorative band below the rim, frieze with hounds and fleeing deer, winged and other figures in tier below. 247 grams, 14.5cm (5 3/4"). From a private Netherlands collection; previously in an old collection since before 1980. [No Reserve] Fair condition.
Ca.16th-15th century BC. A Middle Babylonian or Middle Assyrian letter written in Akkadian comprising; a pillow-shaped ceramic tablet with dense cuneiform script to both faces and four edges, a letter written to a person named Iriš-Addad, concerning a runaway 'henchman' and also mentions 'a Babylonian', which may also be that persons name. 137 grams, 75mm (3"). From a private Belgian collection; previously part of a private collection formed in Germany in the 1990s. Very fine condition.
4th-8th century AD. A ceramic bowl with rounded base, the inner face with a coiled line of text in Aramaic script running between the centre and the rim; underside with inked outline standing figure with arms outstretched. 388 grams, 18.5cm (7 1/4"). From an important French collection formed since the early 1960s. [No Reserve] Fine condition, complete and undamaged.
Tang Dynasty, 618-906 AD. A dynamic pair of ceramic polo-player figures, each a galloping horse with legs extended and mane flying, painted harness and bridle detailing, bearing a female rider; one in green floral robe with right arm bent before the body and left hand trailing, the other in coral floral robe with right arm bent beside the body; each with a custom-made stand. 12 kg total, 48-49cm with stand (19 -19 1/4"). Ex private London collection, formed 1970; accompanied by two original thermoluminescence test certificates issued by Laboratory Kotalla of Germany, report numbers 03CM160919 and 04CM160919. [2] Fine condition.
Tang Dynasty, 618-906 AD. A finely modelled hollow ceramic figurine of a courtly lady with dressed hair and draped robe, arms raised within the sleeves, bird perching on the left hand, tail chipped, cloud slipper emerging from beneath the hem, irregular base. 3.7 kg, 49cm (19 1/4"). From a private UK collection, acquired on the London art market 1970-2000; accompanied by an original thermoluminescence test certificate issued by Laboratory Kotalla of Germany, report number 09CM160919. Fine condition.
Tang Dynasty, 618-906 AD. A finely modelled ceramic model oxcart on a rectangular base, the beast with harness and yoke decorated with bosses, the two-wheeled cart with barrel-shaped roof, forward driving platform, disc wheels with sugarloaf hubs. 4.6 kg, 43cm (17"). From a private UK collection, acquired on the London art market 1970-2000; accompanied by an original thermoluminescence test certificate issued by Laboratory Kotalla of Germany, report number 20CM160919. Fine condition, repaired.
Han Dynasty, 206 BC-220 AD. A ceramic model carriage comprising: cuboid body with two large wheels, overhanging roof canopy, rectangular entrance, ledge for the driver; draught ox with yoke and harness, decorated with red discoid studs, lateral thills (shafts) with fittings; rectangular base. 5 kg total, 48 cm long (19"). Property of a Sheffield, UK, professional; formerly with Suppinger's Auctions, Redmond, Washington State, US, 2015; previously in a North American collection. Fine condition, repaired.
Ming Dynasty, 1368-1644 AD. A glazed ceramic three-part model shrine with scooped base square in plan with raised tile ridges and horse-head protomes, shrine with central round-section trunk and flanking column to each corner, seated figure of Buddha to one face and incised calligraphic script; upper section similar to the base with gabled roof, horse-heads and other detailing. 25 kg, 81cm (32"). Property of a North West London gallery; formerly in a 1980s collection; accompanied by an original thermoluminescence test certificate issued by Laboratory Kotalla of Germany, report number 13PX060219. [3] Fine condition, chipped and repaired.
Ming Dynasty, 1368-1644 AD. A glazed ceramic jar with square rim, well superstructure with roof and addorsed dragon-heads, jar beside one leg. 2.1 kg, 45.7cm (18"). Property of a Middlesex collector; acquired on the London art market before 2000; formerly in an old English collection. Fine condition.
Ban Chiang Period, 15th-9th century BC. A ceramic storage jar with tall basal ring, biconvex body and flared neck; sgraffito bands with reserved text, notched collar to the equator. 2.4 kg, 26cm (10 1/4"). Property of a Cambridgeshire lady; formerly in the Igor Karmiloff collection (1925-2016), UN economist and author of Flashbacks, Icons of Impermanence, Bloomington, 2009; acquired in the 1950s-early 1990s; accompanied by a copy of an invoice from Galerie Koller, Zurich, Switzerland, dated 16 August 1981 and an old photograph dated 1982. Very fine condition.
Ban Chiang Period, 15th-9th century BC. A ceramic jar with bulbous body and rolled rim, decoration of multilinear painted bands and whorls. 2.3 kg, 23cm (9"). Property of a Cambridgeshire lady; formerly in the Igor Karmiloff collection (1925-2016), UN economist and author of Flashbacks, Icons of Impermanence, Bloomington, 2009; acquired in the 1950s-early 1990s; accompanied by an original invoice from Galerie Koller, Zurich, Switzerland, dated 16 August 1981. Very fine condition.
Ban Chiang Period, 15th-9th century BC. A ceramic footed vase with bulbous body and flared rim, decoration of multilinear painted bands and whorls. 1.6 kg, 22cm (8 1/2"). Property of a Cambridgeshire lady; formerly in the Igor Karmiloff collection (1925-2016), UN economist and author of Flashbacks, Icons of Impermanence, Bloomington, 2009; acquired in the 1950s-early 1990s; accompanied by a copy of an invoice from Galerie Koller, Zurich, Switzerland, dated 16 August 1981. Very fine condition.
12th-13th century AD. A turquoise-coloured ceramic bottle with bulbous body, tapering neck with collars and tulip-shaped mouth with six flutes. See Carboni, S. & Whitehouse, D. Glass of the Sultans, New York, 2002. 956 grams, 28cm (11"). Property of a London gentleman; formerly with Mahboubian Gallery, London, UK; acquired before 1972. Fine condition, repaired.
18th-19th century AD. A group of fifteen glazed ceramic tiles forming a polychrome frieze, cityscape of Mecca and the Kabbah within a border of foliage and tendrils. 17 kg total, 19.5 x 19.5cm each (7 3/4 x 7 3/4"). Property of a gentleman; from a Mayfair, London, UK, gallery. [15] Fine condition.
18th-19th century AD. A substantial circular ceramic wall tile with raised rim and inner ring of crosses, band of raised Kufic script to the outer ring and central calligraphic symbol; traces of blue, white and red glaze. 2.9 kg, 32cm (12 1/2"). Property of a London gentleman; acquired from his father's collection. Fine condition.
9th-11th century AD. A hollow ceramic vessel with domed top and conical base, intended to be filled with explosive liquid and wick, used as a hand grenade; three raised lugs to the body, band of pellets and chevrons to the shoulder, short neck. Cf. Arendt, W. Irene Granaten des 13-14. Jahrhunderts, die an der Wolga gefunden sind, Zeitschrift fur Historische Waffen-und Kostumkunde, 11 (1926-8), p.42; Arendt, W. Die Spharisch-konischen Gefasse aus Gebranntem Ton, ibid.; Ayalon, D. Gunpowder and Firearms in the Mamluk Kingdom, London, 1956, p.16. 530 grams, 12.5cm (5"). Property of a North London gentleman; formerly in the Frederick Erskine Collection of Weaponry of the Middle Ages. Fine condition, repaired
Late 2nd millennium BC. A burnished ceramic jar with carination to the shoulder, shallow vertical ribs and lentoid bosses, broad conical neck with slightly everted rim; possibly Vatin Culture. 1.8 kg, 25.5cm (10"). Property of a European collector; formerly in an old collection formed in the 1980s. [No Reserve] Fine condition, rim chipped.
1st millennium AD. A glazed ceramic figurine of a nude female sitting with hands on her hips, painted linear ornament in red and black. 325 grams, 12.5cm (5"). Property of a Cambridgeshire lady; formerly in the Igor Karmiloff collection (1925-2016), UN economist and author of Flashbacks, Icons of Impermanence, Bloomington, 2009; acquired in the 1950s-early 1990s. Fine condition.
1st millennium AD. A group of four ceramic large cylinder seals comprising: one with frieze of figures holing hands over flowers; one with concentric rings; one with geometric motifs; one with running scrolls. 224 grams total, 38-65mm (1 1/2 - 2 1/2"). Property of a Cambridgeshire lady; formerly in the Igor Karmiloff collection (1925-2016), UN economist and author of Flashbacks, Icons of Impermanence, Bloomington, 2009; acquired in the 1950s-early 1990s. [4] Fine condition.
8th-15th century AD. A group of ceramic conical, barrel-shaped and other manteno beads with traditional impressed designs. 48 grams total, 10-15mm (1/4 - 1/2"). Property of a Cambridgeshire lady; formerly in the Igor Karmiloff collection (1925-2016), UN economist and author of Flashbacks, Icons of Impermanence, Bloomington, 2009; acquired in the 1950s-early 1990s. [18] Very fine condition.
Chimu Period, 9th-15th century AD. A ceramic jar or ewer formed as two connected bulbs, one with applied wing and leg detailing, bird's head above with open beak, strap handle connecting to the second bulb with applied collar and flared neck. 587 grams, 17cm (6 3/4"). Property of a Cambridgeshire lady; formerly in the Igor Karmiloff collection (1925-2016), UN economist and author of Flashbacks, Icons of Impermanence, Bloomington, 2009; acquired in the 1950s-early 1990s; accompanied by two scans of 1980s photographs. Fine condition, chip to rim.
1st millennium AD. A ceramic stirrup jar with domed underside, two conjoined spouts, painted motif of an S-shaped reptile with head to each end of the segmented body. 336 grams, 13cm (5"). Property of a Cambridgeshire lady; formerly in the Igor Karmiloff collection (1925-2016), UN economist and author of Flashbacks, Icons of Impermanence, Bloomington, 2009; acquired in the 1950s-early 1990s; accompanied by two scans of 1980s photographs. Fine condition.
Tuncahuan Period, 5th century BC-5th century AD. A ceramic footed bowl with conical body and flared foot, painted polychrome geometric patterns to the inner face, radiating bars to the outer. 582 grams, 21cm (8 1/4"). Property of a Cambridgeshire lady; formerly in the Igor Karmiloff collection (1925-2016), UN economist and author of Flashbacks, Icons of Impermanence, Bloomington, 2009; acquired in the 1950s-early 1990s; accompanied by a 1980s photograph. Fine condition.
SIX VARIOUS ORNAMENTS, to include Border Fine Arts 'Washday Blues' RR04 (boxed), Labrador Standing, style two, A1156, chocolate (boxed), and 'Hedgehog', style four, 148 (with plinth and box), a Blythe Collectibles figure group, a Country Artists wooden pot, mounted with hedgehogs and a ceramic fox (6)
A LARGE BOX CONTAINING A LARGE NUMBER OF RAF RELATED MILITARY ITEMS, to include reproduction posters, several framed photos of pilots etc, a RAF toiletries bag, an incomplete binder of the history of flight medallions/coin collection, a RAF ceramic wall plaque, signed group photo, rolled up, poor condition, large file box containing various booklets etc paperwork, also copy of Daily Sketch August 1940 re bombing raids over the UK

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163691 item(s)/page