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Lot 542
Mary Rose Young - two vintage late 20th - early 21st century oversized studio pottery ceramic wall chargers / fruit bowls. The lot to include a smaller bowl with zebra border design surrounded central colourful bullseye design, and the laarger with bright vertically striped border and central spotted design. Each with historic damage & repair. Signed in gilt & dated to underside.Smaller measures approx. 32cm in diameter, larger 43.5cm.
Lot 202
Ken Blezad (1929-2021) for Kay Pottery, Mullion, Cornwall - Two vintage Cornish studio pottery ceramic blue and white vases. The lot comprising a blue and white tapering shaped vase decorated wtih blue flowers, together with a smaller blue and white vase with abstract painting. Large measures approx. 27cm tall.
Lot 251
Frédéric Boucheron, Clement Massier and Lucien Hirtz. Exceptional display case object in forged silver and glazed ceramics with iridescent surface. Paris work circa 1897.Frédéric Boucheron (Paris 1830 - 1902) jeweler, goldsmith. He started his business in 1858 under the arcades of the Palais Royal, Galerie de Valois n°150 in the center of Paris. His innovative attitude earned him a gold medal at the World Exhibition in Paris in 1867 and the "Grand Prix" at the same exhibition in 1878. Boucheron moved his business in 1893, as the first jeweler, to "the Place Vendôme" a square near the Opéra de Paris, where it is still located. (No. 26) His jewelry and objets d'art are highly valued in aristocratic circles and are worn and purchased by royal families and high society. In 1897, Frédéric Boucheron opened his first foreign business in Moscow. When Frédéric Boucheron died in 1902, his children took care of the further future of Maison Boucheron.Clement Massier (Vallauris 1845 - Golfe-Juan 1917) Ceramist, brother of the well-known ceramist Delphin Massier. Clement is considered to be the founder of the modern ceramic industry of Vallauris at the beginning of the 20th century. From 1856 he worked with his father, Jacques Massier, and was initiated by the Italian master ceramist Gaetona Gandolfi. In 1883 he founded his ceramics factory in Golfe-Juan, on the road that connects Monaco, Nice and Cannes. This would allow him to build a rich and cosmopolitan tourist clientele. In 1887, he became an official supplier to the Crown of England. Lucien Lévy-Dhurmer, who worked as artistic director for Massier from 1887 to 1895, would introduce Clement to the magnificent iridescent reflections of his Spanish-Moorish collection of ceramics, which would prompt him to conduct passionate research to develop new types of metallic reflections on the earthenware. "Enameled ceramic with an irised surface" or " Au lustre métallique". At the 1889 World Exhibition, his turquoise ceramics earned him a gold medal. Ceramics au lustre métallique can be seen in important private collections and exhibited in museums such as the Musée d'Orsay in Paris, Kirkland Museum of fine and Décorative Arts, Royal Museum of Fine Arts Belgium, Musée de la céramique de Vallauris, Musée de Reims, etc.Lucien Hirtz (Nancy 1864 - Paris 1928) designer. He worked with major jewelers such as Falize and Boucheron for whom he made jewelry and art objects. He studied at "l'Ecole Nationale des Arts Décoratifs" and at the age of 21 he joined Falize as a draftsman. In 1893 he became the first designer for Maison Boucheron.A coupe in ceramic and silver can be found in the Boucheron archives in 1897 under the name "Coupe en grès, pieds et bords en feuillages et anses têtes de loups". A similarly silver mounted and faience example by Auguste Delaherche was previously sold at Christie's, 3 June 1975, Studio Pottery Art Nouveau and Cameo Glass, lot 27. | 8 x 16 x 10 cm.
Lot 048
Twelve House of Faberge Musical Eggs, to include eleven Tchaikovsky pieces as flower themed ceramic eggs (some damage to finials), and a 'Jewel of Christmas' musical egg, together with three House of Faberge Romanov Collection eggs, one with a watch, with related documents from House of Faberge. (15)
Lot 187
A collection ten 19th and 20th century novelty animal bronze and metal ink wells, including a Martin Brothers style ‘Wally’ inkwell - cold painted bronze cat's head inkwell, apparently unmarked, some rubbing to the paint, 11cm wide- painted spelter seated terrier inkwell with black hat and bandage to leg, some rubbing to the paint, 12cm high- bronze dog's head inkwell with glass inset eyes, patination rubbed down to the bare metal in place, otherwise good, 11cm wide- painted spelter Mastiff head inkwell with ceramic liner, light rubbing but essentially good, 7cm high- painted spelter crow pen brush, one leg broken away, rubbing to paint, 11cm high- painted spelter parrot inkwell, paint heavily rubbed, lacks well, 10cm high- part painted bronze dray horse head inkwell, some rubbing to the gilding and bronzed finish, oxidisation marks, lacks well, on black marble base with a small chips, 13cm high- Wally type bird painted spelter inkwell, some rubbing to paint, 9cm high- bronzed spelter terrapin inkwell with glass liner, one leg broken away and missing, 15cm- bronze running ostrich inkstand, oxidised and rubbed from polishing, the base with a lead coloured finish, overall somewhat oxidised but no real faults noted.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Lot 122
An unusually large William IV mahogany extending dining table, the rounded rectangular top with eight leaves over a scroll carved frieze, on scroll legs, fitted ceramic castors, 132cm wide, length 108cm extending to 556cm, 75cm high Overall of an even mid reddish brown mahogany tone, restored and retailed by Markes Antiques within the past 20 years or so and having seen little use since then, top remains flat and leaves are a good colour match, some small old scuffs and imperfections to the top from use over the years, sits on four outer corner legs and a further four inner legs of matching design, overall a good table that happily seats eighteen chairs around it, possibly more depending on the design, this was married to the set of twelve Queen Anne style chairs that are also in this sale.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Lot 921
A 9ct yellow gold gentleman's wristwatch, on leather strap, diameter of dial 3cm, a 935 grade hallmarked silver fob watch, the case inscribed 'Omega', and a modern ceramic lady's wristwatch, set with eight small rubies to the dial, combined ruby weight approx 0.08g, with certificate of authenticity (3).
Lot 82
Susie Cooper - An early 20th Century circa 1930s Art Deco ceramic coffee service and dinner service in the Wedding Band pattern. Comprising of coffee pot, 6x coffee cups, 5x saucers, various size plates, three soup bowls, two tureens (no lids), various sized jugs. Together with another coffee service in different pattern to include coffee pot, 4x cups and saucers and milk jug. All stamped to base Susie Cooper.wedding band service 20cm x 17cm approx.
Lot 149
Wootton Courtenay / Clevedon - A collection of ceramic studio art pottery comprising of jug and vase by Clevedon pottery, and a larger glazed vase by Michael Gaitskell of Wootton Courtenay pottery. Also to include a blue glazed vase, stoneware vase, squat pot to numbers 303-12 imprinted to base, and a mug / tankard with harvest imagery in relief and engraved Martin Homer to base.31.5cm x 15cm dimaeter approx.
Lot 92
A collection of 19th Century porcelain and ceramic plates comprising of Japanese & British examples. To include hand painted botanical floral designs with gilt detailing. Other examples include a Japanese plate with blue and red cherry blossom decoration and a green plate with floral pheasant design. AF.23cm diameter approx.
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163691 item(s)/page