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Lot 103
A quantity of china to include a pair of Coalport Cachepots, decorated in the Imari palette with gilding, birds and foliage, condition with wear and crack, approx 15cm high; and a Porcelain Royale ceramic plant holder, condition with some minor wear; and a blue and white plant holder and stand, drilled with hole to base, and X sword to base
Lot 77
Mary Rose Young - a vintage studio pottery large ceramic wall sconce candelabra. The sconce in the form of an oversized heart, featuring black spots on white ground with a border of roses. Twin scrolled candlestick columns ceramic with blossoming rose drip tray. Unsigned.Measures approx. 40cm tall, 33cm wide.
Lot 147
An early 20th century Art Deco spelter inkwell after Archibald Knox. The ink well featuring central pen rest, lidded ink well to right hand side and duck figurine to left (loose & in need of repair). Ink well with central removable ceramic well, in need of cleaning. Unmarked.Measures approx. 7cm x 29cm x 11cm.
Lot 79
An early 20th century Chinese blue and white ceramic charger plate. The circular charger decorated with dragon to centre and four dragons amidst peonies on the inner cavetto to interior. To exterior, four dragons with peonies. Six character Qianlong mark to the base.Measures approx. 6cm tall x 30cm diameter
Lot 14
A mid 19th century Victorian stoneware ceramic lidded cheese dome. The dome featuring Neo classical banded design on cream ground, featuring griffins, inset busts of emperors and urns. This in cobalt, gilt & red. Marked to underside with Rd. no, Florentine and M & Co.Measures approx. 29cm tall, 28cm diameter to the base.
Lot 117
A 20th century famille rose ceramic vase. The baluster shaped vase decorated with two green enamelled dragons amidst clouds and flame on the neck, a band of yellow ground with deep coral red ruyi clouds on the shoulder, four four-claws dragons with clouds and flames on the body, Qianlong mark to the base.Measures approx. 26cm tall.Mouth rim has been repaired previously.
Lot 97
Mary Rose Young - two vintage late 20th - early 21st century oversized studio pottery ceramic wall chargers / fruit bowls. The lot to include a smaller bowl with zebra border design surrounded central colourful bullseye design, and the laarger with bright vertically striped border and central spotted design. Each with historic damage & repair. Signed in gilt & dated to underside. Smaller measures approx. 32cm in diameter, larger 43.5cm.
Lot 184
Late 19th century Hinks & Sons Birmingham oil lamp nr 65891, with a ceramic reservoir in the Bohemian style, with an acid yellow shade and glass funnel, approx 43 cms h. This lot includes another Hinks & Sons oil lamp nr 2 with a porcelain reservoir in the Limoges style with panels for flowers and a courting couple, with a glass shade and glass funnel, approx 50.5 cms h. Condition ReportGood overall condition, the ceramic reservoir has some crazing to one of the flowers, the yellow shade is in good condition with only tiny nibbles felt under the fingers to the rim. The porcelain reservoir is in good overall condition, with some rubbing to the gilding, the shade is in good condition.
Lot 190
An interesting collection of Victorian Advertising ceramic pot lids, including ten Burgess's Anchovy Paste for Toast & Biscuits (condition varies) most with associated bases; thirteen toothpaste covers including Calvert's Carbolic Tooth Paste, Cherry Tooth Paste, Woods Areca Nut, Jewsbury & Brown Oriental Tooth Paste, Edward Cooks Hygienic Tooth Soap, Savars Carbolic Tooth Paste and American Dentifrice toothpaste (five with associated bases); four Cold Cream ceramic pot lids including W.J Smith, Atkinson's Rose. This lot concludes with a small number of mismatched pots and lids. (30+) Condition ReportNot all items have been photographed.
Lot 85
Meiji Japanese scalloped ceramic satsuma pottery bowl depicting an immortal along the center, late-19th to early 20th century. With a six-character mark along the underside.Height: 3 1/4 in x diameter: 8 3/4 in.Condition: There are no major breaks, losses or restorations. Crazing throughout. There are a few light scratches throughout. Some wear to the footrim.
Lot 12
Chinese unglazed red pottery horse, possibly Eastern Han or Tang dynasty. A mingqi sculptural mortuary or spirit object. The horse strides or prances forward with its docked tail held high. With an S-curved neck and a well-sculpted head featuring open mouth, flared nostrils, and protuberant eyes under curved brows. The long, pointed ears are pricked upwards on either side of a gently sloped roached mane. With a plinth.Provenance: From the Estate of C. Curtis "Curt" Dunnavan, Long Lake, Minnesota.C. Curtis "Curt" Dunnavan (1926-2022) was a passionate world traveler and avid collector. It was through his travels that he was inspired to begin a lifelong relationship with the Minneapolis Institute of Art (Mia), becoming a major sponsor of the institute and facilitating the growth of their Asian art department, which is now one of the best in the country. His generous donations to Mia allowed them to establish a fund for the Deputy Director and Chief Operating Officer, one of the few endowed positions of this type in the museum field. He additionally served as a trustee of the institute, advocating for its operational growth. In its turn, the museum established a gallery named in his honor in recognition for his endowment fund and numerous contributions to their collection.Horse; height: 37 in x width: 26 in x depth: 9 1/2 in. Base; height: 11 in x width: 38 in x depth: 18 in.Condition: Overall there are no major cracks or losses. There is general wear throughout as expected from an item of this age. There is natural variation to the color of the horse including a darker head and a lighter tail. There are small chips throughout, some are natural minute losses to the material and possibly original to the artistic process. Along the left shoulder of the horse there is an uneven area of lighter-colored accretions that is slightly rougher than the area around it. There is a small chip along the back left hoof; there is a minute chip along the tip of the right ear; there are several small chips along the right shoulder; there are a few small chips along the right side of the jaw; there are small chips throughout the flared lips; there is a chip near the front of the left shoulder; there are a few chips along the front right hoof. There are hairline cracks throughout. The largest hairline cracks are in the following locations: around the circumference of the back left leg near the hock; there is a oval-shaped hairline crack along the front right knee; there is one along the center of the back; there is a T-shaped crack along the left cheek. There are two spots along the back of the horse along the aforementioned hairline crack where the ceramic is darker than the surrounding material. There is wear to the base including some areas of discoloration from the ceramic hoofs.
Lot 82
Kakurezaki Ryuichi (Japanese, b. 1950). Studio ceramic Bizen ware vase of an irregular cylindrical form, 20th century. With wooden tomobako box.(Vase) height: 8 1/2 in x diameter: 5 in. (Box) height: 10 1/4 in x width: 6 1/4 in x depth: 6 1/4 in.Condition: Due to the nature of the material, it is difficult to discern whether any damage has been incurred. However, there are no major visible cracks or restorations to the vase. Wear throughout including chipping and small losses to the glaze. Light wear to the footrim. Light wear to the box.
Lot 81
Group of six Japanese studio ceramic pottery sushi slab plates or oblong trays, 20th century. Including one lovely burnished red Bizen ware plate. With two wooden tomobako boxes.(Trays, each) height: 1/4 in x length: 10 1/4 x depth: 5 1/4 in. (Box) height: 5 1/4 in x width: 6 1/2 in x depth: 11 1/2 in.Condition: There are no major breaks, cracks, losses, or signs of restoration to the grey trays. Due to the nature of the red tray, it is difficult to discern whether any damage has been incurred; however, there are no major breaks, losses, or signs of restoration. Light wear to the footrims. Light wear to the box.
Lot 83
Fujiwara Yu (Japanese, 1932-2001). Set of six studio ceramic Bizen ware sake or guinomi cups and five sake bottles, 20th century. Several with incised "V" form marks along the footrim; some with varyingly shaped incised marks, likely by other Fujiwara family members. With wooden tomobako boxes.(Cups) height ranges from 1 1/2 in to 2 inches; diameter ranges from 2 in to 2 1/4 in. (Bottles) height ranges from 4 in to 4 1/2 in; diameter ranges from 2 1/2 in to 3 in. (Box) height: 4 1/2 in x width: 9 1/2 in x depth: 20 1/2 in.Condition: There are no major losses to the cups or bottles. There are small firing flaws along several of the pieces. Light wear consistent with age and use throughout including minute scuffs and light wear to the footrims. Wear to the box consistent with age and use including separation to the joints, light scuffs, and some worm holes.
Lot 60
Group of two antique or vintage Chinese ceramic Yixing ware clay teapots. Each featuring arboreal and plum blossom motifs. One teapot with Chinese red export wax seal along the underside.(Smaller) height: 4 1/4 in x width: 3 1/2 in x depth: 7 1/2 in. (Larger) height: 4 1/4 in x width: 4 in x depth: 7 1/2 in.Condition: There are no major breaks, losses, or signs of restoration. There are a few small chips throughout, primarily along the tips of each spout, where the lid meets each pot, and along the underside of each lid. Light wear to the footrims.
Lot 59
Pair of Chinese Guangzhou ceramic vases with carved wooden lids and stands, 20th century.(Each, with stand) height: 8 1/4 in x diameter: 4 1/4 in.Condition: There are no major cracks, losses, or restorations. Light wear to the footrims. Some wear including small scuffs to the wooden lids and stands.
Lot 80
Takahara Takushi (Japanese, b. 1959). Bizen ware or bizen-yaki studio pottery ceramic vase with recessed rim and two applied handles, 20th-21st century. Incised signature along the underside. With wooden tomobako box.(Vase) height: 10 in x width: 6 1/4 in x depth: 4 in.Condition: There are no major cracks, breaks, losses, or signs of restoration. There is a small firing flaw along the lower third of the vase. Light wear throughout including a few white scuffs, possibly original to the artistic process. Light wear to the footrim. Light wear to the box.
Lot 358
A late Victorian brass bed frame, with tall headboard posts fitted with brackets with associated hangings, with a brass footboard, the frame of black painted steel with modern lay-on slatted mattress supports, the black ceramic castors stamped 'G & G Patent', 233cm high, 160cm wide, 210cm long (suitable for Mattress size 190 x 150 - two small single mattresses)Good condition with later hangings and two part mattress support. Some tarnishing to brass finials and bed frame. Some locking nuts replaced. Structurally sound
Lot 260
A white marble topped washstand, circa 1900, possibly American, with galleried top and a painted burr effect veneered drawer, on brass cylindrical supports with ceramic casters, 80cm wide, 47cm deep, 102cm highOverall good condition. Marble superstructure of top and shelf removable as one piece separate from base. Faux burr veneer painted metal fronted drawer and sides. Structurally sound. SOme minor wear and scuffs and slight marble chipping to edges commensurate with age and use.
Lot 189
â–² Hilary Simms (contemporary), 'Rock Pool on Granite', a raku-fired ceramic vessel, inscribed to the underside and labelled to the plinth, 40.5cm high42.5cm overallExhibited: Mall Galleries, 2013.Condition ReportThere is a very small nibble to the opening of the vessel. Otherwise, it is in good order. Please see the additional images.
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163696 item(s)/page