We found 163691 price guide item(s) matching your search
There are 163691 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
163691 item(s)/page
Lot 120
Warren MacKenzie (American, 1924-2018). Two sets of studio pottery ceramic triangular bowls for a total of nine pieces. Glazed stoneware. One set of six tri-colored bowls and one with three bi-color bowls. Each marked along the underside or footrim.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Height ranges from 2 1/4 in to 2 1/2 in; diameter ranges from 4 1/2 in to 5 in.
Lot 121
Warren MacKenzie (American, 1924-2018). Small studio pottery ceramic charger. Glazed stoneware with painted splatter decoration along the bowl. Marked along the footrim.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Height: 1 1/2 in x diameter 8 1/2 in.
Lot 122
Warren MacKenzie (American, 1924-2018). Pair of studio pottery ceramic bowls. Glazed stoneware splash decoration along the interior. Both with impressed marks.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Shallow bowl; Height: 2 in x diameter: 8 1/4 in. Bowl; Height: 2 1/2 in x diameter: 6 in.
Lot 123
Warren MacKenzie (American, 1924-2018). Studio pottery ceramic charger or platter. Stoneware glazed with a white and brown linear pattern on a tan ground.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Diameter: 18 1/4 in x depth: 3 1/2 in.
Lot 124
Warren MacKenzie (1924-2018). Group of two studio pottery ceramic bowls with lids. Glazed stoneware.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Flat lid; Height: 3 1/2 in x diameter: 5 1/4 in. Rounded lid; Height: 5 1/2 in x diameter: 5 1/2 in.
Lot 125
Warren MacKenzie (American, 1924-2018). Group of four studio pottery ceramic cups with stems. Glazed stoneware with various decoration and glazes. Each marked along the underside.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Height ranges from 3 1/2 in to 3 3/4 in; diameter ranges from 3 1/2 in to 3 3/4 in.
Lot 126
Warren MacKenzie (American, 1924-2018). Studio pottery ceramic fluted vase in bulbous form. Glazed stoneware. Marked along the footrim.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Height 4 1/4 in x diameter 4 1/4 in.
Lot 127
Warren MacKenzie (American, 1924-2018). Studio pottery ceramic pitcher and lidded sugar bowl. Glazed stoneware. Both marked along the footrim.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Sugar bowl; Height: 3 1/4 in x diameter: 4 in. Pitcher; Height: 9 1/2 in x width: 8 in x depth: 7 in.
Lot 128
Warren MacKenzie (1924-2018). Group of two studio pottery ceramic bowls with lids. Glazed stoneware.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Black Glaze; Height: 4 3/4 in x diameter: 5 1/4 in. Orange Glaze; Height: 4 1/4 in x diameter: 5 1/4 in.
Lot 53
JOAN RIPOLLÉS (Castellón, 1932)."La chica del gallo".Mixed media on canvas.Signed in the lower left corner.Measurements: 130 x 97 cm.Known by his second surname or as "the Blessed Ripo", Joan García Ripollés discovered his passion for painting when, when he was still very young and in the middle of the post-war period, he started working in an industrial painting workshop. From then on he devoted himself to painting at night, and later took drawing classes at the Ribalta secondary school in Castellón. After his debut in a group exhibition held in 1951 at the Caja de Ahorros de Castellón, 1954 was a turning point in his career, as a result of a trip to Paris where he made contact with the artistic circles of the city. He remained in the French capital until 1963, and during these years he produced twelve paintings for the church of Saint-Paul de Trigan in the Commune des Chaulegnes. However, he was unable to give up industrial painting until 1958, when he joined the Drouand David gallery in Paris, one of the most prestigious in the world. He organised his first major solo exhibition at MACBA in 1962, and in 1967 he travelled to New York, where he exhibited and sold his entire collection to The William Haber Art Collection. That same year, the New York dealer Leon Amiel, of the Larrouse gallery, acquired all his work, something which was repeated on his trip to Japan. From that moment on, he embarked on a dazzling international career that has taken his work all over the world. In 1977 he moved to Holland, where he produced the engravings for the book in homage to Josep Plà. Between 1986 and 1987 he devoted himself to sculpture, producing sixty-two works in ceramic and bronze which were exhibited at the 1988 edition of ARCO. He has organised solo exhibitions not only in Spain, Paris and New York, but also in Mexico, Holland, Belgium, Italy, Switzerland, Sweden, various American cities, Germany and Japan. He is currently the exclusive artist of The William Haber Art in New York and the Galerie Drouand in Paris. In 2000 he was awarded the Premio de las Artes de la Comunidad Valenciana. Ripollés is today one of the most international Spanish artists, and also one of the most complete, as he has worked brilliantly in painting, sculpture and engraving. After an initial stage of correct figuration in which he recreated the landscape of his homeland, his work began to lean first towards dramatic expressionism and then towards a simplified painting based on the imaginative and poetic recreation of reality. Within this lyrical, ironic and somewhat erotic world, he developed a body of work whose roots conceal a deep admiration for Picasso and Chagall. Ripollés is represented in the IVAM, the MOMA in New York, the Museum of the University of Alicante, the Museum of Fine Arts in Seville and the MACBA.
Lot 47
TRADE CATALOGUE: GRAND DEPOT, PARIS: 'La Ceramique Moderne par la Grand Depot', Paris, 21 Rue Drouot, n.d (late 19th century): fine catalogue of porcelain, glass and other ceramic ware, numerous full page chromolithographic illustrations, publishers blue cloth gilt lettered to upper board, light external wear else in very good condition. (1)
Lot 326
A 19th century Continental silver and enamel scent bottle, of waisted and panelled form, engraved with flowers and stylised foliage with blue, turquoise and white enamel decoration, 10cm high, an enamel scent bottle painted with panels of courting couples on a blue ground, an oval blue jasperware scent bottle, a silver topped ceramic scent bottle, relief decorated and painted with flowers, a gold mounted Swan pen, the mounts stamped 18K, and a miniature pair of gilt scissors and penknife. (7)hinge to silver and enamel scent bottle is damaged, so lid comes off, some minor knocks, and damage/loss to the enamel. Enamel scent bottle has a small areas of damage/loss, and a hairline crack. Jasperware scent bottle has some chips to edges. Ceramic scent bottle has som chips and damage to the applied flowers.
Lot 355
Railwayana - Derby Locomotive Works - an interesting collection of tools and equipment, mainly Midland Railway, including steel measuring callipers marked PS; four tyre bolts, 7 x 15/8in, 51/2 x 2in, 51/2 x 7/8in and 51/2 x 5/8in; an LMS tyre bolt stamped 16/THDS/11/4; two LMS railway telegraph ceramic insulators 12.5cm x 7cm; LMS arched steel tool marked Motion die/for use on slotting/L 2.645/H 2.650 O/6807, 14 x 12.5cm; LMS double ended steel 1in & 11/4in spanner 45cm long; LMS 1in & 111/16in double ended spanner 26cm long, stamped LMS/5/8 on shank, a double ended steel spanner consisting of a Lion Brand 3/8[in] and Snail Brand 5/16[in] single ended spanners welded together as a single double ended tool 27cm long; LMS DL gauge stamped G/17/8/G/I; LMS steel cold chisel, 18cm long, stamped NS/B/LMS; BR LMR steel 415/16in slotting tool 12.5 x 18cm; BR circular iron plaque marked Re/bodied/Derby/1970 12.3cm; another, aluminium and octagonal, marked Inter repair/lifted/3000/5-1978 10cm; BR original Midland Region metal and maroon enamel totem cap badge British Railways, on rev. J. R. Gaunt/London; GWR workshop (marked) metal bar 53.5 x 4cm; GW steel ‘T’ key 9cm square recess 5/16in (qty)
Lot 400
Concorde - memorabilia including a Bradford Exchange plate, Supersonic Years, limited edition, certificate, boxed; another, by Royal Worcester, 30 Supersonic Years, certificate, boxed; four collector's plates with certificates; a clock, At The Speed of Sound, 56cm wide; prints and pictures; large ceramic plaque, 100 Years of flight; etc; a Red Arrows picture; qty
Loading...-
163691 item(s)/page