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Dunhill Old Master Blended and bottled by Alfred Dunhill Limited, London. 750 ml. In original carton. 43% volume McGibbons Premium Reserve Ceramic decanter formed as a golf bag. Blended and bottled by Douglas McGibbon & Co. Ltd., Glasgow. 700 ml. In original packaging and carton. 43% volume 1 bottle and decanter
Royal Salute-21 year-old Blended and bottled by Chivas Brothers, Aberdeen. 70 cl. Wade ceramic decanter. In original carton. 43% volume Dimple-15 year-old Blended and bottled by J Haig & Co. Edinburgh for export to Iraq. 75 cl. brass wire mesh covered, maroon and gilt labelling. In original carton. 43% volume 1 decanter and 1 bottle
AN EDWARDIAN THREE PIECE ROSEWOOD SALON SUITE comprising settee and two open armchairs, upholstered in gold coloured fabric, all having stuffed over back above urn motif inlaid splats and partially padded open arms on turned supports, the rosewood frame having boxwood stringing. All raised on square section tapering legs terminating in spade feet with brass and ceramic castors.
A VICTORIAN WALNUT DAVENPORT having a fretted gallery top above two inlaid cupboard doors opening to reveal the fitted satinwood interior. The hinged slope enclosing a recess, pigeon holes and drawers, the left hand side opening to reveal four fitted drawers, raised on ceramic castors. 57cm x 56cm x 110cm high
A Victorian carved coal desk stand, dated 1877, the top with central inkwell with domed cover, flanked by rectangular section boxes with domed covers inscribed FOR ENVELOPES and FOR PENS respectively, the bow front inscribed G M COAL 1877, above a drawer FOR NOTEPAPER, on four white glazed ceramic toupie feet, 22.5cm high, 31cm wide; and a carved coal inkwell, similar
A pair of Victorian mahogany and upholstered armchairs, circa 1870, each with an overscrolling rectangular back above a pair of arms with scroll and lappet carved terminals, on baluster turned and reeded legs to the front, on ceramic castors, each 70cm wide (damage), together with a mahogany framed sofa, circa 1860, the serpentine shaped button upholstered back with central scroll carved tablet, the pair of scroll arms with lappet carved terminals, on baluster turned legs and castors, 207cm wide
Fernand Leger, 1881-1955 LES ACROBATES signed with the initials; printed with the Musee National F. Leger-Biot mark and numbered 3/25 on a label attached to the underside painted and partially glazed ceramic plaque 50 by 46cm.; 19.75 by 18in. Executed in a numbered edition of 25 examples after the original maquette by Fernand Leger exclusively for the Musee Nationale Fernand Leger-Biot. Provenance Musee Leger, Biot Acquired directly from the above by the present owner in 1985
Fernand Leger, 1881-1955 COMPOSITION ABSTRAIT signed and dated Avril 54 and inscribed Pour Alexandrof painted and glazed ceramic plate 22.3 by 23.2cm.; 8.75 by 9.125in. Executed in April 1954. Provenance Grigori Alexandrov, Paris Literature Yvonne Brunhammer, Leger: The Monumental Art, Milan, 2005, no. 132, illustration of a comparable work as part of a studio shot
AN EDWARD VII ROSEWOOD OPEN ARMCHAIR the scrolling top rail with central rectangular tablet, inlaid with ivory and stained wood depicting grotesque masks and trailing leaves above a rectangular padded back flanked by pierced 'C' scroll carved rails with inlaid tablets depicting urns and trailing flowers, downswept padded arms, on ring turned legs with ceramic castors
ESTDALE (20TH CENTURY) a mosaic of an owl, constructed in relief with ceramic and mother of pearl chips, black eyes against a blue mosaic ground, circa 1970, 71cms x 51cms, together with two coloured prints after Tretchikoff, entitled Miss Wong 59.5cms x 49.5cms in original wooden frame and 'Lady from the Orient' in white frame 57cms x 69cms

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