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Click here to subscribeA large ceramic lidded jar modeled as Kermit strumming his old banjo singing happily sitting on a tree stump. Treasure Craft impressed to lid. Henson Mexico backstamp. This item has its original box. Box measures: 8.75"L x 8.75"W x 15.5"H. Dimensions: 7.75"L x 8"W x 12.75"HManufacturer: Treasure CraftCountry of Origin: MexicoCondition: Age related wear.
This Easter house depicts scenes of whimsical easter egg hunting, flower filled window boxes and a decorated tree in the front yard. Made of ceramic and intricately designed to capture the spirit of Easter. This item has its original box which measures 13"L x 8"W x 8.5"H. Includes power cord. Department 56 backstamp. Issued: 2001-2005Dimensions: 8.5"L x 6.5"W x 8"HManufacturer: Department 56Condition: Age related wear. Tested, functionality not guaranteed.
The Original Snow Village series and Halloween Gift Set; 8 piece set ceramic figurines. Includes house, fence, tree, trick or treaters, three pumpkins, and bag of leaves. Includes adapter. Department 56 marking. This item has its original box: 17"L x 9"W x 14"H. Largest piece measures: 8.5"L x 7"W x 7.5"H. Issued: 2003Manufacturer: Department 56Condition: Age related wear. Tested, functionality not guaranteed.
The Original Snow Village series; a ceramic figure of an adorable building with an Easter Lily Special sale. Includes 3 pieces; the nursery, a boy, and a girl. Includes light fixture. Department 56 marking. This item has its original box: 1075"L x 7.75"W x 9.25"H. Issued: 2002Dimensions: 9.25"L x 6.5"W x 5.75"HManufacturer: Department 56Condition: Age related wear. Tested, functionality not guaranteed.
Warren MacKenzie (American, 1924-2018). Pair of studio pottery ceramic soup bowls with small handles. Shino glazed stoneware. Each marked along the footrim.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Each, height 2 3/4 in x diameter: 5 in.Condition: Overall there are no visible cracks, losses, or restorations. There is light crazing throughout, in particular along the interior of both items. There are minute losses to the glaze along the foot rim on both items. Light wear throughout consistent with age and use.
Warren MacKenzie (American, 1924-2018). Studio pottery ceramic bowl or dish. Conical form. Shino glazed stoneware with MacKenzie's signature finger marks. Stamped along the footrim.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Height: 2 3/4 in x diameter: 9 1/4 in.Condition: No chips, cracks, losses, or restorations. Light wear consistent with age and use.
Group of two ceramic glazed and painted pottery vases. One Eugene Roberts (American, 1876-1931) for Weller Pottery Co tall "Eocean" vase painted with thistles. Signed and impressed 21 4 along the underside. One Rookwood Pottery small vase with flowers, ca. 1904. Stamped with RP, date mark, 913F, and signed GP along the underside.Thistles; height: 12 in x diameter: 4 in. Lilies; height: 5 1/4 in x diameter: 3 in.Condition: No visible cracks, losses, or restoration under UV light. No major chips. Both items have crazing throughout. The smaller piece does not have any visible chips to the rim and footrim; along the underside, there is wear, consistent with age and use. The large vase has a minute glazing flaw along the upper rim, possibly original to production. Along the underside, there is light wear and a sticker adhered.
Warren MacKenzie (American, 1924-2018). Group of five studio ceramic cups and mugs. Glazed stoneware, one with a handle. Each marked along the footrim.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Height range from 3 1/4 in to 3 3/4 in; diameter ranges from 3 in to 3 3/4 in.Condition: No visible chips, cracks, dents, or signs of restoration under UV light. No chips to the rim or footrim. All items, except for the brown cup, have light crazing to the glaze. The brown cup has a minute white accretions along the underside. The cup with a horizontal brown line in the middle has a line of an area that seems to be a crack; however, it is not a crack but is naturally developed white baking in a kiln. Very light wear along the footrim, consistent with age and use.
Wiener Kunstkeramische Werkstatte Busch & Ludescher (Vienna Ceramic Workshop), Vienna, Austria. Porcelain perfume lamp in the form of two white embracing monkeys on a blue plinth. Marked along the interior and with the numbers 285, 25, and 4 and the workshop stamp.Height: 12 in x width: 6 1/2 in x depth: 5 in.Condition: The item is in good condition with no major dents, losses, or visible cracks. Wear and crazing throughout. Dust collected to recessed areas, as expected. Throughout the piece, there are several scattered areas of minute loss to the glaze. Unevenness to the back of the monkey; it does not seem to be a restoration. Along the body of the bigger monkey, there are scattered minute light brown dots. The eyes appear to be restored with glue, visible under UV light. Wear to the underside, consistent with age and use.
Warren MacKenzie (American, 1924-2018). Studio pottery ceramic pie dish. Matte glazed stoneware along the exterior. The interior with a gloss glaze with splashes of slip trailing blue and green. Stamped along the footrim.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Height: 1 3/4 in x diameter: 10 1/4 in.Condition: There are cracks throughout the work, visible along the interior and the rim. Light wear throughout consistent with age and use.
Warren MacKenzie (American, 1924-2018). Studio pottery ceramic bowl. Glazed stoneware with altered, triangular rim and painted decoration in iron or temoku and Reeve's green along the interior. Marked along the footrim.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Height: 4 in x diameter: 7 1/4 in.Condition: Original firing and glazing flaws. No visible cracks or signs of restoration under UV light. No major chips or losses. There is an area with minute chips to the glazing along the rim. Along the center of the interior of the bowl, there are two area that the surface is not covered with glazing; it is difficult to discern whether it is original or damaged; however, it is fluorescent under UV light; please see the listing image. Along the footrim, there is a minute chip.
Warren MacKenzie (American, 1924-2018). Studio pottery ceramic bowl. Conical form with tall sides. Shino glazed stoneware with MacKenzie's signature finger marks. Stamped along the footrim.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Height: 3 1/2 in x diameter: 8 1/4 in.Condition: No cracks, losses, or restorations. Light wear consistent with age and use. There are minute losses to the glaze along the top rim.
Van Briggle Art Pottery, Colorado, USA. Studio pottery ceramic vase with a gray "oatmeal" glaze, 1905. Marked with the Van Briggle logo of two conjoined A's, "Van Briggle," dated, and further incised VX along the underside.Height: 6 1/4 in x diameter: 4 1/2 in.Condition: No visible cracks or signs of restoration under UV light. Light wear throughout. There is a minute chip to the footrim. No visible chip to the top rim. Original firing and glazing flaws. Along the exterior, there are a few water streaks. Wear along the underside, consistent with age and use.
Warren MacKenzie (American, 1924-2018). Group of five small studio pottery ceramic plates. Shino glazed stoneware with slip trailing decoration. Each marked along the footrim.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Each, height: 1 in x diameter: 6 3/4 in.Condition: Light wear throughout. No visible cracks, chips or losses. Original firing and glazing flaws throughout. Crazing throughout all items. Minute chips to the rim on all pieces. Wear to the underside consistent with age and use. No visible sings of restoration under UV light.
Sarreguemines, French. Majolica ceramic candlestick in the form of a monkey in a top hat perched atop a book stamped "Darwin," late 19th century. The tail of the monkey forms the handle while the top hat is open for the candle. Stamped along the underside and additionally numbered "V1213 / 227 / 01 / 9."Height: 7 1/4 in x width: 4 in x depth: 6 in.Condition: No visible chips, cracks, losses, or repairs. Some light wear throughout, consistent with age and use. Some dirt and dust accumulated in the recessed areas of the work. Some crazing to the glaze throughout, particularly along the hat.
Villeroy & Boch, Luxembourg. Group of four ceramic pottery vases, early 20th century. With Art Deco handpainted decoration along the sides. Each stamped along the underside with a V&B mark as well as numbered.Height ranges from 4 1/2 in to 11 in; diameter ranges from 4 1/2 in to 7 1/2 in.Condition: There are no visible chips, cracks, or restorations. Light wear throughout all consistent with age and use. Some light accretions throughout. Three pots have felt tabs affixed along the undersides.
Otto Natzler (Austrian/American, 1908-2007) and Gertrud Natzler (Austrian/American, 1908-1971). Volcanic glazed yellow and black studio ceramic pottery vase or cup. Marked along the underside.Otto Natzler worked with his wife Gertrud in their Californian studio throughout the 20th century. From 1938 until Gertrud's death, the duo produced an increasingly notable body of work and elevated ceramics into fine art, with Gertrud as the potter using her refined wheel-thrown process for getting even eggshell-thin results and popularizing native California clay and Otto as the glazer going through experimental phases and thousands of colors. Gertrud's forms were reminiscent of the Vienna Secessionist movement, while Otto perfected over 2,000 colors and styles of glazes. In 1999, Modernism Magazine declared that the Natzler's work was "among the finest pottery of all time."Height: 5 1/2 in x diameter: 3 1/2 in.Condition: The vase is in good condition with no visible cracks or losses, or major chips. There is a minute chip to the rim. Along the underside, there are light marks from an adhesive sticker. Light wear to the underside. When inspected under UV light, there is no visible sign of restoration.
Van Briggle Art Pottery, Colorado, USA. Studio pottery ceramic vase decorated with three Native American heads below the top rim in Mountain Craig II glaze, ca. 1920. Marked with the Van Briggle logo of two conjoined A's, and "Van Briggle. Colo, Spgs." along the underside.Height: 11 1/4 in x diameter: 5 in.Condition: No signs of restoration under UV light. Along the underside, there is a chip, measuring 1 in; please see the listing image. Light wear throughout the item. Dust collected to the recessed areas. Light grey minute accretions, possibly paint, throughout the exterior as shown in the listing image. Wear along the underside, consistent with age and use.
Van Briggle Art Pottery, Colorado, USA. Studio pottery ceramic vase with a blue and green glaze and decorated with stylized arrows along the exterior, 1905. Marked with the Van Briggle logo of two conjoined A's, "Van Briggle," dated, impressed Roman numeral I, and further incised 5 in a circle along the underside.Height: 9 3/4 in x diameter: 4 1/2 in.Condition: No visible chips, losses, or signs of restoration under UV light. To the top rim, there is a very light crack, measuring 1/2 in, that does not affect the sturdiness of the item. Along the exterior, there are several minute scattered accretions; please see the listing image. Along the underside, there is wear, consistent with age and use.
Warren MacKenzie (American, 1924-2018). Faceted studio pottery ceramic bowl. Shino glazed stoneware. Marked along the footrim.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Height: 4 in x diameter: 7 in.Condition: No visible chips, cracks or losses. Very light wear throughout. Original firing and glazing flaws throughout. Crazing throughout. Wear to the underside, consistent with age and use. No visible signs of restoration under UV light.
Group of 13 studio ceramic cups, bowls, and vessels. Glazed stoneware, some marked. One Warren MacKenzie cup in dark blue, marked along the footrim. One Mashiko Studio, Japan, cup with circular decoration along the sides.Height ranges from 2 in to 4 1/2 in; diameter ranges from 3 in to 5 in.Condition: The dark brown low cup/bowl with a small chip along the footrim. The yellow low cup/bowl with a large crack through the side. The largest bowl and the two tan bowls have crazing to the glaze. Some with minute accretions (possibly from stickers). Very light wear throughout. The Warren MacKenzie bowl has no chips, cracks, or losses.
Jan Mckeachie Johnston (American, 20th/21st c). Group of three ceramic studio pottery trays. Glazed stoneware, each of rectangular shape with a stamp along the underside.Provenance: From the collection of Frederick and Catherine Asher, Minneapolis, Minnesota.Frederick M. Asher and Catherine E. Asher were prominent scholars in the field of Art History. Both dedicated their lives to the education of students, teaching for many years as professors at the University of Minnesota. They both had a passion for South Asian art, traveling extensively throughout India, Asia, and the Middle East. Selections from their travels and careers as avid art historians are offered in this auction. Their collection includes Indian jewelry, Japanese woodblock prints, an incredible slide collection, and much more.Height ranges from 4 in to 5 3/4 in; width ranges from 5 3/4 in to 10 3/4 in.Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
Maria Martinez (San Ildefonso Pueblo, 1887-1980) and Popovi Da (Antonio Martinez) (San Ildefonso Pueblo, 1923-1971). Blackware ceramic pot with one decorative band. Signed "Martinez" and "Popovi" and dated 6/60 (June 1960) along the underside.Maria Martinez was a member of the San Ildefonso Pueblo in New Mexico. She is credited with the rediscovery of the method for making blackware pottery such as this piece, and received two honorary doctorates for her pottery work. Popovi Da, born Antonio Martinez, was her son.Provenance: From the collection of Frederick and Catherine Asher, Minneapolis, Minnesota.Frederick M. Asher and Catherine E. Asher were prominent scholars in the field of Art History. Both dedicated their lives to the education of students, teaching for many years as professors at the University of Minnesota. They both had a passion for South Asian art, traveling extensively throughout India, Asia, and the Middle East. Selections from their travels and careers as avid art historians are offered in this auction. Their collection includes Indian jewelry, Japanese woodblock prints, an incredible slide collection, and much more.Height: 4 in x diameter: 4 1/4 in.Condition: There are no visible chips, cracks, losses, or restorations. Light wear and scratching throughout consistent with age and use. There is a network of minute white accretions with several larger accretions throughout.
The Saturday Evening Girls (SEG) Club, Boston. Group of three ceramic pieces including a teacup with a saucer and a small plate. Each marked SEG along the underside. The plate decorated with trees and marked E.G., possibly Edith Guerrier or Eva Geneco and numbered 19-7-12. The cup and saucer are decorated with repeating Art Nouveau designs in blue. The cup is also marked E.G. as well as F.B. The saucer is marked G.B. as well as T.M., possibly Teresa Molinari.The Saturday Evening Girls (SEG) Club and the Paul Revere Pottery (PRP), which grew out of it, began at the Boston Public Library in the 1890s. They were part of a social and cultural endeavor that grew out of the Arts and Crafts Movement, the growing Women's Movement, and the Settlement House Movement. It was founded by Edith Brown, Edith Guerrier and their benefactor, Helen Storrow. In total there were nine clubs for 4th to 7th grade children and high school girls that were each named for the day of the week on which it met. The pottery was the work of the older teens and young women of the Saturday Evening Girls Club. Artists included Albina Mangini, Frances Rocchi, Celia Goodman, Rose Bacchini, Sara Galner Bloom, Teresa Molinari, Tillie Block, Dina Harris, Ida Goldstein, Eva Geneco, Fannie Levine, and Lili Shapiro among others.Height ranges from 1/2 in to 2 in; diameter ranges from 3 in to 6 1/4 in.Condition: No major chips or losses. No visible sign of restoration under UV light. No visible chips along the rims. The cup has a hairline crack extending from the rim towards the center of the interior, measuring approx 2 1/2 in, which is also visible from the exterior. Light crazing to the interior of the cup. When inspected under UV light, there are water marks visible from the use. Wear along the underside. The cup has a minute glaze loss to the underside.
Pair of Villeroy and Boch, Mettlach, Germany. Pair of Art Deco ceramic hexagonal vases in cream, tan, and brown. Each stamped along the underside with the typical Mettlach abbey and numbered 3074 / 16 / 05.Each, height: 10 1/4 in x width: 4 1/4 in x depth: 4 in.Condition: There are no major chips, cracks, restorations, or losses along either. There are a few small chips along the top rims of each. Wear, light scratches, and a few accretions along both vases.
Van Briggle Art Pottery, Colorado, USA. Studio pottery ceramic vase with a dusty blue-gray glaze and decorated with stylized Art Nouveau designs along the exterior, 1904. Marked with the Van Briggle logo of two conjoined A's, "Van Briggle," dated, impressed 296, and further incised VX along the underside.Height: 7 1/4 in x diameter: 4 in.Condition: No visible chips along the rim. No visible cracks or signs of restoration under UV light. Near the foot, there are two minute chips; please see the listing image. To the exterior near the rim, there is a minute chip. Along the interior, there are unidentified residue, likely from use. Light wear throughout. Wear along the underside, consistent with age and use.
The Saturday Evening Girls (SEG) Club, Boston. Possibly Celia Goodman (American, 1903-1946). Ceramic bowl painted with pairs of rabbits in white on a blue ground with a white interior. Signed CG in a rectangle and numbered 547-1-10 along the underside.The Saturday Evening Girls (SEG) Club and the Paul Revere Pottery (PRP), which grew out of it, began at the Boston Public Library in the 1890s. They were part of a social and cultural endeavor that grew out of the Arts and Crafts Movement, the growing Women's Movement, and the Settlement House Movement. It was founded by Edith Brown, Edith Guerrier and their benefactor, Helen Storrow. In total there were nine clubs for 4th to 7th grade children and high school girls that were each named for the day of the week on which it met. The pottery was the work of the older teens and young women of the Saturday Evening Girls Club. Artists included Albina Mangini, Frances Rocchi, Celia Goodman, Rose Bacchini, Sara Galner Bloom, Teresa Molinari, Tillie Block, Dina Harris, Ida Goldstein, Eva Geneco, Fannie Levine, and Lili Shapiro among others.Height: 2 1/4 in x width: 5 in.Condition: No visible cracks, chips, or losses. Under UV light, there is no visible signs of restoration; however, there is minute crazing throughout the piece under UV light. Original minute firing and glazing flaws throughout. Minute accretions throughout that fluoresce under UV, could be cleaned and does not affect the overall work.
Bill Girard (American, b. 1936). Ceramic sculpture depicting a woman carrying a pot on her head. Signed and numbered 74/100 along the base.Height: 11 1/2 in x width: 7 1/4 in x depth: 7 1/4 in.Condition: No major cracks, dents, or losses. No visible signs of restoration under UV light. Light wear throughout. No chips to the pot on her head; there is an uneven area along the exterior. However, it is not very distinctive under bare eye. Dust collected to the surface, particularly along the recessed areas. Along the underside, there is a black felt attached to protect the sculpture.
Warren MacKenzie (American, 1924-2018). Pair of small studio ceramic plates. Glazed stoneware with brown streaks along the plate. Each marked along the underside.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Each, diameter: 7 in.Condition: The pieces have no visible chips, cracks or losses. No visible sign of restoration under UV light. Original glazing and firing flaws. No chips along the rim or footrim. Along the footrim, very light wear as expected from use and age.
Beatrice Wood "Beato" (American, 1893-1998). Rounded conical ceramic pottery vase. Luster glazed stoneware. Decorated with sigils along the interior and exterior. Signed along the underside.Beatrice Wood was heavily involved in the Avant Garde movement in the United States. She founded and edited The Blind Man and Rongwrong magazines in New York City with Marcel Duchamp and Henri-Pierre Roche in 1917. These magazines were originally created to defend Duchamp's famous submission of a urinal under the pseudonym of R. Mutt to the First Exhibition of the Society of Independent Artists in April of that same year. She was often characterized as the "Mama of Dada," as she was among the earliest pioneers of the Dada art movement in the U.S. Wood was also the inspiration for the fictional character Rose DeWitt Bukater in James Cameron's hit movie "Titanic" (1997).Height: 5 1/2 in x width: 10 3/4 in.Condition: No visible cracks, chips, or losses. No visible signs of restoration under UV light. Very light wear throughout, particularly along the underside. Throughout the item, there are areas of uneven coloration; however, they appear to be original to the design.
Warren MacKenzie (American, 1924-2018). Studio pottery ceramic casserole or baking dish with lid. Matte glazed stoneware along the exterior with an iron-rich glossy glaze along the interior. Triple stamped along the footrim.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Height: 6 in x diameter: 8 1/2 in.Condition: There is a small chip along the top rim. Additionally, there a few small divets along the top rim that appear original to the artistic process. There is light wear throughout consistent with age and use.
Warren MacKenzie (American, 1924-2018). Small studio pottery ceramic bowl. Glazed stoneware in dark russet brown and black. Marked along the footrim.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Height: 4 in x diameter: 6 in.Condition: No visible chips, cracks, losses, or signs of restoration under UV light. Original firing and glazing flaws throughout. Along the interior, there is a line of white accretions; please see the listing image. Very light wear along the footrim, consistent with age and use.
Susanne G. Stephenson (American, b. 1935). Ceramic, terra cotta, and clay slip vase titled "Cut Edge Vase." Inscribed in pencil along the underside "V-29."Provenance: Distinguished Corporate Collection, Minnesota.Height: 18 in x width: 10 in x depth: 10 in.Condition: The item is in good condition with no visible chips, cracks, or losses. Original glazing and firing flaws. No visible sign of restoration under UV light. Under UV light, there is a sticker mark visible to the interior of the top. Wear to the underside, consistent with age and use.
Warren MacKenzie (American, 1924-2018). Group of seven studio pottery ceramic mugs. Dolomitic Matte glazed stoneware. Each marked along the footrim.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Each, height: 3 3/4 in x width: 4 3/4 in x diameter: 3 1/4 in.Condition: Several mugs have wear and chipping along the rims and edges of handles
Warren MacKenzie (American, 1924-2018). Studio pottery ceramic bowl. Glazed stoneware in a pale green or blue. Marked along the footrim.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Height: 4 in x diameter: 5 1/2 in.Condition: No visible cracks, chips, losses, or signs of restoration under UV light. Original firing and glazing flaws throughout. Along the exterior, there are very light lines; however, they are original to the original design, not damaged. Very light wear along the footrim, consistent with age and use.
Warren MacKenzie (American, 1924-2018). Studio pottery ceramic bowls or dishes. Glazed stoneware, one with a Shino glaze and one with a glaze of cobalt blue. Each marked along the footrim.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Shino; height: 3 1/4 in x diameter: 9 in. Cobalt blue; height: 2 1/2 in x diameter: 7 3/4 in.Condition: Very light wear throughout. Original firing and glazing flaws throughout. No visible chips to the rim and footrim to the cobalt blue item. Crazing throughout the shino item; there are minute losses to glaze along the rim. The shino item does not show visible chips to the footrim. Wear to the underside, consistent with age and use. No visible signs of restoration under UV light.
A Victorian mahogany oval extending dining table, the top with moulded edge opening to receive two additional leaves, raised on inverted baluster reeded supports with brass caps, stamped C & C patent (Cope and Collinson) and ceramic castors, comes with winder, closed 168 (263cm extended) x 140 x 76cm high.
A Victorian Bur Walnut Microscope Slide Cabinet, English, c.1870, with plaque to inside of door for 'W. WATSON & SONS 313 HIGH HOLBORN LONDON' the cabinet with 10 deep slide drawers with deep drawer to base for accessories, with glazed door with lock and key, 2 sides of the plinth base missing, each drawer with turned knob and ceramic labels to each side, the cabinet contains a good selection of slides by makers including Wm. Gatrell, Barnes S.W., W. Watson & Sons, 313 High Holborn, and a number of slides from the Royal Microscopical Collection' and others approx 120 slidesFootnote: This lot contains ivory and has been registered in accordance with the Ivory Act (Section 10), Ref.8TGTPZX5
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