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Lot 105
Ruskin Pottery (British 1898-1935), a ceramic mauve lustre vase, Impressed 1921, Ruskin England, Globular form with slightly flared, cylindrical neck, covered overall with a lustrous mauve glaze, 22.5 cm highCondition Report:A few fine scratches. Light natural wear. Crazing to glaze, but this is not obvious. Some dirt on the inside.
Lot 121
Connells (British), an Arts and Crafts Pewter tea set with inset ceramic plaques, c.1900, stamped makers marks,Comprising: a tea pot, milk jug, sugar bowl, biscuit barrel with cover and hinged handle and a tray with openwork handles, each piece decorated with turquoise ceramic plaques (probably made by Ruskin),Biscuit barrel 24 cm high to top of handle; Tray 51 cm long (5)Some indentations, old marks, scratches and general wear. Wear to ceramics. Teapot with one cracked ceramic plaque, sugar with both cracked, milk and biscuit barrel ceramic ok. Biscuit barrel with an indentation on the bottom, but otherwise not too bad.
Lot 141
An Arts and Crafts oak dressing table manufactured by Lebus, Louis & Harris,c.1905, locks stamped 'L.L.H',The rectangular top surmount with dressing table mirror on supports mounted with copper strapwork and blue ceramic roundels, over single shelf flanked by jewellery drawers, the base with two graduated drawers, on square tapered legs,164cm high, 122cm wide, 58cm deepPlease refer to department for condition report
Lot 142
An Arts and Crafts oak triple wardrobe manufactured by Lebus, Louis & Harris, c.1905, The arched cornice above central mirrored door flanked by two panelled doors mounted with copper strapwork and blue ceramic roundels, enclosing hanging space and drawers, on plinth base, 222cm high, 206cm wide, 63cm deep Condition Report:Overall general wear to include scratches, scuffs, some minor age related splits, small indentations and minor losses to moulding. One piece of moulding to cornice is off but together with lot. The bevelled mirror plate is later and in good clean condition. Copper mounts with even tarnish/oxidisation throughout. Ceramic roundels with craquelure to glaze. Lock plate to double cupboard door has been replaced with some signs of damage around the lock. The end door with replaced lock. The double door interior with hanging rail and coat hooks, with drawer to base, the end door enclosing three linen drawers and one drawer to base, please note this is lacking one linen drawer and two further base drawers.
Lot 168
André Metthey (French, 1871–1920), a ceramic bowl,c.1910, impressed potters marks to base,Glazed earthenware, decorated on the neck, both inside and out, with a frieze of reclining figures hand-painted in slip and heightened with gilt, (restored),15cm diameter This bowl has been heavily restored.
Lot 225
Borek Sipek (Bo?ek Šípek) (Czech 1949-2016) for Driade 'Follies' series, an 'Odette' stemmed fruit bowl, c.1989, Printed Driade on bowl, The large tin-glazed blue and white decorated ceramic bowl with shaped and pierced rim and four loop handles rests on a pierced plated metal support, stem and a circular spreading foot, 40.5 cm high and 40 cm wide, Property from a Private Collection, Note: Borek Sipek (Bo?ek Šípek) (1949-2016) was a renowned postmodern Czech Architect and designer who was born in Prague and established his own design workshop in Amsterdam in 1983. He also began a collaboration with the Italian brand Driade, designing furniture and objects for them. His glass pieces have sometimes been described as Bohemian "neo-baroque". In his homeland he was designated ‘Court architect’ of Prague Castle by the then Czech president Václav Havel, the Castle being his official residence.A small inclusion to the outside of the ceramic bowl from the firing.
Lot 247
Robert Silver (British b.1955), A ceramic service, 21st century, impressed marks to bases, White stoneware with a grey oxidised glaze, hand-built and thrown, comprising; a teapot and cover, 18.5cm high, a sugar caddy and cover, 14.5cm high, two pouring vessels, 11cm high, 10cm high and three tea/coffee cups, 8.7cm high (7), Note: Robert Silver initially trained as a studio potter (Michael Casson was one of his teachers) and attended the two-year Studio Pottery Course at Harrow College of Art and Technology. He worked at the Govancroft Pottery in Glasgow as studio assistant to the designer Ken Southall and then worked as a freelance Design journalist for 35 years. Silver has since returned to his practical and artistic roots , “..possibly creating the best work of my life. But, then I’m biased.” His current work is aesthetic yet utilitarian; ‘..the result of a marriage between Bernard Leach and Art Deco pottery, creating a kind of Post Industrial, Steam punk pottery’. All pieces are in good condition with no breaks or restoration.
Lot 248
Robert Silver (British b.1955), a ceramic service, 21st century, impressed marks to bases, White stoneware with a blue oxidised glaze, hand-built and thrown, comprising; a teapot and cover, 17.5cm high, a sugar caddy and cover, 13.5cm high, two pouring vessels, 12cm high, 9.5cm high and three espresso cups, 8.7cm high (7), Note: Robert Silver initially trained as a studio potter (Michael Casson was one of his teachers) and attended the two-year Studio Pottery Course at Harrow College of Art and Technology. He worked at the Govancroft Pottery in Glasgow as studio assistant to the designer Ken Southall and then worked as a freelance Design journalist for 35 years. Silver has since returned to his practical and artistic roots , “..possibly creating the best work of my life. But, then I’m biased.” His current work is aesthetic yet utilitarian; ‘..the result of a marriage between Bernard Leach and Art Deco pottery, creating a kind of Post Industrial, Steam punk pottery’. There are minor glaze flaws on the tea/coffee pot, the largest at which approx.1cm across to the side of the body. This occurred during the making process. . Otherwise, all pieces are in good condition with no breaks or restoration.
Lot 254
Karin Hessenberg (British b.1944), twin-handled bowl, 20th century, impressed mark to base,A porcelain twin-handled bowl with oxidised mint glaze, 25cm long: together with a Fiona Bourke (British) cup and saucer, painted marks to base read 'FB.Nec 1.141.98', in porcelain on corrugated porcelain saucer (13cm x 14cm), and a John Jelfs (British, b.1946) vase, impressed mark to side, in stoneware with celadon ash glaze, 24cm high (ARR) (3), Footnote: Fiona Bourke was selected for the Ceramic Contemporaries exhibition and went on to win the overall prize. Her installation, "Necropolis 1", originally comprised 144 handmade porcelain cups, each on a corrugated porcelain mat and representing memories and images of Irish life.All three pieces are in good condition.
Lot 275
Ettore Sottsass (Italian 1917-2007), a model 'ET4' ceramic table centre piece for Alessio Sarri,c.1985, painted marks to underside 'Ettore Sottsass' & 'A. Sarri',A white glazed ceramic centrepiece, with four irregular rectangular sides, on square base,12.5cm high, 25cm square Please refer to department for condition report
Lot 30
Royal Bonn (German 1755-1931), a tall ceramic vase,Early 20th Century, printed maker's marks, Germany, painted D5819 290 C.4112/1, painter's signature 'B. GÜssgeu' on the side,Decorated with gilded raised outline of a tall flowering plant with glossy green and cream leaves against a background of a wooded landscape painted in mat green on a cream ground,61 cm high There is a chip on the rim of the foot and two glaze flake/losses on the green leaves. Some old marks, dirt and natural wear and some gluey label residue. Some rubbing and wear to gilding on both rims.
Lot 32
Carl Sigmund Luber (German 1896-1934), a Johann von Schwarz ceramic Art Nouveau tray with metal mounts, c.1900, impressed R, incised Q 8933, painted b.318, A,Decorated in raised outline with the profile head of an art nouveau maiden and poppies, with metal mounts, 46 cm long, 33.5 cm wideSome surface scratches and abrasions. Some dirt spots. Dulling to metal. Natural wear to underside.
Lot 94
William Moorcroft (British 1872-1945), a pair of Macintyre ‘Florian Ware’ Poppy design ceramic vases,c.1903-1904, printed Macintyre marks, Rd. No.401753, signed in green W. Moorcroft',The baluster forms decorated with poppies, tube-lined, painted and glazed,22.5 cm high (2)Some occasional scratches to the glaze and Crazing in keeping with age. Natural wear to the bases.
Lot 96
Moorcroft Pottery (British), a Limited Edition 'Kali Zoe' ceramic vase designed by Emma Bossons,2004, impressed pottery marks, signed E Bossons, numbered 69/300, sold with original box and booklet,The oviform with extended neck tube-lined and coloured with flowers and leaves, glazed,36.7 cm highLight wear to base.
Lot 97
William Moorcroft (British 1872-1945), a Macintyre ‘Eighteenth century Pattern’ ceramic stemmed cup and cover,c.1908, printed Macintyre marks, M1575, signed in green W. Moorcroft',The twin-handled cup on a tall stem with circular spreading foot, cover with gilded finial, decorated with swags of roses and forget-me-nots, tube-lined, coloured and glazed and gilded,22.5 cm highCrazing to the glaze and some wear. A few speck inclusions in the glaze from the making. Some rubbing to the top of the finial on the cover. Natural wear to the bases.
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163691 item(s)/page