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Lot 346
Stanislas Reychan (1897-1994) Two studio ceramic plaques, one decorated with a parrot, impressed marks to the reverse, 11cm wide x 14m high, the other with a turkey, impressed mark to both front and reverse, 11cm wide x 14cm high (2) Overall minimal glazes faults, some wear and scratches. Otherwise seem ok.
Lot 335
In the manner of William Newland (1919-1998) Studio ceramic sgraffito dish, decorated with birds, indistinct impressed seal mark to the footrim, 11.3cm across overallNote: In 1950 Newland married Margaret Hine (1927-1987) who also made similar examples to this as featured in the CoCA collection (YORAG: 2017.6) Overall minimal age related wear, minute glaze faults as expected, otherwise seems ok.
Lot 350
John Jelfs (b.1946)Studio ceramic vase with soda glaze and incised decoration, impressed mark to the footrim, 24cm high overall and a studio pottery teapot of squat form, with incised signature to the base, 9cm high overall x 32cm wide (2) Both with overall crazing and minimal firing faults to the glaze as expected. Otherwise seems ok.
Lot 311
William De Morgan (1839-1917) 'Iznik carnation' Merton Abbey period ceramic tile, marked to the reverse 'Craven Dunnill & Co, Jackfield Salop 114', 20cm x 20cm Overall wear, marks and some scratches. With crazing and some marks to the glaze as expected due to firing. Some small to chips to the reverse/edges, which cannot be seen when the tile is displayed and viewed from the front.
Lot 310
Pierre Mallett (1836-1898) for Burmantofts Pair of framed faience ceramic tile plaques, depicting a flamingo and a heron, each with moulded signature lower left, impressed 'Burmantofts Faience' to the reverse, ,44cm x 25cm including the frame (2)Literature: Burmantofts Decorative Tiles for Interiors, TACS, volume 22, 2016, page 29 catalogue number 64 these actual tiles illustrated. Please note these tiles have not been removed from their frames to examine. Overall wear, scuffs and marks to both, some general display scuffs to the frames as expected. The heron tile in particular has some deeper scratches to the glaze which almost look like glue lines, but we do not believe they are damaged or repaired.
Lot 417
Edward Spencer for The Artificers GuildSilver plated pedestal bowl, with two rows of circles to the top rim and a chainlink effect to the top of the pedestal foot, unmarked, 19.5cm across x 12cm high, an Artificers Guild copper chamberstick, stamped to the base, 15cm wide overall including the handle, an Arts & Crafts copper handled vessel with rivet style decoration, 14cm across x 13.5cm high, and a ceramic pottery vase with silver plated rim, the vase is marked indistinctly to the base, 26.5cm high (4) All with overall wear and scratches. Pedestal bowl with heavy tarnish and wear. Small dent to the rim of the copper handled vessel. Small dent to the rim of the sconce in the chamberstick. Large vase with some firing/glaze faults, otherwise seems ok.
Lot 247
A ceramic foot made by a model maker who worked for Monty Python, one of a number commissioned to be given as presents. The foot is based on a segment taken from the painting 'An Allegory with Venus and Cupid' by Italian painter Agnolo Bronzino (1503-1572) which hangs in the National Gallery, London. Terry Gilliam saw this painting and was inspired to 'borrow' Cupid's foot and immortalise it on TV. The foot is also sold with a signed book by Terry Gilliam 'Animations of Mortality', Provenance: This ceramic foot was given to the seller by a member of his family who was the model maker who worked for the Python's and is still friends with the surviving members. The book is signed by Terry Gilliam.
Lot 125
A late 19th century cold painted spelter desk stand, cast as a construction of branches with bird and nest of three eggs, original ceramic liner, 10.5cm high; a novelty Art Nouveau pewter tray, cast as a rabbit fording a stream with a raft of eggs, gazed upon by a hen, 12.5cm wide, impressed number 273, c.1900 (2)
Lot 2320
A Victorian oil lamp with cranberry and clear glass shade with etched floral decoration above the cranberry and milk glass reservoir, moulded and with gilt highlights, on a brass column, terminating on a brass and black plinth base, height including chimney 67cm.Condition Report: Wear to the painted detail on reservoir, internal air bubbles, dent to brass wick holder, crack to ceramic wick winder, minor chipping to rim of shade.
Lot 1721
A pair of ceramic figures, the lady with a basket of flowers, the man leaning on watering can holding flowers, height of largest 34cm.Condition Report: Male figure restoration the watering can, chipping to the flowers, wear to the paint and guilding, restoration to flowers, female figure restoration to arm and sheets, chipping to the floral decoration, fireing fault to neck, shoulder and base.
Lot 2047A
A small quantity of Inuit carvings, together with various other hardstone carvings.Condition Report: Lion is ceramic and indistinctly stamped, scratches, glaze faults and crazing to the glaze. Carving back right is possibly driftwood, height 15.5cm, length 18cm.Seal with remains on label, length 17cm, standing seal, height 10.5cm, each made from stone.eagles wingspan 21cm, bear is carved wood, length 13cm.
Lot 1702
COPE & CO; two Art Deco ceramic wall masks, to include a side profile of a girl with brown flowing hair, height 17cm, together with two further Art Deco wall masks to include a Royal Belverde example (4).Condition Report: Small Carter example with crazing and staining, black hat with scratch, larger Carter example is heavily crazed, small chips to inside rim, Czechoslovakian example with wear to black paint and chip to reverse.
Lot 1374
CROWN STAFFORDSHIRE; a ceramic inkwell retailed for T. Goode & Co Ltd, London, decorated with an original scene, with hallmarked silver cover marked for Birmingham 1910, length 20cm.Condition Report: Silver top is wobbly and is possibly a replacement, light crazing to the glaze, minor staining to glaze otherwise good condition.
Lot 1761
BRUNO MERLI FOR CAPODIMONTE; a large ceramic figure group representing a seated male playing the piano accordion with monkey holding a hat for loose change, length 33cm, together with a large Capodimonte figure of two elderly males seated on a bench, length 34cm (2).Condition Report: One of the arms from the bench has been broken off, otherwise each in good condition.
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163696 item(s)/page