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Lot 84
A large collection of Epns including two entree dishes, entree dish base, shell shaped butter dish, sauce boat and flat, miscellaneous teaspoons, serving spoons, jam spoons etc, a pair of grape scissors, a plated napkin ring, a three branch candelabrum, serving dishes, a plated cake stand, a set of Royal Crown Derby ceramic handled tea knives, miscellaneous odd condiments etc (a lot)
Lot 254
Chanel J12 - a lady's white ceramic quartz wristwatch, certificate of authenticity card states date of purchase 25/12/04 (i.e. likely Christmas present), original retailer's receipt (Mappin and Webb, Manchester) dated 5/11/2004 in the sum of £1825, serial number 72579, quartz movement, white dial, applied Arabic numerals, luminous baton hands, centre seconds hand, date aperture between 4 and 5 o'clock, rotating bezel with Arabic numeral 15 minute track, screw down crown, screwed down back with eight screws, case and dial signed , on a Chanel white ceramic block link bracelet with concealed clasp, with Chanel case within outer board Chanel box, original receipt, international guarantee certificate, spare links and outer card packaging, diameter 34 mm.
Lot 1580
An Art Deco George V silver-mounted travelling writing set, shell satinwood inlaid sloped case, containing silver desk set with ceramic engagements panel, pen rest, inkwells and postage stamp container, travelling silver-mounted ivorine perpetual calendar and 2 propelling pencils (1 ivory), by Charles Edwin Turner, hallmarks Birmingham 1912, desk panel width 12cm, calendar width 12.5cm, case width 18cm. This item has been registered as exempt from the UK Ivory Act 2018 on account of it being made before 3rd March 1947 with less than 10% ivory by volume. Ivory declaration submission reference FVATLJX3No obvious damage or repair, case hinge and catch working, ceramic panel has light crazing, lid hinges working, numerals on calendar are slightly faded with right section of backing panel broken and missing, hallmarks clear
Lot 113
ANTONIO PEYRO (Castellón 1881-1954)."Fallera".Ceramic.It has faults in the nose area.Provenance: Private Collection of Luis García Berlanga.With the artist's stamp and sticker on the base.Measurements: 18 x 11 x 10 cm.Antonio Peyró Mezquita was a painter, sculptor, ceramist and goldsmith. He was born in Onda (Castellón) in 1881. He began working in his father's forge when he was just a child, his first approach to the fire of the forge. After his time at the forge, he became an apprentice in the workshop of the master Viciano, coinciding with the sculptor Francisco Paredes. At the age of fourteen Peyró was awarded a scholarship to study at the Academy of Fine Arts of San Carlos (Valencia). In 1926 he went to Madrid to continue his studies at the San Fernando Academy, where he met teachers such as Emilio Sala and Muñoz Degrain. He became interested in painting, ceramics, design, sculpture and goldsmithing; thanks to his diversity of themes, his dynamism and fantasy placed him among the most important painters of his generation from Castellón. His most outstanding works include his series of large group paintings, such as "Valencianos a caballo en día de gala" (Valencians on horseback on a gala day). Thanks to Peyró's artistic work, he ended up discovering the typical ceramics of Castellón. His production included ceramic figurines, especially those dedicated to Valencian female figures, such as: "Valencianas", "Juegos Florales" (Floral Games) and "Danza Valenciana" (Valencian Dance). The figures were finished to perfection, the forms were solid and simplified. Peyró's works were very popular in his time, such was their success that he opened two houses selling his figures in Valencia and Madrid. He was a professor at the School of Ceramics in Madrid, the city where he lived for most of his life. He died in Valencia in 1954.
Lot 93
Centrepiece; Italy, 20th century.Ceramic.With cracks.Provenance: Private Collection of Luis García Berlanga.It has numbering on the base. Measurements: 52 x 29 x 25 cm.Ceramic table centrepiece in the form of a large still life of fruit, which sits on leaves. Among the fruits are arranged; lemons, oranges, bananas, pomegranates, cherries and two large pineapples that finish off the upper part of the composition and give height to the centre. The centre of the composition stands out for its great colouring, which is divided in the central area by the black colour of the grapes.
Lot 375
FINE REGENCY SUNDERLAND BRIDGE GLASS RUMMER,the generous bucket bowl wheel engraved with a depiction of a masted ship sailing under the bridge within an oval cartouche, the reverse with the initials WJ over crossed floral sprigs, on a spreading stem to lemon squeezer foot, 14.1cm highNote: Wearmoth Bridge was constructed between 1793 and 1796 and was the second major bridge to be made from cast iron; it ushered in a stream of commemorative pieces, typically ceramic lustre mugs, with glass instances being rarer.Condition generally good. Light age and use related wear. Would benefit from light clean. Small number of fleabite nibbles and a very minor chip (bottom corner) to foot. Some manufacturing flaws, including stirations to bowl, one appears as a scratch to interior bowl. Additional images now available.
Lot 580
ART DECO FIGURAL ASHTRAY STAND WITH DISH BY FRANKART INC,green painted spelter, modelled as a nymph with ceramic dish on shaped base, bearing impressed marks Frankart Inc T-361 1922, 24cm highCondition good to fair. The ashtray has been restored. The figure with areas of wear to paint. Additional images now available.
Lot 242
A Good Victorian Microscope Slide Cabinet, English, c.1880, unsigned, constructed of French polished mahogany with plinth base and glazed door, with 21 slide drawers each capable of holding 3 rows of 8 standard slides giving a total capacity of 504 slides, each drawer with a white ceramic label to each side and a ebony pull, with a single deep drawer to base, campaign-style brass handle to top,with lock and key.
Lot 294
An Unusual Ceramic Sundial by E G Wood, English, c.1880, signed 'E G Wood, Cheapside London, transfer printed and glazed, traditional English pattern with compass rose at centre, dial plate IIII am to VIII pm with equation of time table between,minute band divided to two minutes, with brass or bronze gnomon set at 51.5 degrees for London, plate diameter 31.7cm. Condition Report. One 13mm chip on rim, otherwise good, gnomon solidly fixed, flaking losses verso, see online images.
Lot 628
Late 19th Century French brass table and porcelain table clock, in the form of a Chinese table screen, with dragon cresting over floral ceramic panel (cracked) framing a 3.5-inch Arabic dial, the timepiece movement with vertically-mounted lever platform escapement, stamped E.G. L. within an oval (for E. Gay and Lamaille), the elaborate frame raised on pierced uprights and stretcher applied with two figures, between pierced oval pendants, 44.5cm high
Lot 688
Victorian rosewood and ebonised work table, the hinged rectangular moulded top enclosing maple lined interior with arrangement of compartments with line inlaid covers, raised on turned and fluted tapered supports on acanthus capped shaped downswept legs with ceramic castors, 61cm x 48cm x 83cm high
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