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Lot 47
A Martin Brothers stoneware bird jar and cover designed by Robert Wallace Martin, the bird with piercing staring eyes, his wings tucked back, his clawed feet on domed ceramic base, glazed in shades of green and ochre on later carved wooden base incised R W Martin & Bros Southall to collar and base, firing cracks and faults 23cm. high Provenance Private collection, formed in the 1970s
Lot 50
LATE VICTORIAN WALNUT LADY'S WORK TABLE, having bowed ends, single frieze drawer above slide out well, turned and fluted end supports with pole stretcher and outswept foliate moulded legs on ceramic casters. 69 x 45 x 76cm. CONDITION REPORT: Some old repairs and loose veneers to the top, with noted splits, general wear and tear, scuffs and marks in places.
Lot 265
19TH CENTURY INDO-BURMESE CARVED HARDWOOD CIRCULAR PEDESTAL TABLE, overall copiously carved and pierced with flower heads and foliate designs, the top with deep skirted frieze, on a baluster turned pedestal with carved bird mounts, standing on three carved, scrolled, dragon design legs with ceramic casters. 74 x 85cm. CONDITION REPORT: Minor losses in places, some loose sections to the frieze, long term stored and particularly dry, polishing and restoration required.
Lot 76
EDWARD J. RABY, (British, 1863-1940), flowers in a garden, signed, oils on ceramic dish, now mounted as picture. 16cm diameter.Note: Edward J. Raby Royal Worcester floral artist who later worked at Doulton, an uncle of Harry Davies and the son of Edward Samuel Raby of Bristol. CONDITION REPORT: no obvious damage or losses, modern frame and mount.
Lot 32
VICTORIAN ROSEWOOD FIRE SCREEN, having scrolled cresting above rectangular Berlin woolwork banner on spirally turned upright supports with similar stretcher on four outswept moulded legs with ceramic casters. 82 x 119cm. CONDITION REPORT: Rather grubby but basically appearing sound and in good condition, minor wear and tear commensurate with age accepted.
Lot 6
LATE 19TH/EARLY 20TH CENTURY FRENCH GILDED BRASS CARRIAGE CLOCK, having gorge case with full depth Roman ceramic face marked: James Truscott, Paris. Two train movement, striking on one gong. 16.5cm high. CONDITION REPORT: Overall rather grubby and with general wear to the gilding, face good, winds and ticks.
Lot 58
VICTORIAN MAHOGANY EXTENDING DINING TABLE, having moulded edged top with curved angles, standing on squared baluster and ring turned tapering legs, with brass cups and ceramic casters. Provides additional fifth centre leg and three additional leaves, with winder. 264 x 123 x 76cm high. CONDITION REPORT: Minor scuffs and marks, the top appears to have been refinished at one stage, general marks and scratches evident, old crack in one leaf.
Lot 74
VICTORIAN MAHOGANY CHEVAL MIRROR, having rectangular plate, scrolled horns and on a base of four outswept scroll feet with ceramic casters. CONDITION REPORT: A little dry in places, stained and generally worn, commensurate with age, some cracking to veneer and minor losses around frame. 74 x 153cm
Lot 52
LATE VICTORIAN MAHOGANY CIRCULAR TIP TOP CENTRE TABLE OR DINING TABLE, the top with moulded edge, and raised on a baluster pedestal and three outswept scrolled and foliate moulded legs on ceramic casters. 117 x 117 x 75cm. CONDITION REPORT: Good clean condition commensurate with age, a little dry, and scuffed in places, minor scratches and marks commensurate with age, but basically good.
Lot 1
Attributed to Minton, a pair of mid Victorian majolica vases, each with sea green caryatid handles above mask terminals on ochre yellow ground ovoid bodies between classically decorated turquoise ground waisted necks and socles, the paintings after Raphael's tondos in the Stanze de la Signatura of the Apostolic Palace, Rome carried out from 1509-11 depicting amorini holding inscribed tablets flanking seated figures, Thomas Goode paper label, 55cm (21.5 in) high (2) (D) Literature: For an illustration of similar caryatid handles and the painting on the Prometheus vase, see, Karmason and Stacke, 'Majolica', page 40 Other Notes: The attribution to Minton for the present vases might be projected further to suggesting that the caryatid handles are redolent of the shapes and designs of Pierre Emile Jeannest (1813-1857). The Fitzwilliam Museum holds a ewer with a caryatid handle and the Victoria and Albert Museum a wine cooler. Thomas Allen (1831-1915) might be suggested as the painter of these vases on the basis of his work on the Prometheus vase. Allen worked with Thomas Kirkby (1824-1901) for a time at Minton's and both ceramic artists did work for the universal exhibitions in the mid 19th century. A caryatid head has been glued back onto one and the other now has a wooden socle
Lot 113
Tape measures and related items comprising a ceramic example of a girl in a pink dress, 8cm, a celluloid example as a basket of fruit, another as a standing fruit seller, 5.5cm, an oval example with elephant motif and two celluloid thimble stands with thimbles (6) (From the collection of the late Jo Ball).
Lot 516
A collection of thimbles comprising a cased pair of silver thimbles issued by The Royal Mint for the 80th birthday of HM The Queen, a set of four silver thimbles ñBritish Hallmarksî, cased, a cased set of six Wedgwood ceramic thimbles for the wedding of Prince Andrew, with stand, four silver thimbles and a selection of brass and aluminium thimbles with advertising and motto borders (qty) (From the collection of the late Jo Ball).
Lot 654
A collection of twenty two buttons comprising a white metal example ïNÍ, 3.8cm, three silver examples, a set of six Indian silver inlaid buttons, 2cm, five micro mosaic glass buttons, another, and five ceramic buttons including a Ruskin example, 3.6cm (22) (A Collection of Buttons from the Property of a Deceased Collector).
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