This Royal Doulton character jug, "Aramis," D6441 was produced in 1989 as part of the Three Musketeers series. Standing at 6.75 inches in height, this finely crafted ceramic jug features the iconic depiction of Aramis, complete with a feathered hat, a sword-shaped handle, and a book. The jug bears the Royal Doulton backstamp on the base, confirming its authenticity. A collectible piece, it showcases the craftsmanship and attention to detail for which Royal Doulton is renowned.Dimensions: See DescriptionCountry of Origin: EnglandCondition: Age related wear.
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Royal Doulton large character jug of the Genie (D6892) is a hand-painted ceramic jug that depicts the mystical Genie with an ornate lamp handle. Marked with the Royal Doulton backstamp. A distinctive addition for collectors of fantasy-themed Royal Doulton jugs.Artist: Stanley J. TaylorIssued: 1991Dimensions: 7.25"HCountry of Origin: EnglandCondition: Age related wear.
Royal Doulton large character jug titled Rip Van Winkle, model number D6438, modeled by Geoff Blower. Issued in 1954, this hand-made and hand-decorated ceramic jug depicts the legendary sleepy figure with a curled beard and distinctive hat, featuring small figures on the handle. Marked on the base with the Royal Doulton backstamp and copyright mark. A fine example of Royal Doulton’s character craftsmanship. Measures 7"H. Issued: 20th century Dimensions: See DescriptionCountry of Origin: EnglandCondition: Age related wear.
A striking Royal Doulton large character jug featuring King Charles I, model number D6917. This intricately detailed, hand-painted ceramic jug was designed by William K. Harper and issued in 1992 as part of a limited edition of 2,500, commemorating the 350th anniversary of the start of the English Civil War in 1642. The sculptural handles depict significant figures from the time period, adding to its historical depth. The base is marked with the Royal Doulton backstamp and includes the hand-numbered edition 1890/2500.Artist: William K. HarperIssued: 1992Dimensions: 7.5"HCountry of Origin: EnglandCondition: Age related wear.
*KEITH MURRAY (1892-1981) 'Segovia' 1927, street scene with figures, monogrammed and titled lower left, dated verso, pencil and watercolour, 24cm x 30.6cmNote: Keith Day Pearce Murray MC RDI FRIBA (5 July 1892 - 16 May 1981) was a New Zealand-born British architect and industrial designer, known for ceramic, silver and glass designs for Wedgwood, Mappin & Webb and Stevens & Williams in the 1930s and 1940s. He is considered to be one of the most influential designers of the Art Deco / Modern age.
*KEITH MURRAY (1892-1981) 'Florence' canal scene with gondolier, signed and dedicated in pencil to the margin, monogrammed in plate lower right, etching, the image 12.5cm x 13cm; together with four further prints by Murray (5) (all unframed)Note: Keith Day Pearce Murray MC RDI FRIBA (5 July 1892 - 16 May 1981) was a New Zealand-born British architect and industrial designer, known for ceramic, silver and glass designs for Wedgwood, Mappin & Webb and Stevens & Williams in the 1930s and 1940s. He is considered to be one of the most influential designers of the Art Deco / Modern age.
*KEITH MURRAY (1892-1981) Spanish street scene with figures circa 1927, signed in pencil lower right, pencil and watercolour, 19cm x 29cm; together with another Swiss street scene 'Sion, August 1925', pencil and wash, 20cm x 31.5cm (2)Note: Keith Day Pearce Murray MC RDI FRIBA (5 July 1892 - 16 May 1981) was a New Zealand-born British architect and industrial designer, known for ceramic, silver and glass designs for Wedgwood, Mappin & Webb and Stevens & Williams in the 1930s and 1940s. He is considered to be one of the most influential designers of the Art Deco / Modern age.
Collection of Oriental China, comprising a Qing Dynasty Shallow Ceramic 'Fish' Dish, from the cargo of the wreck of the Tek Sing which sank in 1822, the cargo of which included a vast quantity of porcelain. Together with an Annamese Ware 14-15th Century Cosmetics Pot, a Northern Sung Dynasty Ch'ing Pai Shallow Bowl,a Qing 'Fish' Plate, Ming Dynasty Rice Bowl, a Hoi An shipwreck cargo blue and white deep bowl, and a Ca Mui Shipwreck 1730 Riverside pattern cup and saucer, and a small figure of a seated man. Approx. 24 pieces. Together with two boxes.
A variety of ceramic plates comprising of two Minton 'fruits' pattern plates, both signed by A. Holland; two late 19th century floral decorated elaborate plates; a single Coalport pink ground gilt plate with Parliamentary coat-of-arms, by appointment to Her Majesty Queen Adelaide, and six Azalea-patterned pottery plates. (11) Condition: loss to gilding, crazing, wear. Provenance: From a single owner private collection in Buckinghamshire.
-THIS IS CHARLES HANSON’S TRACK THE TREASURE FIND - ALL PROCEEDS GO TO THE SALVATION ARMY- A mid to late 19th century mahogany artist's paint box, hinged cover with crested paper "Patronized by Her Majesty's, Supreme Water Colours, Prepared for Juvenile Artists", with fitted compartments for a variety of coloured paints, all bearing matching crests, with other divisions for two small ceramic mixing bowls and rectangular three part ceramic paint pallet, the box also with drawer revealing further division area, front with three ceramic mixing bowls, missing key, overall box approx. 20.6cm wide x 16.2cm deep x 6.5cm high. Further details: outer case with nibbles, marks and general wear commensurate with usage and age; some usage, cracking or loss to paint, residue and paint stains to ceramic pieces, couple of ceramic pieces with crazing, minor cracks and slight chips.
A 19th century burr walnut vanity box with sloped top with central cartouche, interior cover with green velvet lining, interior of box with five division compartments for bottles, main area with removable tray, with drawer to base of box with fabric and velvet lining, along with two silver plated topped glass bottles / jars, a single long rectangular silver plated topped glass box, together with a rectangular Eastern plated metal box with floral design and cedarwood interior and a chromed cased soap box with ceramic interior. Further details: removable tray with broken panel to side detached; drawer to base of box not closing so sticking out; some loss to areas of velvet and fabric lining; cracks and splits to some areas of burr walnut exterior; long cracking and split to side of box exterior; split to top back of cover; chips and nibbles to areas; wear and small loss to escutcheon and cartouche, all plated items with loss to plating and worn areas.
A mixed lot comprising: a small sized Winstanley cat pottery figure with orange glass type eyes, (small nick to one ear); three large bulbous brown glazed pottery vases, all unmarked, one with landscape painted design to body, (some faults); a novelty ceramic Dusty Bin money box; a small Royal Doulton character jug of a lady; a boxed unmarked porcelain child's tea set; an Arts & Crafts style pewter covered jug with handle; a 1/2 pint pewter commemorative tankard for Elizabeth II 1953; a 20th century millefiori paperweight, and a Modern trio of wooden stacking boxes, with galleon designs. (Q)
A quantity of items to include tea and dinner ware by Royal Doulton in the Carmel pattern, with 6 Royal Doulton Commemorative trays and a quantity of Royal Doulton ceramic mlllenium fobs and Royal Doulton Ephemera, with a Wedgwood jasperware jar ,trinket box and paperweight, A glazed art 'flambe' vase and 2 resin figures, a Lladro clown and child figure, a Lladro puppy, together with various dressing table items, and tea and dinner wares by Bell China and Elizabethan China. Quantity 2 boxes, some with wear / faults
Sewing Interest: a mixed lot comprising of: an Art Nouveau style plated needle case, with typical design and hinged flap opening to reveal needle area (with modern needles), approx. 8cm long (loss to plating); a Mauchline Ware wooden thimble holder depicting scene of High Cliff, Walton On Naze, approx. 4.3cm high; a late 20th century carved wooden combined pin cushion and thread holder, carved with grapes and leaves, approx. 10.4cm high (chipped and with loss); a metal bullet shaped thread holder with tassel, case approx. 5cm long; a base metal hinged match holder, initialled J.C, approx. 5.2cm long; an early to mid 20th century novelty egg shaped thimble case, with floral and foliate detail, on suspension chain, approx. 4.5cm long; a pair of 20th century treacle type glazed ceramic pin cushions in the form of boots, each approx. 7.5cm long; a small ebony pin tray with hallmarked silver "Pins" to centre, approx. 7.3cm diameter, and a Lund's London letter clip. (1 bag) Further details: some with loss as mentioned; Mauchline ware thimble holder worn and with slight loss; wear to all.
Breweriana: a mixed lot comprising of an Offilers, Brewery Ltd enamel sign of rectangular shape for Weights & Measures Act 1963; two silver plated Offilers' Derby 1/2 pint mugs; a Bass pewter tankard; a Bass Pale Ale ceramic water jug; a Truman's Beer small jug (chipped spout); a Martell Cognac and Brandy, Sandland pottery mug of figural shape; varying keyrings of Brewery / Pub interest; couple of bottle openers; pocket knives; an Old St Andrews Scotch Whisky golf ball miniature; a bakelite type circular Bass tray and others, along with various costume cufflinks, a framed and glazed selection of Famous Footballers, Chix bubble gum cards and six Players with Pedigree cricketer cards, and a Rolls Royce folding pocket knife and lighter. (1 box)
A collection of mixed Royal Doulton ceramic figures comprising; Sarah 1995 HN3384; Innocence 1978 HN2842; Anniversary 1994 HN3625; rest being miniatures - Hannah 1990 HN3649; Elaine 1979 HN3214 (chipped); Goody Two Shoes 1939 HN2037; Dinky Do 1935 HN2120; Christmas Morn 1946 HN3212; Guy Fawkes 1918 HN3271; Tinkle Bell 1935 HN1677; My Pet 1961 HN2234; Falstaff 1949 HN3236; Affection 1964 HN2236; Southern Belle 1957 HN3174; Autumn Breezes 1939 HN2176 (chipped), Belle 1967 HN2340 (chipped), and Sara 1980 HN3219. (1 box)
A collection of ten Royal Doulton ceramic figures comprising: Autumn Breezes 1939 HN1934; Top O' The Hill 1937; Coralie 1963 HN2307; Secret Thoughts 1970 HN2382; Fair Lady 1962 HN2193; Ascot 1967 HN2356; Reverie 1963 HN2306; Elegence 1960 HN2264; Victoria 1972 HN2471 and Rebecca 1979 HN2805. (10) Further details: Secret Thoughts broken to foot and base with crack; Top O The Hill with manufacturing flaw to head. Ascot crack to base
An early 20th century Newman mahogany cased paint box, with removable tray holding various paints with crown cyphers and paint brushes, underneath holding the ceramic paint tray, oval stamp to cover of box for "Department of Science and Art". With key. Further details: some paint with loss or usage, only parts missing to some, marks, wear and tear commensurate with age.
1 Medium 19th century RARE "Liverpool" transfer colored Butterfly. The name given to these buttons was given by button collectors because the style of work was similar to that of work that was produced in Liverpool England, however they were most likely made in France in the late 19th century. The typical work found is of heads on white porcelain or colored backgrounds. Bruce says he has never seen this beautiful and colorful example before, although he has seen the design but not in color. This is a rare example for those who love "Liverpool" transfer buttons and/or Butterfly Buttons. And also for those who love Ceramic buttons or simply Buttons in general. Really great example. Issued: DIVISION 1=PRE 1918 AND DIVISION 3 IS AFTER 1918Dimensions: SM=Less than 3/4", Medium=3/4" to 1 1/4". Large=1 1/4" and above, extra large=1 3/4" and aboveCondition: Note: Antique buttons may show wear. Significant issues are noted, but shanks and backs on multi-button cards are not guaranteed. Contact us for details.
1 Medium size oval 19th century "Pate Sur Pate" button. This example has been always considered to be in this technique of Pate Sur Pate but recently the classification committe of the NBS has decided to decalssify this example as Pate Sur Pate, however we will tell you that our ceramic experts would disagree with that determination as the French examples we are talking about like this one certainly appear to be of the same technique. You can see one of the examples that the committee does currently accespt as Pate Sur Pate in this auction of the pinecone and leaves. However, whatever the determination is, this example is is still a wonderful and hard to find example of beautiful porcelain works from the late 19th century FRench porcelain factories. Pate sur Pate is a technique wherby the artists would apply multiple layers of slip (liquid clay) to an unfired, unglazed base. Issued: DIVISION 1=PRE 1918 AND DIVISION 3 IS AFTER 1918Dimensions: SM=Less than 3/4", Medium=3/4" to 1 1/4". Large=1 1/4" and above, extra large=1 3/4" and aboveCondition: Note: Antique buttons may show wear. Significant issues are noted, but shanks and backs on multi-button cards are not guaranteed. Contact us for details.

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163691 item(s)/page