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Lot 129
Mari Simmulson (1911-2000) for Upsala Ekeby, Sweden. Round ceramic bowl with motif of a woman's face and flowers.Approximately from the 1960s.Model number 5008M.Marked.In perfect condition.Dimensions: Diameter 19.2 cm x Height 3.8 cm.Mari Simmulson is recognized as a prominent figure in the esteemed world of Swedish ceramic design during the 20th century. She played a key role as one of the leading designers for Gustavsberg and Upsala-Ekeby from the 1940s to the 1960s.
Lot 82
SONIA DELAUNAY (1885-1979)Sonia Assiette céramique. Signée dans l'assiette. Ed. ArtcurialKeramisch bord. Getekend op het bord. Ed. ArtcurialCeramic plate. Signed on the plate. Ed. Artcurial24.5 cm (diamètre)This lot is subject to the following lot symbols: ARAR Un pourcentage supplémentaire sera demander aux acquéreurs pour les lots précédés du symbole AR correspondant aux droits de suite aux artistes en vertu de la réglementation de 2006 sur le droit d'auteur. Veuillez vous référer aux conditions de ventes pour plus de détails.De koper is ons een extra premie verschuldigd ter dekking van onze kosten in verband met de betaling van royalty's krachtens de Artists Resale Right Regulations 2006. Zie onze algemene voorwaarden voor meer informatie.An Additional Premium will be payable to us by the Buyer to cover our Expenses relating to payment of royalties under the Artists Resale Right Regulations 2006. See our terms and conditions for further details.For further information on this lot please visit Bonhams.com
Lot 94
A BLUE AND WHITE ‘LOTUS’ SOUP BOWL AND COVER, DOUBLE SIGNED JIANG XI CI YE GONG SI.China, Republic period.D: 23.2cmIn the late Qing Dynasty, 江西瓷業公司Jiangxi Ceramics Company was founded in Jingdezhen, marking the start of China's ceramic industry industrialization. It was the first joint government-business enterprise, termed the "sole flower of revival" in Chinese ceramic history. Pioneering institutional innovation, it adopted a joint-stock system, initially proposed by Governor Ke Fengshi in 1903. The company officially formed in 1910, bringing fresh vitality and notable innovations to the ancient ceramic’s world. Condition Report: -
Lot 170A
BOOKS ON CHINESE CERAMICS: 20 TRANSACTIONS OF THE ORIENTAL CERAMIC SOCIETY, FROM 1971-2007; SEVENTEENTH CENTURY JINGDEZHEN PORCELAIN FROM THE SHANGHAI MUSEUM AND THE BUTLTER COLLECTIONS; JIZHOU KILN; THE MEIYINTANG COLLECTION PART III SOTHEBY'S; CHINESE PORCELAIN FROM THE BUTLER COLLECTIONS, LUXEMBOURG. Provenance: Irish private collection, acquired from library of G. St. G. Gompertz.
Lot 155
A FINE FAMILLE ROSE ‘SNOWY FISHING SCENE’ BRUSH WASH, MARKED JIANGUO CERAMIC FACTORY.民国 江西景德鎮 建國瓷業公司款 粉彩‘寒江垂钓图‘笔洗China, Republic period.D: 22.2cm Jingdezhen Jianguo Ceramic Factory, formerly the Imperial Kiln Factory of the Ming and Qing Dynasties, traces its roots back to the royal kilns. In August 1949, the Fuliang District Committee of the Communist Party of China decided to establish a state-owned ceramic factory using the confiscated assets of the original Jiangxi Ceramics Company. The retail department of the company was transformed into the factory's office location. On April 1, 1950, Jingdezhen Jianguo Ceramic Industry Company was officially founded on this basis. Condition Report: - Scratches
Lot 34
TWO SHIWAN KILN SEATED FIGURES OF ARHAT, ONE SIGNED PAN YU SHUChina, late Qing dynasty.Carved seated in dhyanasana wearing a shawl and long robes, one covered with brown glaze and another with celadon glaze.H. 16cm; 13cm Provenance: Collection of Professor Sean Mackey (1917-1997)出處：前香港大學教授肖恩·麥基(1917-1997)私人收藏。Professor Sean Mackey, a civil engineering graduate from UCD, began his career in the early 1950s as a Professor of Civil Engineering at UNESCO's institute in Kharagpur, India. Later, he assumed the Chair of Civil Engineering at Hong Kong University, where he not only transformed the department but also served as the Dean. Sean's engineering expertise led him to establish a consulting practice in Hong Kong, where he played a pivotal role in major projects, including the airport.During his 21-year association with Hong Kong University, Sean developed an interest in Chinese art, initiating his collection. He frequently spent time in Hollywood Road, the renowned antique region in Hong Kong.肖恩·麦基教授是爱尔兰大学都柏林分校的土木工程专业毕业生。在20世纪50年代初，他成为联合国教科文组织在印度卡拉格普尔的研究所的土木工程教授。后来，肖恩在香港大学担任土木工程主席，改革了该系并担任院长。肖恩在工程领域的专业知识使他创建了一个在香港的咨询公司，在其中他在包括机场在内的重要项目中发挥了关键作用。在与香港大学的21年合作中，肖恩对中国艺术产生了浓厚兴趣，并开始了自己的收藏。他经常在业余时间流连于香港著名的古董街荷里活道。Note: Pan Yushu, born during the Guangxu era, initially learned the art of making cloth dolls at his father's shop in Foshan. He later became an apprentice to the celebrated ceramic artist Chen Weiyan in Shiwan. Under Chen's guidance, he honed his skills in both culture and ceramic art, specializing in figure sculpting. Pan Yushu's innovative talent quickly made him a renowned figure in the field.Invited to Jingdezhen, a famous porcelain hub in Jiangxi, Pan Yushu continued to learn from his mentor, Chen Juanyan, and sculpted the 'Guandi statue,' earning wide recognition. He made a living by selling his clay models, which he referred to as 'original works.' In his later years, he established 'Pan Yushu Antiques,' his family workshop.Pan Yushu's prime coincided with the challenging days of the War of Resistance against Japanese Aggression, a time of immense suffering for the Chinese people. Tragically, he succumbed to hunger. Nonetheless, his short life left an indelible mark on the history of Shiwan ceramic art.
Lot 195
SIX BOXED MINICHAMPS 1:43 SCALE METAL MODEL VEHICLES, to include a Bentley Continental Flying Spur 2005 in white, item no. 436 139461, a Lamborghini Jarama 1974 in silver, item no. 400 103400, a Lamborghini Bravo 1974 Repainted 2005 white metallic, item no. 400 103670, a McLaren 675LT Spider in Ceramic Grey, item no. 537 154434, a McLaren 675LT Spider in Solis, item no. 537 154433, and a McLaren 570GT in Silver, item no. 537 154524, all are in new condition with only dust and light wear
Lot 136
Two French, Neo-classical style pendantsIncluding: an 18ct gold, pendant/brooch with a ceramic plaque depicting Psyche and Venus with ribbon surmount, suspending a pearl pendant, length ca. 5.8cm; and an 18ct gold, pendant with a plaque depicting Erato with harp, with shell and seed pearl surmount, on a 9ct gold ropetwist chain, length of pendant ca. 4.6cm, length of chain ca. 46cm Condition Report: Metal: both stamped with French eagle's head for 18ct gold. The chain stamped '9CT'.In general a few very minor scratches to the plaques. The clasp to the brooch is somewhat skewed but fastens and appears secure. The clasp to the chain functions and appears secure.Total weight ca. 31.1gms.
Lot 132
Shipmates series; painted ceramic Bunnykins display base. Marked HMS Bunnykins. Royal Doulton label to underside. This item has its original box. Box measures: 18.5"L x 8.5"W x 14"H. Dimensions: 16"L x 6"W x 12"HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related wear.
Lot 439
Ca. 1900 BC.A rectangular shaped ceramic tablet, bearing cuneiform script on one side. Tablets such as these were used for many things including administration and accountancy. Size: 85mm x 50mm; Weight: 150g Provenance: Property of a North London gentleman; From a European Collection, France, bought in London in 1980-90s, the piece was seen by Professor Lambert.
Lot 330
Ca. AD 800-1000.A Byzantine ceramic hand grenade, also referred to as 'Greek Fire’, with a hollow bulbous body and a pointed base. A short neck with thick rim to the top; deep vertical ridges run from the neck to the base. The vessel was used for naval fire warfare in Byzantine military tactics. Size: 80mm x 115mm; Weight: 445g Provenance: Private Oxfordshire collection; formerly acquired on the European art market from pre-2000 collections.
Lot 538
Ming Dynasty, Ca. AD 1368-1644.A large ceramic vessel with a raised rim and a bulbous body gently tapering to a flat base; tooled in groove at the shoulder. Bright turquoise glass decorates the surface, displaying allowing variations in hues. Size: 190mm x 230mm; Weight: 2.28kg Provenance: UK private collection of Asian Art; formerly acquired in the early 1990s in Hong Kong.
Lot 442
Ca. 1900 BC.A squared ceramic tablet with rounded corners and visible cuneiform on both sides. The cuneiform sign ‘ki’ or ‘e2’, indicative of a place or house respectively, appears on the back. Tablets such as this one were usually used for administrative or listing purposes. Size: 45mm x 45mm; Weight: 35g Provenance: From the collection of a London gentleman; formerly acquired in early 2000s in France; previously in 1970s European collection.
Lot 328
Ca. AD 800-1000.A Byzantine ceramic hand grenade, also referred to as 'Greek Fire’, with an elongated conical body and a flat base. A short neck with thick rim to the top; a band of incised herringbone patterns on the body. The vessel was used for naval fire warfare in Byzantine military tactics. Size: 175mm x 70mm; Weight: 455g Provenance: Private Oxfordshire collection; formerly acquired on the European art market from pre-2000 collections.
Lot 332
Ca. AD 800-1000.A Byzantine ceramic hand grenade, also referred to as 'Greek Fire’, with a hollow squared body and a pointed base. A short neck with thick rim to the top; a floral decoration and shallow circles on the outer surface. The vessel was used for naval fire warfare in Byzantine military tactics. Size: 80mm x 115mm; Weight: 450g Provenance: Private Oxfordshire collection; formerly acquired on the European art market from pre-2000 collections.
Lot 446
Ca. 1900 BC.A square shaped ceramic tablet with sharp edges and corners. It has cuneiform on both faces and on the side panels. Tablets such as this were used for many different reasons, including administrative and accountancy. Size: 30mm x 30mm; Weight: 25g Provenance: Property of a North London gentleman; From a European Collection, France, bought in London in 1980-90s, the piece was seen by Professor Lambert.
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163691 item(s)/page