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A Victorian mahogany pedestal desk in George III style, third quarter 19th century; by Gillow of Lancaster; the rectangular top with moulded edges and later inset red faux leather skiver; above an arrangement of nine graduated drawers around the kneehole, the central one stamped GILLOW to upper edge, all with turned knob handles; the plinth bases concealing ceramic castors; 76cm high, 130cm wide, 62cm deep
A Victorian mahogany dressing table, mid 19th century; the top with back gallery, rounded front corners and ovolo moulded edges; above an arrangement of five drawers around the kneehole; on knop-turned and fluted legs to brass caps and ceramic castors; 84cm high overall, 122cm wide, 54cm deep
A George IV or William IV mahogany and upholstered sofa, circa 1830; the serpentine toprail of the backrest with scrolling foliate carved cresting; the outscrolled ends with exposed scrolling foliate carved fascias; the back, seat and bolsters with later red and gold coverings; above channeled rails, on turned and lappet carved legs to ceramic castors; 107cm high, 222cm wide, 68cm deep
A Victorian glazed ceramic and mahogany mounted washstand, last quarter 19th century; the circular top stamped for Brown-Westhead, Moore & Co., with oval basin and three integral soap dishes, decorated with flowers and foliage; a waste pipe descending through a circular shelf; on three knop turned legs on a triform undertier with three turned feet; 84cm high, 60cm diameterNote: Brown-Westhead, Moore & Co. manufactured high grade earthenware and porcelain at Cauldon Place, Hanley, between 1862 and 1904
A Victorian oak pedestal desk, by James Shoolbred & Co,, London, late 19th century; the top with ogee moulded edges and inset gilt tooled leather skiver; above an arrangement of seven drawers around the kneehole, the upper right with maker's stamp to upper edge, all with brass swing handle and flanked by fluted pilasters; each pedestal on four short knop turned legs with brass toes and ceramic castors; 76cm high, 122cm wide, 69cm deep
A Victorian carved walnut and Berlin tapestrywork upholstered arm chair, circa 1875; the oval back with scroll and cabochon carved cresting; the openwork scrolling foliate carved arms with padded cushion and scrolled terminals and supports; the bowfront seat with conforming rail; on cabriole legs to ceramic castors; 98cm high, 66cm wide
A late Victorian or Edwardian mahogany and upholstered chaise longue, circa 1900; the sloped buttoned back at one side, joined to a subsidiary back by a padded rail, with relief carved supports; the front with relief carved upscrolling fascia, channeled rails and knop turned legs to ceramic castors; 77cm high, 190cm wide, 70cm deep
An Edwardian mahogany and inlaid enclosed writing table, early 20th century; the top with central floral patera, hingeing open at the front to an inset baize skiver and at the back to recessed stationery compartments; a drawer at the front with twin brass swing handles; on straight tapered legs with three quarter peripheral stretchers, brass caps and ceramic castors; 73cm high, 69cm wide, 46cm deep
THE COLLECTION OF THE LATE E.J. WHYTE (1931-2022)After working in the fire service for 10 years, 'Jack' Whyte joined Brian Bearne at his Warren Road, Torquay auction rooms in the mid 1960s as saleroom manager. However he always had a particular interest in antique pottery and porcelain and he soon became Bearnes' ceramic specialist and cataloguer. Jack carried on heading the department during the years at Rainbow, Torquay and after the company moved to Exeter worked as a part time consultant until 2019. He used his extensive knowledge and skill to good effect when acquiring pieces for his own collection from the many antique shops and markets in and around Torbay, particularly in the 1970s and 80s. He will be remembered by dealers and collectors for his expertise and helpfulness but his many friends and past colleagues will never forget his infectious enthusiasm and wonderful dry sense of humour.Studio ceramics from the collection will be offered in our 20th Century & Contemporary Sale on 28th February.A Chinese famille rose Cong vase of small size, with buddhist lion dog ring handles, finely painted on two sides with geese, swallows and flowering plants, the opposing sides with black poetic inscriptions on an iron-red and grisaille flowerhead and diaper ground, the concave shaped rim and foot decorated with a black key pattern and peony scrolls on a gilt ground, iron-red four-character mark for the 'hall for the Cultivation of Virtue', Republic/20th century, 13cm [minor wear to gilt rim].* The inscriptions can be translated to read 'Purple blossoms and green willow billowing in the fragrant air/Geese befriending amongst reeds in the pond'.
LINDA STYLES, OLIVA CASSELLS ETC. A signed vase by Linda Styles, height 13.5cm, an Olivia Cassells ceramic/felt vase, height 18cm & two other unidentified pieces. Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING. The absence of a condition report does not imply the lot is perfect.WE CANNOT SHIP THIS LOT due to fragility, size or weight. Our recommended carrier is MBE Plymouth on +44 (0) 1752 257224 or info@mbeplymouth.co.uk.
Two Italian pottery and leather vases, 1950s, each decorated with figures, one playing a guitar, on a vertical crayon line ground, each with a turquoise interior, the larger stamped 'Made in Italy', 32cm high (2)Condition ReportSome creases and minor rubbing to the leather - ceramic is fine.
▴ Craig Mitchell (contemporary)'Sailing Dog', 1990sa ceramic sculpture62cm wide68cm long 80.5cm highCraig Mitchell is an Edinburgh-based maker of magnificent ceramic figures. He established his studio practice in Edinburgh whilst working in the Ceramic Department at Edinburgh College of Art, latterly as a lecturer. Before this, he achieved an MA in Ceramics at the Royal College of Art. 'I create slightly surreal cartoon-like figurative ceramic sculptures that are intended to be visual puns about the human condition. I am aiming for simplistic appearing figures with the elegance of a bygone era and it is cartoonists and illustrators from the 50s and 60s, such as Miroslav Sasek, Ronald Searle, Edward Gorey, that inform my style.'Condition ReportGood overall - the mast is detachable for transport. Some spotting to the end wheel - ceramic elements good.
A Tuareg chest ornament teraout Niger stamped metal of three tiers with a leather strap, 30cm long, an Algerian teraout, 21cm long, a Tuareg amulet shirawt, rectangular with three concave side, the back with makers symbols, three Tuareg khomissar pendants, silver coloured metal, shell and leather, and two leather pendant necklaces with ceramic panels. (8) Provenance Romy Rey Collection, London. Condition Report wear. algerian teraout with splits to the bottom corners of the main triangle and damage to the centre lower edge. one ring missing. 543.9g.
Pomellato ring in 18kt yellow gold, pink ceramic and rubies. Capri model. Measurements: 17.9 mm (inner diameter); 16.4 mm (front).Evoking the lush vegetation and flowers of the Mediterranean landscape, the rounded shapes of the Capri ring are highlighted by the small gems in contrasting tones.
Ruth Sulke - a studio stoneware green and brown glazed free-form vase, 37cm Literature- Ruth Sulke is a Hong Kong ceramic artist. In the 1960s-70s she studied the Japanese art of ikebana (flower arranging) and her early ceramics were designed for this use. Ruth’s work developed into ceramic sculpture in the late 1970-1980s. Her work was exhibited in the 1980s at the Hong Kong Museum of Art, Contemporary Hong Kong Art Biennial Exhibition, University of Hong Kong and Saegusa Gallery, Tokyo.
Ruth Sulke - a large studio purple and indigo nickel oxide glazed stoneware bulbous sculpture with flowing lines and hollows, 1985, 34cmSee Sulke, Ruth - Ceramic Sculpture by Ruth Sulke, Hanart 2 Gallery, 1987, page 24 Literature- Ruth Sulke is a Hong Kong ceramic artist. In the 1960s-70s she studied the Japanese art of ikebana (flower arranging) and her early ceramics were designed for this use. Ruth’s work developed into ceramic sculpture in the late 1970-1980s. Her work was exhibited in the 1980s at the Hong Kong Museum of Art, Contemporary Hong Kong Art Biennial Exhibition, University of Hong Kong and Saegusa Gallery, Tokyo.
Ruth Sulke - a large brown copper glazed stoneware angular “wooden” sculpture with central hole, 1985, 42cmSee Sulke, Ruth - Ceramic Sculpture by Ruth Sulke, Hanart 2 Gallery, 1987, page 30 Literature- Ruth Sulke is a Hong Kong ceramic artist. In the 1960s-70s she studied the Japanese art of ikebana (flower arranging) and her early ceramics were designed for this use. Ruth’s work developed into ceramic sculpture in the late 1970-1980s. Her work was exhibited in the 1980s at the Hong Kong Museum of Art, Contemporary Hong Kong Art Biennial Exhibition, University of Hong Kong and Saegusa Gallery, Tokyo.
Ruth Sulke - a plaster of Paris Chinese dragon sculpture on hardwood stand, 43cm total height Literature- Ruth Sulke is a Hong Kong ceramic artist. In the 1960s-70s she studied the Japanese art of ikebana (flower arranging) and her early ceramics were designed for this use. Ruth’s work developed into ceramic sculpture in the late 1970-1980s. Her work was exhibited in the 1980s at the Hong Kong Museum of Art, Contemporary Hong Kong Art Biennial Exhibition, University of Hong Kong and Saegusa Gallery, Tokyo.
Ruth Sulke - a large studio brown glazed stoneware ’torso’ sculpture, 1986, 54cmSee Sulke, Ruth - Ceramic Sculpture by Ruth Sulke, Hanart 2 Gallery, 1987, page 44. Literature- Ruth Sulke is a Hong Kong ceramic artist. In the 1960s-70s she studied the Japanese art of ikebana (flower arranging) and her early ceramics were designed for this use. Ruth’s work developed into ceramic sculpture in the late 1970-1980s. Her work was exhibited in the 1980s at the Hong Kong Museum of Art, Contemporary Hong Kong Art Biennial Exhibition, University of Hong Kong and Saegusa Gallery, Tokyo.
Ruth Sulke - a large studio stoneware white and green glazed free-form vase, 31cm Literature- Ruth Sulke is a Hong Kong ceramic artist. In the 1960s-70s she studied the Japanese art of ikebana (flower arranging) and her early ceramics were designed for this use. Ruth’s work developed into ceramic sculpture in the late 1970-1980s. Her work was exhibited in the 1980s at the Hong Kong Museum of Art, Contemporary Hong Kong Art Biennial Exhibition, University of Hong Kong and Saegusa Gallery, Tokyo.
Ruth Sulke - studio stoneware table lamp with shade. Total height 67cm Literature- Ruth Sulke is a Hong Kong ceramic artist. In the 1960s-70s she studied the Japanese art of ikebana (flower arranging) and her early ceramics were designed for this use. Ruth’s work developed into ceramic sculpture in the late 1970-1980s. Her work was exhibited in the 1980s at the Hong Kong Museum of Art, Contemporary Hong Kong Art Biennial Exhibition, University of Hong Kong and Saegusa Gallery, Tokyo.
Ruth Sulke - two studio glazed stoneware ‘mushroom’ vases, together with a small studio pottery jardiniere, tallest 21cm Literature- Ruth Sulke is a Hong Kong ceramic artist. In the 1960s-70s she studied the Japanese art of ikebana (flower arranging) and her early ceramics were designed for this use. Ruth’s work developed into ceramic sculpture in the late 1970-1980s. Her work was exhibited in the 1980s at the Hong Kong Museum of Art, Contemporary Hong Kong Art Biennial Exhibition, University of Hong Kong and Saegusa Gallery, Tokyo.
A COLLECTION OF SILVER AND WHITE METAL GEM SET JEWELLERY, to include a tiger's eye bangle, Swedish hallmarks, 1973, sponsors mark VJ, bangle signed Vicson, a white metal printed ceramic pendant depicting a woodland scene, a green chalcedony bracelet stamped Mexico Alpaca, an opal single stone ring, a rose quartz pendant, a tiger's eye pendant, two further pendants, a white metal fancy link chain and a hardstone key ring, approximate gross weight 177.4 grams (condition report: overall condition good to fair, scratches, scuffs, tarnish, light abrasion present)
FIVE BOXES OF ASSORTED KITCHEN SUNDRIES, to include a large ceramic blue and white table lamp, a Breville Duraceramic toasted sandwich maker, a red Prestige drinks ice bucket, M&S 'Manhattan' dinner plates, a large blue tin bread bin, large salt glazed stoneware pot, a box of stainless steel kitchen utensils, a Waymaster kitchen scales, a Villeroy & Boch 'Riviera' pattern part dinner set, Habitat 'Saturn' dinner plates, Villeroy & Boch cream dinner serving plates, drinking glasses, etc. (s.d) (5 boxes + loose)
A TUTBURY CRYSTAL SHIP'S DECANTER WITH SIX MATCHING WHISKY TUMBLERS SET ON A WOODEN SERVING TRAY, together with a Stuart Crystal perfume decanter, a tall cut crystal vase, height 32cm, an Art Deco cut crystal vase, height 27cm (three chips on the base, bruise on rim and a few nibbles around the outside), six Coca Cola tumblers, a ceramic transfer print dressing table vanity set, two large Losol 'Rushton' pattern oval meat plates, three Nachtmann Ltd Lucite candles (30) (Condition report: the two meat platers have surface scratches, worn gilding on vanity set)
SIX BOXES AND LOOSE CERAMICS, GLASS, METAL WARES, PICTURES AND TOYS, the proceeds of which will go to a local charity, to include a Wade Tetley Tea money box and matching cruet, a Royal Worcester flat back jug no 1094 (sd), three green and yellow, enamel canisters labelled coffee, sugar and cereal, a multicoloured ceramic canister, dog ornaments, three framed prints, vintage Kilner jars, door furniture, a boxed Arthur Price silverplated 'Celebration Plate', a Chris Bears Country Bears Collection teddy bear wearing dungarees, with certificate, building blocks, four antiquarian books on gardening, etc
A QUANTITY OF LIGHTING AND TABLE LAMPS, comprising an onyx and porcelain figural table lamp with a cream fringed shade, height 42cm to top of brass fitting, a pair of five armed brass and glass shade ceiling lights, four assorted table lamps and a large ceramic white lustre vase, height 45cm, etc (14) (Condition report: one table lamp has a broken fitting, lamps not tested)

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163696 item(s)/page