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Lot 130
Susie Cooper - a collection of vintage mid century circa 1950s-1970s decorative ceramics, comprising floral designed plates and a part tea service. The part tea service stamped Susie Cooper for Wedgwood and featuring sunflower design, comprising four teacups and three saucers; accompanied by thirteen decorative ceramic plates featuring floral design. Marked to base.Largest plate measures approx. 25cm in diameter.
Lot 140
A collection of sixteen pieces of 20th century Japanese blue and white ceramic part dinner services. The lot to include two footed lobed dishes decorated with blue and white sprigs of flowers. Together with six Kraak style sugar bowls decorated with landscape, bamboo and birds. Further together with eight octagonal square dishes, decorated with landscape and foliate borders.Largest measures 3cm tall x 21cm long.
Lot 103
Henriot - Quimper, France - An assortment of five hand-painted ceramic ware. The lot to include a pair of single handled mugs with females painted on side, two bowls with matching decoration. Together with a scalloped edge serving bowl with man painted to centre. All hand signed to underside.Bowl measures approx. 23cm x 23cm.
Lot 60
Two vintage mid century Italian majolica sgraffito hand painted ceramic flower vases. The lot comprising a twin handled vase of baluster form with central griffin design & hand incised abstract shapes to reverse, signed 115 Italy to base, and another unsigned example with large floral design central.Tallest measures approx. 31cm tall.
Lot 120
A stunning ceramic figurine by Peggy Davies Ceramics, designed by Martin Thompson, capturing the timeless allure of Marilyn Monroe. This beautifully sculpted piece portrays the Hollywood icon in a vibrant red swimsuit, playfully lounging against a nautical-themed silver-tone anchor, and blue and white lifebuoy. The figurine is hand painted with exquisite attention to detail, featuring a glossy finish that enhances its striking colors. Marilyn's signature charm and elegance are perfectly captured in this collectible work of art. Peggy Davies Ceramics is known for producing high quality, hand crafted figurines, and this piece is a wonderful tribute to one of the most iconic figures of the 20th century. Peggy Davies marked. Artist signed.Artist: Martin ThompsonDimensions: 8.5"HCountry of Origin: EnglandCondition: Age related wear.
Lot 550
Omega. A stainless steel automatic diver’s wristwatch, with date and bracelet, Ref. 212.30.36.20.03.001, Seamaster, Co-Axial, circa 2015. Movement: cal. 2500, automatic, 27 jewels. Dial: blue, applied baton and dot indexes, centre seconds, date aperture. Case: stainless steel, screw-down back and crown, blue ceramic rotating calibrated bezel, helium escape value, no. 86260352, stainless steel bracelet. Signed: case, dial, movement and bracelet. Dimensions: diameter 36mm, bracelet circumference approximately 185mm. Accessories: warranty card, instruction booklet, spare links, presentation case. £2,000-£3,000 --- Condition Report Movement: running and date advancing at the time of cataloguing. Dial: in good condition. Case: in good condition. Gross weight: 142.8gms. Please note that the above condition report is a statement of opinion only and may not specify all mechanical replacements or imperfections. Watches are opened to examine the movements, no warranties are made that the watches are water-resistant. The watch has not been tested for the accuracy of its time keeping and would benefit from a service at the buyer’s expense.
Lot 205
Brent Bennett (American, b. 1940). California studio ceramic pottery table lamp of a square form with recessed shoulder and flared neck, mounted to a circular wooden base, ca. 1970s. Stoneware featuring desert brown glaze. Incised signature along the footrim.Height: 29 1/2 in x diameter: 7 1/2 in.Condition: No visible chips, cracks, or losses. Underside not inspected due to the nature of the object, which is secured to a circular wooden plinth. A few small firing flaws along the sides. Lamp not tested for functionality. Light wear to the wooden base.
Lot 252
Paolo Soleri (Italian/American, 1919-2013) for Arcosanti, United States. Cluster of three ceramic bronze wind bells or wind chime. With a lovely verdigris patina throughout the metal components.Soleri coined his architectural design studio and nonprofit foundation "Cosanti," from the blending of the Italian words "cosa" and "anti," meaning "against things." This was done as a critique of the culture of consumerism he witnessed taking hold in the world. In 1970, The Cosanti Foundation began construction of a prototype arcology city (a term coming from the blending of architecture and ecology). This city in the Arizona desert would be named Arcosanti. Built on sustainable architecture, the artisans of this city are famous for their wind chimes and bells.Height: 19 in x width: 10 in x depth: 10 in.Condition: Wear throughout commensurate with age and use including tarnishing and verdigris patination to the metallic elements.
Lot 202
Group of two pueblo pottery vessels including a black-on-white Zuni ceramic pot or bowl depicting a heavily worn triangular geometric motif along the shoulder, accompanied by three ceramic spheres or balls, and a double-spouted Nazca stirrup cup depicting a polychrome pigment birds and flower design. The stirrup cup with a wooden stand.(Pot) Height: 3 1/2 in x diameter: 5 in. (Cup) Height: 3 1/4 in x diameter: 3 in.Condition: To the stirrup cup, there are no major breaks to the body of the vessel. There are some chips and small losses to the polychrome pigment along the exterior. To the pot, there is heavy wear and loss to the pigment along the exterior, consistent with age and use.
Lot 143
Richard Wentworth (British, b. 1978). Press-molded red architectural ceramic terracotta sculpture titled "Cleat" depicting a nautical cleat, 1999. Impressed signature along the footrim. Titled, dated, and editioned 1/10 along a plaque affixed to the underside.Height: 14 1/2 in x width: 16 1/2 in x depth: 11 in.Condition: There are no major visible breaks, losses, or signs of restoration. Some accretions, wear, and areas of pitting along the base.
Lot 210
Giovanni Gariboldi (Milanese, 1908-1977) for Richard Ginori Manifattura, Italy. Ceramic glazed earthenware art tile titled "L'Architetto (Architect)" depicting the titular figure drafting on paper with a compass and set square ruler, ca. 1930s. Impressed "R G M 339" along the target-form verso; ink numbered "M. 77 / D.373T".Tile; height: 5 3/4 in x width: 5 3/4 in. Framed; height: 7 1/4 in x width: 7 1/4 in x depth: 1/2 in.Condition: There is a crack with two small chips at the edges (not visible when framed) to the lower left corner. Some areas of discoloration or scuffs to the recto. Soiling to the verso. Heavy wear to the frame.
Lot 246
Group of two pairs (four total) mid-century modern bookends. Including:Jane and Gordon Martz for Marshall Studios, United States. Pair of walnut and ceramic mosaic tile bookends with velvet backing, circa 1970s. With Marshall Studios label and model number "TBES1-14-D43".Paul Evans (American, 1931-1987) for Matina, United States. Pair of brutalist bookends, composed of composite resin with silver wash and stainless steel base.(Small bookends, each) height: 5 in x width: 4 1/2 in x depth: 4 in. (Large bookends, each) height: 7 1/2 in x width: 5 in x depth: 5 1/2 in.Condition: There are no major breaks, losses, or signs of restoration. Some tarnishing to the metal components. Some toning and discoloration to the fabric backing of the walnut bookends. Light wear along the extreme edges of the walnut bookends including fleabite chips along the extreme edges of the corners.
Lot 204
Possibly Campbell Hegan (New Zealander, 20th century). Contemporary studio ceramic sake bottle vessel, 20th century. Woodfired stoneware with fly ash decoration throughout. Incised initials along the underside.Height: 8 in x diameter: 3 1/4 in.Condition: Due to the nature of the material, it is difficult to discern whether there has been any damage or not; however, there do not appear to be any cracks, losses, or restorations. Light wear to the footrim.
Lot 209
Grueby Faience Company, Boston, Massachusetts. Group of 16 American Arts and Crafts enameled green ceramic pottery tiles, late 19th to early 20th century. Several tiles stamped "Grueby Tile" and "Boston" along the underside.(Tiles, each) height: 6 in x width: 6 in x depth: 3/4 in.Condition: General wear throughout consistent with age and use including some chips, scuffs, and some small losses along corners and high points. Many of the tiles are with cement affixed to the underside, consistent with their purpose as building materials, possibly obscuring further marks.
Lot 194
Group of ten ancient Egyptian antiquities and artifacts. Includes several ushbati of faience ceramic pottery or wood, Old Kingdom-style lead currency rings, and additional various objects such as beads or an arrowhead.Provenance: From the Collection of Elwood Rafn; Private Minnesota Collection.Height ranges from 1/2 in to 7 1/2 in; width ranges from 1/2 in to 2 1/4 in; depth ranges from 1/4 in to 2 in.Condition: Wear throughout commensurate with age.
Lot 168
Ceramic modelled and decorated with cobalt-blue and white underglaze glaze. It is octagonal in shape, with a curved profile, slightly wider in the centre and narrowing at the top to form a flat seat. It is decorated with dotted reliefs and beautiful ruyi border designs that hold small lotuses in bloom, framing the central scene that shows a network of thin branches of flowering peonies, accompanied by delicate leaves that surround two medallions linked with openwork detailing. Qing dynasty, Qinalong period (1736-1795) or later.Height: 48 cm; Diameter: 29 cm (approx.)
Lot 218
Ceramic modelled in the form of a ‘Yuhuchunping’ vase, with a short circular foot on which is placed a wide, pear-shaped belly that narrows at the neck and ends in a flaring mouth. The exterior is decorated with underglaze blue and white enamels, creating a succession of overlapping stripes of alternating fretwork, lotus latticework, lacework, banana leaves and curved branches of peony blossoms. At the base is a six-character stamp ‘??????’. Height: 31 cm, Mouth diameter: 9 cm, Base diameter: 12 cm
Lot 200
Kaolin ceramic figure with visible traces of polychromy. It shows the image of a man, with both legs bent and arms stretched out in front of him, possibly riding a horse. He is dressed in the traditional clothing of merchants of the period. It is considered to be part of a larger composition, which would show the scene of the horseman, together with his horse, carrying a cart. Tang Dynasty (618-906).Size: 55 x 19.55 x 19.3 x 27.5 cm (Approx.)- Attached thermoluminescence certificate made by the Ralf Kotalla laboratory, Germany, in 2002.
Lot 234
Small ceramic mug, with a short foot and a rounded body that widens towards the mouth. It is accompanied by a custom-made dish, with a rim on the inside designed to hold the cup. Both pieces are covered with an elegant ‘Junyao’ glaze of light-blue with purple splashes, fainter at the rims.Height cup: 4 cm; Height plate: 4 cm; Diameter cup: 7.5 cm; Diameter plate: 11.5 cm
Lot 233
A small, modelled ceramic bowl. It has a small flared foot, followed by a deep circular body with a rounded profile. It is adorned with a thick ‘Junyao’ glaze in bluish tones, which covers the upper half and ends following the natural drip of the material. The lower half and foot allow the pottery to be seen in its natural state, with its characteristic ochre colour.Height: 6 cm; Mouth diameter: 12.5 cm; Base diameter: 5 cm
Lot 241
Ceramic modelled in the form of a fine goblet, with a flaring foot and a deep body, with a curved profile that widens slightly at the level of the mouth, ending in a rounded turned rim. It is covered with a peculiar brown glaze with small flecks of ochre and white on top. Height: 6.6 cm; Mouth diameter: 10 cm; Base diameter: 5.1 cm
Lot 190
Modelled ceramic covered with a thick, beautiful celadon glaze, with a lustrous blue-green hue and a crackled texture. It has a short circular foot and a bulging belly, on which is a long cylindrical neck. Ming Dynasty (1368-1644) or later. Height: 16 cm, diameter of mouth: 4.8 cm, diameter of base: 6.7 cm
Lot 188
A ceramic vase with a stylised cylindrical neck ending in a bulging, pear-shaped belly. It is decorated with a thick celadon glaze of a bluish-greenish hue, covered with a fine network of crackles produced by firing. Qing dynasty (1644-1922) or later. Height: 22.3 cm; Mouth diameter: 6.7 cm; Base diameter: 10.2 cm
Lot 191
A ceramic bowl covered with a beautiful greyish-blue glaze, thinner at the rims, with a fine network of craquelure and small bubbles on the surface. It has a flat, circular base and a deep, curved body with a triangular-shaped opening or mouth supported by a small, curved support below it. This form derives from the ancient ‘Yi’ prototypes used in ceremonies and rituals. Jin Dynasty (1125-1234) or later.Size: 6.5 x 17.5 x 21 cm
Lot 219
Ceramic modelled in the form of a bowl with a semi-circular body and a narrow foot with rounded edges. It is decorated on the outside with coloured enamels on the glaze, which form a continuous scene of noble figures set in a beautiful garden. Inside, there is a central medallion framed by a double blue circle, showing a young nobleman in traditional dress seated at a table. On the base is a five-character seal ‘?????’.Height: 7 cm; Diameter: 14 cm
Lot 146
Ceramic modelled in the form of a brush container, imitating the morphology of a Chinese cabbage or ‘Brassica rapa pekinensis’, with elongated, curly, thick-stemmed leaves, between which two small ladybirds climb. The whole is covered with beautiful and colourful coloured enamels. The base is decorated with two seals in bas-relief. Shows age-related wear.Height: 12.5 cm; Diameter: 11.5 cm
Lot 242
Ceramic modelled in the form of a vase, with a narrow circular foot, and a rounded body that is wider at the shoulders, with a short tubular neck that ends in a thick rim. It is covered with thick glazes in ochre and brown tones that form a tabby decoration. Height: 11.1 cm; Mouth diameter: 8.2 cm
Lot 145
Ceramic modelled on the natural shape of a ‘Suiseki’ stone with a steep profile and a hollowed-out surface, the upper part of which has four indentations designed to hold the tips of paintbrushes. It is decorated with an elegant ‘Geyao’ glaze in a whitish hue with a network of fine craquelure. On the base is a four-character seal ‘????’ Qing Dynasty (1644-1912) or later.Size:8 x 16 cm
Lot 166
Modelled ceramic, decorated with an underglaze of cobalt-blue and white glaze. It has a narrow circular base and a rounded body, which widens at the shoulders, on which rests a short neck crowned by a thick rim. On the belly is a scene depicting a beautiful continuous landscape, filled with nature, steep rocks and trees, among which are small buildings and a deep lake with fishermen. Qing Dynasty (1644-1912) or later.Height: 25 cm; Diameter of mouth: 14.2 cm
Lot 237
Glazed ceramic vessel, covered with a beautiful celadon glaze of a soft greenish hue typical of Longquan kiln manufacture. It has a short circular foot and an oval body, decorated with a relief pattern in the form of fine banana leaves. A total of five elongated cylindrical nozzles surround the wide tubular mouth. It shows slight damage and age-related wear.Height: 18.5 cm; Base diameter: 7.8 cm
Lot 173
A pair of modelled ceramic vases. They have an elongated conical foot on which sits a rounded belly that tapers at the shoulders into an elongated neck, flanked by two sinuous openwork ruyi-sceptre ears, which close at the level of the mouth, in the shape of a bulb. They are adorned with a relief scene of beautiful birds on the curved branches of a cherry blossom tree, which stand out against the intense pale blue of the background, all under a fine glaze. Height: 58 cm
Lot 287
Water vessel made of modelled and glazed ceramic. It has a narrow circular foot on which is placed the bulging body, which widens at the shoulders and narrows into a thin mouth. On one side is a cylindrical spout, designed for pouring the contents of the jug. It is decorated with a thick marbled enamel of ochre and brownish tones. Height: 6.4 cm; Mouth diameter: 4 cm; Base diameter: 5.7 cm
Lot 161
Ceramic modelled in the form of a vessel, with a wide, tubular body resting on three elongated trapezoidal feet. It is decorated with a continuous scene of a tranquil landscape, including high, craggy mountains, lush trees and a lake with small figures strolling by, all framed by two double blue lines at the top and bottom. Qing Dynasty (1644-1912) or later.Height: 14 cm; Diameter: 18 cm
Lot 189
Ceramic modelled in the form of a vessel, with a thick flat base surrounded by a wide scalloped rim with rounded edges that widens slightly towards the mouth. It is decorated with a rich, greenish-blue celadon glaze, on which is a beautiful network of crackles produced by the firing process. Ming dynasty (1368-1644) or later. Height: 3.6 cm, Diameter: 12 cm
Lot 897
WILLIAM CHRISTIAN SYMONS (BRITISH, 1845-1911) (5)Still life with ceramic sheep, a blue and white dish and flowers signed 'W X Symons' (upper centre) watercolour and gouache on paper laid down on card 25.5 x 35cm together with: Still life with ceramics and a sewing machine, watercolour; Study of a rococo piano, pencil and watercolour; Study of andirons, ink and watercolour; and a study of fire irons, ink and watercolour, all by the same hand (5, all unframed)ProvenanceProperty of the artist;, thence by family descent;Sale, Bellmans, Billingshurst, 28th March 2024, lot 1464, where acquired by the present owner;Private collection, UK
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