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A rare Coade and Sealey figure of Venus the headless and armless figure supported by dolphins on rectangular base stamped Coade and Sealey Lambeth 1803 180cm.; 71ins high Provenance; Removed from the car park of The Old Bull and Bush public house, North End Road, Hampstead, London in the 1980’s. Eleanor Coade (d.1821) opened her Lambeth Manufactory for ceramic artificial stone in 1769, and appointed the sculptor John Bacon as its manager two years later. She was employed by all the leading late 18th Century architects. From about 1777 she began her engraved designs, which were published in 1784 in a catalogue of over 700 items entitled A Descriptive Catalogue of Coade’s Artificial Stone Manufactory. Then in 1799, the year she entered into partnership with her cousin John Sealy, she issued a handbook of her Pedlar’s Lane exhibition Gallery. The firm became Coade and Sealey from this date and following Sealey’s death in 1813, it reverted to Coade and in 1821 with the death of the younger Eleanor Coade, control of the firm passed to William Croggan, who died in 1835, following bankruptcy. Coade’s manufactures resembling a fine-grained natural stone, have always been famed for their durability. Alison Kelly in her book Mrs Coade’s Stone records that this figure was complete until the 1960’s and originally held a scarf above her head, before losing an arm in the 1970’s and then being further damaged in the 1980’s. Literature; A. Kelly Mrs Coade’s Stone, London, 1980, pages 131 and 405 and illustrated with head page 132.
David Cooke, born 1970 Pair of Toucans Stoneware and steel Unique 174cm.; 68½ins high by 70cm.; 27½ins wide David Cooke has been a professional wildlife artist since graduating in 1992 from Leeds Metropolitan University with a degree in 3D Design. He grew up in East Anglia with ready access to clay thanks to his mother Rosemarie Cooke, who is also a ceramic sculptor. David has been based at Sculpture Lounge Studios in Holmfirth since 2005, and has been running ceramic workshops there with Brendan Hesmondhalgh since 2006. He regularly exhibits at some of the major UK ceramic and wildlife art shows, such as Art In Clay at Hatfield House , Potfest In The Park, Penrith and the annual Society of Wildlife Artists Exhibition at the Mall Galleries in London.
Simon Wyard The Bathers Bronze Signed and numbered 1 from an edition of 12 49cm.; 19ins wide by 61cm.; 24ins long For four years he studied painting and printmaking for a degree in Fine Art at Maidstone College of Art. From there he went on to Goldsmith’s College where he trained as an art teacher and worked on figurative ceramic bowls and sculptures. Since then he has worked loosely in pencil, charcoal, ink and paint to help produce his finished sculptures in clay. Between the years of 1988 and 1995, Simon lived in the South of France exhibiting his work and developing a knowledge of the region’s unique cave paintings. Since 2001 he has been largely concerned with the human figure as a point of departure to produce harmonious forms that suggest an intimate connection to the landscape. Simon has travelled extensively and now resides in a coombe in Exmoor National Park.
A Victorian walnut and marquetry work table, the hinged top enclosing a fitted interior, on turned supports with stretcher and ceramic castors, bearing a white metal plaque, presented by the employees in the Arthur-field Works, to a Miss Beveridge, as a mark of esteem on the occasion of her marriage Kingskettle, December 1887, 54cm wide.
A miscellaneous quantity of Chinese ceramic items, 20th century and later, to include a Chinese blue and white baluster garden seat, a pair of incense burners, a miniature pillow modelled as a mythical figure, a figurine, a jar with cover, a plate and blue and white decorative balls, a cup, (a lot).
A Continental pierced pedestal dish, 19th century, of classical form, on square base, decorated with gilding, diameter 28 cm; a pair of white china table lamps, of pierced vase form, on turned wooden bases, height 35 cm; with a miscellaneous quantity of ceramic items to include a pierced white china basket, plates, a jug and a blue and white jardiniere on stand, (12). (It is the buyer`s responsibility to ensure electrical items are professionally rewired for use).
A Royal Crown Derby `Imari` 2451 pattern part tea service, to include cups, saucers, a sugar and plates; together with a miscellaneous quantity of ceramic items to include two tin glaze blue and white bowls; glass plates; two Hermes rectangular porcelain trays depicting horses; cups, plates and saucers from various services; four framed Delft style tiles depicting various animals; a Chinese famille rose porcelain bowl; a Chinese model of a dog, (a lot).
A Wedgwood blue jasperware jardiniere, early/ mid 20th century, of cylindrical form, decorated with swags and classical figures, height 15 cm; with a miscellaneous quantity of ceramic items, to include Continental bisque figures, a Continental porcelain figural candlestick and a Delft type vase, (8), (a/f).
A Chinese famille Verte Buddha, seated with one knee raised, height 24 cm; another Chinese famille Verte Buddha, seated with attendants climbing upon body, height 25 cm; together with a miscellaneous quantity of ceramic items to include a part GEM blue and gilt dinner service, early/ mid 20th century, containing tureens with covers, serving dishes, dinner and side plates, ladles, a blanc de chine figural spill holder centrepiece, with cherub supports, a Doulton figure of Kathy, a toby jug and a female bust, (a lot).
A Chelsea pottery charger, mid 20th century, by Joyce Morgan, of oval form, depicting an Arab on horseback, width 34 cm; with another Chelsea pottery dish, mid 20th century, by Joyce Morgan, of circular form, depicting a horse, diameter 18 cm; a Troika slab vase, mid/ late 20th century, of rectangular form, height 17 cm; together with a miscellaneous quantity of ceramic items to include a pair of Satsuma vases, 20th century, (a/f), a glass paperweight, a Royal Worcester dish, glass scent bottles, a Royal Doulton character jug of farmer John (a/f) and an Austin productions Inc model of an owl, 1975, (a lot).
A large Dutch Delft blue and white bowl, 18th century, of circular form, decorated with stylised foliage and scrolls, diameter 26 cm, (a/f); two Chinese porcelain blue and white plates, late 18th/ early 19th century, of circular form, depicting trees and foliage respectively, diameter 23 cm, (a/f); together with a quantity of ceramic items to include Chinese jars, a Victorian Copeland vase, a plate, (some a/f), (10).
COLLECTION OF ENGLISH BLUE AND WHITE CERAMIC DISHES AND TUREENS comprising of: two stone china tureens, covers and stands each with a ladel, marks to pieces, 17cm high; a tureen, cover and stand with lion mask handles and finial, 12.5cm high; a stone china `Morea` dish, 27cm wide; two ladels, of various shape, pattern and size, one stone china, 22.5cm long and 17cm long; and a footed salt shaker, 14cm high (qty)

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163696 item(s)/page