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Lot 496

Small Boxer Dog 1852, Kitten Seated 1436 Ginger, Sharing On Ceramic Base 1436/1460 & Puppy Ashtray 916 (4)

Lot 364

Jose Cubero, a pair of Spanish polychrome painted ceramic figures in 19th century traditional costume, squaring up to a knife fight, the marble effect bases bear labels 'Jose Cubero Pasaje de Heredia, Malaga', 26cm (10 1/4in) high

Lot 437

A Victorian Walnut Inlaid Tilt Top Oval Table, The Pedestal On Four Outswept Legs And Ceramic Castors, Top 107cm X 74cm

Lot 277

A pair of Aesthetic movement gilt metal mounted jardiniers in the manner of Joseph Theodore Deck, the ceramic relief moulded bodies decorated with lionesses holding ribbon tied brocade balls the fixed ring handles above masks and pierced scroll feet (one rim damaged) 36cm wide (2)

Lot 401

A Victorian mahogany kneehold dressing table, with mirror and six small drawers above five further drawers on turned baluster legs and ceramic castors, 145cm high x 121cm wide

Lot 410

A Victorian mahogany chaise longue, with scroll back and spindle turned side, on turned tapered legs and ceramic castors, 80cm high x 185cm long

Lot 483

An Art Deco ebonised tub chair, on tapered square legs and ceramic castors, 75cm high together with a matching armchair, 84cm high (2)

Lot 489

An Arts and Crafts oak bookcase with inset floral ceramic panels and a stained glass door above two panelled cupboards, on stile feet, 210cm high x 150cm wide

Lot 318

A Continental porcelain boxer dog, depicted sitting on oval base, 8 1/2" high and a Victorian ceramic owl group entitled "Match Making", 8" high (2)

Lot 169

A 19th Century copper and brass coal helmet, raised on circular foot with turned mahogany and ceramic carrying handles, complete with shovel, 17" high

Lot 221

An Edwardian coffee percolator, the ceramic and brass stand with glass burner, the globe shaped water container with brass pipe and nozzle, suspended over an Art Nouveau style blue and white receptacle (which is at fault), possibly by George Jones, 14" high

Lot 168

A VICTORIAN CERAMIC DRINK BARREL of oval form, with lift off circular cover, decorated to the centre with a gold cartouche, the word Brandy in black lettering surrounded by brightly coloured flowers against a white ground, green bands top and bottom with detached brass tap, 29cms high

Lot 273

A ROZENBURG HAND PAINTED CERAMIC LANDSCAPE PLAQUE, after Johan Conrad Greive, depicting a continental town viewed from the river, two men in a rowing boat and a moored boat, church spire in the distance, signed lower left Greive and Rozenburg lower right, in original ebonised frame, stork mark verso, length 27.5cms x width 22cms See Illustration

Lot 274

A ROZENBURG HAND PAINTED CERAMIC LANDSCAPE PLAQUE, depicting a continental street scene, Rozenburg mark lower right, contained in original ebonised frame, stork mark verso, length 27.5cms x width 22cms See Illustration

Lot 649

A VICTORIAN WALNUT MUSIC CABINET with three quarter pierced brass gallery above a rectangular top inlaid with central scrolling leaf design with ebony and boxwood stringing supported by turned columns and shaped brackets, the lower section with glazed cupboard doors enclosing shelves with gilt script on green leather for different sheet music, on squat turned feet with ceramic castors. 104cms high x 67.5cms wide

Lot 650

A VICTORIAN WALNUT ETAGERE the raised and pierced pediment above a shaped top inlaid with satinwood stringing above two shelves supported by slender turned columns on squat shaped feet with ceramic castors. 102cms high x 91cms x wide

Lot 657

A VICTORIAN WALNUT CANTERBURY with four turned finials above a rectangular top inlaid with satinwood stringing and two dividing rails supported by turned spindles, with pierced scrolling leaf side panels above a frieze drawer with wooden bun handles, on squat turned legs and ceramic castors, 46cms high x 54cms wide x 38.5cms deep

Lot 673

AN EDWARD VII MAHOGANY ENVELOPE CARD TABLE the revolving square top with four hinged triangular segments opening to reveal a baize playing surface and dished counter wells above a frieze drawer on central squat reeded column with four similar outer columns on slender downswept arched legs, brass caps and ceramic castors, 74cms high x 54cms square See Illustration

Lot 682

A LATE 19TH CENTURY OAK PARTNERS DESK the rectangular top inset with tooled leather surface above two frieze drawers and opposing drawers with suspended turned bobbin gallery, on ring turned legs with brass caps and ceramic castors, tied by bobbin turned stretchers , 76cms high x 151.5cms wide x 119cms See Illustration

Lot 683

A VICTORIAN OAK TUB SHAPED ARMCHAIR the slightly raised back and curved arms button upholstered in navy blue leather on turned spindles above a stuff over seat raised on turned legs carved with a band of scrolling leaves, replaced brass caps and ceramic castors

Lot 597

A CHARLES VYSE OF CHELSEA CERAMIC FIGURE OF A MOTHER AND CHILD with polychrome decoration, signed and dated 1921, 9 1/4" high.

Lot 255

Sixteen various ceramic cottages, one with a removable lid. Some damages. 19th and 20th centuries, 15.5cm. (16)

Lot 475

A collection of thirty bottle tickets, nineteen enamel and eleven ceramic, variously decorated with flowers, grapes and swags, titled in French and English, various marks, 19th and 20th centuries. (30)

Lot 487

Literature: A collection of ceramic reference books, concerning English, European and Oriental pottery and porcelain. (28)

Lot 636

A porcelain figure of two putti and a goat, possibly Vauxhall, the goat munching on grapes, raised on a scrollwork base with applied flowers, unmarked. Damages and restoration. c.1758-60, 15cm.Cf. The English Ceramic Circle, Ceramics of Vauxhall, p.93 for similar examples.

Lot 276

MANCHESTER UNITED F.C.: THIRTEEN CERAMIC WHISKY MINIATURES, produced to commemorate the 25th Anniversary of Manchester United winning the European Cup, 1968, the miniature with printed autographs of the team including Sir Matt Busby, lacking original box

Lot 9

Late Victorian Aesthetic movement black slate mantel clock, black dial with Arabic numerals set into ceramic front panel, decorated with birds and foliage

Lot 245

Soholm Denmark, ceramic jug and two purple glass vases

Lot 257

Royal Copenhagen ceramic vase with mauve blue decoration, numbered 427/3114, signed CK & VL, and a Burmantofts hand painted Persian style vase, impressed mark and LK numbered

Lot 674

A pair of Victorian walnut framed nursing chairs with carved cresting rail and turned legs, on ceramic casters, (2).

Lot 692

A 19th century ebonised and specimen wood inlaid credenza, circa 1880, set with gilt metal mounts and ceramic panels 110cm (43in) high 157cm (62in) wide 39cm (15in) deep

Lot 207

A Richard Parkinson ceramic figure of a Heraldic lion painted blue decoration impressed mark painted 60 25cm. wide

Lot 489

A Continental pewter grotesque bird inkwell attributed to Kayserzinn, with ceramic green well and glass liner unmarked 10cm. high

Lot 722

A pair of Belgrave Pottery ceramic plates privately commissioned to commemorate the 1959 F.A. Cup final Nottingham Forest v Luton Town, white glazed with gilt trophies, rims, borders and inscriptions, the first reading WEMBLEY 1959, CUP FINAL, LUTON TOWN, CAP-SYD OWEN, V., NOTTINGHAM FOREST, CAP-JACK BURKITT, the other WEMBLEY 1959, CUP WINNERS, NOTTINGHAM FOREST, CAPTAIN JACK BURKITT, diameter 27cm., 10 1/2in., sold together with a white metal cigarette case commemorating the 1949-50 season (3)

Lot 725

A football-shaped liqueur drinking set, with a ceramic vessel modelled as a footballer, cork stopper, and a handle formed as a football figure, sits on a wooden base with spokes to hang 10 small football-shaped drinking cups, the vessel 19cm., 7 1/2in.

Lot 911

After J.B. Rowbotham and J. Brown THE GREAT CONTEST BETWEEN SAYERS AND HEENAN colour engraving by J.R. Mackrell and J.B Rowbotham with photographs by G. Bonner, published by C. Roker, Old Kent Road, mounted, framed & glazed, the image 39.5 by 56cm., 15 1/2 by 22in.; sold together with an aquatint by Henry Alken senior engraved by Clark titled 'A Prize Fight,' published by T McLean, 1820, the image 19 by 29cm., 7 1/2 by 11 1/2in.; and a modern ceramic mug decorated with a scene of the fight between Spring and Langan (3) The £200 Sayers v Heenan fight took place at Farnborough on 17th April 1860. The contest lasted for 2 hours and 6 minutes but ended as a draw. It was significant because of the international nature of the fight, with Heenan an American challenger. See lot 893 for a related item to the Sayers v Heenan fight.

Lot 925

Two 1928 Olympic Games souvenirs, a Maastricht blue & white ceramic plate inscribed IXe OLMPIADE, AMSTERDAM, 1928, decorated with vignettes of football, rowing, athletics, diving, cycling and lawn tennis, diameter 25.5cm., 10in,; and a large brass plate inscribed OLYMPISCHIE SPELEN, AMSTERDAM, 1928 and embossed with vignettes of football, rowing, fencing, gymnastics, equestrianism, lawn tennis, javelin, athletics, cycling, swimming, field hockey and yachting

Lot 3

Edward stoneware salad bowl with silverplated rim and matching servers with ceramic handles; blue and white printware cheese dish and cover

Lot 47

Collection of Pekinese ceramic dogs including Beswick, Sylvac, Border Fine Arts etc in one box

Lot 78

Victorian ceramic mantle clock on separate rectangular base

Lot 563

A Victorian button back sofa, stained beech framed settee, the shaped button back above a sprung seat raised on turned legs with ceramic castors

Lot 807

A PAIR OF VICTORIAN CARVED OAK THRONE CHAIRS having carved scrolling top rails with lion mask cresting above solid carved uprights and padded backs with padded seat. Partially upholstered arms terminating with carved lion heads. The heavily carved and gadrooned front supports united by turned 'H' stretchers and scrolling front supports, on ceramic castors. 142cm high *** Former Appleby Castle estate.

Lot 850

A VICTORIAN OAK SUTHERLAND TABLE having rounded oblong flaps, turned trestle end supports linked by a central stretcher, on ceramic castors. 17cm x 91cm x 73cm

Lot 861

A VICTORIAN ROSEWOOD ARMCHAIR having an oval button back with carved floral cresting above the partially upholstered arms with scroll terminals. The serpentine fronted padded seat with carved rail, raised on well defined cabriole legs with carved details, whorl feet and ceramic castors. 98cm.

Lot 936

A VICTORIAN BUTTON BACK ARMCHAIR having deep buttoned tub form back and arms over the padded bow fronted seat , all upholstered in patterned gold coloured fabric, raised on well turned front supports and ceramic castors. 84cm high

Lot 937

A 19TH CENTURY ARMCHAIR having padded, out-scrolling arms and cushioned seat, upholstered in patterned gold coloured fabric, raised on short tapering square section legs with brass terminals and ceramic castors. 82cm high

Lot 176

ALEXANDER GOUDIE FOR LA MUSEE DE LA FAIENCE, QUIMPER 'LE MARIN' Hand-painted ceramic figure, limited edition 9/100, signed, bears painted makers marks and inscription by the artist, 'Head and re-touching by my hand/ Goudie' 51cm high Literature: 'Alexander Goudie Ceramique', Bernard Jules Verlingue, pub. La Musee de la Faience, Quimper, 1997 Exhibited: 'Goudie Ceramique’, The Musee de la Faience, Quimper, France 1998 Note: Alexander Goudie (1933-2004), was one of Scotland's foremost contemporary artists. He was born in Paisley in Renfrewshire. He studied at the Glasgow School of Art, where he received the Newbery medal. On a trip to France, he visited Brittany, where he met Marie-Renée Dorval. They married in 1962 and Brittany then became one of his main sources of inspiration and for the first time, in 1966, he exhibited his Breton paintings in Edinburgh. In 1987, he was commissioned to design the interiors and artworks for the ship ‘Bretagne,’ for the Brittany Ferries Company. His work brought together portraits of famous personalities, as well as a number of landscapes, small scenes, and still lifes. As well as being a painter, he was also a sculptor of great boldness and originality. In 1997, he created figures of Breton fi hermen and of women in traditional costume and ceramic wares depicting Breton life in conjunction with the Pottery Museum in Quimper. The figures in this sale were purchased from the opening exhibition and were each produced in a limited edition of 100.

Lot 177

ALEXANDER GOUDIE FOR LA MUSEE DE LA FAIENCE, QUIMPER 'PAYSAN DANS UN CHAMP DE BLE' Hand-painted ceramic figure, limited edition 27/100, painted makers marks 51cm high Literature: 'Alexander Goudie Ceramique', Bernard Jules Verlingue, pub. La Musee de la Faience, Quimper, 1997 Exhibited: 'Goudie Ceramique’, The Musee de la Faience, Quimper, France 1998 Note: Alexander Goudie (1933-2004), was one of Scotland's foremost contemporary artists. He was born in Paisley in Renfrewshire. He studied at the Glasgow School of Art, where he received the Newbery medal. On a trip to France, he visited Brittany, where he met Marie-Renée Dorval. They married in 1962 and Brittany then became one of his main sources of inspiration and for the first time, in 1966, he exhibited his Breton paintings in Edinburgh. In 1987, he was commissioned to design the interiors and artworks for the ship ‘Bretagne,’ for the Brittany Ferries Company. His work brought together portraits of famous personalities, as well as a number of landscapes, small scenes, and still lifes. As well as being a painter, he was also a sculptor of great boldness and originality. In 1997, he created figures of Breton fishermen and of women in traditional costume and ceramic wares depicting Breton life in conjunction with the Pottery Museum in Quimper. The figures in this sale were purchased from the opening exhibition and were each produced in a limited edition of 100.

Lot 179

ALEXANDER GOUDIE FOR LA MUSEE DE LA FAIENCE, QUIMPER 'LA GOEMONIERE' painted ceramic figure, limited edition 8/100, painted makers marks 51cm high Literature: 'Alexander Goudie Ceramique', Bernard Jules Verlingue, pub. La Musee de la Faience, Quimper, 1997 Exhibited: 'Goudie Ceramique’, The Musee de la Faience, Quimper, France 1998 Note: Alexander Goudie (1933-2004), was one of Scotland's foremost contemporary artists. He was born in Paisley in Renfrewshire. He studied at the Glasgow School of Art, where he received the Newbery medal. On a trip to France, he visited Brittany, where he met Marie-Renée Dorval. They married in 1962 and Brittany then became one of his main sources of inspiration and for the first time, in 1966, he exhibited his Breton paintings in Edinburgh. In 1987, he was commissioned to design the interiors and artworks for the ship ‘Bretagne,’ for the Brittany Ferries Company. His work brought together portraits of famous personalities, as well as a number of landscapes, small scenes, and still lifes. As well as being a painter, he was also a sculptor of great boldness and originality. In 1997, he created figures of Breton fishermen and of women in traditional costume and ceramic wares depicting Breton life in conjunction with the Pottery Museum in Quimper. The figures in this sale were purchased from the opening exhibition and were each produced in a limited edition of 100.

Lot 180

ALEXANDER GOUDIE FOR LA MUSEE DE LA FAIENCE, QUIMPER 'AIGRETTE' TAZZA hand-painted ceramic, decorated with a seagull design, signed and dated '97 27cm diameter Literature: 'Alexander Goudie Ceramique', Bernard Jules Verlingue, pub. La Musee de la Faience, Quimper, 1997 Note: This lot was a trial piece, made to assess size and colour before production commenced. It is signed and dated and acquired directly from the artist. Note: Alexander Goudie (1933-2004), was one of Scotland's foremost contemporary artists. He was born in Paisley in Renfrewshire. He studied at the Glasgow School of Art, where he received the Newbery medal. On a trip to France, he visited Brittany, where he met Marie-Renée Dorval. They married in 1962 and Brittany then became one of his main sources of inspiration and for the first time, in 1966, he exhibited his Breton paintings in Edinburgh. In 1987, he was commissioned to design the interiors and artworks for the ship ‘Bretagne,’ for the Brittany Ferries Company. His work brought tog ther portraits of famous personalities, as well as a number of landscapes, small scenes, and still lifes. As well as being a painter, he was also a sculptor of great boldness and originality. In 1997, he created figures of Breton fishermen and of women in traditional costume and ceramic wares depicting Breton life in conjunction with the Pottery Museum in Quimper.

Lot 181

ALEXANDER GOUDIE FOR LA MUSEE DE LA FAIENCE, QUIMPER 'MAINEE AUX FETES DE CORNOUAILLE', CYLINDRICAL VASE hand-painted ceramic, decorated with a Breton procession, signed and dated '97 41.5cm high Note: This lot was a trial piece, made to assess size and colour before production commenced. It is signed and dated and acquired directly from the artist. Note: Alexander Goudie (1933-2004), was one of Scotland's foremost contemporary artists. He was born in Paisley in Renfrewshire. He studied at the Glasgow School of Art, where he received the Newbery medal. On a trip to France, he visited Brittany, where he met Marie-Renée Dorval. They married in 1962 and Brittany then became one of his main sources of inspiration and for the first time, in 1966, he exhibited his Breton paintings in Edinburgh. In 1987, he was commissioned to design the interiors and artworks for the ship ‘Bretagne,’ for the Brittany Ferries Company. His work brought together portraits of famous personalities, as well as a number of landscapes, small scenes, and still lifes. As well as being a painter, he was also a sculptor of great boldness and originality. In 1997, he created figures of Breton fishermen and of women in traditional costume and ceramic wares depicting Breton life in conjunction with the Pottery Museum in Quimper.

Lot 372

CLAIRE WEISS FOR GOLDSCHEIDER TENNIS GIRL ceramic figure, bears traces of original paper label, impressed marks no. 7035/ 79/ 10 (restored) 28cm high

Lot 391

LEWIS F. DAY AESTHETIC MOVEMENT CLOCK by Edward & Sons, London and Glasgow, the twin train movement with circular ceramic dial decorated in blue, white and gold with floral motifs and set within rectangular ebonised case with moulded cornice and flower-carved spandrels and set with two ceramic plaques each decorated with a floral and foliate frieze 38cm high

Lot 687

French enamelled mantel clockFrench mantel clock, circa 1870, the gilt and bronzed case set with painted ceramic panels depicting a 17th century hunt, two train movement by Japy with Brocot suspension and retailer's name Hy Marc. Height 37cm. (Pendulum, key and bell)

Lot 699

Rosewood ladies writing tableEdwardian rosewood writing table, inlaid with leaf scrolls, the inset leather top over three short drawers raised on square section tapering legs and brown ceramic castors. Length 100cm

Lot 1237

A 9ct gold turquoise and cultured pearl ring, a 9ct gold pearl and blue ceramic ring, Birmingham 1900, and a 22ct gold wedding ring (3)

Lot 158

A Victorian walnut octagonal top centre table attributed to Gillows, with kingwood, burr walnut and chevron and parquetry stringing and banding, on turned supports united by a X stretcher with urn finials to ceramic castors, 27in (68.5cm) h, 22in (56cm) w.

Lot 159

A Victorian walnut breakfast table in the manner of Holland & Sons, the oval tilt top quarter burr veneered with a central marquetry design and an amboyna band to a moulded ribbed edge, the carved base with turned quadruple supports with a central finial on lappeted scroll legs with leaf and knurl toes to ceramic castors, 29.25in (74cm) h, 60.25 x 45in (153 x 114.5cm).

Lot 241

A mahogany twin pedestal desk, with a gilt tooled leather inset top above three frieze drawers and three drawers to each pedestal, on ceramic castors, 30in (76cm) h, 48in (122cm) w, 25.75in (65.5cm) w. Late 19th/early 20th century. One castor missing.

Lot 266

An early Victorian rosewood three tier whatnot, with brass gallery, turned and moulded supports the base with a drawer on ceramic castors, 36.5in (93cm) h, 27in (68.5cm) w, 16in (40.5cm) d.

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