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Lot 622

DeLaCour. A stainless steel, ceramic and diamond set quartz wristwatch with floating dial  Liberata, No. 274/500, Serial No. 60864, Circa 2000 The large steel and ceramic case with black background and diamond bezel, containing a free moving circular watch with black and pavé diamond centre, diamond bezels, Arabic numerals for 3, 6 and 12, with deLaCour buckle 48mm diameter (VAT charged on hammer price) Please note that the watch straps for this lot will be removed at the time of purchase Condition Report: Please note that Roseberys do not guarantee working order or time keeping of any automatic, mechanical, quartz or other timepiece.

Lot 596

Corum. A stainless steel, gold and ceramic quartz bracelet watch Clipper Club, 384876, serial number 47425V36, Circa 1980 Quartz movement ETA Cal: 279.001, two tone dial with applied gilt metal dots, gilt stick hands, black ceramic case with snap on caseback, gold plated and steel screw down gold markers fixed to the bezel, integral ceramic link bracelet with gold plated hinges, double folding Corum bracelet, case, dial and movement signed 25mm diameter  (VAT charged on hammer price) Condition Report: The case shows little evidence of wear , with minimal surface scratches, only some sticky marks to the case back. Dial is clean with no marks.  Watch not currently running and may require a service and/or battery change but cannot be guaranteed. Please note that Roseberys do not guarantee working order or time keeping of any automatic, mechanical, quartz or other timepiece.

Lot 607

Omega. A small sized white gold quartz and ceramic wristwatch from the 1987 Omega Art Collection Omega 1987 Art Collection, Richard Paul Lohse edition, No.469/999, Circa 1987 Quartz movement, black dial with plain white gold stick hands, 18ct white gold case, the special edition case back with Ceramic Richard Paul Lohse case back held by 8 gold screws, very thin square lugs set within the case, case, dial and movement signed 22mm diameter  The announcement for this special edition art collection came from Omega in 1986, but the first models were not released until 1987. Interestingly, the project was managed by the first CEO of SME (Societe de Microelectronique et d'Horlogerie') which was later renamed as the Swatch group. The cases, designed by Hans Zaugg, used a new state of the art ceramic scratch resistant alloy and Omega commissioned a number of artists to design the medallions for the reverse. Among them was Richard Paul Lohse (September 13, 1902 – September 16, 1988) who was a Swiss painter and graphic artist and one of the main representatives of the concrete and constructive art movements. He was particularly known for his linear and colourful works of art. With thanks to Alexander Barter for the help with this footnote..Condition Report: The case is in good order with some nicks and scuffs to the bezel, metal part of the case, The strap is lacking. The dial is clean. Please note that Roseberys do not guarantee working order or time keeping of any automatic, mechanical, quartz or other timepiece. The watch is not currently running and may require a service. 

Lot 143

A late 19thC spelter lamp base, a standing figure of a woman with plaits, holding aloft a bowl, on a black ceramic plinth  14"h

Lot 206

An Antonia Salmon ceramic vase of squat, bulbous form, finished in marbled and similar grey designs, in uniform textured bands  bears an engraved monogram  10"h  15"dia

Lot 196

A 20thC Royal Dux ceramic table lamp, fashioned as a Biblical group, depicting a young man and woman, producing water vessels beside a pillar with a decorative capital  bears an impressed, moulded mark  17"h

Lot 400

Four various early 20thC French and German dressed dolls with ceramic heads and painted figures  largest 18"h; and one in papier mache, on a partly articulated fabric body  17"h

Lot 441

Late 19th century French Aesthetic period 'Chinoiserie' ceramic mantel clock, the 4-inch silvered Arabic chapter ring applied with gilt brass numerals, framing turquoise glazed centre, the two-train movement stamped 903B, the impressive case surmounted by a seated figure of a sage holding a scroll, over drum-head housing with bamboo, prunus blossom and fruiting bough decoration, moulded taotie or Dog of Fo masks to sides, the base modelled as a boat or 'junk' with two seated figures, to the prow and stern respectively, one playing a stringed instrument, raised on waves and an integral Chinese style oval 'stand' base, 41cm high (lacking bell, pendulum and winder)A similar example by Richard & Cie sold Lay's of Penzance, 30th March 2017, lot 2915. See also a 'Pendule a la jonque' by Jules Veillard of Bordeaux, Paris Oise Encheres, 18th March 2018, lot 144.

Lot 497

Set of ten 20th century ceramic wine bin labels each with blue lettering on a white ground; 'Burgundy', 'Chablis', 'Champagne', 'Chateauneuf du Pape', 'Claret', 'Hermitage', 'Margaux', 'Meursault', 'Pomerol', and 'St Emilion', 13cm x 9cm high

Lot 391

Ron Hitchins (1926-2019) - Ceramic Modernist panel, composed of twenty-eight square tiles moulded in relief with geometric designs, signed to reverse in biro, in teak frame, 37cm x 22cm overall

Lot 144

* ANNE MORRISON DA, SET FREE III sculpture (unique) on driftwood base, signed and titled to base28cm high x 47cm longNote: On graduating in 1974 from Glasgow School of Art, Anne set up a small pottery studio and for a number of years produced handthrown domestic ware and ceramic jewellery. In the mid-nineties she moved on to sculptural work and raku fired ceramics. One of Anne's main influences is the sea and shore, where she has developed her work using 'found objects' that she collects from beaches. This could include smooth pebbles, discarded items and driftwood, even rusted metal and nails. Anne's other aspect of work is sculpting the human figure, where she aims to express emotion and hidden feelings. Her hand-modelled clay figures are placed on pieces of driftwood to help convey a range of emotions, particularly that of unease or confinement. She had her first solo exhibition in 2001 and won the Scottish Potters Association Alisdair Dunn Award in both 2000 and 2002. She was also awarded "Best Piece in Show" prize by The Strathearn Gallery in Perthshire during the Scottish Potters Association exhibition in 2007. Anne continues to exhibit throughout the UK. "My work is based around a theme of decay and renewal and the ongoing cycle of life. Throughout our lives we go through periods of death and rebirth: after many times of darkness come hope and renewal which affect our view of the world, our place within it, and the spiritual aspects beyond it. From old or discarded objects that I collect, I create something new. Large forms are cut and reassembled to reflect the need to rebuild our lives after painful events. Additions of leather, wire or bolts are used to achieve this and also reflect the finds from the shore. Sometimes leaves or plants are pressed into the clay to remind us of the natural world in which we live." In the Scottish Contemporary Art Auction of 23rd January 2022, lot 77 "Dreaming" a similar sculpture with driftwood ( 17 x 62cm) by Anne Morrsion sold for £550 (hammer).

Lot 781

A signed Doulton advertising ceramic and Asprey silver mounted whiskey flask made for G. B. & Sons, Ltd., London, the body decorated with a hand painted front-facing Reynard fox, modelled in low relief and indistinctly signed l.r., the handle is naturalistically modelled and painted as a whip with rope extending to wind around the vessel base, topped cork and Asprey silver stopper, London 1929, 30cm highNote: G.B. & sons, a London based cabinet makers and high-end retailer founded in 1851 by George Betjemann, often collaborated with Doulton on silver mounted ceramics

Lot 695

Piero Fornasetti (Italian, 1913-1988), a Surrealist ceramic umbrella stand, modelled as an oversized Greco-Roman lower leg, black gloss glaze, printed mark 'Fornasetti Milano - Made In Italy' to the underside, 62cm high. Note: Artist Resale Rights apply

Lot 237

Collection of chamber pots, planters, ceramic plates and bowls, large pinecones, Alice in Wonderland cup

Lot 122

Collection of floral patterned ceramic dishes and mugs

Lot 221

Ceramic wash basin and box of napkins, vintage doll, handbags etc

Lot 218

Box of ceramic jugs and vases, figurines and three larger wash jugs

Lot 119

Cookware, saucepans, frying pans, jam pan etc for gas and ceramic hobs

Lot 39

Three boxes of ceramic ornaments, jugs, mugs, glassware etc

Lot 289

Two boxes of kettles, pictures, prints, ceramic penguin, ornaments

Lot 238

Box of cranberry glass epergne, vintage glass chemist jar, Beswick Shetland pony (A/F), ceramic plates and ornaments

Lot 163

Flying duck formed lamp base and a bulbous painted ceramic lamp base

Lot 380

Box of Gloria Concepts Franklin Mint ceramic spice jars, Spode Italian cups and saucers etc

Lot 429

Tag Heuer. A stainless steel, ceramic and diamond-set quartz chronograph wristwatch Formula One, Ref.CAH1212, No.RPH1501, circa 2010 Quartz movement, gloss black dial with diamond-set hour markers, chronograph dials, date aperture, luminous hands, stainless steel case with screw-down reverse, black bezel calibrated to 60 minutes with diamond-set outer, on stainless steel and ceramic Tag Heuer bracelet. Diameter 41mm.

Lot 430

Tag Heuer. A stainless steel and ceramic quartz chronograph wristwatch Formula One, Ref.CAZ1011.BA0843, No.WUH8229, circa 2020 Quartz movement, anthracite grey dial with black chronograph registers, luminous markers, luminous hands, date aperture, stainless steel case with screw-down reverse, black Tachymetre bezel, on stainless steel and ceramic Tag Heuer bracelet. Diameter 43mm.

Lot 433

Rolex. A fine stainless steel and yellow gold self-winding wristwatch with date Submariner Date, Ref.126613LB, Case No.872T01N0, made circa 2020 Cal.3235 automatic movement, blue dial with luminous baton, triangle and dot markers, luminous hands, date aperture, sapphire crystal, stainless steel Oyster case with screw-down reverse and Oyster Triplock crown, gold and blue ceramic bezel, stainless steel and gold Rolex Oyster bracelet with Oysterlock clasp and Glidelock extemsion. Diameter 40mm. This model uses the latest Rolex Calibre 3235 movement, as indicated by a coronet between Swiss and Made on the dial.

Lot 52

A scarce stoneware ceramic jug of Glenfiddich 'Bonnie Prince Charlie' Scotch whisky, 75cl unopened, sealed and full special edition of this single malt. Bottled in the 1980s. (1)

Lot 333

A French giltwood overmantel mirror, of Louis XVI, first quarter 20th century, with scrolling crest above rectangular plate, set in leaf moulded frame, on ceramic feet, 115 x 144cmCondition Report: damage to crest 

Lot 7190

Two mustard pots including Hicklenton & Sydal, Birmingham 1934, with blue glass liner and Stokes & Ireland example with fixed ceramic liner

Lot 109

An unglazed ceramic plaque. Titled S. Columba, 28X23cm.

Lot 1144

Paula Downing (1948). Two ceramic sculptures 'Crystal', height 11cm and 9cm (2). Mollie & Graham met in Wimbledon in 1978. He, a Cornishman, born in Gulval in 1930, acquired an early appreciation of art visiting Newlyn Gallery with his family. In his early career Graham worked in London writing for the Daily Express and he was responsible for one of the first Arts columns in a tabloid paper, but in 1960 he opened an antique shop in Chelsea. Inspired by trips to Italy, he displayed early furniture and antiquities in an uncluttered modern setting, a technique he later utilised in his own home. The Darks moved back to Cornwall in 1980 and at their home in Flushing, and later Truro, curated an impressive body of art and antiquities with a particular focus on Cornish artists such as Paul Feiler and Terry Frost, who both became close friends. The paintings were displayed alongside mid-century modern designer furniture by Eames, Bertoia and Magistretti, and arrangements of antiquities, thought of as ‘ensembles’ by Graham. Warm, charming, and generous hosts, they entertained their artistic circle of friends in their exquisitely arranged home, and it is a privilege for us to handle their beautiful possessions today. We hope to present them to you with as much care and consideration as the Darks used, and that those two remarkable connoisseurs would have approved.Graham Dark 1930-2015Mollie Dark 1928-2024

Lot 7

A collection of eight various pottery jelly moulds. 19th Century and later together with various ceramic kitchenalia.

Lot 1043

A cast iron anvil. 16th/17th century, height 22.5cm, together with another smaller anvil (2).*Ceramic vessels for illustrative purposes only* Mollie & Graham met in Wimbledon in 1978. He, a Cornishman, born in Gulval in 1930, acquired an early appreciation of art visiting Newlyn Gallery with his family. In his early career Graham worked in London writing for the Daily Express and he was responsible for one of the first Arts columns in a tabloid paper, but in 1960 he opened an antique shop in Chelsea. Inspired by trips to Italy, he displayed early furniture and antiquities in an uncluttered modern setting, a technique he later utilised in his own home. The Darks moved back to Cornwall in 1980 and at their home in Flushing, and later Truro, curated an impressive body of art and antiquities with a particular focus on Cornish artists such as Paul Feiler and Terry Frost, who both became close friends. The paintings were displayed alongside mid-century modern designer furniture by Eames, Bertoia and Magistretti, and arrangements of antiquities, thought of as ‘ensembles’ by Graham. Warm, charming, and generous hosts, they entertained their artistic circle of friends in their exquisitely arranged home, and it is a privilege for us to handle their beautiful possessions today. We hope to present them to you with as much care and consideration as the Darks used, and that those two remarkable connoisseurs would have approved.Graham Dark 1930-2015Mollie Dark 1928-2024

Lot 346

A Lorna Bailey pottery Christmas Cat. Riding on a toboggan, height 12cm together with two other Lorna Bailey Christmas Cats and a Wild in Art ceramic Santa lion. (4)

Lot 1018

Paula Downing (1948) Stope (Red), a sculptural ceramic vessel, initialled and titled on the base, height 17cm, together with two smaller pieces, 'Inlet' and 'Little Beauty' (3). Mollie & Graham met in Wimbledon in 1978. He, a Cornishman, born in Gulval in 1930, acquired an early appreciation of art visiting Newlyn Gallery with his family. In his early career Graham worked in London writing for the Daily Express and he was responsible for one of the first Arts columns in a tabloid paper, but in 1960 he opened an antique shop in Chelsea. Inspired by trips to Italy, he displayed early furniture and antiquities in an uncluttered modern setting, a technique he later utilised in his own home. The Darks moved back to Cornwall in 1980 and at their home in Flushing, and later Truro, curated an impressive body of art and antiquities with a particular focus on Cornish artists such as Paul Feiler and Terry Frost, who both became close friends. The paintings were displayed alongside mid-century modern designer furniture by Eames, Bertoia and Magistretti, and arrangements of antiquities, thought of as ‘ensembles’ by Graham. Warm, charming, and generous hosts, they entertained their artistic circle of friends in their exquisitely arranged home, and it is a privilege for us to handle their beautiful possessions today. We hope to present them to you with as much care and consideration as the Darks used, and that those two remarkable connoisseurs would have approved.Graham Dark 1930-2015Mollie Dark 1928-2024

Lot 1094

Paula Downing (1948). A sculptural ceramic vessel, impressed personal seal mark, height 18.5cm, together with two further vessels, and a lidded box, by the same (4). Mollie & Graham met in Wimbledon in 1978. He, a Cornishman, born in Gulval in 1930, acquired an early appreciation of art visiting Newlyn Gallery with his family. In his early career Graham worked in London writing for the Daily Express and he was responsible for one of the first Arts columns in a tabloid paper, but in 1960 he opened an antique shop in Chelsea. Inspired by trips to Italy, he displayed early furniture and antiquities in an uncluttered modern setting, a technique he later utilised in his own home. The Darks moved back to Cornwall in 1980 and at their home in Flushing, and later Truro, curated an impressive body of art and antiquities with a particular focus on Cornish artists such as Paul Feiler and Terry Frost, who both became close friends. The paintings were displayed alongside mid-century modern designer furniture by Eames, Bertoia and Magistretti, and arrangements of antiquities, thought of as ‘ensembles’ by Graham. Warm, charming, and generous hosts, they entertained their artistic circle of friends in their exquisitely arranged home, and it is a privilege for us to handle their beautiful possessions today. We hope to present them to you with as much care and consideration as the Darks used, and that those two remarkable connoisseurs would have approved.Graham Dark 1930-2015Mollie Dark 1928-2024

Lot 1024

Paula Downing (1948). Warrior ceramic sculpture, on a metal base, height 67cm. Mollie & Graham met in Wimbledon in 1978. He, a Cornishman, born in Gulval in 1930, acquired an early appreciation of art visiting Newlyn Gallery with his family. In his early career Graham worked in London writing for the Daily Express and he was responsible for one of the first Arts columns in a tabloid paper, but in 1960 he opened an antique shop in Chelsea. Inspired by trips to Italy, he displayed early furniture and antiquities in an uncluttered modern setting, a technique he later utilised in his own home. The Darks moved back to Cornwall in 1980 and at their home in Flushing, and later Truro, curated an impressive body of art and antiquities with a particular focus on Cornish artists such as Paul Feiler and Terry Frost, who both became close friends. The paintings were displayed alongside mid-century modern designer furniture by Eames, Bertoia and Magistretti, and arrangements of antiquities, thought of as ‘ensembles’ by Graham. Warm, charming, and generous hosts, they entertained their artistic circle of friends in their exquisitely arranged home, and it is a privilege for us to handle their beautiful possessions today. We hope to present them to you with as much care and consideration as the Darks used, and that those two remarkable connoisseurs would have approved.Graham Dark 1930-2015Mollie Dark 1928-2024

Lot 1034

Paula Downing (1948). Levant, ceramic sculpture, impressed personal seal mark, inscribed in marker pen, height 43cm. Purchased 2011.Mollie & Graham met in Wimbledon in 1978. He, a Cornishman, born in Gulval in 1930, acquired an early appreciation of art visiting Newlyn Gallery with his family. In his early career Graham worked in London writing for the Daily Express and he was responsible for one of the first Arts columns in a tabloid paper, but in 1960 he opened an antique shop in Chelsea. Inspired by trips to Italy, he displayed early furniture and antiquities in an uncluttered modern setting, a technique he later utilised in his own home. The Darks moved back to Cornwall in 1980 and at their home in Flushing, and later Truro, curated an impressive body of art and antiquities with a particular focus on Cornish artists such as Paul Feiler and Terry Frost, who both became close friends. The paintings were displayed alongside mid-century modern designer furniture by Eames, Bertoia and Magistretti, and arrangements of antiquities, thought of as ‘ensembles’ by Graham. Warm, charming, and generous hosts, they entertained their artistic circle of friends in their exquisitely arranged home, and it is a privilege for us to handle their beautiful possessions today. We hope to present them to you with as much care and consideration as the Darks used, and that those two remarkable connoisseurs would have approved.Graham Dark 1930-2015Mollie Dark 1928-2024

Lot 321

An Upsala-Ekeby ceramic cube vase by Göran Andersson. Height 12cm.

Lot 584

A Swiss Art Deco stylish timepiece. With two gilt metal doors revealing the enamelled dial, raised on an engraved Greek Key base interspersed with ceramic spheres, the movement stamped Chevron 8 day, height 12cm.The clock winds, ticks, and runs for at least a few minutes.There is no glass over the photographs, it is unclear whether this is as designed or the glass is missing.There are a few hairline fractures visible on the upper part of the dial.

Lot 404

Eight assorted vintage glass and ceramic advertising ashtrays. Including; Brickwoods Ales, Champagne Pol Roger, Haig Whisky, Drybroughs Scotland, Senior Service, Benson & Hedges, Player's Bachelor cigarettes, and Castella (8).

Lot 1011

Paula Downing (1948) Gem and Little Gem, ceramic sculpture, Gem- height 19.5cm, diameter 42cm, Little Gem- height 14cm, impressed seal mark (2). Purchased from the exhibition 'Edge' at The Royal Cornwall Museum, 2015.Mollie & Graham met in Wimbledon in 1978. He, a Cornishman, born in Gulval in 1930, acquired an early appreciation of art visiting Newlyn Gallery with his family. In his early career Graham worked in London writing for the Daily Express and he was responsible for one of the first Arts columns in a tabloid paper, but in 1960 he opened an antique shop in Chelsea. Inspired by trips to Italy, he displayed early furniture and antiquities in an uncluttered modern setting, a technique he later utilised in his own home. The Darks moved back to Cornwall in 1980 and at their home in Flushing, and later Truro, curated an impressive body of art and antiquities with a particular focus on Cornish artists such as Paul Feiler and Terry Frost, who both became close friends. The paintings were displayed alongside mid-century modern designer furniture by Eames, Bertoia and Magistretti, and arrangements of antiquities, thought of as ‘ensembles’ by Graham. Warm, charming, and generous hosts, they entertained their artistic circle of friends in their exquisitely arranged home, and it is a privilege for us to handle their beautiful possessions today. We hope to present them to you with as much care and consideration as the Darks used, and that those two remarkable connoisseurs would have approved.Graham Dark 1930-2015Mollie Dark 1928-2024 These ceramic pieces are in good condition.

Lot 1134

Paula Downing (1948). Two sculptural ceramic pieces 'Rift', impressed personal seal marks and titled, height 59cm and 51cm (2). Mollie & Graham met in Wimbledon in 1978. He, a Cornishman, born in Gulval in 1930, acquired an early appreciation of art visiting Newlyn Gallery with his family. In his early career Graham worked in London writing for the Daily Express and he was responsible for one of the first Arts columns in a tabloid paper, but in 1960 he opened an antique shop in Chelsea. Inspired by trips to Italy, he displayed early furniture and antiquities in an uncluttered modern setting, a technique he later utilised in his own home. The Darks moved back to Cornwall in 1980 and at their home in Flushing, and later Truro, curated an impressive body of art and antiquities with a particular focus on Cornish artists such as Paul Feiler and Terry Frost, who both became close friends. The paintings were displayed alongside mid-century modern designer furniture by Eames, Bertoia and Magistretti, and arrangements of antiquities, thought of as ‘ensembles’ by Graham. Warm, charming, and generous hosts, they entertained their artistic circle of friends in their exquisitely arranged home, and it is a privilege for us to handle their beautiful possessions today. We hope to present them to you with as much care and consideration as the Darks used, and that those two remarkable connoisseurs would have approved.Graham Dark 1930-2015Mollie Dark 1928-2024

Lot 375

A Pratt Ware mug circa 1800. Moulded with drapery and foliate borders decorated in blue, green and ochre, height 10.5cm together with an English pottery nursery plate Faithful Playmate, a glass roemer and a ceramic label/tally Champion George Fox & Sons (Hedley Fox Frms) Rose Vale Nursery Penzance BK Tally Patent. (4)

Lot 301

THREE CONTEMPORARY DECORATIVE VASEScomprising of a cream ground mid century style vase with stylised flowers, 32cm high; black vase with textured cream pattern, 30cm high; and a cream ceramic bottle vase with ribbed texture 26cm high (3)

Lot 630

PINE SIDE TABLEthe single drawer with floral decorated ceramic knob, raised on turned supports, 96cm x 75.6cm x 60cm

Lot 234

LARGE ANTIQUE COPPER BASED CERAMIC FOOD WARMER ASHETwith moulded indents and blue transfer print, the base stamped copper, with black wooden turned handles, 51cm long; and three smaller food warming dishes/plates (4)

Lot 325

ART DECO FIGURAL TABLE LAMPthe ceramic female figure in stylish green attire, raised on black vitrolite base with chrome ball feet (one lacking), with chrome light fitting and square shade, 49cm high (including shade)

Lot 238

JAPANESE CERAMIC TABLE LAMPwith textured body and various glazes with branches and blossom, signed on black base, 41cm high

Lot 337

THREE ELEPHANT ORNAMENTScomprising a ceramic elephant jardiniere stand, 27cm high; and two carved wooden elephants, one of modern style and the other colourfully painted; together with a monkey decorated wall sconce, a duck ornament, and a carved wooden picture frame

Lot 269

ASSORTMENT OF DECORATIVE CERAMICSincluding Royal Doulton 'Belle' HN 2340, 12cm high; two posy vases, Largs crested ware in the form of a tambourine, pair of ceramic bookends in the form of a lady and gentleman, Anne of Green Gables model cottage, two Royal Doulton Scottish terriers K18, etc.

Lot 265

QUANTITY OF MID CENTURY CERAMICS AND GLASSWAREincluding German opaque white textured glass vase by Ingrid Glashutte, 26cm high; a red glass handbag style vase; a tall white swirl pattern glass vase; a dimpled hand blown glass brown decanter with stopper; an amber moulded glass vase; a striped ceramic textured Italian vase and beaker; and an oval glass plate with transfer floral print

Lot 381

EARLY 20th CENTURY OAK SMOKERS CABINETwith a lift up lid, the interior with pipe rack, light plum coloured ceramic tobacco jar and single drawer behind a glass door, 22 x 29 x 19cm

Lot 507

BOWMORE 15 YEAR OLD SINGLE MALT SCOTCH WHISKY GLASGOW GARDEN FESTIVAL bottled in a ceramic flagon to commemorate the Glasgow Garden Festival 1988, 75cl and 40%, in original box with leaflet and stopper, bashing and some tearing to box, one bottle (1)

Lot 252

SELECTION OF VINTAGE CERAMICSincluding footed scalloped bowl by Gouda Purdah, green Art Nouveau vase by Bretby, Carlton ware Buttercup sauce boat, saucer and spoon, slipware tobacco jar, Carlton ware Rouge Royal Mikado ribbed bowl, Crown Devon jug, Hartray studio ceramic jug Denby ware, Cosypot by Pearl, etc.

Lot 618

PAIR OF LARGE MID CENTURY CERAMIC TABLE LAMPSwith cream base and brown, orange and black concentric circles, 46cm high (excluding fitting)

Lot 348

CARVED WOODEN FIGURE OF AFRICAN LADY the lady turning a wheel and collecting water, made of one piece of hardwood, 28cm high; and a ceramic horse and jockey black figurine, 28cm high (2)

Lot 253

SELECTION OF VINTAGE FLORAL CERAMIC WAREincluding Royal Albert 'Nosegay' six part tea set with a Belleek vase, Adderley weave basket, Adderley Posie, Crown Staffordshire basket, etc.

Lot 1197

Collection of Hornsea Pottery Classic and floral patterned ceramic vases, max. L35cm (8)

Lot 617

Collection of ceramic figures, incl. Three NAO figures, max H32.5cm; Three Lladro figures, max H32cm and one other figure

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