DeLaCour. A stainless steel, ceramic and diamond set quartz wristwatch with floating dial Liberata, No. 274/500, Serial No. 60864, Circa 2000 The large steel and ceramic case with black background and diamond bezel, containing a free moving circular watch with black and pavé diamond centre, diamond bezels, Arabic numerals for 3, 6 and 12, with deLaCour buckle 48mm diameter (VAT charged on hammer price) Please note that the watch straps for this lot will be removed at the time of purchase Condition Report: Please note that Roseberys do not guarantee working order or time keeping of any automatic, mechanical, quartz or other timepiece.
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Corum. A stainless steel, gold and ceramic quartz bracelet watch Clipper Club, 384876, serial number 47425V36, Circa 1980 Quartz movement ETA Cal: 279.001, two tone dial with applied gilt metal dots, gilt stick hands, black ceramic case with snap on caseback, gold plated and steel screw down gold markers fixed to the bezel, integral ceramic link bracelet with gold plated hinges, double folding Corum bracelet, case, dial and movement signed 25mm diameter (VAT charged on hammer price) Condition Report: The case shows little evidence of wear , with minimal surface scratches, only some sticky marks to the case back. Dial is clean with no marks. Watch not currently running and may require a service and/or battery change but cannot be guaranteed. Please note that Roseberys do not guarantee working order or time keeping of any automatic, mechanical, quartz or other timepiece.
Omega. A small sized white gold quartz and ceramic wristwatch from the 1987 Omega Art Collection Omega 1987 Art Collection, Richard Paul Lohse edition, No.469/999, Circa 1987 Quartz movement, black dial with plain white gold stick hands, 18ct white gold case, the special edition case back with Ceramic Richard Paul Lohse case back held by 8 gold screws, very thin square lugs set within the case, case, dial and movement signed 22mm diameter The announcement for this special edition art collection came from Omega in 1986, but the first models were not released until 1987. Interestingly, the project was managed by the first CEO of SME (Societe de Microelectronique et d'Horlogerie') which was later renamed as the Swatch group. The cases, designed by Hans Zaugg, used a new state of the art ceramic scratch resistant alloy and Omega commissioned a number of artists to design the medallions for the reverse. Among them was Richard Paul Lohse (September 13, 1902 – September 16, 1988) who was a Swiss painter and graphic artist and one of the main representatives of the concrete and constructive art movements. He was particularly known for his linear and colourful works of art. With thanks to Alexander Barter for the help with this footnote..Condition Report: The case is in good order with some nicks and scuffs to the bezel, metal part of the case, The strap is lacking. The dial is clean. Please note that Roseberys do not guarantee working order or time keeping of any automatic, mechanical, quartz or other timepiece. The watch is not currently running and may require a service.
Late 19th century French Aesthetic period 'Chinoiserie' ceramic mantel clock, the 4-inch silvered Arabic chapter ring applied with gilt brass numerals, framing turquoise glazed centre, the two-train movement stamped 903B, the impressive case surmounted by a seated figure of a sage holding a scroll, over drum-head housing with bamboo, prunus blossom and fruiting bough decoration, moulded taotie or Dog of Fo masks to sides, the base modelled as a boat or 'junk' with two seated figures, to the prow and stern respectively, one playing a stringed instrument, raised on waves and an integral Chinese style oval 'stand' base, 41cm high (lacking bell, pendulum and winder)A similar example by Richard & Cie sold Lay's of Penzance, 30th March 2017, lot 2915. See also a 'Pendule a la jonque' by Jules Veillard of Bordeaux, Paris Oise Encheres, 18th March 2018, lot 144.
* ANNE MORRISON DA, SET FREE III sculpture (unique) on driftwood base, signed and titled to base28cm high x 47cm longNote: On graduating in 1974 from Glasgow School of Art, Anne set up a small pottery studio and for a number of years produced handthrown domestic ware and ceramic jewellery. In the mid-nineties she moved on to sculptural work and raku fired ceramics. One of Anne's main influences is the sea and shore, where she has developed her work using 'found objects' that she collects from beaches. This could include smooth pebbles, discarded items and driftwood, even rusted metal and nails. Anne's other aspect of work is sculpting the human figure, where she aims to express emotion and hidden feelings. Her hand-modelled clay figures are placed on pieces of driftwood to help convey a range of emotions, particularly that of unease or confinement. She had her first solo exhibition in 2001 and won the Scottish Potters Association Alisdair Dunn Award in both 2000 and 2002. She was also awarded "Best Piece in Show" prize by The Strathearn Gallery in Perthshire during the Scottish Potters Association exhibition in 2007. Anne continues to exhibit throughout the UK. "My work is based around a theme of decay and renewal and the ongoing cycle of life. Throughout our lives we go through periods of death and rebirth: after many times of darkness come hope and renewal which affect our view of the world, our place within it, and the spiritual aspects beyond it. From old or discarded objects that I collect, I create something new. Large forms are cut and reassembled to reflect the need to rebuild our lives after painful events. Additions of leather, wire or bolts are used to achieve this and also reflect the finds from the shore. Sometimes leaves or plants are pressed into the clay to remind us of the natural world in which we live." In the Scottish Contemporary Art Auction of 23rd January 2022, lot 77 "Dreaming" a similar sculpture with driftwood ( 17 x 62cm) by Anne Morrsion sold for £550 (hammer).
A signed Doulton advertising ceramic and Asprey silver mounted whiskey flask made for G. B. & Sons, Ltd., London, the body decorated with a hand painted front-facing Reynard fox, modelled in low relief and indistinctly signed l.r., the handle is naturalistically modelled and painted as a whip with rope extending to wind around the vessel base, topped cork and Asprey silver stopper, London 1929, 30cm highNote: G.B. & sons, a London based cabinet makers and high-end retailer founded in 1851 by George Betjemann, often collaborated with Doulton on silver mounted ceramics
Tag Heuer. A stainless steel, ceramic and diamond-set quartz chronograph wristwatch Formula One, Ref.CAH1212, No.RPH1501, circa 2010 Quartz movement, gloss black dial with diamond-set hour markers, chronograph dials, date aperture, luminous hands, stainless steel case with screw-down reverse, black bezel calibrated to 60 minutes with diamond-set outer, on stainless steel and ceramic Tag Heuer bracelet. Diameter 41mm.
Tag Heuer. A stainless steel and ceramic quartz chronograph wristwatch Formula One, Ref.CAZ1011.BA0843, No.WUH8229, circa 2020 Quartz movement, anthracite grey dial with black chronograph registers, luminous markers, luminous hands, date aperture, stainless steel case with screw-down reverse, black Tachymetre bezel, on stainless steel and ceramic Tag Heuer bracelet. Diameter 43mm.
Rolex. A fine stainless steel and yellow gold self-winding wristwatch with date Submariner Date, Ref.126613LB, Case No.872T01N0, made circa 2020 Cal.3235 automatic movement, blue dial with luminous baton, triangle and dot markers, luminous hands, date aperture, sapphire crystal, stainless steel Oyster case with screw-down reverse and Oyster Triplock crown, gold and blue ceramic bezel, stainless steel and gold Rolex Oyster bracelet with Oysterlock clasp and Glidelock extemsion. Diameter 40mm. This model uses the latest Rolex Calibre 3235 movement, as indicated by a coronet between Swiss and Made on the dial.
Paula Downing (1948). Two ceramic sculptures 'Crystal', height 11cm and 9cm (2). Mollie & Graham met in Wimbledon in 1978. He, a Cornishman, born in Gulval in 1930, acquired an early appreciation of art visiting Newlyn Gallery with his family. In his early career Graham worked in London writing for the Daily Express and he was responsible for one of the first Arts columns in a tabloid paper, but in 1960 he opened an antique shop in Chelsea. Inspired by trips to Italy, he displayed early furniture and antiquities in an uncluttered modern setting, a technique he later utilised in his own home. The Darks moved back to Cornwall in 1980 and at their home in Flushing, and later Truro, curated an impressive body of art and antiquities with a particular focus on Cornish artists such as Paul Feiler and Terry Frost, who both became close friends. The paintings were displayed alongside mid-century modern designer furniture by Eames, Bertoia and Magistretti, and arrangements of antiquities, thought of as ‘ensembles’ by Graham. Warm, charming, and generous hosts, they entertained their artistic circle of friends in their exquisitely arranged home, and it is a privilege for us to handle their beautiful possessions today. We hope to present them to you with as much care and consideration as the Darks used, and that those two remarkable connoisseurs would have approved.Graham Dark 1930-2015Mollie Dark 1928-2024
A cast iron anvil. 16th/17th century, height 22.5cm, together with another smaller anvil (2).*Ceramic vessels for illustrative purposes only* Mollie & Graham met in Wimbledon in 1978. He, a Cornishman, born in Gulval in 1930, acquired an early appreciation of art visiting Newlyn Gallery with his family. In his early career Graham worked in London writing for the Daily Express and he was responsible for one of the first Arts columns in a tabloid paper, but in 1960 he opened an antique shop in Chelsea. Inspired by trips to Italy, he displayed early furniture and antiquities in an uncluttered modern setting, a technique he later utilised in his own home. The Darks moved back to Cornwall in 1980 and at their home in Flushing, and later Truro, curated an impressive body of art and antiquities with a particular focus on Cornish artists such as Paul Feiler and Terry Frost, who both became close friends. The paintings were displayed alongside mid-century modern designer furniture by Eames, Bertoia and Magistretti, and arrangements of antiquities, thought of as ‘ensembles’ by Graham. Warm, charming, and generous hosts, they entertained their artistic circle of friends in their exquisitely arranged home, and it is a privilege for us to handle their beautiful possessions today. We hope to present them to you with as much care and consideration as the Darks used, and that those two remarkable connoisseurs would have approved.Graham Dark 1930-2015Mollie Dark 1928-2024
Paula Downing (1948) Stope (Red), a sculptural ceramic vessel, initialled and titled on the base, height 17cm, together with two smaller pieces, 'Inlet' and 'Little Beauty' (3). Mollie & Graham met in Wimbledon in 1978. He, a Cornishman, born in Gulval in 1930, acquired an early appreciation of art visiting Newlyn Gallery with his family. In his early career Graham worked in London writing for the Daily Express and he was responsible for one of the first Arts columns in a tabloid paper, but in 1960 he opened an antique shop in Chelsea. Inspired by trips to Italy, he displayed early furniture and antiquities in an uncluttered modern setting, a technique he later utilised in his own home. The Darks moved back to Cornwall in 1980 and at their home in Flushing, and later Truro, curated an impressive body of art and antiquities with a particular focus on Cornish artists such as Paul Feiler and Terry Frost, who both became close friends. The paintings were displayed alongside mid-century modern designer furniture by Eames, Bertoia and Magistretti, and arrangements of antiquities, thought of as ‘ensembles’ by Graham. Warm, charming, and generous hosts, they entertained their artistic circle of friends in their exquisitely arranged home, and it is a privilege for us to handle their beautiful possessions today. We hope to present them to you with as much care and consideration as the Darks used, and that those two remarkable connoisseurs would have approved.Graham Dark 1930-2015Mollie Dark 1928-2024
Paula Downing (1948). A sculptural ceramic vessel, impressed personal seal mark, height 18.5cm, together with two further vessels, and a lidded box, by the same (4). Mollie & Graham met in Wimbledon in 1978. He, a Cornishman, born in Gulval in 1930, acquired an early appreciation of art visiting Newlyn Gallery with his family. In his early career Graham worked in London writing for the Daily Express and he was responsible for one of the first Arts columns in a tabloid paper, but in 1960 he opened an antique shop in Chelsea. Inspired by trips to Italy, he displayed early furniture and antiquities in an uncluttered modern setting, a technique he later utilised in his own home. The Darks moved back to Cornwall in 1980 and at their home in Flushing, and later Truro, curated an impressive body of art and antiquities with a particular focus on Cornish artists such as Paul Feiler and Terry Frost, who both became close friends. The paintings were displayed alongside mid-century modern designer furniture by Eames, Bertoia and Magistretti, and arrangements of antiquities, thought of as ‘ensembles’ by Graham. Warm, charming, and generous hosts, they entertained their artistic circle of friends in their exquisitely arranged home, and it is a privilege for us to handle their beautiful possessions today. We hope to present them to you with as much care and consideration as the Darks used, and that those two remarkable connoisseurs would have approved.Graham Dark 1930-2015Mollie Dark 1928-2024
Paula Downing (1948). Warrior ceramic sculpture, on a metal base, height 67cm. Mollie & Graham met in Wimbledon in 1978. He, a Cornishman, born in Gulval in 1930, acquired an early appreciation of art visiting Newlyn Gallery with his family. In his early career Graham worked in London writing for the Daily Express and he was responsible for one of the first Arts columns in a tabloid paper, but in 1960 he opened an antique shop in Chelsea. Inspired by trips to Italy, he displayed early furniture and antiquities in an uncluttered modern setting, a technique he later utilised in his own home. The Darks moved back to Cornwall in 1980 and at their home in Flushing, and later Truro, curated an impressive body of art and antiquities with a particular focus on Cornish artists such as Paul Feiler and Terry Frost, who both became close friends. The paintings were displayed alongside mid-century modern designer furniture by Eames, Bertoia and Magistretti, and arrangements of antiquities, thought of as ‘ensembles’ by Graham. Warm, charming, and generous hosts, they entertained their artistic circle of friends in their exquisitely arranged home, and it is a privilege for us to handle their beautiful possessions today. We hope to present them to you with as much care and consideration as the Darks used, and that those two remarkable connoisseurs would have approved.Graham Dark 1930-2015Mollie Dark 1928-2024
Paula Downing (1948). Levant, ceramic sculpture, impressed personal seal mark, inscribed in marker pen, height 43cm. Purchased 2011.Mollie & Graham met in Wimbledon in 1978. He, a Cornishman, born in Gulval in 1930, acquired an early appreciation of art visiting Newlyn Gallery with his family. In his early career Graham worked in London writing for the Daily Express and he was responsible for one of the first Arts columns in a tabloid paper, but in 1960 he opened an antique shop in Chelsea. Inspired by trips to Italy, he displayed early furniture and antiquities in an uncluttered modern setting, a technique he later utilised in his own home. The Darks moved back to Cornwall in 1980 and at their home in Flushing, and later Truro, curated an impressive body of art and antiquities with a particular focus on Cornish artists such as Paul Feiler and Terry Frost, who both became close friends. The paintings were displayed alongside mid-century modern designer furniture by Eames, Bertoia and Magistretti, and arrangements of antiquities, thought of as ‘ensembles’ by Graham. Warm, charming, and generous hosts, they entertained their artistic circle of friends in their exquisitely arranged home, and it is a privilege for us to handle their beautiful possessions today. We hope to present them to you with as much care and consideration as the Darks used, and that those two remarkable connoisseurs would have approved.Graham Dark 1930-2015Mollie Dark 1928-2024
A Swiss Art Deco stylish timepiece. With two gilt metal doors revealing the enamelled dial, raised on an engraved Greek Key base interspersed with ceramic spheres, the movement stamped Chevron 8 day, height 12cm.The clock winds, ticks, and runs for at least a few minutes.There is no glass over the photographs, it is unclear whether this is as designed or the glass is missing.There are a few hairline fractures visible on the upper part of the dial.
Paula Downing (1948) Gem and Little Gem, ceramic sculpture, Gem- height 19.5cm, diameter 42cm, Little Gem- height 14cm, impressed seal mark (2). Purchased from the exhibition 'Edge' at The Royal Cornwall Museum, 2015.Mollie & Graham met in Wimbledon in 1978. He, a Cornishman, born in Gulval in 1930, acquired an early appreciation of art visiting Newlyn Gallery with his family. In his early career Graham worked in London writing for the Daily Express and he was responsible for one of the first Arts columns in a tabloid paper, but in 1960 he opened an antique shop in Chelsea. Inspired by trips to Italy, he displayed early furniture and antiquities in an uncluttered modern setting, a technique he later utilised in his own home. The Darks moved back to Cornwall in 1980 and at their home in Flushing, and later Truro, curated an impressive body of art and antiquities with a particular focus on Cornish artists such as Paul Feiler and Terry Frost, who both became close friends. The paintings were displayed alongside mid-century modern designer furniture by Eames, Bertoia and Magistretti, and arrangements of antiquities, thought of as ‘ensembles’ by Graham. Warm, charming, and generous hosts, they entertained their artistic circle of friends in their exquisitely arranged home, and it is a privilege for us to handle their beautiful possessions today. We hope to present them to you with as much care and consideration as the Darks used, and that those two remarkable connoisseurs would have approved.Graham Dark 1930-2015Mollie Dark 1928-2024 These ceramic pieces are in good condition.
Paula Downing (1948). Two sculptural ceramic pieces 'Rift', impressed personal seal marks and titled, height 59cm and 51cm (2). Mollie & Graham met in Wimbledon in 1978. He, a Cornishman, born in Gulval in 1930, acquired an early appreciation of art visiting Newlyn Gallery with his family. In his early career Graham worked in London writing for the Daily Express and he was responsible for one of the first Arts columns in a tabloid paper, but in 1960 he opened an antique shop in Chelsea. Inspired by trips to Italy, he displayed early furniture and antiquities in an uncluttered modern setting, a technique he later utilised in his own home. The Darks moved back to Cornwall in 1980 and at their home in Flushing, and later Truro, curated an impressive body of art and antiquities with a particular focus on Cornish artists such as Paul Feiler and Terry Frost, who both became close friends. The paintings were displayed alongside mid-century modern designer furniture by Eames, Bertoia and Magistretti, and arrangements of antiquities, thought of as ‘ensembles’ by Graham. Warm, charming, and generous hosts, they entertained their artistic circle of friends in their exquisitely arranged home, and it is a privilege for us to handle their beautiful possessions today. We hope to present them to you with as much care and consideration as the Darks used, and that those two remarkable connoisseurs would have approved.Graham Dark 1930-2015Mollie Dark 1928-2024
A Pratt Ware mug circa 1800. Moulded with drapery and foliate borders decorated in blue, green and ochre, height 10.5cm together with an English pottery nursery plate Faithful Playmate, a glass roemer and a ceramic label/tally Champion George Fox & Sons (Hedley Fox Frms) Rose Vale Nursery Penzance BK Tally Patent. (4)
ASSORTMENT OF DECORATIVE CERAMICSincluding Royal Doulton 'Belle' HN 2340, 12cm high; two posy vases, Largs crested ware in the form of a tambourine, pair of ceramic bookends in the form of a lady and gentleman, Anne of Green Gables model cottage, two Royal Doulton Scottish terriers K18, etc.
QUANTITY OF MID CENTURY CERAMICS AND GLASSWAREincluding German opaque white textured glass vase by Ingrid Glashutte, 26cm high; a red glass handbag style vase; a tall white swirl pattern glass vase; a dimpled hand blown glass brown decanter with stopper; an amber moulded glass vase; a striped ceramic textured Italian vase and beaker; and an oval glass plate with transfer floral print
SELECTION OF VINTAGE CERAMICSincluding footed scalloped bowl by Gouda Purdah, green Art Nouveau vase by Bretby, Carlton ware Buttercup sauce boat, saucer and spoon, slipware tobacco jar, Carlton ware Rouge Royal Mikado ribbed bowl, Crown Devon jug, Hartray studio ceramic jug Denby ware, Cosypot by Pearl, etc.

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