There are 163691 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribeFrench Louis XVI style mantel clock, circa 1880, the case of gilt brass and blue enamelled ceramic, circular dial painted with a fishing cherub surmounted by a portrait medallion, on a leaf scroll base set with a panel of two cherubs beside water, twin barrel movement striking the half, Brocot suspension, circular backplate signedA.D for A. Dumas of Paris. Width 36cm.
An impressive Victorian rosewood tapestry screen, circa 1860, the rectangular screen inset with a gros and petit point panel depicting figures and horses in a stable yard, surmounted by a fret pierced foliate carved cresting and flanked by twin spiral turned pilasters, raised on carved cabriole legs ending ceramic castors. 126cm wide, 195cm high
Various toys: fifteen carved wooden zoo animals; three calico tents; nine boules with launch-ramp; late cast-iron negro bank and trolley-car; Table Croquet; ceramic locomotive 'Cornishman' money bank; historical scenes plates -George Washington at Anchor by Meakin and American Express Train by Adams
A Collection of Painted Enamel Miniature Plaques, Cameos and Small Pietra Dura Panels, mainly 18th and 19th century, including two oval enamel panels, mounted as pendants, painted with portraits of pretty young women, enriched with studs, spaniels on the reverse, 20mm, two others painted with spaniels on cushions, three tiny "amitie" ceramic medallions, and a small malachite example carved with cupid in relief, and mounted as a pendant, 19cmm (loose or glued onto a glass panel)
A Coalport Fruit Painted Cabinet Plate, Frederick Chivers, circa 1920-30, shaped circular, painted with a bunch of purple grapes, a peach and blackcurrants on a mossy and ivy clad bank, signed, within a broad midnight blue border enriched with gilt scrolls, dentil rim, blue printed crown mark, gilder's number 5351/R and impressed 18A23, 27cm diameter. Frederick Chivers (1881-1965) fruit and flower painter, who worked for the Royal Worcester Porcelain Company, but by 1906 worked at the Coalport Pottery specialising in fruit studies. The background on his work was achieved by working the ceramic colour with a matchstick, giving a stippled effect. For further details about this artist see Wilkinson (Vega) A Dictionary of Ceramic Artists, Landmark Publishing, p.44.
An Art Nouveau Mahogany Sideboard by Shapland & Petter Ltd. of Barnstaple, with shaped shelved back and tapering legs, decorated with honesty leaves in fruitwood and abalone, stamped to the reverse with R2229 / 105, the panelled central doors and bowed end cupboards having foliate scrolled handles with Ruskin style ceramic insets, 152.5 cms wide.
An Edwardian mahogany envelope card table, the square top with moulded edge opening to a baize lined interior and fitted with a frieze drawer with brass drop handles with embossed backplates, raised on tapered legs of square section united by a raised shaped centre shelf and terminating in brass capped ceramic castors. Width 22 ins.
Loading...
