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A Wedgwood Pottery vase designed by Keith Murray, ribbed, flaring cylindrical form, covered in a matt white glaze, a Wedgwood blue basalt vase with cut decoration, a Langley Ware vase and white ceramic model of a Rhino, a Denby Danesby Ware vase, a jardiniere and three items of Poole Pottery, printed factory marks and KM monogram, 18.5cm. high (9)
A Wedgwood earthenware Matt Green vase designed by Keith Murray, ribbed ovoid form with collar neck, covered in a matt green glaze printed factory mark and facsimile signature, 15.5cm. high Literature Andrew Casey, 20th Century Ceramic Designers in Britain, ACC books, page 192 catalogue number 210 for a comparable example in Straw Yellow.
A pair of Aesthetic Movement Royal Worcester tea cups and saucers, fluted form, the cup modelled in low relief with frogs holding spears and looking up at a tree, the saucer a snake catching and swallowing a frog, whilst other frogs escape, the well modelled as a pond, in gold and bronze glazes on an ivory ground, printed marks, one cup smashed and re-stuck, 16.5cm. diam. (saucers) (4) Literature Charlotte Gere & Michael Whiteway 19th Century Design from Pugin to Mackintosh, page 174 plate 217 for three vases with similar decoration. Royal Worcester won a gold medal for its ceramic display at the 1878 Paris Exposition, with particular praise lavished on its Japanese style raised decoration in gold and bronze.
Five ceramic table lamps; and three metal table lamps, not all complete; an early 20th Century glass ewer with metal mounts, converted to electricity; a brass table lamp with hexagonal base; a Continental brass and opaque glass table lamp decorated with classical figures; two wall lights; and a blue tinted glass bowl.
A 1930's ceramic jug by Crown Ducal created in the style of Charlotte Rhead; Crown Devon vase with Charlotte Rhead style decoration depicting stylised deer and foliage; a Maling vase; Poole ware vase with leaf decoration on black ground; seven piece sandwich set in Imari colours by Wades of England; and three large West German glazed vases. (14)
Royal Worcester flatback jug, foliate decoration on blush ground and gold painted handle, puce mark to base, pattern No. 1094 (restored); together with a restored Maling two-handled fruit bowl, with hand-painted number on base 505/2; an Ironstone fruit bowl; a pair of Bloor Derby oval plates with hand-painted decoration of sprays of flowers; a pair of ceramic candle holders in the form of leaves; two leaf-pattern plates; and another large circular plate by Copeland, decorated painted holly leaves and mistletoe. (9)

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